Songs like Musica sacra: No. 1. Psalm 137, "Paabeli jogede kaldail" (By the rivers of Babylon) by Cyrillus Kreek
Based on a tempo of (+/- 10%) and a similar genre
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Guillaume de Machaut
Messe de Nostre Dame: Kyrie
76 bpm • C Maj • 08:39 • -23.53db
23% Popularity • 7% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 7% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • A min • 03:52 • -28.47db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Virtus Sapientiae
76 bpm • C Maj • 02:16 • -37.25db
30% Popularity • 15% Danceability • 1% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 1% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Musica sacra: No. 1. Psalm 137, "Paabeli...
76 bpm • D min • 05:46 • -18.83db
1% Popularity • 7% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
1% Popularity • 7% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
32% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
32% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Cristobal de Morales
Sequentia: Pie Jesu
76 bpm • D# Maj • 01:48 • -26db
26% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Ubi caritas et amor
76 bpm • A# Maj • 02:01 • -23.62db
11% Popularity • 15% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alfred Schnittke
Choir Concerto: IV. Sej trud, shto natch...
76 bpm • G Maj • 05:20 • -26db
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
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Cyrillus Kreek
Linnukest Sääl Kinni Püüti
76 bpm • F min • 04:43 • -27.81db
0% Popularity • 11% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:10 • -23.73db
15% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
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James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
32% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Déodat de Séverac
Tantum ergo
76 bpm • A min • 03:15 • -34.97db
30% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Gustav Holst
Choral Hymns from the Rig Veda, 3rd Grou...
76 bpm • G Maj • 02:59 • -25.49db
15% Popularity • 14% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
75 bpm • D# min • 01:04 • -22.9db
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
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Cyrillus Kreek
Whilst Great Is Our Poverty
76 bpm • C# Maj • 05:17 • -25.36db
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
15% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • G# Maj • 02:47 • -24db
11% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Henryk Górecki
Lobgesang, Op. 76
77 bpm • E Maj • 07:50 • -24.55db
12% Popularity • 7% Danceability • 3% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 3% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
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Trio Mediæval
Om ödet skulle skicka mig
77 bpm • D min • 01:19 • -29.01db
29% Popularity • 27% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 27% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
77 bpm • D Maj • 02:15 • -23db
26% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Oh Jeesus, sinu valu
77 bpm • A min • 01:46 • -24.83db
1% Popularity • 10% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
1% Popularity • 10% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
33% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
33% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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Kim André Arnesen
MAGNIFICAT: II. Ecce enim
77 bpm • A min • 06:01 • -20.05db
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
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Karl Jenkins
Requiem: Pie Jesu
75 bpm • D# Maj • 03:08 • -24.7db
21% Popularity • 8% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Sjaella
Morgengesang
75 bpm • F# Maj • 03:25 • -24db
29% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
20% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
20% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Cyrillus Kreek
Kannel
77 bpm • A# Maj • 03:24 • -19.94db
0% Popularity • 21% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 21% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
77 bpm • E Maj • 03:32 • -34.53db
22% Popularity • 7% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
22% Popularity • 7% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
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Nordic Chamber Choir - Nicol Matt
O Nata Lux
77 bpm • D Maj • 04:31 • -30db
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 3 in E Ma...
75 bpm • D# Maj • 02:37 • -32.09db
19% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
19% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Hildegard von Bingen
O frondens virga
77 bpm • D# min • 03:12 • -23.78db
25% Popularity • 14% Danceability • 3% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 3% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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Bernat Vivancos
L'amour, le temps
77 bpm • A min • 03:43 • -31db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Karl Jenkins
The Armed Man - A Mass For Peace: Benedi...
75 bpm • D Maj • 04:02 • -18.87db
16% Popularity • 16% Danceability • 6% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • F Maj • 02:10 • -30db
24% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi caritas
78 bpm • F# min • 03:06 • -35db
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O ignis spiritus
74 bpm • F# min • 06:25 • -21.63db
22% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Karl Jenkins
Gloria: Laudamus te
78 bpm • D# Maj • 04:52 • -29db
19% Popularity • 11% Danceability • 5% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 5% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
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João IV of Portugal
Crux fidelis
74 bpm • F Maj • 02:20 • -34db
31% Popularity • 19% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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Herbert Howells
Requiem aeternam (1)
78 bpm • E min • 02:53 • -32.84db
24% Popularity • 15% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Karl Jenkins
Miserere: Songs of Mercy and Redemption:...
78 bpm • F Maj • 02:47 • -27db
12% Popularity • 23% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 2, Until the Daybre...
74 bpm • F min • 02:32 • -36.49db
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Cyrillus Kreek
Kas On Linnukesel Muret?
78 bpm • C# min • 01:25 • -28.11db
0% Popularity • 16% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 16% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Þorkell Sigurbjörnsson
Heyr himna smiður
74 bpm • A min • 03:16 • -26.15db
12% Popularity • 8% Danceability • 7% Energy • 12% Liveness
23% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 7% Energy • 12% Liveness
23% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
17% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
27% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
78 bpm • G Maj • 06:48 • -25.56db
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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Trio Mediæval
O Jesu Dulcissime
78 bpm • D min • 05:05 • -23db
13% Popularity • 11% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
13% Popularity • 11% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Kyrie
74 bpm • D min • 04:38 • -33.66db
17% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Requiem: Oro supplex
78 bpm • D Maj • 03:30 • -20.96db
1% Popularity • 17% Danceability • 12% Energy • 8% Liveness
15% Instrumentalness • 18% Positiveness
1% Popularity • 17% Danceability • 12% Energy • 8% Liveness
15% Instrumentalness • 18% Positiveness
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Kim André Arnesen
Pie Jesu
74 bpm • D Maj • 04:16 • -33db
27% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
27% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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John Tavener
Funeral Ikos
74 bpm • F min • 03:24 • -18.92db
24% Popularity • 11% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 5% Positiveness
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PÄ“teris Vasks
The Fruit of Silence
73 bpm • D# Maj • 07:27 • -32.51db
27% Popularity • 10% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Trio Mediæval
Gammelkjerringvalsen
78 bpm • F min • 02:10 • -25.55db
13% Popularity • 12% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Cyrillus Kreek
Requiem: Recordare
78 bpm • F Maj • 03:56 • -13.38db
1% Popularity • 33% Danceability • 19% Energy • 6% Liveness
51% Instrumentalness • 4% Positiveness
1% Popularity • 33% Danceability • 19% Energy • 6% Liveness
51% Instrumentalness • 4% Positiveness
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Henry Purcell
Hush, no more
79 bpm • B min • 02:49 • -19.25db
10% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
16% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Karl Jenkins
Gloria: I'll Make Music
79 bpm • G# Maj • 04:39 • -22db
27% Popularity • 16% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 7% Positiveness
27% Popularity • 16% Danceability • 12% Energy • 7% Liveness
4% Instrumentalness • 7% Positiveness
► Preview
Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
79 bpm • A# min • 01:36 • -45.92db
32% Popularity • 10% Danceability • 0% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
32% Popularity • 10% Danceability • 0% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
► Preview
Cyrillus Kreek
Requiem: Dies Irae
79 bpm • C min • 05:21 • -16.58db
2% Popularity • 15% Danceability • 5% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
2% Popularity • 15% Danceability • 5% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 2, Ave Maria
79 bpm • F Maj • 04:39 • -35.82db
10% Popularity • 8% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Eleanor Daley
Grandmother Moon
73 bpm • A min • 03:47 • -28.53db
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
► Preview
Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
16% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Michael McGlynn
Where All Roses Go
73 bpm • B min • 04:58 • -22db
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
He carried me away in the spirit
73 bpm • C# min • 06:08 • -30db
13% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Andreas Scholl
Sancta Mater
73 bpm • D Maj • 03:38 • -16.41db
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Cyrillus Kreek
Taaveti laul 22
79 bpm • F# Maj • 04:48 • -22.19db
2% Popularity • 15% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
2% Popularity • 15% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
Abendlied
79 bpm • F Maj • 02:54 • -20.72db
13% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
13% Popularity • 13% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
SOFIA ORTHODOX CHOIR
Cherubic Hymn No. 4
79 bpm • A# Maj • 04:49 • -25.2db
24% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Cristobal de Morales
Taedet animam meam
79 bpm • G# Maj • 04:25 • -30db
5% Popularity • 9% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
5% Popularity • 9% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Child of Song
73 bpm • C min • 04:51 • -32.13db
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Kuula: Valgusest Imelist Juttu...
79 bpm • E Maj • 02:14 • -22.7db
0% Popularity • 20% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 3. Otche nash (Our F...
73 bpm • D# Maj • 04:25 • -27db
11% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
73 bpm • G# min • 02:45 • -16.74db
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
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Olivier Messiaen
O sacrum convivium!
79 bpm • D# min • 03:59 • -27.57db
11% Popularity • 17% Danceability • 9% Energy • 19% Liveness
24% Instrumentalness • 5% Positiveness
11% Popularity • 17% Danceability • 9% Energy • 19% Liveness
24% Instrumentalness • 5% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Cyrillus Kreek
Taaveti laul 141, "Issand, ma huuan Su p...
73 bpm • B min • 02:26 • -29.13db
17% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Franz Schubert
Gott ist mein Hirt, D. 706
80 bpm • B min • 04:44 • -30db
29% Popularity • 12% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Call (Arr. Harry D Bennett)
73 bpm • F min • 02:23 • -22.48db
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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James Whitbourn
Requiem canticorum: De profundis
80 bpm • A min • 01:47 • -29db
31% Popularity • 18% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 4. Domine Deus noster-...
80 bpm • G Maj • 02:37 • -29db
12% Popularity • 22% Danceability • 5% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
12% Popularity • 22% Danceability • 5% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: III. Night
72 bpm • E min • 03:30 • -35db
21% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
21% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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The Russian State Symphony Cappella
Great Ektenia
72 bpm • A# Maj • 03:48 • -18.52db
26% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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PÄ“teris Vasks
Mein Herr und mein Gott
80 bpm • C min • 09:29 • -23.07db
9% Popularity • 12% Danceability • 5% Energy • 33% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 5% Energy • 33% Liveness
94% Instrumentalness • 3% Positiveness
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Henryk Górecki
Miserere, Op. 44: 5. Domine Deus noster-...
80 bpm • C Maj • 03:47 • -41db
10% Popularity • 18% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 20% Positiveness
10% Popularity • 18% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 20% Positiveness
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Cyrillus Kreek
Taaveti laulud 22, "Mu Jumal! Mu Jumal!"...
80 bpm • G Maj • 04:26 • -26db
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness