Songs like Mr. Lonely by Bobby Vinton
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Clanton
Another Sleepless Night
80 bpm • F Maj • 02:11 • -9db
51% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Bobby Vinton
Let's Kiss And Make Up
80 bpm • C Maj • 02:28 • -10.16db
12% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Ray Peterson
Wedding Day
80 bpm • F Maj • 02:13 • -9.36db
43% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Mills Brothers
Till Then
80 bpm • D# Maj • 02:36 • -17db
44% Popularity • 61% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 61% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Wayne Newton
Shirl Girl - Remastered
80 bpm • A# Maj • 02:38 • -13.9db
35% Popularity • 51% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 51% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Lloyd Price
Never Let Me Go
80 bpm • C Maj • 02:30 • -9.75db
14% Popularity • 48% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 48% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmy Durante
As Time Goes By
80 bpm • D Maj • 02:28 • -11.19db
44% Popularity • 41% Danceability • 23% Energy • 35% Liveness
1% Instrumentalness • 25% Positiveness
44% Popularity • 41% Danceability • 23% Energy • 35% Liveness
1% Instrumentalness • 25% Positiveness
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Bobby Vinton
Tell Me Why
80 bpm • F Maj • 02:36 • -10.01db
23% Popularity • 25% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 25% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Vic Dana
Love Is All We Need
81 bpm • A# Maj • 02:24 • -10.98db
28% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Paul Anka
You Are My Destiny
79 bpm • G# Maj • 02:27 • -8db
42% Popularity • 35% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 35% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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The Shirelles
Dedicated To The One I Love
81 bpm • A# Maj • 02:04 • -11.9db
49% Popularity • 46% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 46% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The Diamonds
Silhouettes
81 bpm • E min • 02:45 • -11.51db
22% Popularity • 55% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 55% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Charles
I Can't Stop Loving You
79 bpm • F Maj • 04:16 • -13.55db
62% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Tommy Edwards
The Morning Side Of The Mountain
79 bpm • C Maj • 02:38 • -9db
39% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Vic Dana
A Million And One
81 bpm • C Maj • 02:29 • -11.76db
38% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Bobby Vinton
Blue Velvet
81 bpm • A# Maj • 02:48 • -14.48db
52% Popularity • 42% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 42% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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The Mills Brothers
Nevertheless (I'm In Love With You) - 19...
79 bpm • C Maj • 02:47 • -21db
49% Popularity • 56% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 56% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Eileen Rodgers
Miracle of Love
79 bpm • C# Maj • 02:26 • -7.68db
36% Popularity • 44% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 44% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Jim Reeves
He'll Have to Go
79 bpm • C Maj • 02:22 • -14db
48% Popularity • 43% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
48% Popularity • 43% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Malcolm Vaughan
My Special Angel
81 bpm • G min • 02:46 • -11db
38% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmie Rodgers
The Long Hot Summer
81 bpm • C Maj • 02:32 • -9.82db
12% Popularity • 23% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 23% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Bobby Vinton
A Thing Called Sadness
79 bpm • D# Maj • 02:40 • -12.83db
8% Popularity • 40% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 40% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Dion & The Belmonts
A Teenager In Love
79 bpm • C# Maj • 02:38 • -9.12db
61% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Wayne Newton
L-O-V-E - Remastered
79 bpm • A Maj • 02:48 • -12db
38% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Monro
Portrait of My Love
79 bpm • C Maj • 02:45 • -15db
46% Popularity • 27% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
46% Popularity • 27% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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The Penguins
Earth Angel
79 bpm • G# Maj • 02:51 • -11.12db
59% Popularity • 49% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 49% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Dionne Warwick
Anyone Who Had a Heart
79 bpm • G# Maj • 03:04 • -23.03db
45% Popularity • 50% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 50% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Ritchie Valens
Come On, Let's Go
81 bpm • A Maj • 02:04 • -8.1db
60% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Bobby Vinton
There! I've Said It Again
78 bpm • D Maj • 02:24 • -8db
37% Popularity • 26% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 26% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Craig Douglas
Carolina in the Morning
78 bpm • G Maj • 03:30 • -12.74db
23% Popularity • 34% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 34% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Ronnie McDowell
Blue Velvet
82 bpm • A# Maj • 02:48 • -11db
23% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Skyliners
It Happened Today
82 bpm • C# Maj • 01:47 • -6.24db
36% Popularity • 44% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 44% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Teresa Brewer
Let Me Go, Lover!
78 bpm • A Maj • 02:31 • -10.2db
31% Popularity • 56% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 56% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Monro
Yesterday
82 bpm • C Maj • 02:49 • -14.51db
40% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Bobby Vinton
Blue Velvet - Re-Recorded In Stereo
82 bpm • A# Maj • 04:28 • -10.71db
17% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Johnny Mathis
Chances Are - Single Version
78 bpm • A# Maj • 03:01 • -12db
48% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Bobby Vee
Take Good Care Of My Baby
83 bpm • C# Maj • 02:29 • -11db
59% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Louis Armstrong
What A Wonderful World
77 bpm • F Maj • 02:19 • -20.65db
78% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
78% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ricky Nelson
Lonesome Town
77 bpm • B Maj • 02:14 • -12.5db
62% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
62% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Buddy Holly
True Love Ways
83 bpm • A# Maj • 02:48 • -18.74db
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
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Bobby Vinton
Long Lonely Nights - Single Version
78 bpm • C Maj • 02:28 • -8.91db
26% Popularity • 30% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 30% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Joni James
Purple Shades
77 bpm • C min • 03:18 • -12.82db
13% Popularity • 36% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 36% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Della Reese
Not One Minute More
83 bpm • A# Maj • 02:38 • -6.35db
12% Popularity • 37% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 37% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Rays
Silhouettes
77 bpm • A min • 02:46 • -12db
44% Popularity • 28% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 28% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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The Crew Cuts
Earth Angel
76 bpm • D# Maj • 02:56 • -12.53db
26% Popularity • 59% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 59% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jimmie Rodgers
Secretly
76 bpm • A# min • 02:37 • -9.44db
30% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Bobby Vinton
Please Love Me Forever
77 bpm • D Maj • 02:36 • -20.07db
39% Popularity • 32% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 32% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Percy Faith & His Orchestra
Rags to Riches
76 bpm • D Maj • 02:52 • -13.32db
42% Popularity • 41% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 41% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Platters
Only You (And You Alone)
84 bpm • D# Maj • 02:46 • -10.81db
62% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Herb Alpert
This Guy's in Love with You
84 bpm • C# Maj • 03:57 • -15db
52% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
52% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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The Four Lads
Moments To Remember
84 bpm • G Maj • 03:15 • -12.81db
31% Popularity • 30% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 30% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Jim Reeves
Welcome to My World
76 bpm • F Maj • 02:22 • -19.13db
53% Popularity • 66% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 66% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Bobby Vinton
It's All In the Game
83 bpm • F Maj • 02:15 • -16db
21% Popularity • 33% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 33% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The McGuire Sisters
Sincerely
75 bpm • C# Maj • 02:58 • -9db
33% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Poni-Tails
Born to Late (Alternative Take)
85 bpm • E Maj • 02:17 • -5.79db
37% Popularity • 39% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
37% Popularity • 39% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Malcolm Vaughan
St Therese of the Roses
85 bpm • E Maj • 02:52 • -9.76db
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Sandie Shaw
(There's) Always Something There To Remi...
85 bpm • G# Maj • 02:45 • -8.79db
48% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Phil Phillips
Sea of Love
86 bpm • G Maj • 02:22 • -10db
46% Popularity • 40% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 40% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Bobby Vinton
Mr. Lonely
84 bpm • E Maj • 02:40 • -14.34db
47% Popularity • 37% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 37% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Sue Thompson
My Hero (That's What You Are)
86 bpm • B Maj • 02:16 • -11db
30% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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The Poni-Tails
Born Too Late
85 bpm • E Maj • 02:19 • -10.48db
55% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Vic Dana
Shangri-La
86 bpm • G# Maj • 02:06 • -9.9db
22% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 24% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The Del-Vikings
Oh Tonight - Remastered
86 bpm • A# Maj • 02:37 • -9.59db
15% Popularity • 47% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 47% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Ray Peterson
Till Then
74 bpm • F Maj • 02:09 • -8db
34% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Vinton
P.S I Love You
85 bpm • D# Maj • 02:19 • -19.17db
32% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Mel Carter
Hold Me, Thrill Me, Kiss Me
74 bpm • C# min • 02:29 • -6.43db
53% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Johnnie Ray
As Time Goes By
74 bpm • A min • 03:11 • -12.16db
21% Popularity • 32% Danceability • 24% Energy • 39% Liveness
1% Instrumentalness • 29% Positiveness
21% Popularity • 32% Danceability • 24% Energy • 39% Liveness
1% Instrumentalness • 29% Positiveness
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Vic Dana
Bring A Little Sunshine - To My Heart
87 bpm • A Maj • 02:38 • -11.32db
29% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 26% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Teresa Brewer
Till I Waltz Again With You
87 bpm • D Maj • 03:01 • -11db
32% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 60% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Etta James
At Last
87 bpm • F Maj • 02:59 • -8.63db
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
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Bobby Vinton
Just as Much as Ever
85 bpm • C# Maj • 02:19 • -16.49db
21% Popularity • 50% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 50% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Ray Peterson
The Wonder of You
73 bpm • F Maj • 02:37 • -8db
47% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Brothers Four
We May Never Love Like This Again
88 bpm • F Maj • 01:54 • -13.02db
25% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Dion & The Belmonts
Wonderful Girl
88 bpm • A# Maj • 02:40 • -9.12db
38% Popularity • 26% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 26% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Connie Francis
Who's Sorry Now
88 bpm • D# Maj • 02:16 • -6db
59% Popularity • 52% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 52% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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The Spaniels
Goodnight, Sweetheart, Goodnight
73 bpm • G Maj • 02:40 • -13.42db
50% Popularity • 56% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 56% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Vinton
Always, Always (Yesterday's Love Song)
75 bpm • C# Maj • 02:35 • -12.31db
9% Popularity • 35% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 35% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Monro
From Russia with Love - Single Version
88 bpm • D min • 02:35 • -12db
47% Popularity • 30% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 30% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Al Martino
Daddy's Little Girl
88 bpm • C min • 02:31 • -9.62db
27% Popularity • 39% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 39% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Tommy Edwards
Now And Then There's A Fool Such As I
88 bpm • A# Maj • 02:11 • -18.72db
36% Popularity • 52% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 52% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Tony Orlando & Dawn
Tie a Yellow Ribbon Round the Ole Oak Tr...
88 bpm • F Maj • 03:27 • -7.47db
55% Popularity • 57% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 57% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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The Chiffons
He's So Fine - Remastered 2000
72 bpm • G Maj • 01:52 • -3.27db
59% Popularity • 56% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
59% Popularity • 56% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Bobby Vinton
Sealed with a Kiss
86 bpm • F min • 02:49 • -12.9db
50% Popularity • 41% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 41% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Ruby Murray
I'll Come When You Call
72 bpm • A# Maj • 02:36 • -14db
23% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Dion & The Belmonts
I'm Through With Love
72 bpm • G Maj • 02:17 • -9.23db
34% Popularity • 30% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 30% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Eddie Fisher
Outside of Heaven
88 bpm • F Maj • 02:38 • -8.59db
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 33% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Pat Boone and His Orchestra
Love Letters In The Sand
88 bpm • D# Maj • 02:19 • -18.75db
42% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Al Martino
I Love You Because
89 bpm • G# Maj • 02:43 • -12.75db
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Bobby Vinton
My Heart Belongs to Only You
74 bpm • B Maj • 02:42 • -13.31db
18% Popularity • 38% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 38% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Connie Francis
Where The Boys Are
72 bpm • G Maj • 02:37 • -6.03db
43% Popularity • 40% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 40% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Ray Peterson
The Wonder of You
72 bpm • F Maj • 02:35 • -4.45db
22% Popularity • 16% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 16% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Ritchie Valens
Stay Beside Me - Single Version
89 bpm • F Maj • 02:24 • -16db
44% Popularity • 48% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 48% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Joni James
Have You Heard
72 bpm • G# Maj • 03:01 • -15db
20% Popularity • 21% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 21% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Malcolm Vaughan
More Than Ever
72 bpm • C# min • 02:18 • -9.69db
31% Popularity • 40% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 40% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Bobby Vinton
I'll Never Smile Again
88 bpm • D# Maj • 02:40 • -11.38db
10% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Neil Sedaka
You Mean Everything to Me
72 bpm • C min • 02:37 • -7.8db
53% Popularity • 37% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 37% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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The Cascades
My First Day Alone
71 bpm • D Maj • 02:39 • -11.46db
33% Popularity • 48% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 48% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Herman's Hermits
The End of the World - 1997 Remaster
90 bpm • F Maj • 03:00 • -11db
38% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
