Songs like mr. nice guy by KAYDEN
Based on a tempo of (+/- 10%) and a similar genre
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Alec Benjamin
Just Like You
92 bpm • C Maj • 02:47 • -5.61db
49% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Sarcastic Sounds
say goodbye
92 bpm • G# Maj • 01:26 • -9.56db
52% Popularity • 71% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 71% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Brennen Taylor
Girl Next Door
92 bpm • E min • 02:36 • -7.46db
24% Popularity • 80% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 80% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Bri-C
Blacked Out Whip
92 bpm • E min • 02:36 • -9.04db
44% Popularity • 80% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 80% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Christian French
i think too much
92 bpm • G min • 03:22 • -7.86db
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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347aidan
Be Happy
92 bpm • B min • 03:22 • -17.16db
48% Popularity • 69% Danceability • 26% Energy • 25% Liveness
4% Instrumentalness • 20% Positiveness
48% Popularity • 69% Danceability • 26% Energy • 25% Liveness
4% Instrumentalness • 20% Positiveness
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PmBata
I Would Never
92 bpm • A Maj • 02:37 • -8.51db
31% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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KAYDEN
mr. nice guy
92 bpm • A Maj • 03:40 • -3.98db
48% Popularity • 61% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 61% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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The Kid LAROI
F*CK YOU, GOODBYE
92 bpm • F min • 02:24 • -6.7db
70% Popularity • 72% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
70% Popularity • 72% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan Mack
Broke
92 bpm • G Maj • 02:30 • -7.33db
50% Popularity • 85% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 85% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Aries
DITTO
93 bpm • E Maj • 02:30 • -9.14db
46% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Chri$tian Gate$
Breakup Sex
92 bpm • F# min • 02:04 • -7.63db
41% Popularity • 78% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 78% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Cam Harris
10.4
93 bpm • C# min • 02:05 • -7.87db
31% Popularity • 77% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 77% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Kid LAROI
WITHOUT YOU
93 bpm • C Maj • 02:41 • -7.36db
76% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
76% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Indii G.
No Way
93 bpm • G Maj • 03:37 • -7.26db
29% Popularity • 52% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 52% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Christian French
good things take time
93 bpm • C Maj • 02:36 • -7.86db
43% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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F.E.A.T.S
Spongebob
93 bpm • C# Maj • 03:00 • -5.68db
17% Popularity • 72% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 72% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 54% Positiveness
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Cameron Sanderson
Hurting Myself is so Fun
91 bpm • A# Maj • 03:18 • -9.1db
29% Popularity • 44% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 44% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Stillharley
starstruck
94 bpm • C Maj • 02:35 • -3.91db
35% Popularity • 61% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 61% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Blanco
Over
91 bpm • C# Maj • 02:39 • -6.25db
34% Popularity • 77% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 77% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Clinton Kane
GO TO HELL
90 bpm • D Maj • 03:03 • -3db
48% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 61% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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DIRTYXAN
MEAN GIRLS
90 bpm • A# Maj • 02:10 • -8.02db
37% Popularity • 43% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 43% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chri$tian Gate$
Nomad
94 bpm • B min • 02:09 • -9db
48% Popularity • 80% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 80% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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jxdn
BETTER OFF DEAD
94 bpm • A# min • 02:35 • -5.76db
58% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 68% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Olmos
sunshine
90 bpm • G Maj • 02:21 • -6db
33% Popularity • 72% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 72% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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vaultboy
why u gotta be like that
90 bpm • G Maj • 02:23 • -8db
53% Popularity • 67% Danceability • 62% Energy • 68% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 67% Danceability • 62% Energy • 68% Liveness
0% Instrumentalness • 29% Positiveness
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LAYNE
KickBack
94 bpm • G# min • 02:13 • -8.97db
30% Popularity • 86% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 86% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Connor Price
City Lights
94 bpm • D# Maj • 02:15 • -8.39db
45% Popularity • 90% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 90% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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AJ Mitchell
All My Friends
90 bpm • E Maj • 02:52 • -5.29db
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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re4se
51 Girls
94 bpm • C# min • 02:25 • -9.57db
39% Popularity • 78% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 78% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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AWIN
outlier
90 bpm • D min • 01:57 • -12.3db
17% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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iamnotshane
I'm Leaving, Sorry For Your Loss
90 bpm • C# min • 02:17 • -8db
40% Popularity • 71% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 71% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Connor Kauffman
Remember
90 bpm • D Maj • 02:10 • -7db
50% Popularity • 65% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 65% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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iann dior
don't wanna believe
90 bpm • C min • 01:52 • -6.88db
43% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Zachary Knowles
slow summer
90 bpm • F Maj • 02:48 • -8.9db
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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EBEN
The Kids Are Alright
90 bpm • G# Maj • 02:52 • -5.07db
27% Popularity • 83% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 83% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Thekidszn
Hills
94 bpm • D Maj • 02:05 • -5.21db
42% Popularity • 71% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 71% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Alex Sampson
All That We Could Have Been
90 bpm • A# Maj • 03:10 • -5.75db
47% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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H3x
Weight
90 bpm • G# Maj • 02:30 • -8db
31% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Alec Benjamin
Jesus in LA
94 bpm • C Maj • 02:51 • -5.24db
61% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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MICO
did too much
90 bpm • F# Maj • 02:17 • -5.64db
43% Popularity • 52% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 52% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Conor Matthews
Drunk
95 bpm • C Maj • 02:16 • -7.06db
31% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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PmBata
2little 2late
90 bpm • A min • 02:40 • -8.44db
24% Popularity • 71% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 71% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Unodavid
me again
95 bpm • C min • 02:22 • -8.07db
46% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Jay-Way
No, I'm Not Ok
90 bpm • C# Maj • 01:50 • -4.2db
26% Popularity • 68% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 68% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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NF
Lie
95 bpm • F Maj • 03:29 • -6.42db
75% Popularity • 51% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
75% Popularity • 51% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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robert.
Bury a Friend
95 bpm • G Maj • 03:12 • -6.87db
33% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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iann dior
gone girl
95 bpm • B Maj • 02:16 • -5.85db
64% Popularity • 68% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 68% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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AMAG
Ride or Die
95 bpm • G# min • 02:01 • -8db
56% Popularity • 84% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
56% Popularity • 84% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Jomie
Brighter Days
95 bpm • G Maj • 02:44 • -8.45db
43% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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John Michael Howell
I L O V E Y O U
95 bpm • C# Maj • 02:55 • -9db
40% Popularity • 67% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 67% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Joshua Golden
dying together
95 bpm • B min • 02:36 • -7db
33% Popularity • 79% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 79% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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david hugo
9teen
95 bpm • F# Maj • 02:40 • -7.82db
32% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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JXN
love sux
95 bpm • G# min • 02:24 • -5.34db
40% Popularity • 78% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 78% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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AMAG
Honey
95 bpm • D min • 02:24 • -8.71db
39% Popularity • 87% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 87% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Justus Bennetts
Bad Day
89 bpm • A Maj • 01:48 • -4.68db
58% Popularity • 88% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 88% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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JORDY
Just Friends
95 bpm • G Maj • 03:09 • -7.02db
51% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Joshua Golden
Violets
95 bpm • A min • 01:55 • -6.15db
54% Popularity • 57% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 57% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
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New Rules
Pasta
89 bpm • C# Maj • 02:57 • -4db
50% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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KAYDEN
CHERRY
89 bpm • A# Maj • 02:47 • -7.1db
28% Popularity • 78% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 78% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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iann dior
Holding On
95 bpm • G# Maj • 02:06 • -4.7db
57% Popularity • 71% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 71% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Mishaal Tamer
Mister Mister
89 bpm • F Maj • 02:44 • -6db
37% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Sueco
PRIMADONA
96 bpm • G# min • 01:54 • -7db
55% Popularity • 82% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 82% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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PmBata
favorite song
96 bpm • G# Maj • 02:11 • -8.02db
30% Popularity • 73% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 73% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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GRAHAM
Graduate
96 bpm • F# Maj • 02:05 • -8.34db
59% Popularity • 85% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
59% Popularity • 85% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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KAYDEN
SAY
96 bpm • G# Maj • 02:36 • -6.27db
27% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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iann dior
Never Is Enough
96 bpm • F min • 02:14 • -4.75db
53% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Zach Hood
Just Kids
88 bpm • G# Maj • 02:24 • -3.13db
35% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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CaRter
Jasper Avenue
88 bpm • A Maj • 04:34 • -10.66db
42% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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PmBata
Nobody Came to My Party
96 bpm • A min • 02:41 • -7.32db
39% Popularity • 84% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 84% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Yung Pinch
Dead 2 Me
88 bpm • C min • 02:49 • -7.54db
39% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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KAYDEN
one more year
96 bpm • D Maj • 03:08 • -7.35db
20% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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vaultboy
feel anything
88 bpm • A# Maj • 02:11 • -9.41db
54% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Miles Wesley
Neighborhood
88 bpm • A# Maj • 02:35 • -6.17db
19% Popularity • 68% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 68% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Emcee KB
Retro
88 bpm • A Maj • 02:36 • -10.86db
36% Popularity • 89% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 89% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Aries
ONE PUNCH
88 bpm • E Maj • 02:25 • -5.22db
54% Popularity • 64% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 64% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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AMAG
Shadow
87 bpm • F Maj • 02:44 • -7.15db
60% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
60% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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KAYDEN
Colder
88 bpm • C Maj • 03:16 • -8.63db
20% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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iann dior
Pretty Girls
97 bpm • F# Maj • 02:13 • -6.98db
57% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Cameron Sanderson
Shally (the hoodie song)
97 bpm • G Maj • 01:49 • -9.09db
15% Popularity • 70% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 70% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Cyril
Escape
97 bpm • D Maj • 03:37 • -6.16db
18% Popularity • 76% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 76% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Darko
bad timing
97 bpm • B min • 02:21 • -8db
27% Popularity • 74% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 74% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Seon
Never Be Alright
87 bpm • G min • 02:48 • -10.12db
60% Popularity • 84% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
60% Popularity • 84% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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KAYDEN
DOESNT COUNT
88 bpm • C Maj • 02:47 • -8db
31% Popularity • 72% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 72% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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The Kid LAROI
NEED YOU MOST (So Sick)
87 bpm • F Maj • 02:15 • -3.63db
59% Popularity • 63% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 63% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Suriel Hess
Overthinking
98 bpm • F Maj • 02:30 • -6.94db
42% Popularity • 73% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 73% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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CORPSE
agoraphobic
98 bpm • G Maj • 02:09 • -9.57db
59% Popularity • 82% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
59% Popularity • 82% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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GUNNAR
Dance Alone
98 bpm • C# Maj • 03:11 • -6.68db
31% Popularity • 58% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 58% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Adam Turley
The Problem
98 bpm • C Maj • 03:23 • -6.82db
33% Popularity • 70% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 70% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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KAYDEN
your sofa
88 bpm • B Maj • 02:45 • -6.3db
20% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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NF
Time
98 bpm • C min • 04:00 • -4.06db
70% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
70% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin Powers
Misguided
98 bpm • G Maj • 02:21 • -8.21db
41% Popularity • 74% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 74% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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BoyWithUke
Nosedive
98 bpm • B Maj • 03:07 • -6.45db
59% Popularity • 70% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
59% Popularity • 70% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Alec King
ur a bitch and i hate u cuz u broke my h...
98 bpm • G# Maj • 02:51 • -8db
35% Popularity • 86% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 86% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Cameron Sanderson
While You're Sleeping in My Sweater
86 bpm • G Maj • 03:01 • -7.08db
14% Popularity • 55% Danceability • 79% Energy • 12% Liveness
16% Instrumentalness • 45% Positiveness
14% Popularity • 55% Danceability • 79% Energy • 12% Liveness
16% Instrumentalness • 45% Positiveness
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KAYDEN
picking flowers
87 bpm • C# Maj • 02:50 • -5.31db
22% Popularity • 64% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 64% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Austin George
bluebonnets
86 bpm • A# Maj • 02:06 • -9.48db
52% Popularity • 59% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 59% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
