Songs like My Heart Belongs To Daddy (feat. Mary Martin) by Eddy Duchin & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Danny Kaye
Oh By Jingo! (Oh! By Gee! You're The Onl...
120 bpm • G min • 02:24 • -10.42db
14% Popularity • 84% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 84% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Harry Richman
Singing a vagabond song
120 bpm • G Maj • 03:01 • -10.81db
0% Popularity • 66% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 66% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Mary Martin
My Heart Belongs to Daddy
120 bpm • E Maj • 02:54 • -8.77db
10% Popularity • 75% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 75% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
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Jack Payne Band
My Baby Just Cares for Me
120 bpm • F Maj • 02:49 • -12.09db
20% Popularity • 81% Danceability • 61% Energy • 7% Liveness
18% Instrumentalness • 77% Positiveness
20% Popularity • 81% Danceability • 61% Energy • 7% Liveness
18% Instrumentalness • 77% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Hear My Song Viletta
120 bpm • D# Maj • 03:04 • -12.39db
5% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
5% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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The Barry Sisters
Oh Mama, I'm So In Love
120 bpm • B Maj • 01:52 • -13.95db
13% Popularity • 65% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 65% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Eric Winstone and His Band
I Walked In (With My Eyes Wide Open)
119 bpm • G min • 03:08 • -14.17db
10% Popularity • 56% Danceability • 28% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
10% Popularity • 56% Danceability • 28% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
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Bridgetown Sextet
Old Fashioned Love
119 bpm • F Maj • 04:26 • -12.98db
9% Popularity • 74% Danceability • 19% Energy • 10% Liveness
68% Instrumentalness • 50% Positiveness
9% Popularity • 74% Danceability • 19% Energy • 10% Liveness
68% Instrumentalness • 50% Positiveness
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Blue Barron & His Orchestra
Ida, Sweet as Apple Cider
121 bpm • F Maj • 02:13 • -11.11db
8% Popularity • 80% Danceability • 38% Energy • 27% Liveness
2% Instrumentalness • 84% Positiveness
8% Popularity • 80% Danceability • 38% Energy • 27% Liveness
2% Instrumentalness • 84% Positiveness
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Jimmy Dorsey
Green Eyes
119 bpm • G Maj • 03:27 • -16.97db
19% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Richard Himber and his Orchestra
Dancing On The Ceiling - Of Thee I Sing
119 bpm • C# Maj • 04:16 • -10.73db
13% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Dick Willebrandts
Rosetta
121 bpm • C# min • 02:05 • -12.6db
2% Popularity • 75% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 76% Positiveness
2% Popularity • 75% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 76% Positiveness
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Roy Fox & His Band
Roll Along Prairie Moon
121 bpm • G# Maj • 02:43 • -24.38db
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Ronnie Hilton
Veni Vidi Vici
121 bpm • A# Maj • 02:30 • -10.36db
12% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Helen Rowland With Ed Kirkeby Orchestra
I've Got To Sing A Torch Song
118 bpm • C# Maj • 02:44 • -11.11db
17% Popularity • 54% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 54% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Firehouse Five Plus Two
Southern Comfort
122 bpm • A# Maj • 03:14 • -10.27db
8% Popularity • 74% Danceability • 70% Energy • 33% Liveness
84% Instrumentalness • 97% Positiveness
8% Popularity • 74% Danceability • 70% Energy • 33% Liveness
84% Instrumentalness • 97% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Saul Chaplin
If It's the Last Thing I Do
122 bpm • A# Maj • 03:05 • -14.62db
11% Popularity • 43% Danceability • 16% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 43% Danceability • 16% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Bennett Salvay
Here Comes the Boogey Man
118 bpm • F# Maj • 02:53 • -27db
20% Popularity • 82% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 82% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Bob Crosby
With the Wind and the Rain In Your Hair
122 bpm • A min • 03:11 • -7.93db
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
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Cass Daley
A Good Man Is Hard to Find
118 bpm • G min • 02:44 • -10.69db
18% Popularity • 71% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 71% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Lanin and The Ipana Troubadours
Jig Walk
117 bpm • D# Maj • 02:40 • -11.94db
14% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
14% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
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Joe Loss & His Orchestra
Till The Lights Of London Shine Again
117 bpm • C Maj • 03:17 • -19db
20% Popularity • 34% Danceability • 11% Energy • 19% Liveness
90% Instrumentalness • 36% Positiveness
20% Popularity • 34% Danceability • 11% Energy • 19% Liveness
90% Instrumentalness • 36% Positiveness
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Bing Crosby
Wait Till The Sun Shines, Nellie - Singl...
117 bpm • F Maj • 02:33 • -12.77db
7% Popularity • 83% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 83% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Patti Page
(How Much Is) That Doggie in the Window
123 bpm • D Maj • 02:38 • -14db
31% Popularity • 62% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
33% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
33% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Geraldo & His Orchestra
We Must All Stick Together
117 bpm • E min • 03:09 • -14.12db
26% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
26% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
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Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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Don Redman
I Wanna Be Loved (01-05-34)
116 bpm • G Maj • 02:58 • -8.29db
3% Popularity • 68% Danceability • 34% Energy • 25% Liveness
3% Instrumentalness • 61% Positiveness
3% Popularity • 68% Danceability • 34% Energy • 25% Liveness
3% Instrumentalness • 61% Positiveness
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George Hall and His Hotel Taft Orchestra
Remember My Forgotten Man - 2003 Remast...
116 bpm • C min • 02:52 • -13db
12% Popularity • 56% Danceability • 18% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
12% Popularity • 56% Danceability • 18% Energy • 15% Liveness
6% Instrumentalness • 64% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
I Haven't the Time to Be a Millionaire
116 bpm • G# Maj • 03:05 • -12.15db
8% Popularity • 70% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
8% Popularity • 70% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
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Louis Jordan & His Tympany Five
G.I Jive
116 bpm • C Maj • 03:00 • -7.95db
9% Popularity • 78% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 78% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
31% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Eva Taylor
Baby Won't You Please Come Home?
116 bpm • F Maj • 02:58 • -14.31db
21% Popularity • 76% Danceability • 15% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 76% Danceability • 15% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
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George Formby
Sitting on Top of Blackpool Tower
124 bpm • C Maj • 02:58 • -12.27db
5% Popularity • 86% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
5% Popularity • 86% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Ray McKinley
Big Boy
116 bpm • G# Maj • 03:11 • -14.54db
15% Popularity • 68% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 68% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 46% Positiveness
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Blue Barron & His Orchestra
Bluebirds in the Moonlight
116 bpm • F min • 02:45 • -11.01db
21% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
21% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
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Danny Kaye
Candy Kisses
125 bpm • C Maj • 02:54 • -17.25db
12% Popularity • 64% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 64% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
I'll Take Tallulah
125 bpm • A# min • 03:16 • -8.27db
2% Popularity • 50% Danceability • 79% Energy • 14% Liveness
5% Instrumentalness • 59% Positiveness
2% Popularity • 50% Danceability • 79% Energy • 14% Liveness
5% Instrumentalness • 59% Positiveness
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Gracie Fields
Donkey Serenade
115 bpm • A# Maj • 02:34 • -11.26db
20% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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The Rat Pack
We Open in Venice
115 bpm • G min • 02:14 • -11.48db
38% Popularity • 65% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 65% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Carmen Cavallaro & His Orchestra
Just One Of Those Things
125 bpm • C Maj • 02:35 • -12.65db
14% Popularity • 61% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 70% Positiveness
14% Popularity • 61% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 70% Positiveness
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Puritan Dance Orchestra
Who's Who Are You?
115 bpm • A# Maj • 02:44 • -10.3db
9% Popularity • 73% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 96% Positiveness
9% Popularity • 73% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 96% Positiveness
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Bert Firman Orchestra
Charleston Charley
115 bpm • A# Maj • 02:34 • -12db
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
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Wayne Newton
As Long As I'm Singing
125 bpm • F min • 01:51 • -11.11db
30% Popularity • 66% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 66% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Roy Fox & His Band
Without That Certain Thing
125 bpm • F Maj • 03:08 • -17db
11% Popularity • 63% Danceability • 16% Energy • 9% Liveness
7% Instrumentalness • 62% Positiveness
11% Popularity • 63% Danceability • 16% Energy • 9% Liveness
7% Instrumentalness • 62% Positiveness
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Cleo Brown
The Stuff Is Here And It's Mellow (03-12...
125 bpm • A min • 02:44 • -13.71db
12% Popularity • 80% Danceability • 33% Energy • 13% Liveness
29% Instrumentalness • 92% Positiveness
12% Popularity • 80% Danceability • 33% Energy • 13% Liveness
29% Instrumentalness • 92% Positiveness
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Fletcher Henderson
Stockholm Stomp
125 bpm • C Maj • 02:59 • -9db
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
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Phil Spitalny's Music
I Want to Meander in the Meadow
126 bpm • C# Maj • 02:46 • -12db
9% Popularity • 70% Danceability • 55% Energy • 6% Liveness
32% Instrumentalness • 81% Positiveness
9% Popularity • 70% Danceability • 55% Energy • 6% Liveness
32% Instrumentalness • 81% Positiveness
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Teresa Brewer
Choo'n Gum
126 bpm • G# Maj • 03:05 • -11.78db
12% Popularity • 67% Danceability • 36% Energy • 31% Liveness
4% Instrumentalness • 97% Positiveness
12% Popularity • 67% Danceability • 36% Energy • 31% Liveness
4% Instrumentalness • 97% Positiveness
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Sidney Bechet
When The Sun Sets Down South
114 bpm • F min • 03:08 • -11db
27% Popularity • 51% Danceability • 30% Energy • 8% Liveness
39% Instrumentalness • 55% Positiveness
27% Popularity • 51% Danceability • 30% Energy • 8% Liveness
39% Instrumentalness • 55% Positiveness
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Roy Fox & His Band
On the Other Side of the Hill
126 bpm • C Maj • 02:57 • -18db
9% Popularity • 47% Danceability • 8% Energy • 6% Liveness
48% Instrumentalness • 58% Positiveness
9% Popularity • 47% Danceability • 8% Energy • 6% Liveness
48% Instrumentalness • 58% Positiveness
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Bob Crosby
Don'T Say Goodbye
114 bpm • A min • 01:43 • -9db
26% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
26% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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Duke Ellington & His Cotton Club Orchestra
That Lindy Hop
113 bpm • C Maj • 02:57 • -14.47db
8% Popularity • 66% Danceability • 29% Energy • 16% Liveness
3% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 29% Energy • 16% Liveness
3% Instrumentalness • 76% Positiveness
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Harry Roy and His Orchestra
Okay Toots
113 bpm • F Maj • 02:33 • -23db
11% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
11% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
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Ginger Rogers
The Yam
113 bpm • F min • 02:21 • -11.12db
11% Popularity • 78% Danceability • 27% Energy • 21% Liveness
10% Instrumentalness • 68% Positiveness
11% Popularity • 78% Danceability • 27% Energy • 21% Liveness
10% Instrumentalness • 68% Positiveness
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Bob Crosby
The Old Master Painter
127 bpm • C Maj • 01:58 • -11.43db
26% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
26% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Fred Astaire
We Saw The Sea
128 bpm • F Maj • 02:19 • -7.81db
21% Popularity • 68% Danceability • 41% Energy • 14% Liveness
16% Instrumentalness • 74% Positiveness
21% Popularity • 68% Danceability • 41% Energy • 14% Liveness
16% Instrumentalness • 74% Positiveness
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Charlie Barnet & His Orchestra
Where Was I?
113 bpm • F min • 03:20 • -12db
12% Popularity • 48% Danceability • 15% Energy • 20% Liveness
10% Instrumentalness • 39% Positiveness
12% Popularity • 48% Danceability • 15% Energy • 20% Liveness
10% Instrumentalness • 39% Positiveness
► Preview
Al Bowlly
Weep No More My Baby
128 bpm • G# Maj • 03:22 • -18.71db
12% Popularity • 76% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
12% Popularity • 76% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Frankie Newton
There's No Two Ways About It
113 bpm • A# min • 02:57 • -8.09db
6% Popularity • 60% Danceability • 66% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
6% Popularity • 60% Danceability • 66% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
► Preview
Ella Mae Morse
Mister Five by Five
128 bpm • D Maj • 03:02 • -10.26db
24% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
► Preview
Larry Clinton And His Orchestra ‎
Because Of You
128 bpm • F min • 02:48 • -12.59db
28% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Tex Beneke
The Beautiful Blond from Bashful Bend
128 bpm • D Maj • 02:55 • -9.6db
15% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Frank Salvano & Ambassadors
Me and the Man in the Moon
128 bpm • D# Maj • 03:22 • -15.05db
19% Popularity • 72% Danceability • 16% Energy • 18% Liveness
75% Instrumentalness • 75% Positiveness
19% Popularity • 72% Danceability • 16% Energy • 18% Liveness
75% Instrumentalness • 75% Positiveness
► Preview
Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
► Preview
Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
28% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Rudi Schuricke
Einmal wirst du wieder bei mir sein
112 bpm • D# Maj • 03:03 • -19db
6% Popularity • 68% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 67% Positiveness
6% Popularity • 68% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 67% Positiveness
► Preview
Marlene Dietrich
The Boys In The Backroom
112 bpm • F Maj • 02:01 • -14db
18% Popularity • 80% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 80% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
► Preview
Frankie Laine
Black and Blue
129 bpm • F Maj • 02:10 • -13.1db
18% Popularity • 79% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 79% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
The McGuire Sisters
Tip Toe Through The Tulips With Me
112 bpm • A# Maj • 02:33 • -11.25db
22% Popularity • 80% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 80% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Nat King Cole
Orange Coloured Sky
129 bpm • G min • 02:32 • -10.23db
22% Popularity • 56% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 56% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Geraldo & His Orchestra
Beneath the Lights of Home - 1995 Remast...
112 bpm • D# Maj • 03:09 • -15.39db
11% Popularity • 45% Danceability • 13% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
11% Popularity • 45% Danceability • 13% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
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Eddy Duchin & His Orchestra
Medley: A Pretty Girl Is Like A Melody /...
129 bpm • A# Maj • 03:18 • -23.7db
0% Popularity • 37% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 32% Positiveness
0% Popularity • 37% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 32% Positiveness
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Jean Goldkette & His Orchestra
In My Merry Oldsmobile
111 bpm • D Maj • 02:32 • -11db
26% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
26% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
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Red McKenzie
I Can't Get Started with You
111 bpm • F Maj • 02:58 • -12.7db
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Don Redman
After Sundown (11-14-33)
112 bpm • B Maj • 02:56 • -20.46db
7% Popularity • 55% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 36% Positiveness
7% Popularity • 55% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 36% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Clarence Williams
Crazy Blues
111 bpm • G min • 02:26 • -10.61db
23% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
23% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
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Eddy Duchin & His Orchestra
You Took My Breath Away
111 bpm • F Maj • 01:14 • -28.39db
0% Popularity • 41% Danceability • 15% Energy • 26% Liveness
87% Instrumentalness • 50% Positiveness
0% Popularity • 41% Danceability • 15% Energy • 26% Liveness
87% Instrumentalness • 50% Positiveness
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Amos Milburn
Atomic Baby (01-04-50)
130 bpm • D min • 02:44 • -11.8db
13% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Joe Loss & His Orchestra
Behind The Clouds
111 bpm • G# Maj • 03:21 • -17.36db
11% Popularity • 36% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
11% Popularity • 36% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Isham Jones & His Orchestra
Goodnight Sweet Dreams
111 bpm • A# Maj • 02:50 • -9db
8% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
8% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
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Jimmy Dorsey
Sophisticated Swing
110 bpm • D# Maj • 02:43 • -12db
13% Popularity • 51% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
13% Popularity • 51% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Abe Lyman's California Orchestra
Shake That Thing
111 bpm • G min • 03:02 • -11db
14% Popularity • 73% Danceability • 54% Energy • 60% Liveness
85% Instrumentalness • 94% Positiveness
14% Popularity • 73% Danceability • 54% Energy • 60% Liveness
85% Instrumentalness • 94% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Mildred Bailey
Please Be Kind
110 bpm • F# Maj • 02:33 • -7.86db
22% Popularity • 61% Danceability • 27% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
22% Popularity • 61% Danceability • 27% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
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Ben Bernie
Ain't She Sweet
110 bpm • D# Maj • 02:36 • -11db
12% Popularity • 70% Danceability • 37% Energy • 20% Liveness
82% Instrumentalness • 80% Positiveness
12% Popularity • 70% Danceability • 37% Energy • 20% Liveness
82% Instrumentalness • 80% Positiveness
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The Andrews Sisters
Run, Rabbit, Run
110 bpm • C Maj • 02:59 • -8.95db
26% Popularity • 76% Danceability • 47% Energy • 74% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 76% Danceability • 47% Energy • 74% Liveness
0% Instrumentalness • 78% Positiveness
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Lawrence Welk
The Umbrella Man
131 bpm • C Maj • 02:20 • -18.47db
10% Popularity • 55% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 55% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Rita Hayworth
Let's Stay Young Forever
131 bpm • A Maj • 01:48 • -13.39db
14% Popularity • 32% Danceability • 22% Energy • 11% Liveness
81% Instrumentalness • 26% Positiveness
14% Popularity • 32% Danceability • 22% Energy • 11% Liveness
81% Instrumentalness • 26% Positiveness
