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My ‘90s
Songs like
My ‘90s
by
Ryan Stevenson
Based on a tempo of (+/- 10%) and a similar genre
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Charlie Rey
Undeniable Love
112 bpm • C Maj • 02:53 • -6.04db
40% Popularity • 79% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Royal Tailor
Original
112 bpm • C# min • 03:31 • -4.63db
21% Popularity • 76% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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Ryan Stevenson
My ‘90s
112 bpm • G Maj • 03:36 • -5.98db
19% Popularity • 80% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Christian Paul
Yes I Am
112 bpm • G# Maj • 02:47 • -3.98db
42% Popularity • 68% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Hammitt
Try
112 bpm • E Maj • 03:10 • -6.84db
18% Popularity • 33% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Joel Vaughn
Make The Most Of It
113 bpm • A# Maj • 03:11 • -4.52db
32% Popularity • 36% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Apollo LTD
Soldier On
111 bpm • E Maj • 03:02 • -7db
48% Popularity • 57% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tauren Wells
Like You Love Me
111 bpm • A# Maj • 03:30 • -4.72db
52% Popularity • 80% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Finding Favour
I'll Find You
113 bpm • D Maj • 03:26 • -4.66db
16% Popularity • 59% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Leanna Crawford
Write About It
111 bpm • D Maj • 02:53 • -8.88db
37% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jonathan Jackson
Even in the Heartache
113 bpm • A Maj • 03:21 • -5.91db
23% Popularity • 34% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Joel Jackson
The Arms of Jesus
111 bpm • D# Maj • 03:00 • -1.85db
10% Popularity • 42% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Stevenson
When We Fall Apart
111 bpm • D Maj • 04:27 • -10db
46% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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North Point Worship
On My Way Back Home
114 bpm • G min • 03:37 • -6db
28% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Riley Clemmons
Free
114 bpm • A# Maj • 03:20 • -6.55db
40% Popularity • 61% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Blessing Offor
Feel Good
110 bpm • C Maj • 03:39 • -4.89db
45% Popularity • 71% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jamie Kimmett
Love Your Neighbor
110 bpm • E Maj • 03:12 • -5.96db
20% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Branan Murphy
Just a Vapor
110 bpm • D Maj • 03:12 • -5.53db
24% Popularity • 74% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Stevenson
Give It All Away
114 bpm • C# min • 03:54 • -4db
16% Popularity • 71% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Lydia Laird
How You See Me Now
110 bpm • A Maj • 02:44 • -4.78db
29% Popularity • 74% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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BeDoTell
I Ran out of That Grave
110 bpm • C Maj • 04:23 • -6.8db
34% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Urban Rescue
Kaleidoscope
110 bpm • B Maj • 03:56 • -7.03db
30% Popularity • 52% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Erik Nieder
People Of God
110 bpm • A# Maj • 03:56 • -7.24db
34% Popularity • 59% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Casting Crowns
Crazy People
110 bpm • F# Maj • 02:28 • -5.36db
50% Popularity • 65% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Hammitt
I Saw the Light
110 bpm • A Maj • 03:11 • -5.49db
20% Popularity • 60% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Aaron Shust
My Shepherd (Psalm 23)
110 bpm • A# Maj • 03:39 • -9.35db
36% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Matthew Parker
I Won’t Look Back
110 bpm • C# Maj • 03:30 • -5.62db
29% Popularity • 74% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Apollo LTD
Run
110 bpm • E Maj • 02:59 • -4db
54% Popularity • 66% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Carrollton
Something To Sing About
110 bpm • G# min • 02:51 • -5.46db
22% Popularity • 62% Danceability • 92% Energy • 65% Liveness
0% Instrumentalness • 80% Positiveness
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KJ-52
Brand New Day
115 bpm • D Maj • 03:56 • -5.28db
26% Popularity • 63% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Rhett Walker
Good to Me
115 bpm • C Maj • 03:16 • -8.47db
40% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Tauren Wells
Fake It
115 bpm • F min • 03:06 • -4.4db
50% Popularity • 74% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Chris Rice
Cartoons (Live)
115 bpm • G Maj • 03:40 • -6.93db
31% Popularity • 54% Danceability • 84% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
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Tim Timmons
Everywhere I Go
115 bpm • E Maj • 03:27 • -5.27db
39% Popularity • 74% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Charles Billingsley
I Was Made for This
108 bpm • C# Maj • 04:36 • -5.58db
10% Popularity • 47% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Ryan Stevenson
Chasing Your Heart
116 bpm • B min • 03:05 • -3.11db
21% Popularity • 65% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Big Daddy Weave
The Only Name (Yours Will Be)
116 bpm • B Maj • 04:21 • -4.31db
48% Popularity • 60% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Holly Starr
Run the Race
116 bpm • A# Maj • 03:28 • -5.3db
31% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Consumed By Fire
Man That Made Me
116 bpm • C Maj • 04:10 • -9.11db
26% Popularity • 65% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Finding Favour
Till Your Kingdom Comes
116 bpm • F min • 03:22 • -4.4db
16% Popularity • 58% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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KJ-52
Best Day Ever
116 bpm • A Maj • 03:39 • -6db
26% Popularity • 76% Danceability • 82% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
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Alive City
Too Young
116 bpm • E Maj • 03:09 • -5.63db
37% Popularity • 64% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Joel Vaughn
As You Are
116 bpm • B min • 03:24 • -7db
35% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Zach Williams
Stand My Ground
116 bpm • B min • 02:59 • -5.71db
39% Popularity • 54% Danceability • 85% Energy • 76% Liveness
0% Instrumentalness • 60% Positiveness
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Consumed By Fire
Goodbye Ole Me
108 bpm • F# min • 02:01 • -5.01db
51% Popularity • 68% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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RICHLIN
Royal Blood
117 bpm • B min • 03:40 • -7.12db
42% Popularity • 43% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Caitie Hurst
Walkin' on the Water
108 bpm • B min • 03:13 • -6.08db
24% Popularity • 70% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Alive City
Say
117 bpm • B Maj • 03:41 • -7db
23% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Bonray
Inside Out
117 bpm • B Maj • 03:13 • -8.3db
36% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Big Daddy Weave
Turn On The Light
117 bpm • C Maj • 03:53 • -4.31db
25% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Sean BE
Here Tonight
117 bpm • F min • 03:32 • -4.5db
9% Popularity • 71% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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North Point Worship
Every Beat
107 bpm • D Maj • 03:37 • -4.25db
41% Popularity • 57% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Zach Williams
Survivor
107 bpm • B Maj • 03:52 • -5.29db
56% Popularity • 53% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Jonny Diaz
Need You Always
107 bpm • A Maj • 03:15 • -6.56db
29% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Finding Favour
Feels Like the First Time
107 bpm • F# min • 03:33 • -4.84db
17% Popularity • 67% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Hollyn
Love With Your Life
118 bpm • A# min • 03:30 • -5db
53% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Rhett Walker
Come To The River
118 bpm • G Maj • 03:28 • -5.34db
38% Popularity • 52% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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West of Here
Reach for the Sky
118 bpm • A Maj • 03:28 • -6.39db
9% Popularity • 52% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 26% Positiveness
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Rapture Ruckus
Don't Let Go
118 bpm • C# Maj • 04:09 • -6.41db
20% Popularity • 64% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 33% Positiveness
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Jonny Diaz
Chance
106 bpm • B Maj • 03:16 • -3db
29% Popularity • 57% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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I AM THEY
From the Day
119 bpm • C Maj • 03:39 • -6db
46% Popularity • 58% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Tasha Layton
How Far
119 bpm • G Maj • 03:07 • -5.01db
46% Popularity • 57% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Rhett Walker
Family Is Family
106 bpm • G Maj • 02:53 • -6.5db
32% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Apollo LTD
On the Way Up 2.0
105 bpm • C Maj • 03:16 • -7.04db
32% Popularity • 66% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Big Daddy Weave
I Know
105 bpm • D Maj • 05:19 • -6.74db
47% Popularity • 50% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Jonny Diaz
Live Like He's Alive
119 bpm • A# Maj • 03:19 • -4.84db
25% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bonray
You Got Me
105 bpm • E min • 03:25 • -4.8db
17% Popularity • 65% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Rush Of Fools
Power in the Blood
105 bpm • C# min • 03:07 • -7db
37% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Brandon Heath
Got the Love
105 bpm • G Maj • 03:39 • -5.44db
39% Popularity • 69% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Apollo LTD
No Limit
105 bpm • F# min • 03:48 • -6db
20% Popularity • 58% Danceability • 73% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
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Carrollton
Meant to Be
105 bpm • F# Maj • 03:19 • -4.89db
22% Popularity • 59% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Branan Murphy
Father
105 bpm • G Maj • 03:33 • -8.57db
33% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Stevenson
Mercy in the Dirt
105 bpm • G# Maj • 02:55 • -5.66db
28% Popularity • 72% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Tasha Layton
Filled Up
105 bpm • C# min • 03:07 • -8.34db
25% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Bonray
Where I Wanna Be
105 bpm • G Maj • 03:21 • -5db
31% Popularity • 71% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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I AM THEY
Praise
120 bpm • G Maj • 03:30 • -6.17db
44% Popularity • 55% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Fuller
World Changed
120 bpm • D Maj • 03:59 • -5.54db
34% Popularity • 38% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Group 1 Crew
Best Is Yet To Come
120 bpm • F Maj • 03:18 • -6.08db
27% Popularity • 79% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Apollo LTD
Soul Worth Saving
120 bpm • C Maj • 03:46 • -5db
54% Popularity • 55% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Finding Favour
Refuge
120 bpm • C# Maj • 04:22 • -6db
31% Popularity • 51% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Joel Vaughn
I Look To You - HGHTS Remix
120 bpm • D Maj • 03:34 • -9.32db
24% Popularity • 66% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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North Point Worship
The Best Is Yet to Come
120 bpm • A Maj • 03:05 • -4db
32% Popularity • 65% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Consumed By Fire
MORE!
120 bpm • C# Maj • 02:29 • -6.76db
38% Popularity • 68% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Furler
Faster And Louder
120 bpm • D min • 03:14 • -5.96db
23% Popularity • 45% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Cappa
Perfect
120 bpm • C Maj • 03:31 • -3.64db
29% Popularity • 57% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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DC Talk
Jesus Freak - Owl City Remix
104 bpm • F min • 04:19 • -2.9db
31% Popularity • 73% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Joel Vaughn
I Look To You
120 bpm • D Maj • 03:12 • -5db
35% Popularity • 44% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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North Point Worship
Love Come Down - Remix
120 bpm • A Maj • 03:13 • -5db
24% Popularity • 61% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Finding Favour
Farewell Fear
120 bpm • D Maj • 01:24 • -7.38db
22% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Stevenson
Risking It All
120 bpm • D Maj • 02:56 • -7.92db
23% Popularity • 71% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Joshua Aaron
Mountain Of The Lord
120 bpm • A min • 03:57 • -4.39db
32% Popularity • 50% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Allan Scott
Tidal Wave
120 bpm • G# Maj • 03:06 • -5db
21% Popularity • 65% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Alive City
Coming Alive
120 bpm • E Maj • 03:15 • -5db
44% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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33Miles
What Could Be Better
104 bpm • C# Maj • 04:05 • -5db
17% Popularity • 60% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Joshua Micah
Moving Through Me
104 bpm • D Maj • 02:44 • -6db
31% Popularity • 61% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Ryan Stevenson
Child in Your Arms (Capital Kings Remix)
104 bpm • C# min • 03:06 • -6.15db
31% Popularity • 70% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Joel Vaughn
On Time
104 bpm • D Maj • 02:44 • -6.87db
17% Popularity • 66% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Zach Williams
Old Church Choir
104 bpm • C Maj • 02:56 • -5.82db
60% Popularity • 68% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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I AM THEY
My Feet Are on the Rock
104 bpm • C Maj • 03:03 • -4.36db
53% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Aaron Shust
Every Morning
121 bpm • D Maj • 03:43 • -6db
30% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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My ‘90s