Songs like My Cadillac by Marina BBface & The Beatroots
Based on a tempo of (+/- 10%) and a similar genre
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Wolf Jett
Broken
93 bpm • G Maj • 03:07 • -7.3db
13% Popularity • 63% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 63% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Son Called Soul
Take No Mess
93 bpm • C Maj • 03:45 • -6.58db
11% Popularity • 64% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 64% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Caroline Randall Williams
XXX's And OOO's
93 bpm • C Maj • 04:21 • -9.75db
14% Popularity • 57% Danceability • 60% Energy • 15% Liveness
8% Instrumentalness • 50% Positiveness
14% Popularity • 57% Danceability • 60% Energy • 15% Liveness
8% Instrumentalness • 50% Positiveness
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Marina BBface & The Beatroots
My Cadillac
93 bpm • C# min • 03:44 • -3.89db
1% Popularity • 52% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 52% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Miller and the Other Sinners
Thieves In The Breadline
92 bpm • F# min • 03:45 • -5.25db
7% Popularity • 56% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 56% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Ndidi O
Too Late
94 bpm • A Maj • 03:12 • -8.45db
13% Popularity • 65% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 65% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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The Buttshakers
Go On
92 bpm • C# min • 03:18 • -5.5db
15% Popularity • 77% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 77% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Freedonia
Good Things Together
94 bpm • B min • 03:35 • -8.43db
8% Popularity • 65% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 65% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Chris Crain
Last Two Dollars
94 bpm • G# Maj • 02:57 • -7.8db
7% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Toni Green
I Got A Man
94 bpm • E Maj • 04:21 • -8.81db
17% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Robyn Bennett
The Music
92 bpm • A# min • 04:01 • -5.32db
14% Popularity • 62% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 62% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Molly Bajgot
Revelry
92 bpm • D Maj • 04:17 • -9.91db
12% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Commonheart
Believer
92 bpm • A Maj • 03:34 • -3.75db
14% Popularity • 59% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 59% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Freedonia
Claiming for Sanity
94 bpm • C Maj • 03:50 • -8.08db
8% Popularity • 72% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 72% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Soultown Revivalists
Ball Don't Lie
92 bpm • A# Maj • 04:11 • -7.43db
14% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Ancient Cosmonauts
Keepin' On
94 bpm • F Maj • 03:49 • -5.49db
14% Popularity • 63% Danceability • 76% Energy • 8% Liveness
29% Instrumentalness • 90% Positiveness
14% Popularity • 63% Danceability • 76% Energy • 8% Liveness
29% Instrumentalness • 90% Positiveness
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Aurelle Key
Wild eyed woman
92 bpm • C# min • 03:31 • -3.86db
10% Popularity • 73% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 73% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Norvald
Slippin` Away
92 bpm • G Maj • 03:37 • -9.74db
11% Popularity • 78% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 78% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Tibbs
Rafaela
95 bpm • C Maj • 03:55 • -6.43db
16% Popularity • 56% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 56% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Childish Japes
Vignettes
94 bpm • C# Maj • 04:44 • -5.26db
20% Popularity • 71% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 71% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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Alice & The Wonders
Don't You Dare
95 bpm • A# min • 02:52 • -7.73db
14% Popularity • 47% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 47% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Midnight North
Round & Round
95 bpm • D min • 03:35 • -6.22db
14% Popularity • 53% Danceability • 83% Energy • 23% Liveness
58% Instrumentalness • 69% Positiveness
14% Popularity • 53% Danceability • 83% Energy • 23% Liveness
58% Instrumentalness • 69% Positiveness
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Karma's Tea
Will Be
95 bpm • G# Maj • 03:14 • -8.38db
16% Popularity • 67% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 56% Positiveness
16% Popularity • 67% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 56% Positiveness
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The Foo Birds
Write You
91 bpm • A Maj • 05:28 • -8.83db
21% Popularity • 62% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 62% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Club Castaway
Sunny Days in June
95 bpm • G Maj • 03:28 • -10.4db
11% Popularity • 72% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 72% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Juanlu Leprevost
Nice and Easy
95 bpm • B Maj • 02:16 • -8.31db
11% Popularity • 88% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 88% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Mamas Gun
Friends To Lovers - At PizzaExpress Live
95 bpm • A min • 03:30 • -8db
14% Popularity • 72% Danceability • 80% Energy • 91% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 72% Danceability • 80% Energy • 91% Liveness
0% Instrumentalness • 65% Positiveness
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The Hyperdwarf Orchestra
Heartbeat
95 bpm • F min • 03:54 • -6.88db
18% Popularity • 59% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 59% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Leanne Binder
Do What You Love
91 bpm • D Maj • 02:54 • -4.6db
10% Popularity • 63% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 63% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Kristy Lee
For What It's Worth
91 bpm • C# min • 03:55 • -10.17db
9% Popularity • 72% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 72% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Ancient Cosmonauts
Upper Class
95 bpm • A Maj • 03:41 • -6.17db
8% Popularity • 76% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
8% Popularity • 76% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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J & The Causeways
Lately
91 bpm • C Maj • 03:27 • -6.96db
15% Popularity • 67% Danceability • 72% Energy • 17% Liveness
3% Instrumentalness • 63% Positiveness
15% Popularity • 67% Danceability • 72% Energy • 17% Liveness
3% Instrumentalness • 63% Positiveness
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Honey Made
Ashy Pockets (My Mode)
91 bpm • F min • 04:07 • -5.96db
10% Popularity • 58% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 58% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Melody Walker
Room
91 bpm • A# Maj • 03:57 • -8.99db
8% Popularity • 76% Danceability • 55% Energy • 74% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 76% Danceability • 55% Energy • 74% Liveness
0% Instrumentalness • 69% Positiveness
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Marcus King
Inglewood Motel (Halestorm)
91 bpm • A Maj • 05:20 • -7.25db
44% Popularity • 78% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 78% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Cleo Panther
Not Afraid to Lose
91 bpm • A min • 03:31 • -6.06db
16% Popularity • 61% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 61% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Indra Rios-Moore
Eyes on the Prize
91 bpm • E min • 03:29 • -12.03db
9% Popularity • 58% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 58% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Alexandra Burke
Too Much Woman (For a Henpecked Man) - B...
91 bpm • E Maj • 02:09 • -4.69db
8% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Kristīne Prauliņa
Change of Perspective
91 bpm • C Maj • 03:52 • -9.24db
8% Popularity • 64% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 64% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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June in Purple
King Outlaw
90 bpm • G# min • 04:10 • -10.12db
18% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Michelle David & The True-tones
Leave It There (Recorded in Front of a L...
90 bpm • A# min • 04:01 • -9.71db
18% Popularity • 59% Danceability • 54% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 59% Danceability • 54% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
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Who Shot Lulu
Stupidly Stagnant
96 bpm • B min • 02:55 • -4.83db
14% Popularity • 64% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 64% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Sandra Bouza
Where Have You Been
90 bpm • C min • 03:40 • -3.39db
11% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Marina BBface & The Beatroots
Makes Me Feel Better
96 bpm • C# min • 03:49 • -5.23db
2% Popularity • 74% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 74% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Mamas Gun
London Girls - At PizzaExpress Live
96 bpm • D# min • 05:48 • -7.96db
10% Popularity • 66% Danceability • 86% Energy • 68% Liveness
1% Instrumentalness • 78% Positiveness
10% Popularity • 66% Danceability • 86% Energy • 68% Liveness
1% Instrumentalness • 78% Positiveness
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Heigh Chief.
She'll Get Her Own
90 bpm • A# Maj • 02:48 • -8.41db
12% Popularity • 70% Danceability • 76% Energy • 13% Liveness
2% Instrumentalness • 78% Positiveness
12% Popularity • 70% Danceability • 76% Energy • 13% Liveness
2% Instrumentalness • 78% Positiveness
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Jean-Jacques Milteau
Love The One You're With
96 bpm • A# Maj • 03:22 • -6.9db
14% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Robyn Bennett
I'm Not Cool
96 bpm • G# Maj • 03:32 • -5.53db
13% Popularity • 80% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 80% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Pisces and The Realists
Better Things
90 bpm • D Maj • 03:59 • -4.09db
9% Popularity • 54% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 54% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Vanessa Collier
What Makes You Beautiful
90 bpm • G Maj • 03:48 • -5.75db
9% Popularity • 65% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 65% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Ariel Ryder
Dreamscape
90 bpm • A Maj • 01:55 • -7.69db
16% Popularity • 65% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 65% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
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Tony Finch Marino
Waiting On My Own
90 bpm • D min • 03:43 • -7.19db
17% Popularity • 66% Danceability • 76% Energy • 13% Liveness
2% Instrumentalness • 75% Positiveness
17% Popularity • 66% Danceability • 76% Energy • 13% Liveness
2% Instrumentalness • 75% Positiveness
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Martha High
I Got My Senses Back
90 bpm • F min • 03:23 • -7.84db
46% Popularity • 72% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 72% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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TheEEs
If Only
90 bpm • G# Maj • 03:09 • -8.75db
9% Popularity • 74% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 74% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Reyna Diana
Survivor
90 bpm • D Maj • 03:45 • -8.3db
12% Popularity • 59% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 59% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Vanessa Collier
Superbad
90 bpm • D min • 02:54 • -5.43db
8% Popularity • 69% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 69% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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leMeow
Ghost Heart
90 bpm • C min • 03:50 • -7.31db
22% Popularity • 53% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 53% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Malted Milk
I.M Possible
96 bpm • G Maj • 02:58 • -7.56db
26% Popularity • 79% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 79% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Samson
Let Me Be a Sinner
90 bpm • D# min • 03:40 • -8.26db
14% Popularity • 66% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 66% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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The Imagine If
Devil's Child
96 bpm • F min • 03:36 • -5.35db
10% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Nikki Hill
Gotta Find My Baby
90 bpm • A Maj • 02:40 • -5.49db
8% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Miss J and the Misfits
Up from Here
90 bpm • G Maj • 02:03 • -9.82db
14% Popularity • 52% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 52% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Family Company
Let's Go Get Stoned
97 bpm • A Maj • 03:35 • -9.06db
13% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Tibbs
For Lack of Better Words
89 bpm • G min • 03:29 • -5.16db
20% Popularity • 62% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 62% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Ali McGuirk
Evelyn
97 bpm • F# min • 03:20 • -8.05db
16% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Buttshakers
Soul Kitchen
89 bpm • G Maj • 02:43 • -9.85db
14% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Marina BBface & The Beatroots
Sunday Morning People
97 bpm • C Maj • 04:22 • -4.83db
1% Popularity • 60% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 60% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Joanna Connor
Lavender Haze
97 bpm • F# min • 03:32 • -5.29db
11% Popularity • 69% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 69% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Mike Maimone
Call the Locksmith
89 bpm • F Maj • 03:10 • -6.88db
8% Popularity • 65% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 65% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Dale LeJeune
A Journey For Love
97 bpm • C min • 04:33 • -7.72db
17% Popularity • 28% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 28% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Boneshakers
Mr. Alice Doesn't Live Here Anymore
89 bpm • C# Maj • 03:22 • -8.01db
7% Popularity • 71% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 71% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Horns of Leroy
It's About Time
97 bpm • G# Maj • 04:43 • -5.6db
10% Popularity • 44% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 44% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Michelle David & The True-tones
Little Girl
89 bpm • B min • 04:20 • -9.45db
12% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Marina BBface & The Beatroots
Do Me
89 bpm • A# min • 03:48 • -5.51db
4% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
4% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Marie Chain
Revenge
98 bpm • F min • 05:21 • -5.84db
9% Popularity • 57% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 57% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Russ Irwin
I Miss Being Lonely
89 bpm • F Maj • 03:16 • -4.37db
11% Popularity • 63% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 63% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Ariel Posen
I Wish That We Never Met - Demo
98 bpm • G Maj • 03:12 • -6.5db
25% Popularity • 83% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 83% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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The Agapornis
My Everything
98 bpm • D min • 03:59 • -3.38db
9% Popularity • 64% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 64% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Marcella and Her Lovers
Where You Are
98 bpm • G Maj • 02:52 • -9.3db
19% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Waiting On Mongo
Do What You Want
98 bpm • D Maj • 05:07 • -7.44db
19% Popularity • 66% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 80% Positiveness
19% Popularity • 66% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 80% Positiveness
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Michelle Daly
What You're Making Me Do to Me
98 bpm • G Maj • 03:18 • -8.98db
4% Popularity • 84% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
4% Popularity • 84% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Vanessa Amorosi
Serious
98 bpm • A# min • 03:00 • -5.13db
8% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Hidden Harmonie
Lift Love
98 bpm • F min • 03:09 • -7.06db
20% Popularity • 81% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 81% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Frethike
Dialectic
98 bpm • C# Maj • 04:58 • -8.99db
14% Popularity • 78% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 78% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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LeBron Johnson
Losing my way
98 bpm • C# Maj • 03:46 • -9.39db
22% Popularity • 66% Danceability • 68% Energy • 12% Liveness
52% Instrumentalness • 79% Positiveness
22% Popularity • 66% Danceability • 68% Energy • 12% Liveness
52% Instrumentalness • 79% Positiveness
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Iris Harley
Last Breath
88 bpm • F# Maj • 03:43 • -5.78db
15% Popularity • 75% Danceability • 59% Energy • 14% Liveness
28% Instrumentalness • 56% Positiveness
15% Popularity • 75% Danceability • 59% Energy • 14% Liveness
28% Instrumentalness • 56% Positiveness
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The Tibbs
Cleaned Out
98 bpm • A min • 03:07 • -6db
9% Popularity • 77% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 77% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Eli "Paperboy" Reed
Anytime You Want Me
98 bpm • G min • 04:20 • -6.92db
15% Popularity • 68% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 68% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Matthew Chaffey
Paper Shoes
88 bpm • G Maj • 03:21 • -6.55db
9% Popularity • 67% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 67% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Ina Forsman
I Believe To My Soul - Live at Sellosali...
98 bpm • A Maj • 05:23 • -5.86db
27% Popularity • 47% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 47% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
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Pistol Packin' Mama
Boom boom
88 bpm • A Maj • 02:50 • -5.62db
9% Popularity • 57% Danceability • 69% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 57% Danceability • 69% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Lynne Jackaman
Supernasty
99 bpm • A min • 04:15 • -4.02db
11% Popularity • 82% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 82% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Camilla Blue
Roll the Dice
99 bpm • F# min • 03:55 • -6.82db
7% Popularity • 71% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 71% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
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MY BABY
Good Gin Blues - Remastered
99 bpm • A Maj • 03:12 • -7.15db
8% Popularity • 81% Danceability • 76% Energy • 45% Liveness
3% Instrumentalness • 86% Positiveness
8% Popularity • 81% Danceability • 76% Energy • 45% Liveness
3% Instrumentalness • 86% Positiveness
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Matthew Chaffey
Monday To Tuesday Woman
99 bpm • C Maj • 03:24 • -7.49db
22% Popularity • 72% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 72% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Nicole Bernegger
Love Indeed
87 bpm • A Maj • 03:25 • -5.08db
10% Popularity • 65% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 65% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Tremelo
Your Love is Too Good
99 bpm • D min • 02:56 • -7.21db
21% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Rhonda
Why We Stay
87 bpm • C Maj • 03:21 • -6.35db
16% Popularity • 66% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 66% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
