Songs like Mrs Robinson by The Graduates
Based on a tempo of (+/- 10%) and a similar genre
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Sagi Rei
All That She Wants
92 bpm • A min • 03:59 • -8.19db
19% Popularity • 65% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 65% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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The Graduates
Don't Gotta Work It Out
92 bpm • C# Maj • 03:02 • -7.81db
0% Popularity • 63% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 63% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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José Feliciano
Right Here Waiting
92 bpm • C Maj • 04:23 • -11.15db
18% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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スターライト・オーケストラ&シンガーズ
ミセス・ロビンソン(アメリ...
92 bpm • B Maj • 03:41 • -18.38db
12% Popularity • 73% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 73% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Rina Johnson
The Sweetest Taboo
92 bpm • C# Maj • 04:00 • -12.89db
12% Popularity • 54% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 54% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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スターライト オーケストラ＆シンガーズ
サウザンド・イヤーズ～千年�...
93 bpm • A# Maj • 05:07 • -8.82db
11% Popularity • 27% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 27% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Great TV Crew
Where Everybody Knows Your Name (Cheers ...
91 bpm • A# Maj • 01:05 • -11.27db
16% Popularity • 69% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 69% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Graduates
Mrs Robinson
92 bpm • E Maj • 03:59 • -16.47db
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Eighties Orchestra
Karma Chameleon
93 bpm • A# Maj • 03:53 • -8.52db
9% Popularity • 57% Danceability • 68% Energy • 19% Liveness
62% Instrumentalness • 84% Positiveness
9% Popularity • 57% Danceability • 68% Energy • 19% Liveness
62% Instrumentalness • 84% Positiveness
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HUMANIZED
Blood From a Stone
93 bpm • D# Maj • 05:09 • -10.74db
14% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The Corrs
All I Have To Do Is Dream Laurent Voulzy
93 bpm • E Maj • 03:32 • -8.12db
22% Popularity • 61% Danceability • 58% Energy • 41% Liveness
2% Instrumentalness • 80% Positiveness
22% Popularity • 61% Danceability • 58% Energy • 41% Liveness
2% Instrumentalness • 80% Positiveness
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Seba Gaido & Martin Roman
Oh l´amour
93 bpm • E Maj • 03:00 • -10.45db
22% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Twins Sound
...Baby One More Time
93 bpm • C min • 03:32 • -10db
15% Popularity • 62% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 62% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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The Graduates
Edelweiss
92 bpm • A Maj • 02:20 • -12.74db
1% Popularity • 27% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 27% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Lisa Gey
Black Velvet
91 bpm • G# Maj • 04:11 • -5.54db
40% Popularity • 63% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 63% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Spitfire
Golden Brown
94 bpm • F# Maj • 03:27 • -13.67db
4% Popularity • 40% Danceability • 41% Energy • 13% Liveness
12% Instrumentalness • 59% Positiveness
4% Popularity • 40% Danceability • 41% Energy • 13% Liveness
12% Instrumentalness • 59% Positiveness
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The Royal Swing Band
It' s Not Unusual
90 bpm • C Maj • 02:02 • -5.98db
23% Popularity • 56% Danceability • 88% Energy • 55% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 56% Danceability • 88% Energy • 55% Liveness
0% Instrumentalness • 94% Positiveness
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Leonhardt North
Streets Of Philadelphia
94 bpm • F Maj • 04:09 • -14.99db
5% Popularity • 66% Danceability • 32% Energy • 8% Liveness
53% Instrumentalness • 60% Positiveness
5% Popularity • 66% Danceability • 32% Energy • 8% Liveness
53% Instrumentalness • 60% Positiveness
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Rever Sound
Live to Tell
90 bpm • C Maj • 03:16 • -8db
9% Popularity • 70% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 70% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Graduates
Shining River
94 bpm • C Maj • 03:24 • -7.74db
0% Popularity • 55% Danceability • 87% Energy • 11% Liveness
3% Instrumentalness • 27% Positiveness
0% Popularity • 55% Danceability • 87% Energy • 11% Liveness
3% Instrumentalness • 27% Positiveness
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Kieran Goss
Underneath Your Clothes
90 bpm • A Maj • 03:20 • -8.53db
17% Popularity • 70% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 70% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Les Crossaders
Think for a Minute
95 bpm • B min • 04:09 • -13.42db
29% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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St Mary's Singers
Hallelujah
95 bpm • A min • 04:17 • -13.69db
5% Popularity • 34% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 34% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Marianna Leporace
Killing Me Softly with His Song
95 bpm • E min • 04:48 • -9.91db
18% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bernard Bess Orchestra
Take My Breath Away - Top Gun
96 bpm • C# Maj • 04:08 • -12.68db
20% Popularity • 54% Danceability • 44% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
20% Popularity • 54% Danceability • 44% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
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Mary Chapin Carpenter
I'll Never Fall In Love Again
95 bpm • A Maj • 03:50 • -13.42db
28% Popularity • 71% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 16% Positiveness
28% Popularity • 71% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 16% Positiveness
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Tom Jones
Never Tear Us Apart
96 bpm • D Maj • 03:08 • -7db
33% Popularity • 50% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 50% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Country Nights
Blowin in the Wind
88 bpm • D Maj • 02:47 • -9.72db
19% Popularity • 48% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 48% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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The Royal French Orchestra
La Vie En Rose
88 bpm • G Maj • 03:33 • -9.97db
17% Popularity • 56% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 56% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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The Graduates
Choices
88 bpm • G Maj • 06:13 • -7.87db
0% Popularity • 17% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 17% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Max Down
Hold Me in Your Arms
96 bpm • C# Maj • 04:23 • -9.73db
1% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Diana Velez
I Am a Woman in Love
88 bpm • D# min • 04:05 • -3.98db
29% Popularity • 55% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 55% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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SingLike
Me & Mr Jones
88 bpm • E Maj • 02:29 • -9.11db
8% Popularity • 56% Danceability • 74% Energy • 80% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 56% Danceability • 74% Energy • 80% Liveness
0% Instrumentalness • 40% Positiveness
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London Theatre Orchestra & Cast
We Are the Champions
96 bpm • A# Maj • 02:59 • -13.03db
9% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Mallorca All Stars
Everybody Needs Somebody To Love
97 bpm • F Maj • 03:19 • -8.18db
17% Popularity • 53% Danceability • 87% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 53% Danceability • 87% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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The Graduates
At Last
88 bpm • F Maj • 03:05 • -7.97db
0% Popularity • 44% Danceability • 28% Energy • 10% Liveness
9% Instrumentalness • 21% Positiveness
0% Popularity • 44% Danceability • 28% Energy • 10% Liveness
9% Instrumentalness • 21% Positiveness
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The Hooligans
Nikita
88 bpm • G Maj • 04:48 • -7.97db
16% Popularity • 68% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 68% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Jonny Holiday
Ballad of Girl and Boy
97 bpm • F# Maj • 02:43 • -8.29db
1% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Max Down
For Your Eyes Only
88 bpm • G Maj • 02:57 • -12.4db
13% Popularity • 33% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 33% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 7% Positiveness
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Bernard Bess Orchestra
You Be In My Hearth (Tarzan)
97 bpm • A# min • 04:13 • -7.22db
16% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Sensual Orchestra
Je t'aime,k moi non plus
87 bpm • C Maj • 04:09 • -7db
12% Popularity • 44% Danceability • 61% Energy • 15% Liveness
24% Instrumentalness • 52% Positiveness
12% Popularity • 44% Danceability • 61% Energy • 15% Liveness
24% Instrumentalness • 52% Positiveness
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Erick Wilbur Dylan
Wonderwall
87 bpm • F# min • 04:12 • -13.52db
21% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Hooligans
Change The World
97 bpm • A Maj • 03:54 • -9db
8% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 63% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Red Illusions
More Than I Can Say - Unplugged
97 bpm • D# Maj • 03:18 • -8.42db
27% Popularity • 73% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 73% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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D.J. Chill
If You Were A Sailboat
87 bpm • E Maj • 03:34 • -11db
9% Popularity • 55% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 55% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Harmony Projector
I Can't Help Falling In Love With You
87 bpm • D Maj • 03:31 • -10db
23% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Brandon Castle
No More Lonely Nights
87 bpm • F Maj • 04:39 • -12.06db
6% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Lídice Foster
Always Something There to Remind Me
87 bpm • G# Maj • 02:42 • -11.64db
20% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Fairy Wave
Night Has a Thousand Eyes
98 bpm • D# Maj • 02:37 • -12db
17% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Lady Diva
Saving All My Love for You
98 bpm • F# min • 03:54 • -8db
12% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Royal Movie Band
Starman
98 bpm • F Maj • 03:43 • -12.63db
12% Popularity • 60% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 60% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Seal
If You Don't Know Me by Now
98 bpm • D min • 03:46 • -6.41db
43% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sarah Anderson
We've Only Just Begun
87 bpm • A Maj • 03:09 • -16.69db
9% Popularity • 46% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 46% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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DJ Dance
Can't Fight The Moonlight
98 bpm • C min • 03:35 • -6db
13% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Carrack
Girl - 2014 Remaster
98 bpm • B min • 02:12 • -11.46db
13% Popularity • 62% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 62% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Sawa
my cherie amor
98 bpm • G Maj • 03:15 • -7db
11% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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The Delighters
Brass in Pocket
98 bpm • D Maj • 03:03 • -6.22db
10% Popularity • 66% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 66% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Judith Doralice
Close to You
86 bpm • G# Maj • 03:47 • -15.87db
14% Popularity • 51% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 51% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tony L
Lonely Man
98 bpm • C Maj • 03:14 • -5.83db
12% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Graduates
She Was Sun
86 bpm • E Maj • 03:52 • -6.26db
0% Popularity • 43% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 43% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Andy Dular
Stand by Me
86 bpm • G Maj • 03:18 • -6.55db
10% Popularity • 71% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 71% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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B.T.O All Stars
パイレーツ・ロック (To Sir With...
99 bpm • E Maj • 02:42 • -7.05db
18% Popularity • 42% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 42% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Oscar Hollywood Films
You Gotta Love Someone - Days Of Thunder
100 bpm • D Maj • 05:02 • -12.8db
15% Popularity • 76% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
15% Popularity • 76% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
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TV Soundtrack Orchestra
Tired Of Being Alone
100 bpm • G Maj • 02:53 • -12.37db
11% Popularity • 77% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 77% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Rain
Strawberry Fields Forever
100 bpm • A# Maj • 04:07 • -11.28db
7% Popularity • 39% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 39% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Red Tracy
Like a Rolling Stone - Acoustic
100 bpm • C Maj • 04:18 • -9.16db
13% Popularity • 75% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 75% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Spandau Ballet
True
100 bpm • C Maj • 05:44 • -8.27db
39% Popularity • 68% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
39% Popularity • 68% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
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Berk & The Virtual Band
Material Girl
100 bpm • C Maj • 03:56 • -6.64db
26% Popularity • 67% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 67% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Oman Chali
Heal the World
100 bpm • G Maj • 04:54 • -13.11db
12% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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The Capeside Freshman
As I Lay Me Down
84 bpm • A# Maj • 04:10 • -11.15db
13% Popularity • 62% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 62% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Disco Fitness Crew
Kung Fu Fighting
101 bpm • D Maj • 03:16 • -10db
13% Popularity • 73% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 73% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Red Tracy
Cecilia You're Breaking My Heart - Acous...
100 bpm • F Maj • 02:36 • -11.46db
20% Popularity • 81% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 81% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Revolving Satellites
Seasons in the Sun
101 bpm • F# Maj • 03:27 • -16db
20% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Erick Wilbur Dylan
Would I Lie to You?
101 bpm • B min • 03:45 • -11.73db
18% Popularity • 77% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 77% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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The Kentucky Ramblers
Cruisin'
83 bpm • E Maj • 04:51 • -7.76db
1% Popularity • 76% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 76% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Brian Sutton
The Living Years
102 bpm • G Maj • 05:34 • -18.99db
14% Popularity • 50% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 50% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Speed Racer Heroes
Radar Love
102 bpm • F# min • 05:13 • -11.49db
9% Popularity • 62% Danceability • 65% Energy • 28% Liveness
9% Instrumentalness • 39% Positiveness
9% Popularity • 62% Danceability • 65% Energy • 28% Liveness
9% Instrumentalness • 39% Positiveness
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Lee Andre
Who's Gonna Drive You Home
83 bpm • F# Maj • 03:54 • -7.44db
27% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Banda Phix
Don't Get Me Wrong
102 bpm • C Maj • 03:28 • -8.49db
9% Popularity • 66% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 66% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Sting
Englishman In New York - Symphonicities ...
102 bpm • B min • 04:23 • -11.67db
40% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Modern Ballroom Dance Band
It's a Man's World
83 bpm • D# min • 02:46 • -11.27db
13% Popularity • 60% Danceability • 33% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
13% Popularity • 60% Danceability • 33% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
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Magic Wind Singers
I Still Haven't Found What I'm Looking f...
102 bpm • C# Maj • 04:35 • -8.59db
21% Popularity • 48% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 48% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Nashville & Backbones
Every Breath You Take
102 bpm • B Maj • 05:02 • -7.02db
21% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Andre
She Will Be Love
102 bpm • C min • 04:16 • -4.97db
14% Popularity • 75% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 75% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Red Tracy
Diamonds & Rust - Acoustic
83 bpm • F min • 03:33 • -6.9db
11% Popularity • 46% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Storybook Planet
You to Me Are Everything
102 bpm • C Maj • 03:25 • -10db
19% Popularity • 68% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 68% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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The Modern Ballroom Dance Band
The Man in the Mirror
102 bpm • G Maj • 05:00 • -7.89db
7% Popularity • 77% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 77% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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The Magic Time Travelers
Dream a Little Dream of Me
83 bpm • C Maj • 03:18 • -13.73db
13% Popularity • 62% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 62% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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The Graduates
On the Corner
103 bpm • A Maj • 04:14 • -6.83db
0% Popularity • 52% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 52% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Le Monkey
(Theme From) The Monkees
82 bpm • G Maj • 01:56 • -11.33db
19% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Melodious Pop
In the Ghetto
82 bpm • A# Maj • 02:44 • -13.23db
11% Popularity • 20% Danceability • 39% Energy • 34% Liveness
33% Instrumentalness • 48% Positiveness
11% Popularity • 20% Danceability • 39% Energy • 34% Liveness
33% Instrumentalness • 48% Positiveness
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TV Theme Song Maniacs
Theme From Moonlighting
103 bpm • A# min • 02:59 • -12.55db
11% Popularity • 70% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
11% Popularity • 70% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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London Soundtrack Band
Dance Hall Days
103 bpm • C Maj • 03:48 • -10.1db
9% Popularity • 64% Danceability • 61% Energy • 64% Liveness
1% Instrumentalness • 53% Positiveness
9% Popularity • 64% Danceability • 61% Energy • 64% Liveness
1% Instrumentalness • 53% Positiveness
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Sàloa Farah
Bad - Bossa Version
103 bpm • A min • 03:39 • -12.16db
21% Popularity • 78% Danceability • 49% Energy • 20% Liveness
7% Instrumentalness • 70% Positiveness
21% Popularity • 78% Danceability • 49% Energy • 20% Liveness
7% Instrumentalness • 70% Positiveness
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I Manero Band
Words
82 bpm • D Maj • 03:14 • -11.63db
10% Popularity • 52% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 52% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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The Shock Band
You're Beautiful
82 bpm • D# Maj • 03:18 • -7.39db
18% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Trap Stars
9 Million Bicycles
82 bpm • C Maj • 03:14 • -13.19db
8% Popularity • 60% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
8% Popularity • 60% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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The Oscar Hollywood Films
Blue Velvet - Blue Velvet
82 bpm • A# Maj • 02:45 • -11.82db
9% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
