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My Bad, Your Fault
Songs like
My Bad, Your Fault
by
Amtrac
Based on a tempo of (+/- 10%) and a similar genre
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Amtrac
Extra Time
140 bpm • G# Maj • 04:53 • -9db
19% Popularity • 37% Danceability • 83% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Draper
Home Is a Dream
140 bpm • A# min • 03:25 • -12db
27% Popularity • 61% Danceability • 54% Energy • 60% Liveness
86% Instrumentalness • 45% Positiveness
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Yoste
Chihiro - Catching Flies Remix
140 bpm • A Maj • 03:51 • -9db
27% Popularity • 65% Danceability • 60% Energy • 11% Liveness
10% Instrumentalness • 11% Positiveness
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GEOTHEORY
Cleopatra
140 bpm • F# min • 03:41 • -13.9db
31% Popularity • 66% Danceability • 48% Energy • 38% Liveness
42% Instrumentalness • 4% Positiveness
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Liam Mour
Douro
140 bpm • B min • 03:45 • -10.65db
20% Popularity • 56% Danceability • 70% Energy • 11% Liveness
77% Instrumentalness • 51% Positiveness
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Girl Unit
B.A.C.K
140 bpm • C# Maj • 03:15 • -8.75db
21% Popularity • 66% Danceability • 38% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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Amtrac
Between The Lines
140 bpm • D Maj • 04:37 • -8.41db
22% Popularity • 49% Danceability • 93% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Flume
The Difference (Jon Hopkins Remix)
140 bpm • C# Maj • 05:26 • -6.85db
25% Popularity • 62% Danceability • 79% Energy • 16% Liveness
74% Instrumentalness • 36% Positiveness
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Maya Jane Coles
Isolate
140 bpm • A Maj • 03:26 • -7.96db
29% Popularity • 72% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 38% Positiveness
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Pierce Fulton
Train Rides
140 bpm • F min • 03:12 • -9.39db
34% Popularity • 50% Danceability • 63% Energy • 20% Liveness
94% Instrumentalness • 30% Positiveness
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Darius
So Far so Good
143 bpm • F# Maj • 03:12 • -7.98db
30% Popularity • 81% Danceability • 48% Energy • 9% Liveness
56% Instrumentalness • 24% Positiveness
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ATTLAS
Lavender God
143 bpm • B Maj • 03:58 • -9.93db
11% Popularity • 46% Danceability • 72% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
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Amtrac
My Bad, Your Fault
140 bpm • C# min • 03:35 • -11.52db
21% Popularity • 66% Danceability • 48% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
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Cella
For The Ones Who Suffer The Most
145 bpm • F# min • 02:45 • -7.05db
21% Popularity • 58% Danceability • 78% Energy • 45% Liveness
87% Instrumentalness • 24% Positiveness
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Fhin
I'll Figure It Out
136 bpm • B Maj • 03:21 • -12.93db
19% Popularity • 69% Danceability • 45% Energy • 30% Liveness
8% Instrumentalness • 23% Positiveness
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Nicky Blitz
Alex - Amtrac Remix
135 bpm • A min • 04:27 • -8.77db
1% Popularity • 62% Danceability • 56% Energy • 8% Liveness
39% Instrumentalness • 6% Positiveness
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HOUNDTRACK
Cul de Sac
135 bpm • C Maj • 03:35 • -9.01db
26% Popularity • 61% Danceability • 66% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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Kamandi
Friend
135 bpm • C min • 03:22 • -6.49db
17% Popularity • 66% Danceability • 85% Energy • 11% Liveness
73% Instrumentalness • 8% Positiveness
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Amtrac
Romance
140 bpm • G# Maj • 03:23 • -13.24db
7% Popularity • 72% Danceability • 59% Energy • 16% Liveness
78% Instrumentalness • 4% Positiveness
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the44thfloor
ONDAWAY
146 bpm • C Maj • 03:20 • -11.01db
16% Popularity • 76% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 19% Positiveness
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Manatee Commune
Wisteria Loop
146 bpm • A Maj • 03:38 • -8.82db
13% Popularity • 76% Danceability • 59% Energy • 8% Liveness
60% Instrumentalness • 14% Positiveness
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Com Truise
Persuasion System
147 bpm • C# Maj • 03:49 • -10.13db
28% Popularity • 55% Danceability • 78% Energy • 21% Liveness
2% Instrumentalness • 12% Positiveness
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Gelka
Venus Express
133 bpm • D# min • 03:58 • -14.06db
21% Popularity • 72% Danceability • 35% Energy • 38% Liveness
12% Instrumentalness • 19% Positiveness
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Beshken
White Gemini
132 bpm • C Maj • 03:38 • -9db
29% Popularity • 77% Danceability • 50% Energy • 67% Liveness
26% Instrumentalness • 37% Positiveness
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Amtrac
Too Many Visions
143 bpm • F# Maj • 03:53 • -20.04db
13% Popularity • 27% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Sandunes
Eleven Eleven
132 bpm • A# min • 03:52 • -9.45db
21% Popularity • 67% Danceability • 55% Energy • 16% Liveness
84% Instrumentalness • 16% Positiveness
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go figure
sunday session
150 bpm • D min • 04:50 • -12.54db
28% Popularity • 58% Danceability • 63% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
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Vaporwave Dave
Eagles Never Die
150 bpm • A# Maj • 03:37 • -8.17db
12% Popularity • 69% Danceability • 43% Energy • 12% Liveness
95% Instrumentalness • 23% Positiveness
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Gilligan Moss
Big Lovin'
130 bpm • D Maj • 01:48 • -13.2db
36% Popularity • 82% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Ealot
No Time for Mornings
150 bpm • C# Maj • 03:52 • -7.92db
22% Popularity • 69% Danceability • 70% Energy • 14% Liveness
93% Instrumentalness • 77% Positiveness
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Amtrac
Stratego
150 bpm • D# Maj • 03:52 • -9.99db
26% Popularity • 72% Danceability • 71% Energy • 30% Liveness
28% Instrumentalness • 70% Positiveness
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Joey Pecoraro
How Many Times?
130 bpm • G# min • 03:58 • -12.42db
31% Popularity • 56% Danceability • 57% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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il:lo
Cami
130 bpm • G# min • 05:06 • -8.52db
22% Popularity • 59% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Adrian Lux
Life On Mars
130 bpm • G# Maj • 05:38 • -7.59db
14% Popularity • 84% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 69% Positiveness
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Robotaki
Snow Angel
130 bpm • G min • 03:48 • -9.92db
27% Popularity • 63% Danceability • 33% Energy • 35% Liveness
75% Instrumentalness • 13% Positiveness
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Chrome Sparks
Ultraviolet Rainbow
130 bpm • F# min • 03:26 • -5.46db
22% Popularity • 62% Danceability • 82% Energy • 70% Liveness
0% Instrumentalness • 16% Positiveness
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Amtrac
No Place
130 bpm • C Maj • 04:22 • -7.27db
20% Popularity • 58% Danceability • 86% Energy • 18% Liveness
81% Instrumentalness • 42% Positiveness
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Leonardus
Beach Life
130 bpm • A min • 03:00 • -15db
18% Popularity • 69% Danceability • 29% Energy • 37% Liveness
68% Instrumentalness • 8% Positiveness
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Ark Patrol
Your Eyes (And Other Safe Havens)
130 bpm • C Maj • 02:59 • -9.1db
31% Popularity • 67% Danceability • 60% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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UTAH
Why Not
152 bpm • G Maj • 03:16 • -9db
30% Popularity • 72% Danceability • 64% Energy • 8% Liveness
74% Instrumentalness • 44% Positiveness
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Com Truise
Compress—Fuse
152 bpm • D Maj • 03:23 • -5.13db
28% Popularity • 62% Danceability • 86% Energy • 36% Liveness
65% Instrumentalness • 29% Positiveness
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Liam Mour
Love
129 bpm • D Maj • 04:38 • -10.37db
33% Popularity • 32% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Amtrac
Connection
130 bpm • A min • 05:53 • -9.97db
18% Popularity • 75% Danceability • 84% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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xJK.
Not As It Seems
128 bpm • A# min • 03:45 • -15.25db
11% Popularity • 97% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Telephoned
Last Time - Amtrac Remix
128 bpm • F min • 04:23 • -4.55db
1% Popularity • 71% Danceability • 91% Energy • 13% Liveness
28% Instrumentalness • 79% Positiveness
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Pierce Fulton
Priviet
128 bpm • F# Maj • 04:55 • -8.74db
8% Popularity • 55% Danceability • 74% Energy • 14% Liveness
78% Instrumentalness • 24% Positiveness
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UNKLE
Farewell (Amtrac Rapid Remix)
128 bpm • A# min • 05:31 • -6.71db
18% Popularity • 77% Danceability • 74% Energy • 3% Liveness
83% Instrumentalness • 34% Positiveness
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George FitzGerald
Outgrown - Sandunes Remix
128 bpm • D# min • 04:16 • -10.64db
14% Popularity • 66% Danceability • 56% Energy • 6% Liveness
87% Instrumentalness • 16% Positiveness
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Amtrac
Wish I Could
130 bpm • D Maj • 05:30 • -11.6db
14% Popularity • 73% Danceability • 78% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Tough Love
Dreams - Amtrac Remix
128 bpm • C# Maj • 06:21 • -6.58db
4% Popularity • 83% Danceability • 63% Energy • 7% Liveness
76% Instrumentalness • 49% Positiveness
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Sonny Side Up
Ghosted
128 bpm • A# Maj • 02:37 • -9.67db
36% Popularity • 64% Danceability • 82% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Giraffage
Do U Want Me
154 bpm • G# Maj • 03:44 • -10.34db
40% Popularity • 72% Danceability • 59% Energy • 40% Liveness
33% Instrumentalness • 59% Positiveness
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ATTLAS
When We Were the Same
128 bpm • C min • 07:46 • -11.49db
17% Popularity • 76% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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Jesper Ryom
Nights
127 bpm • C# Maj • 05:44 • -10.22db
29% Popularity • 56% Danceability • 67% Energy • 15% Liveness
86% Instrumentalness • 64% Positiveness
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Amtrac
Contrast
130 bpm • F# Maj • 03:39 • -9.43db
19% Popularity • 74% Danceability • 86% Energy • 11% Liveness
82% Instrumentalness • 32% Positiveness
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Cubicolor
All You Needed
127 bpm • B min • 04:16 • -8.83db
16% Popularity • 68% Danceability • 74% Energy • 8% Liveness
56% Instrumentalness • 46% Positiveness
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Jack Grace
downstate - Ara Koufax Remix
127 bpm • G# Maj • 04:38 • -8.45db
21% Popularity • 63% Danceability • 66% Energy • 9% Liveness
18% Instrumentalness • 53% Positiveness
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Inwards
19TET - Varsity Star Remix
127 bpm • C# Maj • 04:32 • -9.33db
17% Popularity • 56% Danceability • 76% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
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ATTLAS
Polar Concept
127 bpm • G# Maj • 06:31 • -10.16db
23% Popularity • 52% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Boundary
Aerodynamics of Multimedia
127 bpm • C# min • 06:10 • -13.57db
7% Popularity • 62% Danceability • 67% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Amtrac
Opportunity
128 bpm • D# min • 02:49 • -13.41db
5% Popularity • 71% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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il:lo
Sloh
127 bpm • A min • 06:14 • -9.91db
28% Popularity • 61% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Parra for Cuva
Temperature of Traveling
126 bpm • C# min • 05:02 • -8.55db
36% Popularity • 76% Danceability • 58% Energy • 28% Liveness
16% Instrumentalness • 43% Positiveness
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Chris Malinchak
The Letter
126 bpm • G min • 03:55 • -14.88db
43% Popularity • 73% Danceability • 62% Energy • 7% Liveness
93% Instrumentalness • 33% Positiveness
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ATTLAS
Fine Modern Structures
126 bpm • B Maj • 07:03 • -12.71db
10% Popularity • 57% Danceability • 54% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Kamandi
Deans
126 bpm • C Maj • 03:53 • -7.28db
19% Popularity • 76% Danceability • 82% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
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Amtrac
Outer Station Support
128 bpm • G min • 07:03 • -13.53db
17% Popularity • 80% Danceability • 43% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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il:lo
Cesta
126 bpm • B min • 03:53 • -8.88db
24% Popularity • 53% Danceability • 82% Energy • 6% Liveness
86% Instrumentalness • 25% Positiveness
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RYAN Playground
The1
126 bpm • C Maj • 04:20 • -9.16db
12% Popularity • 91% Danceability • 48% Energy • 7% Liveness
86% Instrumentalness • 14% Positiveness
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BAYNK
HIGH
125 bpm • F# Maj • 04:07 • -8db
47% Popularity • 74% Danceability • 72% Energy • 8% Liveness
62% Instrumentalness • 52% Positiveness
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ATTLAS
Water for the Trees
125 bpm • G Maj • 05:16 • -11.89db
11% Popularity • 48% Danceability • 74% Energy • 33% Liveness
96% Instrumentalness • 4% Positiveness
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R Plus
Summer Dress (Amtrac Remix)
125 bpm • A# min • 06:25 • -4.38db
18% Popularity • 62% Danceability • 93% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
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Amtrac
MIDI Ceremony
128 bpm • A# min • 06:02 • -12.4db
22% Popularity • 75% Danceability • 66% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Andrew Bayer
Open End Resource - Leaving Laurel Remix
125 bpm • D Maj • 03:39 • -8.24db
30% Popularity • 61% Danceability • 66% Energy • 21% Liveness
9% Instrumentalness • 7% Positiveness
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il:lo
Aija
125 bpm • G# min • 04:10 • -9.84db
26% Popularity • 64% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Kamandi
Weekend Crender
125 bpm • F# Maj • 03:38 • -13.51db
35% Popularity • 79% Danceability • 73% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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ATTLAS
Further
125 bpm • A# Maj • 05:07 • -10.82db
34% Popularity • 64% Danceability • 67% Energy • 9% Liveness
80% Instrumentalness • 7% Positiveness
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Delac
Blue Skies
125 bpm • F min • 03:26 • -7.74db
32% Popularity • 66% Danceability • 80% Energy • 11% Liveness
77% Instrumentalness • 26% Positiveness
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Amtrac
Last Chance
128 bpm • A Maj • 03:53 • -8.5db
17% Popularity • 68% Danceability • 67% Energy • 43% Liveness
62% Instrumentalness • 61% Positiveness
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Andrew Bayer
Open End Resource - Leaving Laurel Exten...
125 bpm • D Maj • 04:59 • -8.16db
11% Popularity • 66% Danceability • 70% Energy • 12% Liveness
16% Instrumentalness • 20% Positiveness
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NIMMO
My Only Friend - Amtrac Remix
125 bpm • C# min • 06:41 • -9.96db
23% Popularity • 67% Danceability • 68% Energy • 14% Liveness
50% Instrumentalness • 6% Positiveness
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Little People
How to Navigate
125 bpm • F# Maj • 05:45 • -8.85db
21% Popularity • 73% Danceability • 61% Energy • 11% Liveness
66% Instrumentalness • 44% Positiveness
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Shakka
When Will I See You Again - Amtrac Remix
125 bpm • C min • 06:31 • -8.5db
52% Popularity • 71% Danceability • 67% Energy • 13% Liveness
67% Instrumentalness • 6% Positiveness
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obli
Gone Away
157 bpm • F# min • 03:32 • -8.67db
31% Popularity • 41% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Amtrac
Intermission
127 bpm • F min • 02:36 • -21.28db
22% Popularity • 20% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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OCULA
Alpine
124 bpm • G# Maj • 03:46 • -14.36db
21% Popularity • 80% Danceability • 48% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Bit Cloudy
Temple Deadbeat
124 bpm • G Maj • 04:45 • -14.96db
10% Popularity • 59% Danceability • 42% Energy • 29% Liveness
87% Instrumentalness • 63% Positiveness
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Liam Mour
Nineteen Ninety
124 bpm • C Maj • 05:53 • -8.48db
22% Popularity • 54% Danceability • 72% Energy • 12% Liveness
95% Instrumentalness • 39% Positiveness
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Polar Inc.
Journal
124 bpm • G# min • 04:08 • -12db
45% Popularity • 79% Danceability • 57% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
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il:lo
Jade
124 bpm • G Maj • 03:21 • -11.97db
41% Popularity • 60% Danceability • 68% Energy • 7% Liveness
87% Instrumentalness • 20% Positiveness
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Amtrac
Little Tokyo
126 bpm • C Maj • 05:29 • -10.72db
17% Popularity • 57% Danceability • 82% Energy • 35% Liveness
85% Instrumentalness • 4% Positiveness
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Keep Shelly In Athens
Caryatid
124 bpm • A# min • 03:40 • -11.53db
25% Popularity • 69% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 30% Positiveness
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Alex Metric
Elev8
124 bpm • F Maj • 05:51 • -8.18db
2% Popularity • 67% Danceability • 89% Energy • 7% Liveness
49% Instrumentalness • 6% Positiveness
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Leaving Laurel
sometimes it’s scary…but it’s stil...
124 bpm • F# Maj • 06:19 • -6.61db
21% Popularity • 75% Danceability • 79% Energy • 16% Liveness
81% Instrumentalness • 11% Positiveness
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Luttrell
Dayglow
124 bpm • F# min • 02:46 • -7db
29% Popularity • 62% Danceability • 95% Energy • 27% Liveness
92% Instrumentalness • 68% Positiveness
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Pierce Fulton
Nest To The Back
124 bpm • F# Maj • 06:46 • -7.57db
23% Popularity • 61% Danceability • 86% Energy • 8% Liveness
92% Instrumentalness • 41% Positiveness
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Amtrac
Darkest Sound
124 bpm • F# min • 04:24 • -6.42db
28% Popularity • 70% Danceability • 70% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Elohim
I'm Lost - Jacques Greene Remix
124 bpm • C min • 03:42 • -9.95db
16% Popularity • 68% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 50% Positiveness
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Jesse Kendal
Manyara
124 bpm • F# Maj • 05:05 • -7.99db
25% Popularity • 66% Danceability • 72% Energy • 19% Liveness
88% Instrumentalness • 10% Positiveness
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Leaving Laurel
sometimes it’s scary but it’s still ...
124 bpm • F# Maj • 06:34 • -7.82db
22% Popularity • 74% Danceability • 76% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
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My Bad, Your Fault