Songs like My Foolish Heart by Ralph Towner
Based on a tempo of (+/- 10%) and a similar genre
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Carl Antaine
Let The Sun In
75 bpm • C Maj • 03:08 • -24.25db
37% Popularity • 69% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
37% Popularity • 69% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Ralph Towner
My Foolish Heart
75 bpm • G Maj • 03:51 • -19db
35% Popularity • 52% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
35% Popularity • 52% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
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Shai Maestro
The Forgotten Village
75 bpm • F min • 06:21 • -28.37db
16% Popularity • 34% Danceability • 10% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
16% Popularity • 34% Danceability • 10% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
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George Van Eps
The Nearness Of You - Instrumental
75 bpm • F min • 06:10 • -23.3db
29% Popularity • 57% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
29% Popularity • 57% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Nils Petter Molvær
Kakonita
75 bpm • F min • 04:59 • -18.2db
33% Popularity • 11% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Manu Katché
Urban Shadow
74 bpm • D min • 02:58 • -18.02db
33% Popularity • 40% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
33% Popularity • 40% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Tord Gustavsen Quartet
Entrance
75 bpm • C# min • 02:52 • -25.65db
27% Popularity • 43% Danceability • 1% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
27% Popularity • 43% Danceability • 1% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
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Markus Stockhausen
The Waltz
74 bpm • C# Maj • 04:37 • -17.6db
30% Popularity • 38% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 38% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Cedar Walton
Blues For Myself
74 bpm • A# Maj • 03:54 • -21.84db
44% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
44% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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Kurt Rosenwinkel
Peace Please
76 bpm • D Maj • 01:28 • -20.78db
36% Popularity • 52% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
36% Popularity • 52% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Ralph Towner
Flow
74 bpm • B min • 05:07 • -25.99db
19% Popularity • 38% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
19% Popularity • 38% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Abdullah Ibrahim
Signal On The Hill
76 bpm • G Maj • 01:06 • -22db
43% Popularity • 45% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 9% Positiveness
43% Popularity • 45% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 9% Positiveness
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Anat Fort Trio
First Rays
74 bpm • F min • 02:18 • -29.96db
43% Popularity • 61% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
43% Popularity • 61% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 39% Positiveness
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Bobo Stenson Trio
Your Story
76 bpm • G Maj • 02:52 • -26.68db
31% Popularity • 37% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 37% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Eric Legnini Trio
I Fall in Love
76 bpm • F min • 02:45 • -15.56db
45% Popularity • 46% Danceability • 25% Energy • 15% Liveness
81% Instrumentalness • 44% Positiveness
45% Popularity • 46% Danceability • 25% Energy • 15% Liveness
81% Instrumentalness • 44% Positiveness
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Brad Mehldau Trio
My Valentine
76 bpm • G min • 10:12 • -16db
24% Popularity • 37% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 15% Positiveness
24% Popularity • 37% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 15% Positiveness
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Ralph Towner
Goodbye, Pork-Pie Hat
76 bpm • D Maj • 01:54 • -26.49db
16% Popularity • 43% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 14% Positiveness
16% Popularity • 43% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 14% Positiveness
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Trygve Seim
Sol’s Song
77 bpm • G Maj • 06:03 • -14.47db
14% Popularity • 44% Danceability • 24% Energy • 11% Liveness
38% Instrumentalness • 28% Positiveness
14% Popularity • 44% Danceability • 24% Energy • 11% Liveness
38% Instrumentalness • 28% Positiveness
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Michael Wollny
Velvet Gloves & Spit
73 bpm • A Maj • 02:43 • -23db
45% Popularity • 42% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
45% Popularity • 42% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Lenny Breau
Here's That Rainy Day
73 bpm • G Maj • 06:30 • -30.87db
33% Popularity • 43% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
33% Popularity • 43% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Enrico Pieranunzi
My Travel with Claude II
77 bpm • D Maj • 02:11 • -21.41db
23% Popularity • 19% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Aldo Romano
Song for Ellis
72 bpm • C# min • 04:25 • -17.16db
43% Popularity • 40% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
43% Popularity • 40% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Ralph Towner
Gloria's Step
77 bpm • C Maj • 02:48 • -15.59db
10% Popularity • 49% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
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Oded Tzur
Miniature 1
72 bpm • G Maj • 01:42 • -30.85db
35% Popularity • 54% Danceability • 1% Energy • 6% Liveness
78% Instrumentalness • 7% Positiveness
35% Popularity • 54% Danceability • 1% Energy • 6% Liveness
78% Instrumentalness • 7% Positiveness
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Joey Alexander
For Wee Folks
78 bpm • F min • 06:28 • -20.83db
27% Popularity • 48% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
27% Popularity • 48% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Bobo Stenson Trio
Three Shades Of A House
78 bpm • C Maj • 07:11 • -25.47db
14% Popularity • 32% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 8% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 8% Positiveness
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Orrin Evans
Dave
78 bpm • C# Maj • 03:43 • -21db
45% Popularity • 24% Danceability • 7% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 7% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Joel Lyssarides
Is There a Way
72 bpm • F min • 04:05 • -27.36db
43% Popularity • 36% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
43% Popularity • 36% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Ralph Towner
Dark Spirit
78 bpm • B min • 07:16 • -18.29db
8% Popularity • 34% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
8% Popularity • 34% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Kjetil Mulelid
Beginning
78 bpm • F min • 04:38 • -18.45db
34% Popularity • 33% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
34% Popularity • 33% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Oded Tzur
Isabela
78 bpm • D# Maj • 10:50 • -18.33db
39% Popularity • 20% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
39% Popularity • 20% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
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Trygve Seim
Kyrie
79 bpm • A min • 04:24 • -16.06db
30% Popularity • 21% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Esbjörn Svensson
Gamma
72 bpm • D Maj • 06:08 • -19.02db
34% Popularity • 32% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
34% Popularity • 32% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
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Jacob Young
Bounce
79 bpm • G Maj • 07:46 • -15.04db
20% Popularity • 55% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
20% Popularity • 55% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Ralph Towner
Saunter
78 bpm • E min • 05:01 • -15.23db
9% Popularity • 55% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
9% Popularity • 55% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
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Anat Fort
Just Now, Var. III
79 bpm • F min • 02:14 • -25.7db
33% Popularity • 40% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 40% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Abdullah Ibrahim
Eleventh Hour
79 bpm • F Maj • 04:22 • -30.01db
31% Popularity • 41% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 9% Positiveness
31% Popularity • 41% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 9% Positiveness
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Branford Marsalis Quartet
Conversation Among the Ruins
79 bpm • G min • 08:46 • -11.66db
22% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
22% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
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Gary Peacock
Gaya
79 bpm • D# Maj • 05:45 • -24.39db
8% Popularity • 42% Danceability • 10% Energy • 24% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 42% Danceability • 10% Energy • 24% Liveness
92% Instrumentalness • 24% Positiveness
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Carla Bley
Beautiful Telephones - Pt. 1
80 bpm • C# Maj • 04:35 • -29.85db
14% Popularity • 31% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
14% Popularity • 31% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Ralph Towner
Four Comets II
79 bpm • B min • 01:12 • -22.29db
17% Popularity • 45% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 61% Positiveness
17% Popularity • 45% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 61% Positiveness
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Joe Pass
Lil' Darlin'
80 bpm • G min • 03:44 • -25.68db
36% Popularity • 48% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
36% Popularity • 48% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Lenny Breau
Tenderly
80 bpm • E Maj • 03:11 • -16.8db
34% Popularity • 46% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 11% Positiveness
34% Popularity • 46% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 11% Positiveness
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Ketil Bjørnstad
Remembrance IV
80 bpm • C Maj • 04:13 • -20.76db
35% Popularity • 27% Danceability • 10% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
35% Popularity • 27% Danceability • 10% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
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Ted Greene
A Certain Smile
80 bpm • D# Maj • 04:22 • -21db
34% Popularity • 32% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
34% Popularity • 32% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Bill Evans Trio
Seascape
70 bpm • G Maj • 05:21 • -23.15db
32% Popularity • 31% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
32% Popularity • 31% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Ralph Towner
Make Someone Happy
80 bpm • C Maj • 03:53 • -25.87db
18% Popularity • 46% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 24% Positiveness
18% Popularity • 46% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 24% Positiveness
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Jon Balke
the suspension
70 bpm • C min • 02:16 • -22db
33% Popularity • 37% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
33% Popularity • 37% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Walter Smith III
Mother Stands for Comfort
80 bpm • A min • 04:07 • -19.85db
42% Popularity • 48% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
42% Popularity • 48% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Samio
Candlelight
70 bpm • D# Maj • 03:23 • -19db
33% Popularity • 49% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
33% Popularity • 49% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Joel Lyssarides
Circling
70 bpm • G# min • 03:04 • -23.74db
28% Popularity • 20% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
28% Popularity • 20% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Marcin Wasilewski
K.T.C.
81 bpm • C# Maj • 06:11 • -17.15db
12% Popularity • 32% Danceability • 28% Energy • 12% Liveness
76% Instrumentalness • 27% Positiveness
12% Popularity • 32% Danceability • 28% Energy • 12% Liveness
76% Instrumentalness • 27% Positiveness
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Ralph Towner
The Reluctant Bride
80 bpm • E min • 04:28 • -21.01db
11% Popularity • 41% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
11% Popularity • 41% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Brian Blade & The Fellowship Band
Friends Call Her Dot
81 bpm • D min • 04:04 • -22.9db
34% Popularity • 50% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
34% Popularity • 50% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Anat Fort Trio
Paul Motian (1)
81 bpm • G Maj • 04:02 • -23.83db
28% Popularity • 24% Danceability • 11% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
28% Popularity • 24% Danceability • 11% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
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Brad Mehldau Trio
These Foolish Things (Remind Me of You)
81 bpm • D# Maj • 06:00 • -17.65db
25% Popularity • 44% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
25% Popularity • 44% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Benjamin Lackner
Where Do We Go From Here
81 bpm • F min • 03:49 • -22.79db
39% Popularity • 27% Danceability • 4% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
39% Popularity • 27% Danceability • 4% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
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Giovanni Guidi Trio
Trilly - Variation
69 bpm • G Maj • 04:57 • -24.48db
41% Popularity • 36% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 22% Positiveness
41% Popularity • 36% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 22% Positiveness
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Ralph Towner
Haunted
81 bpm • A min • 03:07 • -19.05db
13% Popularity • 38% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
13% Popularity • 38% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 17% Positiveness
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Dominik Wania
Lonely Shadows
69 bpm • E min • 05:59 • -30.72db
14% Popularity • 33% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 33% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Trio X of Sweden
Somaoh
81 bpm • G Maj • 03:48 • -18.2db
29% Popularity • 66% Danceability • 29% Energy • 8% Liveness
79% Instrumentalness • 55% Positiveness
29% Popularity • 66% Danceability • 29% Energy • 8% Liveness
79% Instrumentalness • 55% Positiveness
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Giovanni Guidi
Avec le temps
81 bpm • C Maj • 06:33 • -25.27db
41% Popularity • 24% Danceability • 7% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
41% Popularity • 24% Danceability • 7% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Ben Monder
My One and Only Love
69 bpm • D Maj • 03:53 • -26.06db
33% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
33% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Eric Legnini Trio
Smoke Gets in Your Eyes
69 bpm • A# Maj • 02:46 • -17db
43% Popularity • 47% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
43% Popularity • 47% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Kurt Rosenwinkel
First Impression
82 bpm • E Maj • 04:54 • -19.45db
17% Popularity • 47% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
17% Popularity • 47% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Ralph Towner
Clarion Call
82 bpm • E min • 04:40 • -19.74db
9% Popularity • 40% Danceability • 8% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
9% Popularity • 40% Danceability • 8% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
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Arild Andersen
A Song I Used To Play
83 bpm • D min • 04:04 • -19.71db
8% Popularity • 58% Danceability • 10% Energy • 10% Liveness
46% Instrumentalness • 38% Positiveness
8% Popularity • 58% Danceability • 10% Energy • 10% Liveness
46% Instrumentalness • 38% Positiveness
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Søren Bebe Trio
Look out Now
82 bpm • C Maj • 03:06 • -22.38db
20% Popularity • 34% Danceability • 6% Energy • 13% Liveness
31% Instrumentalness • 7% Positiveness
20% Popularity • 34% Danceability • 6% Energy • 13% Liveness
31% Instrumentalness • 7% Positiveness
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Aldo Romano
Inner Smile
83 bpm • G Maj • 03:17 • -20.16db
37% Popularity • 32% Danceability • 18% Energy • 12% Liveness
52% Instrumentalness • 6% Positiveness
37% Popularity • 32% Danceability • 18% Energy • 12% Liveness
52% Instrumentalness • 6% Positiveness
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Bobo Stenson Trio
Oktoberhavet
83 bpm • G Maj • 05:52 • -22.16db
32% Popularity • 48% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
32% Popularity • 48% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Aaron Parks
Find The Way
83 bpm • C min • 05:58 • -24.6db
14% Popularity • 29% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 15% Positiveness
14% Popularity • 29% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 15% Positiveness
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Ralph Towner
Anthem
83 bpm • B min • 04:52 • -18.44db
15% Popularity • 54% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
15% Popularity • 54% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
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Layton Rooney
Satin Doll
83 bpm • A min • 02:14 • -15.98db
32% Popularity • 73% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
32% Popularity • 73% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Søren Bebe Trio
Echoes II
83 bpm • A# min • 04:08 • -19db
29% Popularity • 35% Danceability • 30% Energy • 11% Liveness
70% Instrumentalness • 21% Positiveness
29% Popularity • 35% Danceability • 30% Energy • 11% Liveness
70% Instrumentalness • 21% Positiveness
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Carl Bagge Trio
Coming Back To Me
83 bpm • G Maj • 03:56 • -16.48db
37% Popularity • 40% Danceability • 29% Energy • 6% Liveness
66% Instrumentalness • 32% Positiveness
37% Popularity • 40% Danceability • 29% Energy • 6% Liveness
66% Instrumentalness • 32% Positiveness
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Bobo Stenson Trio
Oleo De Mujer Con Sombrero
83 bpm • D Maj • 08:30 • -23.58db
17% Popularity • 46% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
17% Popularity • 46% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
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Oded Tzur
Here Be Dragons
83 bpm • G min • 08:29 • -25.05db
31% Popularity • 27% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
31% Popularity • 27% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Ralph Towner
Two Poets
83 bpm • F# min • 02:04 • -18.76db
33% Popularity • 42% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
33% Popularity • 42% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Mats Eilertsen
Albatross
83 bpm • A# min • 04:28 • -26db
29% Popularity • 25% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
29% Popularity • 25% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 9% Positiveness
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Little North
It's Beginning To Rain Again
67 bpm • C Maj • 04:47 • -26.9db
41% Popularity • 49% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
41% Popularity • 49% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Lenny Breau
Lenny's Mood
67 bpm • G Maj • 02:14 • -20.97db
36% Popularity • 64% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
36% Popularity • 64% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
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Ketil Bjørnstad
Remembrance III
83 bpm • C Maj • 04:57 • -20.2db
22% Popularity • 32% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
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John Scofield
Stairway to the Stars
67 bpm • C Maj • 06:41 • -25.97db
39% Popularity • 50% Danceability • 4% Energy • 14% Liveness
70% Instrumentalness • 24% Positiveness
39% Popularity • 50% Danceability • 4% Energy • 14% Liveness
70% Instrumentalness • 24% Positiveness
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Ralph Towner
Biding Time
83 bpm • D Maj • 01:29 • -18.63db
15% Popularity • 57% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 51% Positiveness
15% Popularity • 57% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 51% Positiveness
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Samio
Night And Day
67 bpm • A# Maj • 02:56 • -20.69db
38% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
38% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Aldo Romano
Dreams and Waters
67 bpm • G Maj • 05:30 • -20.81db
29% Popularity • 44% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 9% Positiveness
29% Popularity • 44% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 9% Positiveness
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Howard Alden
When It's Sleepy Time Down South
84 bpm • D# Maj • 03:20 • -16db
35% Popularity • 52% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
35% Popularity • 52% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Immanuel Wilkins
Shadow
67 bpm • E Maj • 04:44 • -12.4db
36% Popularity • 44% Danceability • 19% Energy • 9% Liveness
74% Instrumentalness • 19% Positiveness
36% Popularity • 44% Danceability • 19% Energy • 9% Liveness
74% Instrumentalness • 19% Positiveness
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Carla Bley
Life Goes On: Life Goes On
67 bpm • C# Maj • 06:00 • -20db
30% Popularity • 49% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
30% Popularity • 49% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Ralph Towner
Nimbus
84 bpm • G min • 06:25 • -15.26db
29% Popularity • 23% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
29% Popularity • 23% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 22% Positiveness
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Eddie Daniels
First Gymnopedie
67 bpm • G Maj • 04:42 • -16db
35% Popularity • 35% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
35% Popularity • 35% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Enrico Pieranunzi
Silk Threads
84 bpm • A Maj • 04:34 • -20.83db
41% Popularity • 46% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
41% Popularity • 46% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Helge Lien Trio
Liten Jazzballong Revisited
84 bpm • C# Maj • 06:11 • -18.42db
28% Popularity • 28% Danceability • 15% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
28% Popularity • 28% Danceability • 15% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Joel Lyssarides
Cloudberry Hill
85 bpm • G min • 04:36 • -21.77db
37% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
37% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Ted Greene
Send In The Clowns
66 bpm • G# Maj • 04:59 • -27.25db
40% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
40% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Shalosh
Quiet Corner
85 bpm • F Maj • 02:40 • -28.87db
39% Popularity • 48% Danceability • 2% Energy • 23% Liveness
88% Instrumentalness • 11% Positiveness
39% Popularity • 48% Danceability • 2% Energy • 23% Liveness
88% Instrumentalness • 11% Positiveness
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Ralph Towner
Simone
86 bpm • D Maj • 06:00 • -21.54db
10% Popularity • 37% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
10% Popularity • 37% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Eric Legnini Trio
In a Sentimental Mood
66 bpm • D min • 04:11 • -17.49db
40% Popularity • 60% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
40% Popularity • 60% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
