Songs like Muleskinner Blues - Live by Stompin' Tom Connors
Based on a tempo of (+/- 10%) and a similar genre
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Gary Stewart
Your Place or Mine
118 bpm • F Maj • 03:01 • -10db
30% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Dick Nolan
Old Newfie Outhouse - Remastered 2005
118 bpm • A Maj • 02:15 • -9.32db
9% Popularity • 63% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 63% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Marty Stuart
Cry Cry Cry
118 bpm • D Maj • 02:20 • -16.07db
30% Popularity • 61% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 61% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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MacLean & MacLean
Dolly Parton's Tits
118 bpm • D# Maj • 01:52 • -7.05db
19% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Tom T. Hall
Salute To A Switchblade - Single Version
118 bpm • F Maj • 03:26 • -13.42db
27% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Stompin' Tom Connors
Muleskinner Blues - Live
118 bpm • D Maj • 03:23 • -15.61db
16% Popularity • 49% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 49% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 82% Positiveness
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George Fox
Clearly Canadian
117 bpm • A Maj • 03:33 • -11.37db
6% Popularity • 59% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 59% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Hank Williams III
I Don't Know
117 bpm • B Maj • 03:23 • -8.31db
39% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Moe Bandy
Hey Joe (Hey Moe)
117 bpm • F Maj • 02:18 • -7db
32% Popularity • 72% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 72% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Tim Hus
Hurtin' Albertan
119 bpm • E min • 04:34 • -5.1db
18% Popularity • 58% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 58% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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The Road Hammers
Eastbound and Down
117 bpm • G Maj • 03:13 • -5db
34% Popularity • 71% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 71% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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Stompin' Tom Connors
Whiskey In The Jar
117 bpm • E Maj • 03:04 • -9.22db
10% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Red Sovine
18 Wheels A Hummin' Home Sweet Home
119 bpm • A Maj • 03:10 • -15.63db
28% Popularity • 56% Danceability • 29% Energy • 22% Liveness
14% Instrumentalness • 63% Positiveness
28% Popularity • 56% Danceability • 29% Energy • 22% Liveness
14% Instrumentalness • 63% Positiveness
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Tex Ritter
Hillbilly Heaven
117 bpm • D Maj • 03:26 • -12.82db
15% Popularity • 33% Danceability • 44% Energy • 21% Liveness
4% Instrumentalness • 39% Positiveness
15% Popularity • 33% Danceability • 44% Energy • 21% Liveness
4% Instrumentalness • 39% Positiveness
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Jimmy Rankin
Followed Her Around
119 bpm • C Maj • 04:01 • -2.93db
32% Popularity • 63% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 63% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Hoyt Axton
The Devil
117 bpm • F Maj • 01:53 • -7.17db
25% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Mel McDaniel
My Ol' Four Wheel Drive
119 bpm • E Maj • 02:36 • -6db
42% Popularity • 76% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 76% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Wilf Carter
Yodelling Hillbilly
119 bpm • C Maj • 02:54 • -11.6db
5% Popularity • 74% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
5% Popularity • 74% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Slim Jacobs
That's Truck Drivin'
117 bpm • G# Maj • 02:39 • -7.35db
29% Popularity • 60% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 60% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Matt Minglewood
Me and the Boys
117 bpm • G Maj • 04:04 • -8.82db
20% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Bob Porter
Ghosts Out in the Fog
116 bpm • G Maj • 04:52 • -7.03db
26% Popularity • 81% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 81% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Old Dogs
She'd Rather Be Homeless
116 bpm • B Maj • 03:59 • -8.06db
10% Popularity • 38% Danceability • 74% Energy • 98% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 38% Danceability • 74% Energy • 98% Liveness
0% Instrumentalness • 53% Positiveness
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Sheb Wooley
That's My Pa
116 bpm • G Maj • 02:37 • -10.78db
14% Popularity • 65% Danceability • 65% Energy • 40% Liveness
8% Instrumentalness • 76% Positiveness
14% Popularity • 65% Danceability • 65% Energy • 40% Liveness
8% Instrumentalness • 76% Positiveness
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Marty Stuart
Now That's Country
120 bpm • C Maj • 03:21 • -5.41db
23% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Good Brothers
Fox on the Run
120 bpm • A# Maj • 03:02 • -4.74db
14% Popularity • 57% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 57% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Lee Conway with Moose Malone
Living On Tulsa Time
116 bpm • F# min • 03:13 • -11db
22% Popularity • 72% Danceability • 66% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 72% Danceability • 66% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
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C.W. McCall
There Won't Be No Country Music
120 bpm • G Maj • 03:52 • -12.11db
20% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Coleman Wilson
Passing Zone Blues
116 bpm • G Maj • 02:45 • -11.51db
15% Popularity • 38% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 38% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Red Sovine
Little Joe
116 bpm • C# Maj • 04:23 • -10.64db
28% Popularity • 72% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 72% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Paul Overstreet
I Think She Only Loves Me for My Willie
116 bpm • F# Maj • 03:42 • -5db
18% Popularity • 68% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 68% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Roy Rogers
Ride Concrete Cowboy, Ride
120 bpm • C min • 02:56 • -8db
27% Popularity • 66% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 66% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Mike Chizik
Ill Never Smoke Weed With Willy Again
120 bpm • C Maj • 03:00 • -21.24db
15% Popularity • 57% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 57% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 26% Positiveness
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C.W. McCall
Four Wheel Cowboy
120 bpm • F Maj • 03:30 • -13.35db
21% Popularity • 66% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 66% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Lionel Cartwright
I Watched It All (On My Radio)
121 bpm • G# Maj • 03:22 • -13.74db
24% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Jimmy Dean
I Won't Go Huntin' with You Jake (But I'...
116 bpm • D Maj • 02:48 • -13db
30% Popularity • 68% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 68% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Stompin' Tom Connors
Truck Drivin' Man
121 bpm • A Maj • 02:54 • -7.14db
15% Popularity • 71% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 71% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Marty Stuart
Hey Baby
121 bpm • D Maj • 03:04 • -7.28db
32% Popularity • 61% Danceability • 71% Energy • 15% Liveness
38% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 71% Energy • 15% Liveness
38% Instrumentalness • 60% Positiveness
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Jimmy Griggs
Overloaded Diesel
115 bpm • C# min • 02:24 • -5.31db
23% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Dick Nolan
Truck Driving Man
115 bpm • D Maj • 01:58 • -9db
43% Popularity • 68% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 68% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Tom T. Hall
Faster Horses (The Cowboy And The Poet)
115 bpm • G Maj • 02:52 • -13db
51% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Horton
Johnny Reb
115 bpm • E Maj • 02:19 • -13.33db
39% Popularity • 83% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 83% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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The Good Brothers
I-95 Song (The Asshole Song)
115 bpm • G Maj • 03:14 • -4db
24% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 63% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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C.W. McCall
There Won't Be No Country Music (There W...
121 bpm • G Maj • 03:47 • -17.04db
31% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Willis Brothers
Give Me Forty Acres
121 bpm • F Maj • 02:36 • -10.9db
38% Popularity • 68% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 68% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Marty Robbins
Ribbon Of Darkness
115 bpm • E Maj • 02:29 • -16.47db
10% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Ozark Mountain Daredevils
Chicken Train
121 bpm • D Maj • 03:03 • -17.21db
30% Popularity • 68% Danceability • 82% Energy • 31% Liveness
17% Instrumentalness • 90% Positiveness
30% Popularity • 68% Danceability • 82% Energy • 31% Liveness
17% Instrumentalness • 90% Positiveness
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Boys From Oklahoma
Boys From Oklahoma
121 bpm • G Maj • 05:01 • -7.11db
16% Popularity • 40% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 40% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Wilf Carter
Calgary Roundup
115 bpm • F# Maj • 03:09 • -9.84db
4% Popularity • 80% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 80% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Dick Nolan
Give Me 40 Acres
121 bpm • D Maj • 02:31 • -9.19db
30% Popularity • 58% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 58% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Moe Bandy
Deep In The Heart Of Texas
115 bpm • F Maj • 02:01 • -10.78db
38% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Buddy Wasisname & The Other Fellers
Is You Happy
122 bpm • G Maj • 02:57 • -8.25db
28% Popularity • 72% Danceability • 58% Energy • 95% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 72% Danceability • 58% Energy • 95% Liveness
0% Instrumentalness • 94% Positiveness
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Bill Phillips
Coca-Cola Cowboy
122 bpm • F Maj • 03:22 • -12.83db
25% Popularity • 62% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 62% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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MEL STREET
Smokey Mountain Memories
114 bpm • F Maj • 03:02 • -8db
32% Popularity • 57% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 57% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Mel Tillis
Ode To The Little Brown Shack Out Back
114 bpm • D Maj • 02:59 • -12.39db
18% Popularity • 54% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 54% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Rhonda Stamp
Cold Canadian Waters
122 bpm • G Maj • 04:10 • -8db
10% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Mark Hiscock
Will You Love Me When I'm Old and Feeble
122 bpm • A Maj • 03:09 • -7.92db
16% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Tim Wilson
First Baptist Bar And Grill
114 bpm • A# min • 02:59 • -8db
21% Popularity • 78% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 78% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Tom T. Hall
A Week In A Country Jail
114 bpm • A Maj • 03:03 • -13db
45% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Bob Wills
Big Ball's In Cowtown
122 bpm • G Maj • 02:11 • -14db
33% Popularity • 66% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Buddy Wasisname & The Other Fellers
The Chocolate Song
114 bpm • B Maj • 02:49 • -10.88db
18% Popularity • 75% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 75% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 84% Positiveness
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Frank Willis
One of the Great Love Affairs
123 bpm • B Maj • 02:51 • -6db
13% Popularity • 81% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 81% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Coleman Wilson
Radar Blues
114 bpm • A Maj • 02:27 • -14.44db
19% Popularity • 56% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 56% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Johnny Horton
The Gosh Darn Wheel
123 bpm • C# Maj • 02:39 • -11.5db
23% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Tom T. Hall
Redneck Riviera
114 bpm • G Maj • 03:39 • -6db
25% Popularity • 78% Danceability • 66% Energy • 77% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 78% Danceability • 66% Energy • 77% Liveness
0% Instrumentalness • 91% Positiveness
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Stompin' Tom Connors
Long Gone To The Yukon
113 bpm • E Maj • 03:17 • -10.96db
18% Popularity • 56% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 56% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Red Sovine
Gear-Jammer And The Hobo
113 bpm • F Maj • 03:56 • -9.71db
17% Popularity • 62% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Johny Hortin
Horse Is Brave
113 bpm • C Maj • 03:10 • -15.54db
19% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Dick Nolan
Lukey's Boat
123 bpm • C Maj • 02:43 • -10.9db
9% Popularity • 61% Danceability • 64% Energy • 62% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 61% Danceability • 64% Energy • 62% Liveness
0% Instrumentalness • 62% Positiveness
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Willis Brothers
Diesel Smoke On Danger Road
123 bpm • D# Maj • 02:38 • -14.89db
17% Popularity • 62% Danceability • 59% Energy • 14% Liveness
4% Instrumentalness • 89% Positiveness
17% Popularity • 62% Danceability • 59% Energy • 14% Liveness
4% Instrumentalness • 89% Positiveness
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Charlie Moore
Tombstone Every Mile
113 bpm • D Maj • 02:10 • -11.62db
16% Popularity • 67% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 67% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Marty Stuart
High On A Mountain Top
123 bpm • A# Maj • 04:03 • -6db
28% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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The Road Hammers
Haulin' ass
123 bpm • A# Maj • 03:19 • -4.37db
29% Popularity • 56% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 56% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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The Highwaymen
It Is What It Is
123 bpm • A Maj • 03:39 • -6.94db
40% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Dick Nolan
Piece Of Baloney
123 bpm • D Maj • 01:49 • -7db
16% Popularity • 63% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 63% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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David Wilcox
Riverboat Fantasy
123 bpm • F Maj • 03:37 • -10.17db
44% Popularity • 82% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 82% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Bryan Lewis
I Think My Dog's a Democrat
113 bpm • A# Maj • 03:34 • -9db
22% Popularity • 66% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 66% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Stompin' Tom Connors
The Canadian Lumber Jack
113 bpm • E Maj • 03:20 • -12db
22% Popularity • 63% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 63% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Tommy Collins
If You Can't Bite, Don't Growl
113 bpm • D Maj • 01:59 • -9.02db
28% Popularity • 62% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 62% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Dick Twang Band
Old Blue Car
113 bpm • C Maj • 03:54 • -16.21db
18% Popularity • 82% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 78% Positiveness
18% Popularity • 82% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 78% Positiveness
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Earl Scruggs
Shackles and Chains
123 bpm • G Maj • 03:21 • -8.53db
22% Popularity • 63% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 63% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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C.W. McCall
Crispy Critters
113 bpm • G Maj • 02:56 • -13db
33% Popularity • 71% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 71% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Tim Hus
Rumrunner
124 bpm • A Maj • 02:15 • -5.28db
19% Popularity • 71% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 71% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
112 bpm • A Maj • 02:14 • -11.49db
34% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Chris Sprague
The White Knight
124 bpm • F Maj • 04:24 • -10.94db
13% Popularity • 72% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 72% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Dean
Please Pass The Biscuits - Re-Recorded I...
124 bpm • A# Maj • 02:57 • -12.25db
9% Popularity • 59% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 59% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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T. H. Music Festival
White Knight
124 bpm • F Maj • 04:10 • -10.74db
29% Popularity • 61% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 61% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Good Brothers
Fox On The Run
124 bpm • B Maj • 02:56 • -6db
21% Popularity • 52% Danceability • 91% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 52% Danceability • 91% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Rankin
Whiskey When the Sun Goes Down
124 bpm • A Maj • 02:38 • -3db
23% Popularity • 57% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 57% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Mel McDaniel
Real Good Feel Good Song
112 bpm • F# Maj • 02:25 • -18db
41% Popularity • 73% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 73% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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MacLean & MacLean
I've Seen Pubic Hair
125 bpm • A# Maj • 03:19 • -9.42db
20% Popularity • 68% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 68% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Connie Smith
Cincinnati, Ohio
125 bpm • C Maj • 02:11 • -11db
20% Popularity • 59% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 59% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Stompin' Tom Connors
To It And At It
112 bpm • A Maj • 02:29 • -11.1db
15% Popularity • 63% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 63% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Marty Stuart
Sometimes The Pleasure's Worth The Pain
125 bpm • G Maj • 03:09 • -7.3db
9% Popularity • 56% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 56% Danceability • 72% Energy • 63% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Major
(I Do It) For The Money
125 bpm • A Maj • 03:24 • -9db
24% Popularity • 66% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 66% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Horton
Mean Mean Son of a Gun
111 bpm • C# Maj • 02:47 • -9.56db
19% Popularity • 82% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 82% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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C.W. McCall
Wolf Creek Pass
125 bpm • C Maj • 04:00 • -16.64db
44% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Tom T. Hall
Everything From Jesus To Jack Daniels - ...
111 bpm • A Maj • 02:57 • -15.86db
19% Popularity • 65% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 65% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Stompin' Tom Connors
The Consumer
111 bpm • A Maj • 02:48 • -11.89db
20% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
