Songs like Music for the Ballet "At Uranienborg-Tycho Brahe's Dream": No. 11 Dance Of The Stars - Allegretto by Henrik Brendstrup
Based on a tempo of (+/- 10%) and a similar genre
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Frank Martin
Golgotha, Première Partie: I. Chœur d'...
85 bpm • F min • 07:45 • -18.82db
8% Popularity • 9% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
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Anders Nordentoft
Light Imprisoned: II. —
85 bpm • C# Maj • 08:13 • -20.28db
0% Popularity • 20% Danceability • 8% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 8% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
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Claude Debussy
Trois chansons de Charles d'Orléans, L....
85 bpm • F# min • 01:41 • -35db
8% Popularity • 24% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
85 bpm • A# min • 02:24 • -31db
7% Popularity • 10% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Matthew Coleridge
Requiem: Pie Jesu
85 bpm • C# Maj • 02:28 • -28.58db
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Zuzanna Koziej
Stabat Mater: O quam tristis et afflicta
85 bpm • D# min • 02:02 • -25.34db
15% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Louis Glass
Fruhlingslied, Op. 31: Andante molto esp...
85 bpm • G Maj • 04:58 • -22.81db
0% Popularity • 20% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Jan Maegaard
Musica riservata No .2, Op. 61: I. Figur...
85 bpm • A# min • 02:44 • -23.3db
0% Popularity • 22% Danceability • 3% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
0% Popularity • 22% Danceability • 3% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Anders Nordentoft
Light Imprisoned: III. —
85 bpm • D# min • 04:47 • -28.25db
0% Popularity • 10% Danceability • 0% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 10% Danceability • 0% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Domenico Scarlatti
Stabat Mater: IV. Sancta Mater, istud ag...
85 bpm • A# Maj • 03:14 • -19.6db
14% Popularity • 15% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem in C Minor: VII. Agnus Dei
85 bpm • F min • 08:08 • -27.23db
10% Popularity • 12% Danceability • 1% Energy • 6% Liveness
31% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 1% Energy • 6% Liveness
31% Instrumentalness • 3% Positiveness
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Anonymous
Musikken til balletten Pa Uranienborg - ...
85 bpm • C# Maj • 06:16 • -30.37db
0% Popularity • 18% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Louis Glass
Cello Sonata in F Major, Op. 5: II. Anda...
85 bpm • C# Maj • 04:13 • -29.39db
0% Popularity • 11% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: VI. Vidit suum dul...
85 bpm • B min • 04:15 • -21.75db
11% Popularity • 16% Danceability • 13% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 13% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
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Antonín Dvořák
Mass in D major, Op. 86: 5. Benedictus
85 bpm • G Maj • 06:45 • -24.36db
9% Popularity • 9% Danceability • 4% Energy • 13% Liveness
36% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 4% Energy • 13% Liveness
36% Instrumentalness • 3% Positiveness
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Horatio W. Parker
Now Sinks the Sun
85 bpm • G Maj • 06:56 • -23db
10% Popularity • 11% Danceability • 11% Energy • 6% Liveness
41% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 11% Energy • 6% Liveness
41% Instrumentalness • 4% Positiveness
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Kenneth Leighton
An Easter Sequence
85 bpm • G Maj • 00:58 • -18.52db
15% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
84 bpm • F# Maj • 03:13 • -40.77db
8% Popularity • 13% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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James Whitbourn
Annelies (chamber version): I. Introit -...
84 bpm • C min • 04:33 • -21.96db
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
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Eric Whitacre
Three Songs of Faith: I. hope, faith, li...
84 bpm • A# Maj • 04:06 • -23.28db
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Mercy
86 bpm • A min • 01:30 • -25db
15% Popularity • 16% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
86 bpm • F Maj • 03:40 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for Double Choir: Gloria
86 bpm • D min • 06:10 • -27db
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: II. "Blagoslovi dushe m...
84 bpm • F Maj • 05:06 • -34db
12% Popularity • 12% Danceability • 5% Energy • 6% Liveness
13% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 5% Energy • 6% Liveness
13% Instrumentalness • 4% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
84 bpm • F Maj • 03:38 • -29db
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Herman D. Koppel
Piano Quintet, Op. 57: II. Andante, con ...
86 bpm • C Maj • 08:39 • -29.37db
0% Popularity • 18% Danceability • 2% Energy • 11% Liveness
51% Instrumentalness • 6% Positiveness
0% Popularity • 18% Danceability • 2% Energy • 11% Liveness
51% Instrumentalness • 6% Positiveness
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Hakon Borresen
2 Pieces, Op. 17: No. 1 Elegie: Andante ...
86 bpm • D# Maj • 05:29 • -22.76db
0% Popularity • 12% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
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George Lloyd
Requiem for counter-tenor, choir & organ...
86 bpm • C# Maj • 03:30 • -16.55db
12% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
12% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 3. T...
84 bpm • F Maj • 02:59 • -25.56db
9% Popularity • 21% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
86 bpm • C# Maj • 08:48 • -27.77db
9% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: XIII. The Tropa...
84 bpm • C# min • 02:19 • -21.79db
8% Popularity • 15% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Alfred Momotenko
3 Sacred Hymns: No. 1, Ave Maria
84 bpm • G Maj • 03:39 • -29.32db
12% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
12% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Ave Maria, Op. posth.
83 bpm • A Maj • 02:06 • -32db
13% Popularity • 12% Danceability • 3% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 3% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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James MacMillan
A Child's Prayer
84 bpm • E min • 04:19 • -28db
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
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Anonymous
Musikken til balletten Pa Uranienborg - ...
87 bpm • D Maj • 09:32 • -25.56db
0% Popularity • 30% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
0% Popularity • 30% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
87 bpm • G# Maj • 02:30 • -35.71db
11% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
11% Popularity • 11% Danceability • 0% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Messa di Gloria: VI. Domine Deus
83 bpm • F Maj • 00:57 • -28.41db
15% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Timothy A. Helisek
Sancte Michael
87 bpm • C min • 04:11 • -15.74db
10% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
87 bpm • A Maj • 01:46 • -23.83db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Anders Nordentoft
Pointed Out: VI. —
83 bpm • C# Maj • 02:12 • -20.35db
0% Popularity • 41% Danceability • 24% Energy • 20% Liveness
84% Instrumentalness • 9% Positiveness
0% Popularity • 41% Danceability • 24% Energy • 20% Liveness
84% Instrumentalness • 9% Positiveness
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Orlande de Lassus
Prophetiae Sibyllarum: Prologue
83 bpm • G Maj • 01:18 • -26db
28% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Erik von Spreckelsen
Suite For Solo Cello in 6 Movements: 5th...
87 bpm • G Maj • 02:46 • -13.08db
0% Popularity • 60% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 47% Positiveness
0% Popularity • 60% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 47% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
83 bpm • G min • 03:31 • -23.49db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Francis Grier
Flourish and Reverie: I. Flourish
87 bpm • B min • 04:21 • -20.42db
14% Popularity • 9% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
14% Popularity • 9% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Richard Baker
To Keep a True Lent
87 bpm • D Maj • 02:03 • -27.63db
31% Popularity • 29% Danceability • 7% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 29% Danceability • 7% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
10% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Frank La Rocca
Mass of the Americas: V. Sanctus - Bened...
87 bpm • D min • 03:33 • -20.09db
4% Popularity • 11% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
4% Popularity • 11% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
15% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
15% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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Anders Nordentoft
Cathedral
87 bpm • C Maj • 13:22 • -25.59db
0% Popularity • 29% Danceability • 8% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 8% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Niccolò Jommelli
Requiem in D Minor, K. 626 (Paris 1804 V...
88 bpm • E min • 02:37 • -33db
19% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
83 bpm • D min • 05:28 • -22.65db
15% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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William Byrd
Mass for five voices: I. Kyrie eleison
88 bpm • C min • 01:27 • -24.19db
8% Popularity • 19% Danceability • 9% Energy • 36% Liveness
72% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 9% Energy • 36% Liveness
72% Instrumentalness • 7% Positiveness
► Preview
Henrik Brendstrup
Music for the Ballet "At Uranienborg-Tyc...
88 bpm • G# Maj • 10:45 • -22.69db
0% Popularity • 12% Danceability • 6% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 6% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Elias, Op. 70, MWV A25: Elijah, Op. 70, ...
83 bpm • D Maj • 02:15 • -26db
9% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
Gerda Blok-Wilson
O Little Rose, O Dark Rose
82 bpm • G Maj • 04:39 • -28.83db
9% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Sirkka Rautakoski
Aaria, Sairasten Parantaja (Myrskyn Kesk...
88 bpm • D# Maj • 04:26 • -24.83db
11% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
11% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Hakon Borresen
2 Pieces, Op. 17: No. 2 Serenade: Allegr...
88 bpm • A min • 05:27 • -19.7db
0% Popularity • 28% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
0% Popularity • 28% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
► Preview
Sofia Gubaidulina
Silenzio: II. double whole note = 42
82 bpm • G min • 02:43 • -33.03db
0% Popularity • 13% Danceability • 1% Energy • 11% Liveness
5% Instrumentalness • 3% Positiveness
0% Popularity • 13% Danceability • 1% Energy • 11% Liveness
5% Instrumentalness • 3% Positiveness
► Preview
Paul Hindemith
6 Chansons: No. 2. Un cygne
82 bpm • E min • 02:04 • -26db
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
All-Night Vigil, Op. 37: No. 6, Rejoice,...
88 bpm • F Maj • 03:06 • -28.3db
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Byrd: Ave Verum Corpus
88 bpm • G# min • 04:10 • -26.88db
21% Popularity • 9% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Scarlatti, D: Stabat Mater in C Minor: V...
82 bpm • A# Maj • 03:06 • -22.07db
5% Popularity • 11% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
5% Popularity • 11% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
13% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
13% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Ralph Vaughan Williams
In Windsor Forest: No. 4, Wedding Chorus
82 bpm • F min • 05:02 • -22.79db
11% Popularity • 8% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 6% Positiveness
11% Popularity • 8% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 6% Positiveness
► Preview
Anton Bruckner
Ecce sacerdos magnus, WAB 13
88 bpm • A min • 06:04 • -21.47db
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Matthew Coleridge
Pie Jesu
82 bpm • C# Maj • 02:45 • -26.28db
12% Popularity • 12% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
88 bpm • A Maj • 01:44 • -34.72db
19% Popularity • 12% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
19% Popularity • 12% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
► Preview
Antonio Lotti
Crucifixus a 8
82 bpm • C min • 02:59 • -21.38db
10% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Frank Martin
Mass for Double Choir: II. Gloria
88 bpm • C Maj • 05:28 • -25db
13% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Valiant for Truth
82 bpm • E min • 06:06 • -26.69db
7% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
7% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Théodore Dubois
Les 7 paroles du Christ: 5e Parole - "Si...
82 bpm • G min • 05:28 • -21db
11% Popularity • 20% Danceability • 8% Energy • 5% Liveness
9% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 5% Liveness
9% Instrumentalness • 5% Positiveness
► Preview
Anton Bruckner
Mass No. 2 in E Minor, WAB 27: Kyrie
88 bpm • E min • 07:42 • -30db
8% Popularity • 10% Danceability • 2% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 2% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
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Haukur Tómasson
Náttúruljóð (v) (hunangsblaut fluga)
82 bpm • C min • 03:18 • -26.12db
10% Popularity • 9% Danceability • 5% Energy • 21% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 5% Energy • 21% Liveness
31% Instrumentalness • 4% Positiveness
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Louis Glass
Piano Quintet in C Minor, Op. 22: II. Mo...
82 bpm • B min • 10:27 • -23.92db
0% Popularity • 15% Danceability • 5% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 5% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Peter Arnold Heise
4 Pieces: IV. Andante sostenuto - Allegr...
89 bpm • E Maj • 04:04 • -25.02db
0% Popularity • 26% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
0% Popularity • 26% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
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Jonathan Dove
The Passing of the Year: No. 7. Ring out...
89 bpm • C Maj • 05:13 • -19db
8% Popularity • 26% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Jan Maegaard
Musica riservata No .2, Op. 61: III. Nen...
82 bpm • B min • 03:45 • -24.13db
0% Popularity • 13% Danceability • 4% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 4% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
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Matthew Coleridge
Requiem: Offertory
81 bpm • C Maj • 06:35 • -31.16db
8% Popularity • 9% Danceability • 1% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Edward Elgar
The Music Makers, Op. 69: V. A breath of...
82 bpm • D Maj • 04:04 • -25.7db
7% Popularity • 14% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Hakon Borresen
Romance for Cello and Piano, Op. 4: Anda...
89 bpm • D Maj • 06:55 • -21.49db
0% Popularity • 19% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
14% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Radoslaw Pallarz
O Felicem Me
89 bpm • A Maj • 03:35 • -29.72db
8% Popularity • 16% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: VIII. De torrent...
81 bpm • B min • 03:40 • -30.36db
24% Popularity • 20% Danceability • 2% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 2% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
9% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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Claude Debussy
3 Chansons de Charles d'Orleans: Trois C...
89 bpm • B Maj • 02:17 • -31db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
23% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Chamber Choir Of Europe
Weltliche A-Cappella-Gesänge, Secular A...
81 bpm • G Maj • 01:50 • -18db
9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
81 bpm • G# Maj • 04:49 • -28db
11% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
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Lauri Mäntysaari
Pääsiäisstikiirat: No. 2, Nyt on meil...
81 bpm • E Maj • 04:26 • -23.54db
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
10% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Kastalski Mixed Choir
Triptych 07: Divine Spirit
81 bpm • C Maj • 03:19 • -28.35db
9% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Christ lag in Todesbanden, BWV 277 - 1
89 bpm • C# min • 01:29 • -33.73db
11% Popularity • 10% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
11% Popularity • 10% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Anton Bruckner
Psalm 146, WAB 37: Solo and Chorus: Alle...
81 bpm • A Maj • 04:56 • -23.73db
11% Popularity • 8% Danceability • 13% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 13% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: II. The Cloud-c...
81 bpm • G min • 02:29 • -37db
15% Popularity • 17% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
