Songs like My Lady Frustration by Fela Kuti
Based on a tempo of (+/- 10%) and a similar genre
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Oneness Of Juju
African Rhythms
98 bpm • A# min • 07:21 • -10db
18% Popularity • 60% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 60% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Balla Et Ses Balladins
Bambo
98 bpm • A min • 07:36 • -16.96db
33% Popularity • 63% Danceability • 36% Energy • 18% Liveness
4% Instrumentalness • 83% Positiveness
33% Popularity • 63% Danceability • 36% Energy • 18% Liveness
4% Instrumentalness • 83% Positiveness
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Gil Scott-Heron
Home Is Where the Hatred Is
98 bpm • A# Maj • 03:21 • -9db
49% Popularity • 69% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 90% Positiveness
49% Popularity • 69% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 90% Positiveness
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Matata
Wanna Do My Thing
98 bpm • G min • 03:07 • -12db
36% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Orchestre Baba National
Sweet Sweet Mbombo
98 bpm • B min • 08:25 • -10.58db
32% Popularity • 76% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 76% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Letta Mbulu
Nomalizo
98 bpm • A min • 05:11 • -13.63db
49% Popularity • 86% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 86% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Mercury Dance Band
Envy No Good
98 bpm • C min • 04:52 • -5.44db
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Sweet Talks
Eyi Su Ngaangaa
98 bpm • D Maj • 04:30 • -5.6db
11% Popularity • 40% Danceability • 94% Energy • 31% Liveness
15% Instrumentalness • 89% Positiveness
11% Popularity • 40% Danceability • 94% Energy • 31% Liveness
15% Instrumentalness • 89% Positiveness
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Chief Commander Ebenezer Obey
Ajoyio
97 bpm • A# min • 06:39 • -10.55db
16% Popularity • 62% Danceability • 64% Energy • 12% Liveness
24% Instrumentalness • 73% Positiveness
16% Popularity • 62% Danceability • 64% Energy • 12% Liveness
24% Instrumentalness • 73% Positiveness
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Tunji Oyelana
Ifa
99 bpm • C# Maj • 05:01 • -8.14db
15% Popularity • 63% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 63% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Fela Kuti
Go Slow - Edit
99 bpm • G# Maj • 05:46 • -5.35db
3% Popularity • 70% Danceability • 92% Energy • 31% Liveness
85% Instrumentalness • 85% Positiveness
3% Popularity • 70% Danceability • 92% Energy • 31% Liveness
85% Instrumentalness • 85% Positiveness
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The Lijadu Sisters
Gbwomo Mi
99 bpm • C min • 04:48 • -12.7db
24% Popularity • 59% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
24% Popularity • 59% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
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Red Tenor Gang
Soro Soke (End Sars)
97 bpm • E min • 03:22 • -7.16db
2% Popularity • 85% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
2% Popularity • 85% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Antibalas
N.E.S.T.A - Never Ever Submit to Authori...
97 bpm • D Maj • 07:17 • -8db
21% Popularity • 88% Danceability • 68% Energy • 7% Liveness
89% Instrumentalness • 86% Positiveness
21% Popularity • 88% Danceability • 68% Energy • 7% Liveness
89% Instrumentalness • 86% Positiveness
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Monomono
Kenimania
97 bpm • A Maj • 04:36 • -10.39db
14% Popularity • 66% Danceability • 71% Energy • 14% Liveness
67% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 71% Energy • 14% Liveness
67% Instrumentalness • 96% Positiveness
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Bola Johnson
Hot Pants
97 bpm • C# Maj • 02:48 • -7.68db
31% Popularity • 86% Danceability • 41% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
31% Popularity • 86% Danceability • 41% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
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Balla Et Ses Balladins
Assa
97 bpm • F Maj • 06:24 • -16.36db
25% Popularity • 71% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 86% Positiveness
25% Popularity • 71% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 86% Positiveness
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Afro Cult Foundation
The Quest
99 bpm • C Maj • 08:12 • -10db
29% Popularity • 61% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 56% Positiveness
29% Popularity • 61% Danceability • 50% Energy • 11% Liveness
87% Instrumentalness • 56% Positiveness
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Ebo Taylor
Heaven
100 bpm • A min • 06:05 • -7.31db
41% Popularity • 64% Danceability • 77% Energy • 9% Liveness
56% Instrumentalness • 38% Positiveness
41% Popularity • 64% Danceability • 77% Energy • 9% Liveness
56% Instrumentalness • 38% Positiveness
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Roger Damawuzan
Wait for Me
100 bpm • F Maj • 03:19 • -6.17db
13% Popularity • 56% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 56% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Monomono
Awareness Is Wot You Need
100 bpm • D Maj • 06:18 • -7.32db
8% Popularity • 57% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 57% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Orlando Julius & His Afro Sounders
Afro-Blues
100 bpm • A min • 06:13 • -4.95db
15% Popularity • 53% Danceability • 85% Energy • 11% Liveness
70% Instrumentalness • 85% Positiveness
15% Popularity • 53% Danceability • 85% Energy • 11% Liveness
70% Instrumentalness • 85% Positiveness
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The Anansa Professionals
Enwan
100 bpm • D# min • 05:31 • -5.31db
23% Popularity • 76% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 76% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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The Harbours Band
Koma Mosi
100 bpm • D min • 02:56 • -6.79db
13% Popularity • 65% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 65% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Karl Hector & The Malcouns
Kaifa Part 1 & 2
96 bpm • B Maj • 06:07 • -7.22db
31% Popularity • 64% Danceability • 78% Energy • 24% Liveness
86% Instrumentalness • 77% Positiveness
31% Popularity • 64% Danceability • 78% Energy • 24% Liveness
86% Instrumentalness • 77% Positiveness
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Sir Victor Uwaifo
Akuyan Ekassa
100 bpm • A Maj • 03:09 • -4.64db
26% Popularity • 61% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 61% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Hallelujah Chicken Run Band
Ngoma Yarira
100 bpm • G Maj • 02:14 • -13.08db
29% Popularity • 71% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 96% Positiveness
29% Popularity • 71% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 96% Positiveness
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Black Truth Rhythm Band
Umbala
100 bpm • G Maj • 08:05 • -12.42db
8% Popularity • 61% Danceability • 49% Energy • 11% Liveness
50% Instrumentalness • 69% Positiveness
8% Popularity • 61% Danceability • 49% Energy • 11% Liveness
50% Instrumentalness • 69% Positiveness
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Mary Afi Usuah
Ima Mma Uyem
96 bpm • F min • 05:02 • -18.07db
12% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 74% Positiveness
12% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 74% Positiveness
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Letta Mbulu
What's Wrong With Groovin'
96 bpm • G Maj • 02:53 • -5.9db
35% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Karl Hector & The Malcouns
Push Na Ya
96 bpm • B min • 02:32 • -4.04db
33% Popularity • 67% Danceability • 87% Energy • 21% Liveness
60% Instrumentalness • 94% Positiveness
33% Popularity • 67% Danceability • 87% Energy • 21% Liveness
60% Instrumentalness • 94% Positiveness
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Miriam Makeba
Lumumba - Remastered
96 bpm • D min • 02:47 • -8.44db
28% Popularity • 62% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 62% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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K. Frimpong
Kyenkyen Bi Adi Mawu
101 bpm • D Maj • 06:43 • -10.46db
21% Popularity • 52% Danceability • 72% Energy • 9% Liveness
7% Instrumentalness • 81% Positiveness
21% Popularity • 52% Danceability • 72% Energy • 9% Liveness
7% Instrumentalness • 81% Positiveness
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Antibalas
Tattletale, Pt. 1
96 bpm • D Maj • 04:34 • -8.24db
31% Popularity • 73% Danceability • 77% Energy • 5% Liveness
82% Instrumentalness • 86% Positiveness
31% Popularity • 73% Danceability • 77% Energy • 5% Liveness
82% Instrumentalness • 86% Positiveness
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The Ogyatanaa Show Band
You Monopolise Me
95 bpm • A Maj • 03:14 • -6.87db
25% Popularity • 78% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 78% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Sir Victor Uwaifo
Guitar Boy
101 bpm • G# Maj • 05:43 • -4.59db
21% Popularity • 75% Danceability • 76% Energy • 35% Liveness
42% Instrumentalness • 78% Positiveness
21% Popularity • 75% Danceability • 76% Energy • 35% Liveness
42% Instrumentalness • 78% Positiveness
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Oluko Imo
Were Oju Le (The Eyes Are Getting Red) -...
95 bpm • D min • 05:23 • -8.61db
21% Popularity • 71% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
21% Popularity • 71% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
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The Polyversal Souls
Sad Nile
95 bpm • A# min • 04:45 • -9.82db
31% Popularity • 68% Danceability • 57% Energy • 24% Liveness
28% Instrumentalness • 66% Positiveness
31% Popularity • 68% Danceability • 57% Energy • 24% Liveness
28% Instrumentalness • 66% Positiveness
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Dr Victor Olaiya's International All Stars
Omelebele
101 bpm • A# Maj • 05:52 • -13.12db
9% Popularity • 67% Danceability • 57% Energy • 12% Liveness
42% Instrumentalness • 87% Positiveness
9% Popularity • 67% Danceability • 57% Energy • 12% Liveness
42% Instrumentalness • 87% Positiveness
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Antibalas
Tattletale, Pt. 2
95 bpm • D# min • 02:47 • -11.06db
38% Popularity • 70% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
38% Popularity • 70% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
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K. Frimpong
Kyenkyen Bi Adi M'awu
101 bpm • D Maj • 06:54 • -12.44db
37% Popularity • 51% Danceability • 67% Energy • 23% Liveness
3% Instrumentalness • 80% Positiveness
37% Popularity • 51% Danceability • 67% Energy • 23% Liveness
3% Instrumentalness • 80% Positiveness
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Dele Sosimi
Na My Turn
95 bpm • G# Maj • 08:30 • -7.96db
12% Popularity • 81% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 81% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Femi Anikulapo Kuti
Do Your Best
101 bpm • D Maj • 06:10 • -6.61db
11% Popularity • 70% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 70% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Bala Miller
Ikom Allah
101 bpm • E min • 05:48 • -8.11db
14% Popularity • 54% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 54% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Menahan Street Band
Montego Sunset
95 bpm • C Maj • 03:18 • -7.64db
41% Popularity • 76% Danceability • 72% Energy • 34% Liveness
94% Instrumentalness • 63% Positiveness
41% Popularity • 76% Danceability • 72% Energy • 34% Liveness
94% Instrumentalness • 63% Positiveness
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Orlando Julius
Alo Mi Alo (Parts 1 & 2)
102 bpm • E Maj • 08:03 • -6.05db
25% Popularity • 68% Danceability • 53% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
25% Popularity • 68% Danceability • 53% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
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The Lijadu Sisters
Amebo
102 bpm • A min • 04:05 • -7.6db
32% Popularity • 65% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
32% Popularity • 65% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
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Peter King
Eda
94 bpm • C min • 03:02 • -9.5db
30% Popularity • 58% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 58% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
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The Hykkers
I Want a Break Thru
102 bpm • B min • 03:02 • -6.26db
34% Popularity • 79% Danceability • 85% Energy • 27% Liveness
80% Instrumentalness • 64% Positiveness
34% Popularity • 79% Danceability • 85% Energy • 27% Liveness
80% Instrumentalness • 64% Positiveness
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Leo Fadaka and The Heroes
Black Sound
95 bpm • G Maj • 04:56 • -6.92db
9% Popularity • 66% Danceability • 77% Energy • 26% Liveness
14% Instrumentalness • 84% Positiveness
9% Popularity • 66% Danceability • 77% Energy • 26% Liveness
14% Instrumentalness • 84% Positiveness
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Alemayehu Eshete
Temeles
102 bpm • D# min • 03:22 • -6.36db
15% Popularity • 55% Danceability • 82% Energy • 13% Liveness
2% Instrumentalness • 96% Positiveness
15% Popularity • 55% Danceability • 82% Energy • 13% Liveness
2% Instrumentalness • 96% Positiveness
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Sir Shina Peters
Yabis
102 bpm • E min • 06:58 • -12.71db
20% Popularity • 78% Danceability • 57% Energy • 23% Liveness
7% Instrumentalness • 69% Positiveness
20% Popularity • 78% Danceability • 57% Energy • 23% Liveness
7% Instrumentalness • 69% Positiveness
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Orchestra Baobab
Werente Serigne
94 bpm • G# min • 06:48 • -15.62db
40% Popularity • 66% Danceability • 45% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
40% Popularity • 66% Danceability • 45% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
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The Funkees
Baby I Need You
102 bpm • A# min • 03:36 • -9.39db
15% Popularity • 64% Danceability • 85% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
15% Popularity • 64% Danceability • 85% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
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Soki Ohale's Uzzi
Bisi's Beat
94 bpm • F min • 05:17 • -10.61db
10% Popularity • 48% Danceability • 57% Energy • 14% Liveness
20% Instrumentalness • 62% Positiveness
10% Popularity • 48% Danceability • 57% Energy • 14% Liveness
20% Instrumentalness • 62% Positiveness
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Orlando Julius
Jaiyede Afro
102 bpm • F min • 06:06 • -5.03db
22% Popularity • 74% Danceability • 88% Energy • 58% Liveness
80% Instrumentalness • 89% Positiveness
22% Popularity • 74% Danceability • 88% Energy • 58% Liveness
80% Instrumentalness • 89% Positiveness
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Florence Adooni
Mam Pe'ela Su'ure
94 bpm • C min • 03:49 • -6.78db
33% Popularity • 62% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 62% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Rob
Make It Fast, Make It Slow
94 bpm • D min • 05:26 • -11db
30% Popularity • 70% Danceability • 72% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
30% Popularity • 70% Danceability • 72% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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Dorothy Ashby
Soul Vibrations
94 bpm • F Maj • 03:20 • -10.43db
40% Popularity • 55% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
40% Popularity • 55% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
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The Motet
Kalakuta Show
94 bpm • G Maj • 05:23 • -8.25db
25% Popularity • 57% Danceability • 69% Energy • 10% Liveness
83% Instrumentalness • 35% Positiveness
25% Popularity • 57% Danceability • 69% Energy • 10% Liveness
83% Instrumentalness • 35% Positiveness
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The Hygrades
In The Jungle
102 bpm • A# Maj • 03:17 • -8.54db
26% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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T. O. Jazz
Owuo Adaadaa Me
102 bpm • G Maj • 02:51 • -6.79db
13% Popularity • 68% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 68% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Kelenkye Band
Jungle Music
102 bpm • F min • 05:36 • -9db
34% Popularity • 76% Danceability • 73% Energy • 10% Liveness
25% Instrumentalness • 79% Positiveness
34% Popularity • 76% Danceability • 73% Energy • 10% Liveness
25% Instrumentalness • 79% Positiveness
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The Lijadu Sisters
Come On Home
94 bpm • G Maj • 05:18 • -11.22db
56% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
56% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Orchestra Baobab
Kelen ati leen
94 bpm • D min • 03:38 • -5.91db
45% Popularity • 64% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 64% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Antibalas
Battle of the Species
102 bpm • A min • 06:28 • -8.87db
21% Popularity • 70% Danceability • 68% Energy • 6% Liveness
89% Instrumentalness • 48% Positiveness
21% Popularity • 70% Danceability • 68% Energy • 6% Liveness
89% Instrumentalness • 48% Positiveness
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Ebo Taylor
Love and Death
102 bpm • C Maj • 06:55 • -7.21db
48% Popularity • 74% Danceability • 90% Energy • 12% Liveness
46% Instrumentalness • 87% Positiveness
48% Popularity • 74% Danceability • 90% Energy • 12% Liveness
46% Instrumentalness • 87% Positiveness
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Uppers International
Aja Wondo
103 bpm • B min • 03:57 • -8.57db
10% Popularity • 62% Danceability • 53% Energy • 6% Liveness
5% Instrumentalness • 73% Positiveness
10% Popularity • 62% Danceability • 53% Energy • 6% Liveness
5% Instrumentalness • 73% Positiveness
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Balla Et Ses Balladins
Sara
103 bpm • F Maj • 06:18 • -12.48db
14% Popularity • 40% Danceability • 49% Energy • 17% Liveness
79% Instrumentalness • 56% Positiveness
14% Popularity • 40% Danceability • 49% Energy • 17% Liveness
79% Instrumentalness • 56% Positiveness
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The Lijadu Sisters
Osupa I
103 bpm • F min • 06:20 • -11.01db
14% Popularity • 77% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 85% Positiveness
14% Popularity • 77% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 85% Positiveness
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The Mgababa Queens
Maphuthi
103 bpm • A# min • 02:42 • -10.23db
23% Popularity • 84% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 84% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Gary Bartz Ntu Troop
Celestial Blues
93 bpm • C# min • 07:36 • -10db
34% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Rail Band
Sinsimba
93 bpm • A Maj • 08:06 • -7.04db
8% Popularity • 71% Danceability • 87% Energy • 23% Liveness
1% Instrumentalness • 92% Positiveness
8% Popularity • 71% Danceability • 87% Energy • 23% Liveness
1% Instrumentalness • 92% Positiveness
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Etubom Rex Williams & His Nigerian Artistes
Psychedelic Shoes
93 bpm • A# min • 06:15 • -9.61db
12% Popularity • 59% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 59% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 89% Positiveness
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Hailu Mergia
Yegle Nesh
93 bpm • A min • 03:17 • -7db
24% Popularity • 71% Danceability • 72% Energy • 44% Liveness
49% Instrumentalness • 95% Positiveness
24% Popularity • 71% Danceability • 72% Energy • 44% Liveness
49% Instrumentalness • 95% Positiveness
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The Lijadu Sisters
Danger
93 bpm • A# Maj • 05:52 • -8.51db
24% Popularity • 64% Danceability • 72% Energy • 8% Liveness
4% Instrumentalness • 85% Positiveness
24% Popularity • 64% Danceability • 72% Energy • 8% Liveness
4% Instrumentalness • 85% Positiveness
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Vis a Vis
Obi Agye Me Dofo
103 bpm • D min • 09:50 • -6.12db
32% Popularity • 63% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 70% Positiveness
32% Popularity • 63% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 70% Positiveness
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Ernesto Djédjé
Zadie bobo
103 bpm • A# Maj • 03:46 • -8.21db
30% Popularity • 72% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 72% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Vieux Farka Touré
Fafa
93 bpm • A# Maj • 05:03 • -5.61db
32% Popularity • 44% Danceability • 61% Energy • 18% Liveness
28% Instrumentalness • 37% Positiveness
32% Popularity • 44% Danceability • 61% Energy • 18% Liveness
28% Instrumentalness • 37% Positiveness
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Orlando Julius
Omo Oba Blues
103 bpm • C# Maj • 03:52 • -8.21db
23% Popularity • 79% Danceability • 70% Energy • 67% Liveness
80% Instrumentalness • 46% Positiveness
23% Popularity • 79% Danceability • 70% Energy • 67% Liveness
80% Instrumentalness • 46% Positiveness
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Peter King
Shango
104 bpm • G# min • 05:38 • -6.75db
25% Popularity • 60% Danceability • 74% Energy • 34% Liveness
2% Instrumentalness • 81% Positiveness
25% Popularity • 60% Danceability • 74% Energy • 34% Liveness
2% Instrumentalness • 81% Positiveness
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Lafayette Afro Rock Band
Darkest Light
104 bpm • B Maj • 06:26 • -5db
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
42% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
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The Cutlass Dance Band
Them Go Talk of You
103 bpm • D# min • 03:30 • -6.74db
8% Popularity • 60% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 60% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Slim Ali
Watoto Nyara
93 bpm • C Maj • 05:13 • -9db
13% Popularity • 74% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
13% Popularity • 74% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
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The Funkees
Breakthrough
93 bpm • A# min • 03:23 • -12db
30% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Dur-Dur Band
Ohiyee
104 bpm • A Maj • 05:55 • -10.53db
12% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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E.T. Mensah
Ghana-Guinea-Mali
92 bpm • F Maj • 02:45 • -9db
21% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Rob
Bargain
104 bpm • F min • 05:17 • -10.88db
31% Popularity • 81% Danceability • 56% Energy • 13% Liveness
31% Instrumentalness • 42% Positiveness
31% Popularity • 81% Danceability • 56% Energy • 13% Liveness
31% Instrumentalness • 42% Positiveness
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Oumou Sangaré
Diya Gneba
104 bpm • A min • 04:53 • -12.9db
27% Popularity • 70% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 70% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Mulatu Astatke
I Faram Gami I Faram
104 bpm • F min • 02:19 • -12db
44% Popularity • 74% Danceability • 50% Energy • 92% Liveness
29% Instrumentalness • 91% Positiveness
44% Popularity • 74% Danceability • 50% Energy • 92% Liveness
29% Instrumentalness • 91% Positiveness
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Uppers International
Dankasa
104 bpm • A Maj • 03:34 • -3.77db
24% Popularity • 74% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 74% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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The Hygrades
In The Jungle (Instrumental)
104 bpm • D min • 03:08 • -6.07db
38% Popularity • 73% Danceability • 81% Energy • 20% Liveness
23% Instrumentalness • 82% Positiveness
38% Popularity • 73% Danceability • 81% Energy • 20% Liveness
23% Instrumentalness • 82% Positiveness
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Orchestre Poly-Rythmo de Cotonou
Yeye We Nou Mi
104 bpm • F min • 06:20 • -8.68db
16% Popularity • 69% Danceability • 79% Energy • 6% Liveness
20% Instrumentalness • 90% Positiveness
16% Popularity • 69% Danceability • 79% Energy • 6% Liveness
20% Instrumentalness • 90% Positiveness
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Alex Konadu
W'awu Do Ho No
92 bpm • F min • 03:11 • -6.46db
16% Popularity • 62% Danceability • 87% Energy • 16% Liveness
7% Instrumentalness • 97% Positiveness
16% Popularity • 62% Danceability • 87% Energy • 16% Liveness
7% Instrumentalness • 97% Positiveness
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Orchestra Baobab
Ledi Ndieme M'bodj
92 bpm • A Maj • 08:58 • -18.44db
28% Popularity • 69% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
28% Popularity • 69% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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The Funkees
Break Through
92 bpm • A# min • 03:29 • -9.76db
24% Popularity • 56% Danceability • 76% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
24% Popularity • 56% Danceability • 76% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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The Lijadu Sisters
Not Any Longer
105 bpm • G# Maj • 04:55 • -13.31db
31% Popularity • 62% Danceability • 57% Energy • 8% Liveness
82% Instrumentalness • 94% Positiveness
31% Popularity • 62% Danceability • 57% Energy • 8% Liveness
82% Instrumentalness • 94% Positiveness
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Verckys & L'Orchestre Vévé
Sex Veve
92 bpm • A# min • 04:25 • -10.82db
8% Popularity • 55% Danceability • 34% Energy • 12% Liveness
5% Instrumentalness • 67% Positiveness
8% Popularity • 55% Danceability • 34% Energy • 12% Liveness
5% Instrumentalness • 67% Positiveness
