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Mr. Sandman
Songs like
Mr. Sandman
by
SYML
Based on a tempo of (+/- 10%) and a similar genre
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SYML
Mr. Sandman
97 bpm • A min • 03:26 • -10.66db
62% Popularity • 34% Danceability • 37% Energy • 7% Liveness
26% Instrumentalness • 4% Positiveness
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flora cash
Soul Mate
98 bpm • C# Maj • 03:57 • -11.8db
54% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Cigarettes After Sex
Sweet
97 bpm • F# Maj • 04:52 • -9.07db
82% Popularity • 45% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
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Isak Danielson
Remember To Remember Me
96 bpm • G min • 02:52 • -6.84db
47% Popularity • 50% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Labrinth
Never Felt So Alone
98 bpm • F Maj • 02:40 • -4.44db
76% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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SYML
Mr. Sandman - Recorded at St. Mark's Cat...
96 bpm • A min • 03:21 • -10.76db
33% Popularity • 51% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
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Lesfm
In The Forest (Instrumental) [Acoustic I...
99 bpm • E Maj • 01:59 • -20db
52% Popularity • 45% Danceability • 6% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
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Jaymes Young
What Is Love
98 bpm • C# min • 03:28 • -10.32db
47% Popularity • 47% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Stephen Sanchez
Until I Found You - Piano Version
95 bpm • G Maj • 03:04 • -10.45db
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Hollow Coves
Interlude
99 bpm • G Maj • 01:00 • -21.38db
48% Popularity • 56% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
73% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Øneheart
snowfall
95 bpm • A# Maj • 02:04 • -26.81db
85% Popularity • 47% Danceability • 9% Energy • 44% Liveness
80% Instrumentalness • 8% Positiveness
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The Paper Kites
Walk Above the City
99 bpm • C Maj • 04:00 • -17.6db
44% Popularity • 68% Danceability • 25% Energy • 11% Liveness
53% Instrumentalness • 29% Positiveness
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Daughter
Medicine
95 bpm • D# Maj • 04:18 • -12.2db
65% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
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Cigarettes After Sex
Apocalypse
94 bpm • F Maj • 04:50 • -9.01db
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
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Amber Run
The Night We Met
94 bpm • C Maj • 02:20 • -14.01db
43% Popularity • 30% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Lana Del Rey
Say Yes To Heaven
100 bpm • F# min • 03:29 • -11.58db
86% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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SYML
You and I
100 bpm • F Maj • 03:13 • -10db
64% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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Tommee Profitt
Hurricane
94 bpm • C Maj • 05:19 • -12.73db
45% Popularity • 52% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
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Hollow Coves
Coastline
100 bpm • D Maj • 03:53 • -11.29db
57% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Novo Amor
From Gold
100 bpm • F Maj • 03:34 • -13.31db
65% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Cigarettes After Sex
K.
94 bpm • D# Maj • 05:20 • -10.26db
84% Popularity • 45% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 33% Positiveness
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Paris Paloma
It's Called: Freefall
94 bpm • F# Maj • 02:38 • -15.01db
66% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Hayden Calnin
Oh What a Mess I'm In
101 bpm • C Maj • 04:02 • -12db
36% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Lumineers
Salt And The Sea
93 bpm • A Maj • 04:30 • -9.25db
52% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Novo Amor
Carry You
93 bpm • G Maj • 04:33 • -7.99db
67% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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SYML
Fear of the Water
93 bpm • G min • 04:05 • -17.64db
61% Popularity • 46% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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RY X
YaYaYa
93 bpm • C# min • 03:49 • -15.36db
51% Popularity • 48% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Old Sea Brigade
Tidal Wave
93 bpm • C Maj • 03:17 • -10.24db
55% Popularity • 77% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 28% Positiveness
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Ludovico Einaudi
Experience
92 bpm • D Maj • 05:15 • -10.63db
77% Popularity • 45% Danceability • 45% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Hayden Calnin
Warm with You
102 bpm • D Maj • 04:07 • -12.14db
57% Popularity • 56% Danceability • 36% Energy • 31% Liveness
70% Instrumentalness • 29% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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SYML
Fear of the Water - Recorded at St. Mark...
93 bpm • G min • 04:07 • -12.7db
37% Popularity • 38% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Blanco White
Colder Heavens
92 bpm • C min • 04:33 • -9.91db
58% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Andrew Belle
When the End Comes
92 bpm • A Maj • 05:54 • -9.46db
48% Popularity • 54% Danceability • 57% Energy • 10% Liveness
22% Instrumentalness • 43% Positiveness
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Lana Del Rey
Cinnamon Girl
92 bpm • F# min • 05:00 • -10.61db
83% Popularity • 29% Danceability • 34% Energy • 14% Liveness
41% Instrumentalness • 14% Positiveness
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flora cash
You're Somebody Else
103 bpm • C# Maj • 03:39 • -9.06db
69% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Coldplay
Sparks
103 bpm • C# Maj • 03:47 • -10.51db
86% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Montell Fish
Talk 2 Me
103 bpm • B Maj • 02:19 • -16.38db
73% Popularity • 46% Danceability • 13% Energy • 56% Liveness
0% Instrumentalness • 18% Positiveness
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The Paper Kites
On the Train Ride Home
103 bpm • F# Maj • 03:47 • -18.63db
41% Popularity • 61% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
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Charlie Cunningham
You Sigh
91 bpm • F# Maj • 02:58 • -9.97db
58% Popularity • 63% Danceability • 45% Energy • 14% Liveness
6% Instrumentalness • 68% Positiveness
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SYML
Where’s My Love - Alternate Version
104 bpm • C min • 04:08 • -11.81db
65% Popularity • 38% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Sufjan Stevens
Should Have Known Better
91 bpm • G Maj • 05:07 • -20.7db
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
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FINNEAS
Only A Lifetime
103 bpm • D Maj • 04:16 • -13.86db
49% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Rosenthal
Going to be Wonderful
104 bpm • G Maj • 02:57 • -14.07db
44% Popularity • 53% Danceability • 15% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
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sød ven
comatose
90 bpm • E Maj • 03:36 • -11.61db
47% Popularity • 39% Danceability • 48% Energy • 7% Liveness
38% Instrumentalness • 18% Positiveness
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Novo Amor
Keep Me
105 bpm • C# Maj • 03:14 • -14.12db
66% Popularity • 57% Danceability • 13% Energy • 16% Liveness
6% Instrumentalness • 7% Positiveness
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SYML
Where's My Love - French Version
104 bpm • C min • 04:07 • -13db
48% Popularity • 43% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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The Paper Kites
Tin Lover
90 bpm • C# Maj • 03:19 • -22.24db
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
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Patrick Watson
The Great Escape
105 bpm • F# Maj • 03:07 • -16.83db
62% Popularity • 46% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 23% Positiveness
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Gigi Perez
Sometimes (Backwood)
105 bpm • D# Maj • 02:33 • -11.41db
65% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Cigarettes After Sex
Heavenly
105 bpm • G# Maj • 04:46 • -9.19db
78% Popularity • 54% Danceability • 44% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
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Charlotte Lawrence
Talk You Down - Acoustic
89 bpm • A# min • 03:08 • -10.12db
22% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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SYML
Where's My Love
104 bpm • C min • 03:22 • -10.11db
81% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Lily Kershaw
Where’s My Love - Duet
105 bpm • C min • 03:21 • -9.4db
39% Popularity • 56% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
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Matt Hartke
London's Song
89 bpm • E Maj • 02:58 • -14.85db
61% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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mehro
who are you
89 bpm • C min • 04:10 • -11db
44% Popularity • 36% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 49% Positiveness
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Jaymes Young
I'll Be Good
89 bpm • G Maj • 04:07 • -10.76db
62% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Blanco White
El Búho
106 bpm • D# min • 03:51 • -12.32db
54% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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SYML
Where's My Love - Recorded at St. Mark's...
104 bpm • D# Maj • 03:24 • -10.28db
26% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Yoke Lore
Truly Madly Deeply - Recorded at Spotify...
106 bpm • C min • 03:10 • -14.07db
62% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Old Sea Brigade
Hope
106 bpm • C# Maj • 03:04 • -16db
58% Popularity • 58% Danceability • 26% Energy • 14% Liveness
43% Instrumentalness • 31% Positiveness
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Hollow Coves
The Woods
106 bpm • A Maj • 04:02 • -11.83db
46% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Dean Lewis
Waves - Acoustic
89 bpm • D Maj • 04:08 • -11.42db
54% Popularity • 41% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Rosenthal
Hugging You
106 bpm • G# Maj • 02:51 • -12db
46% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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SYML
Where's My Love - Acoustic
104 bpm • D# Maj • 03:59 • -11.32db
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Nick Mulvey
Fever To The Form
106 bpm • C min • 04:12 • -8.93db
67% Popularity • 36% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 26% Positiveness
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Plà si
Far from Home
107 bpm • C min • 03:12 • -13db
46% Popularity • 41% Danceability • 38% Energy • 21% Liveness
21% Instrumentalness • 50% Positiveness
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Kodaline
Love Like This - Acoustic
107 bpm • E Maj • 04:01 • -14.4db
54% Popularity • 40% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Haux
Calico
108 bpm • C Maj • 03:51 • -16.26db
57% Popularity • 36% Danceability • 24% Energy • 7% Liveness
56% Instrumentalness • 30% Positiveness
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Lana Del Rey
Brooklyn Baby
108 bpm • C# Maj • 05:51 • -6.7db
81% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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The Cinematic Orchestra
To Believe
87 bpm • E min • 05:27 • -11.4db
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
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Gibran Alcocer
Idea 10
87 bpm • G min • 02:08 • -20.45db
76% Popularity • 34% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 71% Positiveness
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mehro
hideous
87 bpm • E Maj • 03:13 • -7.53db
52% Popularity • 64% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Lord Huron
The Night We Met
87 bpm • D Maj • 03:28 • -9.51db
89% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
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Labrinth
The Feels
108 bpm • E min • 03:17 • -4.92db
69% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Irrepressibles
Two Men in Love
87 bpm • F Maj • 06:26 • -12.35db
50% Popularity • 24% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
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Lana Del Rey
hope is a dangerous thing for a woman li...
87 bpm • E min • 05:24 • -13.21db
65% Popularity • 49% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Edith Whiskers
Home - Slowed
109 bpm • C Maj • 03:37 • -12.32db
61% Popularity • 70% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Joy Oladokun
breathe again
86 bpm • C Maj • 03:49 • -11.23db
46% Popularity • 28% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Charlie Cunningham
Headlights
86 bpm • A Maj • 03:32 • -15.47db
49% Popularity • 62% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
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Billie Marten
Bird
86 bpm • F# Maj • 03:40 • -12.75db
42% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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SYML
Before You Knew It Was Me
86 bpm • C# Maj • 03:12 • -11.72db
39% Popularity • 46% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Michael Schulte
Falling Apart
110 bpm • G min • 03:18 • -9.36db
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ocie Elliott
Take Me Home
110 bpm • F# Maj • 03:01 • -11db
64% Popularity • 74% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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normal the kid
take a moment to breathe.
110 bpm • G# min • 03:38 • -19.29db
61% Popularity • 38% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
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SYML
Girl - Acoustic
110 bpm • C# Maj • 03:31 • -12db
58% Popularity • 41% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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Angus & Julia Stone
Big Jet Plane
110 bpm • A# min • 03:59 • -8.62db
61% Popularity • 77% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Chance Peña
War
110 bpm • G# Maj • 02:38 • -11.38db
72% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 20% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Jaymes Young
Stone
110 bpm • G Maj • 03:36 • -12.15db
49% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Mr. Sandman