Songs like Mr. Nobody (feat. Tom Cochrane) by Johnson Crook
Based on a tempo of (+/- 10%) and a similar genre
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Adam Brandt
Worth Every Mile
150 bpm • D Maj • 03:31 • -8.09db
10% Popularity • 63% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 63% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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The Porch Hounds
Highway Crawler
150 bpm • B Maj • 03:53 • -7.73db
9% Popularity • 51% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 51% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Paul McDonald
Stay Home
150 bpm • A Maj • 03:42 • -9.54db
11% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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James Ward
Hell No
150 bpm • C Maj • 03:22 • -5db
17% Popularity • 57% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 57% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Will Overman Band
Son
150 bpm • B Maj • 05:37 • -6.24db
8% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Mallett Brothers Band
Livin' on Rock 'n Roll
150 bpm • E Maj • 04:30 • -7.82db
13% Popularity • 34% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 34% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Walt Wilkins
Poetry
150 bpm • G Maj • 04:10 • -3.72db
13% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Sundy Best
Winding Through the Woods
150 bpm • C Maj • 03:35 • -6.93db
17% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Evan Bartels
Demons
149 bpm • A Maj • 04:43 • -7.75db
13% Popularity • 50% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 50% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Hard Truth
Harder Than It Seems
151 bpm • C# Maj • 03:29 • -9.48db
13% Popularity • 51% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
13% Popularity • 51% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
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A. J. LeGrand
Expectations
149 bpm • F Maj • 03:24 • -8.82db
10% Popularity • 63% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 63% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Grayson Jenkins
Somewhere in Kentucky
149 bpm • A Maj • 03:06 • -6db
20% Popularity • 44% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 44% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Joel Adam Russell
Burned
149 bpm • C Maj • 04:19 • -8.86db
11% Popularity • 54% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 54% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Travis Meadows
McDowell Road
152 bpm • F Maj • 03:51 • -7.24db
13% Popularity • 56% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 56% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Time Sawyer
Oak & Pine
151 bpm • B Maj • 03:18 • -10.05db
16% Popularity • 55% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 55% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Callahan Divide
Pirate
152 bpm • D# Maj • 04:52 • -8.94db
17% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Paul McDonald
New Lovers
148 bpm • B Maj • 04:09 • -9db
28% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Zac Wilkerson
Be My Juliet
148 bpm • F# Maj • 04:02 • -9db
10% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Neil Medley
Maliblue
152 bpm • D Maj • 02:54 • -10.53db
21% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Travis Meadows
Wide Open
152 bpm • C Maj • 03:50 • -8.79db
10% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jonathan Peyton
Where Do We Stand
152 bpm • E Maj • 04:35 • -8.34db
7% Popularity • 61% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 61% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Skin & Bones
Northern Lights
152 bpm • E Maj • 03:26 • -6.04db
9% Popularity • 46% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 46% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Folk Soul Revival
Buck Up
148 bpm • A Maj • 04:18 • -6db
13% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Ruthie Collins
Joshua Tree
148 bpm • B min • 04:11 • -7.21db
18% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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William Prince
Bodyguard & the Beer Girl
148 bpm • C# Maj • 04:13 • -14.26db
11% Popularity • 51% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 51% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Will Hoge
17
153 bpm • G# Maj • 04:04 • -7.84db
18% Popularity • 40% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 40% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Zac Wilkerson
Pieces
147 bpm • C# Maj • 03:55 • -13db
11% Popularity • 60% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 60% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Will Overman Band
Ode to Virginia
147 bpm • A# Maj • 04:49 • -8.4db
9% Popularity • 49% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 49% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Buffalo Ruckus
Hills and Valleys
147 bpm • D Maj • 03:45 • -7.45db
17% Popularity • 52% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 52% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Blue Water Highway
Hanging On
147 bpm • D# Maj • 04:40 • -9db
12% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Austin Jenckes
There's a Song
147 bpm • D Maj • 03:24 • -6.3db
10% Popularity • 54% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 54% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Kiefer Luttrell
Every Shade of Blue
147 bpm • C min • 02:15 • -13.84db
17% Popularity • 40% Danceability • 36% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
17% Popularity • 40% Danceability • 36% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
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The Mulligan Brothers
Loving You Is Easy
147 bpm • C Maj • 04:29 • -6.63db
9% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Nicholas Jamerson
Son of James
147 bpm • C# Maj • 03:55 • -6.06db
10% Popularity • 52% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 52% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Corey Legge
West Coast
154 bpm • G Maj • 03:36 • -5.77db
16% Popularity • 56% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 56% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Brendan Michael Smith
'Til The Wheels Fall Off
154 bpm • C# Maj • 04:48 • -7.43db
13% Popularity • 59% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 59% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Thieving Birds
Wild Thing
146 bpm • E Maj • 03:06 • -11.74db
26% Popularity • 48% Danceability • 47% Energy • 16% Liveness
56% Instrumentalness • 54% Positiveness
26% Popularity • 48% Danceability • 47% Energy • 16% Liveness
56% Instrumentalness • 54% Positiveness
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Andrew Sevener
Me, My Old Man and Steely Dan
146 bpm • E Maj • 03:18 • -10.81db
21% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Brian Dunne
We Don't Talk About It
145 bpm • G# Maj • 04:57 • -13.78db
8% Popularity • 48% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 48% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Caleb Caudle
Crushed Coins
145 bpm • C# Maj • 03:04 • -13.32db
13% Popularity • 64% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 64% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Craig Street Ramblers
Can't Get Right
155 bpm • C Maj • 03:14 • -9.91db
11% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Brian Pounds
Somewhere, Maybe Carolina
145 bpm • E Maj • 03:31 • -9db
12% Popularity • 44% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 44% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Market Junction
Out Of Love
145 bpm • G Maj • 02:56 • -7.83db
6% Popularity • 58% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 58% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Travis Meadows
Old Ghosts
156 bpm • F Maj • 04:03 • -9.98db
12% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Will Hoge
Even the River Runs out of This Town
156 bpm • G Maj • 03:19 • -9.2db
20% Popularity • 50% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 50% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Austin Plaine
Houston
156 bpm • B min • 03:20 • -10db
32% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Jack Ingram
Nothing to Fix
144 bpm • C Maj • 04:58 • -10.98db
11% Popularity • 55% Danceability • 39% Energy • 7% Liveness
9% Instrumentalness • 37% Positiveness
11% Popularity • 55% Danceability • 39% Energy • 7% Liveness
9% Instrumentalness • 37% Positiveness
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The Buffalo Ruckus
Lay Your Love On Me
144 bpm • G Maj • 03:36 • -7.87db
13% Popularity • 52% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 52% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Josephines
Sober up
156 bpm • C# Maj • 04:12 • -8.75db
8% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Travis Meadows
Underdogs
156 bpm • C Maj • 03:30 • -8db
21% Popularity • 52% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 52% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Mike Murray
Bury Me in Montana
144 bpm • C Maj • 04:05 • -7.63db
13% Popularity • 56% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 56% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Luke Laprade
Welcome Home
144 bpm • C min • 04:35 • -8.7db
16% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Carlton Dill
Village
156 bpm • D# Maj • 03:15 • -8.7db
21% Popularity • 47% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 47% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Will Hoge
This Grand Charade
144 bpm • E Maj • 03:43 • -11.81db
9% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Georgia O'Keeffe Blossom
Rumours and Secret Whispers
144 bpm • A# Maj • 01:54 • -14.2db
18% Popularity • 60% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 60% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Travis Meadows
Better Boat
144 bpm • G Maj • 04:53 • -8.89db
23% Popularity • 33% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 33% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Sweet Remains
Breakup Breakdown
144 bpm • G# Maj • 03:35 • -11.53db
10% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Django Walker
Something 'bout a Boat
144 bpm • D# Maj • 03:17 • -8.53db
15% Popularity • 68% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 68% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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JJ Shiplett
Closer
144 bpm • C Maj • 03:14 • -10.23db
10% Popularity • 57% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 57% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jack Schneider
Remember to Dance
144 bpm • C# Maj • 02:59 • -11.41db
9% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Corey Smith
Guest Room - Acoustic
157 bpm • F Maj • 03:26 • -8db
10% Popularity • 65% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 65% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Drew Kennedy
Sing This Town to Sleep
157 bpm • E Maj • 03:30 • -7.73db
11% Popularity • 68% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 68% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Tyler and the Tribe
Breathe
143 bpm • D Maj • 03:37 • -4.24db
8% Popularity • 47% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 47% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Ron Pope
San Miguel
143 bpm • E Maj • 02:53 • -5.96db
8% Popularity • 55% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 55% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Jonathan Peyton
Without You
143 bpm • G Maj • 04:09 • -8.27db
9% Popularity • 41% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 41% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Austin Jenckes
If You'd Been Around
158 bpm • E Maj • 03:27 • -9.1db
12% Popularity • 56% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 56% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Travis Meadows
Hearts I Leave Behind
158 bpm • D Maj • 03:08 • -9.51db
18% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Washboard Union
Hasn't Hit Me Yet
158 bpm • E Maj • 04:42 • -5.39db
11% Popularity • 48% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 48% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Sarah White
Sweetheart
158 bpm • B min • 03:20 • -8.71db
11% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Michigan Rattlers
Strain of Cancer
142 bpm • D# Maj • 03:50 • -6.2db
26% Popularity • 42% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 42% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ryan Kinder
Fortunate Son
142 bpm • G Maj • 04:00 • -9.38db
16% Popularity • 56% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 56% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Will Hoge
Through Missing You
142 bpm • D Maj • 03:16 • -10.49db
11% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Wes Crawford
Immortal, Invisible
142 bpm • E Maj • 02:53 • -6.94db
14% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Buffalo Ruckus
Carolina Calls
142 bpm • G Maj • 04:15 • -6.77db
9% Popularity • 51% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 51% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Josh Grider
Crazy Like You
142 bpm • C# Maj • 03:22 • -5db
17% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Niall O'Callaghan
Weave Your Love
142 bpm • G Maj • 03:42 • -3.32db
17% Popularity • 38% Danceability • 90% Energy • 60% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 38% Danceability • 90% Energy • 60% Liveness
0% Instrumentalness • 48% Positiveness
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Look Homeward
Way Back Home
142 bpm • E Maj • 04:12 • -7.42db
13% Popularity • 55% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 55% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Katy Jones
Living
142 bpm • D min • 05:16 • -5.15db
0% Popularity • 48% Danceability • 63% Energy • 8% Liveness
5% Instrumentalness • 27% Positiveness
0% Popularity • 48% Danceability • 63% Energy • 8% Liveness
5% Instrumentalness • 27% Positiveness
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David Luning
Gonna Forget About You
142 bpm • D Maj • 04:14 • -11.32db
8% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Show Ponies
The Time It Takes
141 bpm • A Maj • 03:11 • -4.61db
13% Popularity • 64% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 64% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Drew Blacksmith
Get Ahold Of You
160 bpm • E Maj • 02:55 • -5.49db
3% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Jamie McDell
Worst Crime
160 bpm • A min • 04:06 • -9.6db
20% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Johnson Crook
Believe
160 bpm • F# Maj • 03:24 • -9.33db
0% Popularity • 53% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 53% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Erik Dylan
Omaha
160 bpm • C Maj • 02:57 • -6.49db
13% Popularity • 56% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 56% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Liz Rose
Swimming Alone
160 bpm • D Maj • 03:40 • -6.86db
41% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Thomas Csorba
Fifty Miles
160 bpm • E Maj • 04:05 • -7.24db
15% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Michigan Rattlers
Didn't You Know
160 bpm • E Maj • 03:25 • -5.05db
31% Popularity • 49% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Joe Stamm
Goodbye, John
160 bpm • G Maj • 04:08 • -12.52db
21% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Edwin McCain
Let It Slide
140 bpm • G Maj • 03:21 • -4.16db
11% Popularity • 62% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 62% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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The Southern Gothic
Back in Dixie
140 bpm • G Maj • 04:06 • -4.11db
11% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Smooth Hound Smith
Used to Be Your Man
140 bpm • D# Maj • 04:38 • -10.12db
14% Popularity • 68% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 68% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Rob Baird
When I Go
140 bpm • E Maj • 04:26 • -11.38db
31% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Red Shahan
Someone Someday
140 bpm • B Maj • 03:17 • -5.39db
21% Popularity • 54% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 54% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Wakefield
Gods and Ghosts
140 bpm • G Maj • 02:55 • -8.78db
15% Popularity • 69% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 69% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Hawk Harris
Giving In
161 bpm • G Maj • 04:13 • -6.77db
12% Popularity • 46% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 46% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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The Last Revel
Cheyenne
140 bpm • G Maj • 03:43 • -6.18db
10% Popularity • 44% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 44% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Dee White
Bucket of Bolts
139 bpm • F Maj • 03:16 • -7.35db
14% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Wesley Dean
This Thing Called Life
139 bpm • F Maj • 06:25 • -10.5db
9% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
