Songs like MY DRUGS ARE DIGITAL by Holy Wars
Based on a tempo of (+/- 10%) and a similar genre
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Bexley
Far From Home
163 bpm • E Maj • 03:47 • -6.13db
18% Popularity • 15% Danceability • 68% Energy • 26% Liveness
8% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 68% Energy • 26% Liveness
8% Instrumentalness • 5% Positiveness
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Holy Wars
VenoM
163 bpm • E Maj • 02:43 • -5.88db
24% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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VUKOVI
La Di Da
163 bpm • G Maj • 03:00 • -3.46db
51% Popularity • 44% Danceability • 89% Energy • 80% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 44% Danceability • 89% Energy • 80% Liveness
0% Instrumentalness • 81% Positiveness
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Starbenders
Push
163 bpm • A min • 02:57 • -6db
38% Popularity • 50% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 50% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Saint Agnes
Uppercut!
164 bpm • C# Maj • 02:48 • -3.27db
17% Popularity • 32% Danceability • 97% Energy • 27% Liveness
2% Instrumentalness • 28% Positiveness
17% Popularity • 32% Danceability • 97% Energy • 27% Liveness
2% Instrumentalness • 28% Positiveness
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The Haunt
This Won't Go Over Well
164 bpm • B min • 03:24 • -4.28db
42% Popularity • 46% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 46% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Cassyette
Petrichor
164 bpm • E min • 04:03 • -7db
52% Popularity • 39% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 39% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Holy Wars
MY DRUGS ARE DIGITAL
163 bpm • G# Maj • 02:53 • -3.04db
39% Popularity • 56% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 56% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Bicurious
I Can Hear Them Too
162 bpm • B min • 04:53 • -10.52db
30% Popularity • 37% Danceability • 58% Energy • 4% Liveness
45% Instrumentalness • 34% Positiveness
30% Popularity • 37% Danceability • 58% Energy • 4% Liveness
45% Instrumentalness • 34% Positiveness
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We Are PIGS
Pulse Queen
162 bpm • A Maj • 03:28 • -7.54db
33% Popularity • 42% Danceability • 90% Energy • 33% Liveness
7% Instrumentalness • 48% Positiveness
33% Popularity • 42% Danceability • 90% Energy • 33% Liveness
7% Instrumentalness • 48% Positiveness
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tiLLie
loud mouth
162 bpm • A Maj • 03:26 • -4.43db
33% Popularity • 58% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 58% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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VUKOVI
Violent Minds
162 bpm • E min • 03:19 • -3db
38% Popularity • 34% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 34% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 22% Positiveness
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PLAIINS
Snvkes
161 bpm • D Maj • 02:34 • -3.79db
17% Popularity • 43% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 43% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Holy Wars
21ST CENTURY BITCH
163 bpm • D Maj • 02:45 • -3.98db
43% Popularity • 46% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 46% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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BONES UK
Milk
164 bpm • B min • 03:06 • -6.11db
26% Popularity • 62% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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We Are PIGS
Oshi
162 bpm • G# Maj • 03:30 • -4.16db
19% Popularity • 39% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 39% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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grandson
When the Bomb Goes
161 bpm • A Maj • 02:34 • -6.11db
48% Popularity • 50% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 50% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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tiLLie
flip a switch
162 bpm • B min • 02:32 • -6.62db
36% Popularity • 53% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 53% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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poutyface
HEY NEIGHBOR!
165 bpm • E min • 02:25 • -7.57db
44% Popularity • 52% Danceability • 75% Energy • 31% Liveness
10% Instrumentalness • 85% Positiveness
44% Popularity • 52% Danceability • 75% Energy • 31% Liveness
10% Instrumentalness • 85% Positiveness
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Holy Wars
Warrior
162 bpm • B min • 03:52 • -4.86db
6% Popularity • 49% Danceability • 93% Energy • 23% Liveness
18% Instrumentalness • 21% Positiveness
6% Popularity • 49% Danceability • 93% Energy • 23% Liveness
18% Instrumentalness • 21% Positiveness
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Starbenders
Sex
161 bpm • D Maj • 03:21 • -4.59db
34% Popularity • 38% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 38% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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WARGASM (UK)
Your Patron Saints
161 bpm • C# Maj • 03:24 • -8.2db
37% Popularity • 46% Danceability • 91% Energy • 17% Liveness
3% Instrumentalness • 57% Positiveness
37% Popularity • 46% Danceability • 91% Energy • 17% Liveness
3% Instrumentalness • 57% Positiveness
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Unlike Pluto
If It's Vengeance You Want
161 bpm • G# Maj • 03:07 • -7db
41% Popularity • 45% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 45% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Dreadlight
SHE
165 bpm • D Maj • 01:45 • -6.32db
21% Popularity • 50% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 50% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Prtty Ridiculous
PLASTIC
165 bpm • A# min • 02:34 • -7.82db
33% Popularity • 53% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 53% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Holy Wars
IHATEMYSELF
162 bpm • C Maj • 03:38 • -3.76db
16% Popularity • 44% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 16% Positiveness
16% Popularity • 44% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 16% Positiveness
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Bambie Thug
NECROMANCY
165 bpm • G Maj • 03:09 • -6.27db
23% Popularity • 29% Danceability • 80% Energy • 27% Liveness
14% Instrumentalness • 43% Positiveness
23% Popularity • 29% Danceability • 80% Energy • 27% Liveness
14% Instrumentalness • 43% Positiveness
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Dana Dentata
Dstock ’99
165 bpm • C# Maj • 02:18 • -3.91db
22% Popularity • 58% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 58% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 67% Positiveness
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Siiickbrain
Power
165 bpm • D Maj • 02:56 • -4.07db
38% Popularity • 47% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 47% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Hello Operator
King Solomon
166 bpm • A# Maj • 02:09 • -5.55db
32% Popularity • 29% Danceability • 75% Energy • 12% Liveness
73% Instrumentalness • 35% Positiveness
32% Popularity • 29% Danceability • 75% Energy • 12% Liveness
73% Instrumentalness • 35% Positiveness
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Cassyette
Dead Roses
160 bpm • E min • 02:48 • -5db
38% Popularity • 43% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 43% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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tiLLie
the me u kno
165 bpm • F# min • 02:45 • -3db
43% Popularity • 42% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 42% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bambie Thug
Headbang
166 bpm • G# Maj • 02:42 • -7.59db
26% Popularity • 68% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 68% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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HIMALAYAS
From Hell to Here
166 bpm • C Maj • 02:56 • -4.63db
51% Popularity • 17% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 17% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Blood Orchid
Yeah Yeah Yeah
166 bpm • C# Maj • 02:43 • -4.35db
38% Popularity • 63% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 38% Positiveness
38% Popularity • 63% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 38% Positiveness
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![The Rapture (but it’s Pink) [feat. Mothica] cover art](https://i.scdn.co/image/ab67616d00001e02fa272d9a3c6718f35f80c7a7)
Scene Queen
The Rapture (but it’s Pink)
160 bpm • B min • 02:28 • -4db
50% Popularity • 50% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 50% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Saint Agnes
Outsider
166 bpm • G Maj • 04:05 • -11.54db
20% Popularity • 34% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 34% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Delilah Bon
I Wish A Bitch Would
160 bpm • D Maj • 03:26 • -6db
51% Popularity • 61% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 61% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Crawlers
Too Soon
166 bpm • C# Maj • 03:10 • -4db
30% Popularity • 48% Danceability • 96% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
30% Popularity • 48% Danceability • 96% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
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Airways
Me and My Brain
166 bpm • A# min • 02:48 • -8.34db
51% Popularity • 57% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 57% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Holy Wars
TV DINNER - Live Version
160 bpm • A Maj • 02:55 • -2.86db
7% Popularity • 43% Danceability • 94% Energy • 96% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 43% Danceability • 94% Energy • 96% Liveness
0% Instrumentalness • 28% Positiveness
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Calva Louise
Third Class Citizen
160 bpm • C# Maj • 03:30 • -6.71db
24% Popularity • 58% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 41% Positiveness
24% Popularity • 58% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 41% Positiveness
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ALT BLK ERA
Rockstar
160 bpm • G Maj • 02:28 • -4.3db
32% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Siiickbrain
Destructible
160 bpm • C Maj • 02:51 • -6.4db
37% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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James and the Cold Gun
She Moves
160 bpm • A Maj • 03:31 • -7.44db
34% Popularity • 34% Danceability • 97% Energy • 48% Liveness
29% Instrumentalness • 19% Positiveness
34% Popularity • 34% Danceability • 97% Energy • 48% Liveness
29% Instrumentalness • 19% Positiveness
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Airways
Out of Control
166 bpm • C# Maj • 03:20 • -5.1db
30% Popularity • 45% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 50% Positiveness
30% Popularity • 45% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 50% Positiveness
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Cassyette
September Rain
160 bpm • G min • 03:33 • -3.79db
44% Popularity • 40% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 40% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Calva Louise
Ephemeral
160 bpm • F# min • 03:42 • -6.62db
20% Popularity • 61% Danceability • 68% Energy • 10% Liveness
34% Instrumentalness • 44% Positiveness
20% Popularity • 61% Danceability • 68% Energy • 10% Liveness
34% Instrumentalness • 44% Positiveness
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Crawlers
Feminist Radical Hypocritical Delusional
166 bpm • B min • 02:02 • -4db
33% Popularity • 46% Danceability • 91% Energy • 11% Liveness
13% Instrumentalness • 74% Positiveness
33% Popularity • 46% Danceability • 91% Energy • 11% Liveness
13% Instrumentalness • 74% Positiveness
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Siiickbrain
HELLSLIDE
160 bpm • E min • 02:21 • -5.22db
39% Popularity • 33% Danceability • 90% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 33% Danceability • 90% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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SNAYX
Buck
160 bpm • F# min • 03:59 • -6.94db
17% Popularity • 38% Danceability • 95% Energy • 33% Liveness
46% Instrumentalness • 25% Positiveness
17% Popularity • 38% Danceability • 95% Energy • 33% Liveness
46% Instrumentalness • 25% Positiveness
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Dead Pony
I Don't Need A Lot
166 bpm • C Maj • 02:55 • -5.95db
19% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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BEX
Bite My Tongue
160 bpm • A Maj • 02:47 • -4.81db
13% Popularity • 49% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 49% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Bexley
Misery
160 bpm • E Maj • 03:37 • -5.25db
20% Popularity • 35% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 35% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Starbenders
If You Need It
160 bpm • G# Maj • 04:13 • -5.18db
34% Popularity • 40% Danceability • 85% Energy • 25% Liveness
50% Instrumentalness • 19% Positiveness
34% Popularity • 40% Danceability • 85% Energy • 25% Liveness
50% Instrumentalness • 19% Positiveness
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Kid Kapichi
Death Dips
166 bpm • B Maj • 03:30 • -4.59db
44% Popularity • 20% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 20% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Djerv
(We Don't) Hang No More
160 bpm • A min • 02:58 • -6db
31% Popularity • 49% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
31% Popularity • 49% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
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Dead Pony
War Boys
166 bpm • A Maj • 03:09 • -7.18db
21% Popularity • 44% Danceability • 86% Energy • 6% Liveness
67% Instrumentalness • 43% Positiveness
21% Popularity • 44% Danceability • 86% Energy • 6% Liveness
67% Instrumentalness • 43% Positiveness
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LYELL
Potions
160 bpm • F# Maj • 02:48 • -3.35db
38% Popularity • 58% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 58% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Cassyette
Die Hate Cry
160 bpm • A Maj • 00:59 • -6.21db
42% Popularity • 33% Danceability • 94% Energy • 62% Liveness
85% Instrumentalness • 7% Positiveness
42% Popularity • 33% Danceability • 94% Energy • 62% Liveness
85% Instrumentalness • 7% Positiveness
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CRASHFACE
DRIVE WITH U
160 bpm • F# min • 03:13 • -7.71db
16% Popularity • 20% Danceability • 88% Energy • 40% Liveness
28% Instrumentalness • 32% Positiveness
16% Popularity • 20% Danceability • 88% Energy • 40% Liveness
28% Instrumentalness • 32% Positiveness
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Scene Queen
Pink Hotel
160 bpm • C Maj • 03:49 • -4db
46% Popularity • 39% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 39% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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FKA Rayne
SHUT UP
160 bpm • B Maj • 02:13 • -5.49db
33% Popularity • 55% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 55% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Calva Louise
POP (urrí)
167 bpm • D min • 03:17 • -6.2db
14% Popularity • 52% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 52% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Frank Carter & The Rattlesnakes
Off With His Head
168 bpm • E min • 02:37 • -2.9db
35% Popularity • 48% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 48% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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BONES UK
Boys Will Be Girls
168 bpm • C# Maj • 03:07 • -6db
34% Popularity • 46% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 46% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
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Starbenders
We're Not OK
158 bpm • A Maj • 03:42 • -5.75db
30% Popularity • 40% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 40% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Scene Queen
Pink Barbie Bandaid
159 bpm • G# min • 01:57 • -3db
45% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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DEVORA
Not Dead Yet
168 bpm • G Maj • 04:12 • -4.84db
41% Popularity • 47% Danceability • 75% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 47% Danceability • 75% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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ZILLION
Potluck Lunch for Cannibals
168 bpm • D Maj • 02:55 • -5.45db
33% Popularity • 46% Danceability • 64% Energy • 8% Liveness
5% Instrumentalness • 17% Positiveness
33% Popularity • 46% Danceability • 64% Energy • 8% Liveness
5% Instrumentalness • 17% Positiveness
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Icon For Hire
Gatekeepers
168 bpm • A Maj • 03:28 • -3.98db
42% Popularity • 54% Danceability • 86% Energy • 84% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 54% Danceability • 86% Energy • 84% Liveness
0% Instrumentalness • 52% Positiveness
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Fangbanger
Artificial Flowers
168 bpm • G Maj • 03:27 • -13.02db
36% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Bexley
In The Night
158 bpm • A Maj • 03:17 • -4.75db
24% Popularity • 39% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 39% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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London Mars
Basement Superstar
158 bpm • B min • 02:50 • -5.55db
22% Popularity • 48% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 48% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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DEVORA
Not Dead Yet
168 bpm • G Maj • 03:50 • -3.38db
22% Popularity • 42% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 42% Danceability • 77% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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BEX
Don't Date The Devil
157 bpm • C# Maj • 02:50 • -6.27db
27% Popularity • 56% Danceability • 85% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
27% Popularity • 56% Danceability • 85% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
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WARGASM (UK)
Gold Gold Gold
168 bpm • A min • 03:10 • -4.86db
32% Popularity • 37% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 37% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Calva Louise
Free To Be Lost
169 bpm • F# Maj • 03:23 • -5.15db
19% Popularity • 14% Danceability • 90% Energy • 24% Liveness
40% Instrumentalness • 50% Positiveness
19% Popularity • 14% Danceability • 90% Energy • 24% Liveness
40% Instrumentalness • 50% Positiveness
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Dana Dentata
pantychrist
169 bpm • A# min • 02:47 • -6db
35% Popularity • 53% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 53% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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AILSHA
Sucker
157 bpm • C# Maj • 02:34 • -4.29db
12% Popularity • 38% Danceability • 88% Energy • 36% Liveness
75% Instrumentalness • 44% Positiveness
12% Popularity • 38% Danceability • 88% Energy • 36% Liveness
75% Instrumentalness • 44% Positiveness
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GG Magree
Be Careful What You Say
157 bpm • B min • 03:30 • -3.98db
32% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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ROMES
Misery's on Its Way
157 bpm • F# min • 02:57 • -2.97db
18% Popularity • 44% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 44% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Ergo, Bria
Nobody Can Stop Me (I'm Gonna Be Like Ma...
170 bpm • A Maj • 02:01 • -5.43db
10% Popularity • 31% Danceability • 92% Energy • 51% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 31% Danceability • 92% Energy • 51% Liveness
0% Instrumentalness • 17% Positiveness
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Holy Wars
Deus Ex Machina
157 bpm • D Maj • 02:49 • -4.04db
24% Popularity • 30% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 30% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Turbowolf
The Free Life
170 bpm • D Maj • 05:51 • -4.23db
41% Popularity • 18% Danceability • 94% Energy • 36% Liveness
40% Instrumentalness • 18% Positiveness
41% Popularity • 18% Danceability • 94% Energy • 36% Liveness
40% Instrumentalness • 18% Positiveness
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HVDES
Parasyte
170 bpm • C# min • 02:59 • -3.73db
38% Popularity • 35% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
38% Popularity • 35% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Sarah and the Safe Word
Formula 666
170 bpm • F# min • 03:36 • -4db
32% Popularity • 44% Danceability • 93% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
32% Popularity • 44% Danceability • 93% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
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lozeak
Alter Ego
170 bpm • E Maj • 02:20 • -4.41db
23% Popularity • 52% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 52% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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FKA Rayne
Can't take me
170 bpm • C# Maj • 02:15 • -7db
40% Popularity • 48% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 48% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Scene Queen
Pink Bubblegum
156 bpm • E Maj • 02:22 • -5db
47% Popularity • 53% Danceability • 71% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 53% Danceability • 71% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
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Dead Pony
Zero
156 bpm • D# min • 03:19 • -6.48db
29% Popularity • 45% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 45% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 75% Positiveness
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SNAYX
I'm Deranged
156 bpm • G# min • 02:14 • -6.51db
35% Popularity • 60% Danceability • 76% Energy • 2% Liveness
62% Instrumentalness • 92% Positiveness
35% Popularity • 60% Danceability • 76% Energy • 2% Liveness
62% Instrumentalness • 92% Positiveness
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Starbenders
Diet Soda
156 bpm • B min • 02:41 • -5.45db
30% Popularity • 41% Danceability • 95% Energy • 28% Liveness
55% Instrumentalness • 34% Positiveness
30% Popularity • 41% Danceability • 95% Energy • 28% Liveness
55% Instrumentalness • 34% Positiveness
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Royal & the Serpent
IM FINE
156 bpm • A min • 02:12 • -6.13db
45% Popularity • 51% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 51% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 19% Positiveness
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K.Flay
Shy
156 bpm • E min • 02:48 • -5.33db
44% Popularity • 58% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 58% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 77% Positiveness
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Saint Agnes
Vampire
156 bpm • D# min • 03:07 • -2.69db
32% Popularity • 44% Danceability • 95% Energy • 52% Liveness
2% Instrumentalness • 46% Positiveness
32% Popularity • 44% Danceability • 95% Energy • 52% Liveness
2% Instrumentalness • 46% Positiveness
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Dead Pony
23, Never Me
156 bpm • F# min • 02:55 • -6db
41% Popularity • 49% Danceability • 80% Energy • 25% Liveness
8% Instrumentalness • 45% Positiveness
41% Popularity • 49% Danceability • 80% Energy • 25% Liveness
8% Instrumentalness • 45% Positiveness
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HIMALAYAS
Leave This Place
171 bpm • C min • 03:26 • -2.52db
46% Popularity • 15% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 15% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
