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Mr. Miller
Songs like
Mr. Miller
by
Lars Danielsson
Based on a tempo of (+/- 10%) and a similar genre
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Lars Danielsson
Orationi
133 bpm • F min • 04:03 • -15.02db
10% Popularity • 30% Danceability • 11% Energy • 22% Liveness
90% Instrumentalness • 7% Positiveness
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Bobo Stenson Trio
Doubt Thou The Stars
133 bpm • G min • 07:57 • -22.11db
17% Popularity • 46% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Wolfgang Haffner
Recuerdos de la Alhambra
133 bpm • A Maj • 05:12 • -20.18db
9% Popularity • 45% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Jon Balke
This Is The Movie
134 bpm • C Maj • 05:18 • -26.98db
25% Popularity • 30% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Mathias Eick
Parents
132 bpm • C Maj • 05:16 • -16db
17% Popularity • 54% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
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Lars Danielsson
Mr. Miller
133 bpm • A min • 03:34 • -26.06db
19% Popularity • 41% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Dominic Miller
What You Didn’t Say
134 bpm • A min • 05:41 • -22.42db
26% Popularity • 50% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Enrico Pieranunzi
1ère gymnopédie
132 bpm • D Maj • 03:42 • -17.73db
42% Popularity • 47% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Thomas Strønen
Lucus
134 bpm • F min • 03:47 • -19.68db
10% Popularity • 32% Danceability • 30% Energy • 7% Liveness
83% Instrumentalness • 15% Positiveness
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Tord Gustavsen Quartet
Suite
132 bpm • C# Maj • 08:19 • -21.62db
9% Popularity • 36% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Ulf Wakenius
She's Leaving Home
134 bpm • A Maj • 04:34 • -22.48db
11% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Lars Danielsson
The Madonna
132 bpm • F min • 06:28 • -13.93db
7% Popularity • 63% Danceability • 30% Energy • 7% Liveness
89% Instrumentalness • 28% Positiveness
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Mats Eilertsen
22
132 bpm • A# min • 04:58 • -28.56db
28% Popularity • 33% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Anat Fort Trio
Paul Motian (2)
134 bpm • D Maj • 04:00 • -26.55db
27% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
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Nils Petter Molvær
Honey in Your Head
132 bpm • B min • 03:42 • -17.76db
24% Popularity • 43% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Dominic Miller
Water
135 bpm • D# min • 05:23 • -24.36db
20% Popularity • 38% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 45% Positiveness
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Ulf Wakenius
Psalmen
131 bpm • G min • 04:36 • -19.51db
14% Popularity • 47% Danceability • 4% Energy • 11% Liveness
64% Instrumentalness • 27% Positiveness
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Lars Danielsson
Imagine Joao
134 bpm • D min • 03:41 • -26.97db
29% Popularity • 47% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Trygve Seim
Nu Seglar Vi Inn
131 bpm • C min • 04:34 • -19.28db
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 19% Positiveness
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Tingvall Trio
Cowboy
135 bpm • B min • 03:39 • -17.76db
26% Popularity • 49% Danceability • 32% Energy • 9% Liveness
82% Instrumentalness • 39% Positiveness
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Grégory Privat
Song for Jojo
131 bpm • B min • 03:27 • -17db
32% Popularity • 37% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Marcin Wasilewski
Hyperballad
131 bpm • C min • 05:52 • -20.86db
22% Popularity • 39% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
26% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Eberhard Weber
Maurizius
135 bpm • F Maj • 08:13 • -24db
18% Popularity • 25% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Mathias Eick
Hunt
135 bpm • G min • 02:49 • -16.76db
14% Popularity • 50% Danceability • 22% Energy • 25% Liveness
83% Instrumentalness • 22% Positiveness
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Esbjörn Svensson
Prelude in D-Minor
130 bpm • F Maj • 04:13 • -15db
21% Popularity • 44% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Dominic Miller
Ombu
135 bpm • G# min • 03:40 • -19.19db
18% Popularity • 53% Danceability • 31% Energy • 10% Liveness
70% Instrumentalness • 17% Positiveness
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Ulf Wakenius
And I Love Her
136 bpm • D min • 03:20 • -30.77db
16% Popularity • 47% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Anat Fort Trio
En If
135 bpm • A Maj • 05:54 • -21.11db
24% Popularity • 41% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Tora Augestad
Mitt hjem er hos deg
136 bpm • F Maj • 04:02 • -16.33db
11% Popularity • 37% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mathias Eick
Ravensburg
131 bpm • A# min • 05:37 • -20.75db
22% Popularity • 48% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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Jacob Karlzon
Promises Kept
130 bpm • F# min • 05:32 • -21.09db
9% Popularity • 44% Danceability • 8% Energy • 25% Liveness
91% Instrumentalness • 5% Positiveness
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Tord Gustavsen Quartet
Staying There
130 bpm • F min • 04:52 • -15db
26% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Julian & Roman Wasserfuhr
Fool's Paradise
136 bpm • G min • 06:17 • -17.35db
10% Popularity • 54% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 24% Positiveness
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LITANGEN
Leilani
136 bpm • A Maj • 02:51 • -11.47db
23% Popularity • 56% Danceability • 15% Energy • 21% Liveness
92% Instrumentalness • 30% Positiveness
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Lars Danielsson
Fellow
130 bpm • D min • 06:05 • -23.51db
14% Popularity • 55% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Mathias Eick
March
136 bpm • F# Maj • 05:53 • -17.57db
6% Popularity • 40% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Antonio Faraò
I Could Have Done More
136 bpm • E min • 04:44 • -14db
20% Popularity • 35% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Ketil Bjørnstad
Remembrance VI
136 bpm • B min • 06:07 • -28.76db
21% Popularity • 26% Danceability • 2% Energy • 16% Liveness
89% Instrumentalness • 9% Positiveness
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Julian & Roman Wasserfuhr
Some Other Time
130 bpm • A# min • 03:54 • -18.06db
9% Popularity • 54% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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David Helbock
Theme from Schindler's List
130 bpm • G min • 05:04 • -22.23db
25% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Trio Viret
Saint Awawa
130 bpm • E min • 06:03 • -12.55db
22% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
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Mathias Eick
Turning
130 bpm • F min • 05:36 • -16.25db
12% Popularity • 38% Danceability • 17% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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John Surman
Byndweed
137 bpm • C min • 05:11 • -15.59db
15% Popularity • 42% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Daniel Herskedal
The Mariner's Cross
137 bpm • E min • 03:14 • -17.91db
18% Popularity • 42% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 41% Positiveness
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Ulf Wakenius
Maybe I'm Amazed
137 bpm • D Maj • 04:21 • -13.43db
12% Popularity • 61% Danceability • 42% Energy • 15% Liveness
90% Instrumentalness • 40% Positiveness
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Andy Sheppard
Ballarina
137 bpm • D min • 03:43 • -20.67db
10% Popularity • 40% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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David Helbock
Beethoven #7, 2nd Movement
129 bpm • A min • 02:43 • -23db
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Erik Truffaz
Agades - Désert
137 bpm • G min • 06:56 • -17.29db
29% Popularity • 32% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
47% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Andy Sheppard Quartet
Origin Of Species
129 bpm • D Maj • 05:06 • -24.42db
28% Popularity • 29% Danceability • 3% Energy • 11% Liveness
73% Instrumentalness • 10% Positiveness
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Ulf Wakenius
Blackbird
129 bpm • G Maj • 05:49 • -19.52db
22% Popularity • 67% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Mathias Eick
Hem
137 bpm • G min • 05:14 • -14.23db
8% Popularity • 33% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 28% Positiveness
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Benedikt Jahnel Trio
Further Consequences
137 bpm • D Maj • 05:49 • -22db
8% Popularity • 30% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Tord Gustavsen Quartet
On Every Corner
129 bpm • C min • 05:12 • -18.9db
25% Popularity • 43% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Airelle Besson
Birsay
128 bpm • B min • 02:27 • -16.88db
26% Popularity • 61% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
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Cesare Picco
Castle Dance
138 bpm • D min • 03:13 • -22.94db
23% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Wolfgang Haffner
Children of Sanchez
138 bpm • D min • 04:00 • -16.99db
18% Popularity • 63% Danceability • 26% Energy • 12% Liveness
81% Instrumentalness • 11% Positiveness
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Mathias Eick
Flying
138 bpm • F Maj • 05:10 • -32.71db
11% Popularity • 36% Danceability • 3% Energy • 4% Liveness
84% Instrumentalness • 11% Positiveness
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Jan Garbarek
Scene From Afar
138 bpm • G Maj • 05:14 • -13.59db
16% Popularity • 47% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Daniel Danielsson
Hopeful
128 bpm • C min • 05:47 • -21.19db
16% Popularity • 44% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Misha Alperin
At Home
139 bpm • A# Maj • 02:42 • -32db
35% Popularity • 45% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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John Surman
Pitanga Pitomba
127 bpm • C# Maj • 07:06 • -14.71db
10% Popularity • 49% Danceability • 21% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Trygve Seim
Agnus Dei
127 bpm • D Maj • 03:13 • -24.21db
14% Popularity • 35% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
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Mathias Eick
Heather
138 bpm • E min • 03:40 • -19.93db
4% Popularity • 23% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Tord Gustavsen Quartet
The Embrace
127 bpm • D min • 04:58 • -15.1db
21% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Niels Lan Doky
The Lilly Flower - Liljankukka
127 bpm • D min • 05:06 • -20.62db
18% Popularity • 52% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Leszek Możdżer
Yearning for a Nest
126 bpm • F Maj • 02:52 • -31.46db
9% Popularity • 36% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Bugge Wesseltoft
tide
140 bpm • D Maj • 04:02 • -21.31db
14% Popularity • 50% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Jacob Karlzon
Secret Rooms
140 bpm • G min • 06:53 • -20.68db
9% Popularity • 59% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Mathias Eick
Playing
126 bpm • C min • 05:20 • -16.66db
11% Popularity • 47% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
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Julian & Roman Wasserfuhr
Interlude
126 bpm • C Maj • 01:30 • -16.24db
20% Popularity • 55% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 50% Positiveness
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Hadouk Trio
Lomsha
126 bpm • D min • 07:20 • -14db
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Bobo Stenson
Don's Kora Song
141 bpm • D# min • 05:08 • -22.03db
31% Popularity • 44% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 75% Positiveness
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Triosence
Can't Let Go
126 bpm • A# Maj • 04:24 • -18.06db
17% Popularity • 52% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
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Kenny Wheeler
My New Hat
126 bpm • A Maj • 07:58 • -19.39db
3% Popularity • 48% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Mathias Eick
Lost
126 bpm • C min • 05:43 • -14.74db
5% Popularity • 40% Danceability • 26% Energy • 13% Liveness
85% Instrumentalness • 24% Positiveness
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Joona Toivanen Trio
At My Side
126 bpm • G# Maj • 04:47 • -20db
16% Popularity • 59% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Colin Vallon
Tsunami
125 bpm • A min • 07:00 • -19.74db
12% Popularity • 39% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Jan Garbarek Group
Arietta
126 bpm • D# Maj • 06:27 • -19.82db
12% Popularity • 34% Danceability • 5% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Lars Danielsson
Entrance
141 bpm • C min • 03:25 • -24.23db
17% Popularity • 41% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Markus Stockhausen
Mondtraum
125 bpm • E min • 05:10 • -25db
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
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Mathias Eick
Girlfriend
126 bpm • B min • 05:13 • -16.63db
13% Popularity • 52% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Elvira Nikolaisen
I Concentrate on You
125 bpm • A Maj • 04:15 • -11.93db
7% Popularity • 46% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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John Surman
Within The Clouds
125 bpm • F min • 04:48 • -19.11db
16% Popularity • 39% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 8% Positiveness
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Cæcilie Norby
Both Sides Now
142 bpm • D Maj • 05:35 • -17.75db
19% Popularity • 53% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Bobo Stenson Trio
Canción Contra La Indecisión
125 bpm • C Maj • 04:12 • -23.6db
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Markus Stockhausen
Encoer
125 bpm • D min • 05:18 • -15db
12% Popularity • 60% Danceability • 27% Energy • 36% Liveness
90% Instrumentalness • 52% Positiveness
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Jan Garbarek Group
There Were Swallows...
142 bpm • F min • 08:40 • -23.3db
13% Popularity • 45% Danceability • 11% Energy • 5% Liveness
49% Instrumentalness • 25% Positiveness
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Mathias Eick
Cologne Blues
141 bpm • D min • 08:46 • -22.11db
12% Popularity • 33% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Lars Danielsson
Grace
142 bpm • G min • 03:08 • -18.94db
22% Popularity • 40% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Colin Vallon
Sisyphe
143 bpm • G# min • 04:26 • -26.75db
35% Popularity • 38% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Wolfgang Haffner
El Faro
124 bpm • D min • 04:23 • -20.61db
14% Popularity • 72% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Jan Garbarek
Conversation With A Stone
143 bpm • C min • 04:18 • -10.76db
15% Popularity • 25% Danceability • 29% Energy • 8% Liveness
52% Instrumentalness • 6% Positiveness
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Tord Gustavsen Quartet
Eg Veit I Himmerik Ei Borg
124 bpm • A min • 05:39 • -13db
21% Popularity • 29% Danceability • 41% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Mathias Eick
Edinburgh
142 bpm • C# Maj • 05:04 • -15.43db
10% Popularity • 44% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 34% Positiveness
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Tore Brunborg
Shelter
123 bpm • C# min • 05:21 • -18.57db
18% Popularity • 57% Danceability • 18% Energy • 19% Liveness
91% Instrumentalness • 25% Positiveness
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Colin Vallon
Reste
143 bpm • D# Maj • 01:36 • -23.39db
39% Popularity • 30% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Wolfgang Haffner
For Vince & Arif
124 bpm • G# Maj • 01:14 • -16.89db
19% Popularity • 74% Danceability • 60% Energy • 28% Liveness
78% Instrumentalness • 97% Positiveness
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Mr. Miller