Songs like My mistress' eyes are nothing like the sun by William Shakespeare
Based on a tempo of (+/- 10%) and a similar genre
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William Shakespeare
My mistress' eyes are nothing like the s...
104 bpm • A Maj • 01:26 • -31.44db
21% Popularity • 64% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 64% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Julia Murney
How Did We Come To This? / Queenie Was a...
105 bpm • E Maj • 04:10 • -9db
25% Popularity • 34% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 34% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Susan Sarandon
Rose Tint My World
105 bpm • C Maj • 08:18 • -15.41db
45% Popularity • 44% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 44% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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The Marlowe Society
Sonnet 1
105 bpm • F Maj • 01:06 • -25db
13% Popularity • 71% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 71% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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David Arnold
A Nightingale Sang In Berkeley Square
103 bpm • A Maj • 03:00 • -10.93db
14% Popularity • 38% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 38% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Gideon Wagner
The Witch Of Atlas By Percy Bysshe Shell...
105 bpm • C min • 01:37 • -24db
9% Popularity • 69% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 69% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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William Shakespeare
Act 5.8 - Much Ado About Nothing
105 bpm • G# Maj • 03:06 • -15.63db
0% Popularity • 70% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 70% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Scarlett Johansson
Trust in Me
105 bpm • F# Maj • 02:54 • -14.92db
39% Popularity • 50% Danceability • 32% Energy • 18% Liveness
16% Instrumentalness • 42% Positiveness
39% Popularity • 50% Danceability • 32% Energy • 18% Liveness
16% Instrumentalness • 42% Positiveness
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Ben Barnes
I'll See You Again
106 bpm • A# Maj • 02:24 • -23.38db
12% Popularity • 27% Danceability • 15% Energy • 38% Liveness
28% Instrumentalness • 18% Positiveness
12% Popularity • 27% Danceability • 15% Energy • 38% Liveness
28% Instrumentalness • 18% Positiveness
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Seamus Heaney
Bogland
102 bpm • G# Maj • 01:19 • -23.63db
12% Popularity • 68% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 68% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Williams
Tomorrow
106 bpm • F min • 03:57 • -14.78db
32% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sutton Foster
Flight
102 bpm • D Maj • 04:11 • -9.78db
28% Popularity • 32% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 32% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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William Shakespeare
Act 5.7 - Much Ado About Nothing
103 bpm • F# Maj • 03:12 • -14.54db
0% Popularity • 70% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 70% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Lewis Carroll
The Jabberwocky
102 bpm • C# min • 01:33 • -24.92db
16% Popularity • 66% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 66% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Rudyard Kipling
The Way Through the Woods
106 bpm • F min • 01:05 • -31db
17% Popularity • 75% Danceability • 12% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 75% Danceability • 12% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Depp
Epiphany
102 bpm • F min • 03:16 • -9.23db
30% Popularity • 51% Danceability • 48% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 51% Danceability • 48% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
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Valarie Pettiford
Big Spender
102 bpm • B min • 04:19 • -18db
14% Popularity • 52% Danceability • 4% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 52% Danceability • 4% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
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Cristin Milioti
Changes
102 bpm • E Maj • 03:56 • -7.77db
21% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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William Shakespeare
Act 4.3 - Much Ado About Nothing
105 bpm • A# min • 03:43 • -13.31db
0% Popularity • 70% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 70% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Reclam Hörbücher
Romeo und Julia - III. Akt, 5. Szene, Te...
102 bpm • A Maj • 01:30 • -15.77db
6% Popularity • 58% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
6% Popularity • 58% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Rudyard Kipling
If
106 bpm • G# Maj • 02:22 • -29.03db
25% Popularity • 73% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 73% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Johnny Depp
A Little Priest
106 bpm • F# Maj • 05:15 • -14.69db
34% Popularity • 53% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 53% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Gavin Creel
The Flesh Failures / Eyes Look Your Last...
107 bpm • B min • 04:26 • -7.84db
33% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Stockard Channing
There Are Worse Things I Could Do
101 bpm • G Maj • 02:23 • -13.91db
56% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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William Shakespeare
Chapter 6 - Macbeth
106 bpm • C# Maj • 03:07 • -20.96db
11% Popularity • 65% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 65% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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T. S. Eliot
The Love Song of J. Alfred Prufrock
101 bpm • C Maj • 08:29 • -23db
18% Popularity • 72% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 72% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Leslie Odom Jr.
Dear Theodosia
107 bpm • A Maj • 03:04 • -10.48db
67% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
67% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Orson Welles
The Gettysburg Address
101 bpm • B Maj • 02:50 • -22db
9% Popularity • 64% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 64% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Nicole Kidman
Unusual Way
101 bpm • F min • 03:26 • -13.75db
25% Popularity • 31% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 31% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Emily Dickinson
Because I Could Not Stop For Death By Em...
107 bpm • B min • 00:52 • -26.91db
11% Popularity • 70% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 70% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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William Shakespeare
Act 3.6 - Much Ado About Nothing
101 bpm • A# min • 03:18 • -13.17db
0% Popularity • 70% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 70% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Robert Benford Lepley
Poem: I Live My Life In Growing Orbits -...
101 bpm • G Maj • 01:11 • -25.24db
8% Popularity • 48% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 13% Positiveness
8% Popularity • 48% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 13% Positiveness
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Julie Harris
I Cannot Live With You
101 bpm • E Maj • 02:09 • -34db
14% Popularity • 67% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 67% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Nik_Poetry
This Town
107 bpm • G# Maj • 01:37 • -27db
10% Popularity • 75% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 75% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Johnny Depp
A Little Priest - Highlights Version
107 bpm • F# Maj • 04:51 • -14db
18% Popularity • 55% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 55% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Carrie Fisher
Sonnet 29
100 bpm • F# Maj • 01:01 • -28.37db
9% Popularity • 68% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 68% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Ghizela Rowe
Alfred Lord Tennyson - The Charge of the...
107 bpm • C Maj • 02:10 • -19db
15% Popularity • 70% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 70% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Emily Dickinson
Because I Could Not Stop For Death
100 bpm • D min • 01:17 • -24db
12% Popularity • 73% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 73% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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William Shakespeare
Act 1.4 - The Tempest
100 bpm • E Maj • 03:05 • -14.57db
1% Popularity • 69% Danceability • 24% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
1% Popularity • 69% Danceability • 24% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
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Linda Eder
Bring on the Men - 2007 Remaster
108 bpm • C# min • 05:08 • -8.49db
28% Popularity • 44% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 44% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Johnny Depp
Epiphany - Highlights Version
108 bpm • F min • 03:14 • -11db
23% Popularity • 43% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 43% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Johnny Mandel
Painless Suicide, Funeral and Resurrecti...
100 bpm • B min • 07:56 • -18.07db
10% Popularity • 52% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 52% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Reclam Hörbücher
Romeo und Julia - III. Akt, 3. Szene, Te...
108 bpm • C# Maj • 01:29 • -12.1db
6% Popularity • 77% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
6% Popularity • 77% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Edgar Allan Poe
The Best of Edgar Allan Poe- Tha Bells
100 bpm • C Maj • 05:53 • -24db
9% Popularity • 58% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 58% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Traditional
Let No Man Steal Your Thyme
100 bpm • C Maj • 02:05 • -19.5db
34% Popularity • 51% Danceability • 1% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 51% Danceability • 1% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Robert Donat
Ode to a Nightingale
99 bpm • G# Maj • 05:17 • -27db
17% Popularity • 59% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 59% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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William Shakespeare
Act 1.7 - The Tempest
109 bpm • A Maj • 04:28 • -14db
1% Popularity • 73% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 73% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
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Euan Morton
Stranger In This World
109 bpm • F# min • 03:44 • -9db
14% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Kathleen Ferrier
Blow the Wind Southerly
99 bpm • C# min • 02:16 • -15.43db
12% Popularity • 42% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 42% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Nino Rota
The Balcony Scene
109 bpm • G Maj • 09:29 • -20.59db
11% Popularity • 60% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 60% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Imelda Staunton
Losing My Mind
99 bpm • C# Maj • 04:07 • -16db
28% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Michael Sheen
Doctor Faustus: The Face That Launched A...
110 bpm • D min • 02:00 • -26.99db
15% Popularity • 53% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 53% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
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William Shakespeare
Act 4.8 & Act 5.1 - Much Ado About Nothi...
99 bpm • C# Maj • 03:31 • -16.71db
0% Popularity • 68% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 68% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Stella Gonet
Sonnet 116
110 bpm • B min • 00:54 • -26.17db
16% Popularity • 82% Danceability • 16% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
16% Popularity • 82% Danceability • 16% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
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Emma Wallace
We're All Mad Here
110 bpm • G min • 03:27 • -14.55db
25% Popularity • 74% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 74% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Leonard Nimoy
Maiden Wine
110 bpm • E min • 01:42 • -14.65db
17% Popularity • 31% Danceability • 37% Energy • 11% Liveness
18% Instrumentalness • 35% Positiveness
17% Popularity • 31% Danceability • 37% Energy • 11% Liveness
18% Instrumentalness • 35% Positiveness
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Nicole Kidman
Sparkling Diamonds - Original Film Versi...
110 bpm • G Maj • 02:52 • -4.33db
35% Popularity • 51% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 54% Positiveness
35% Popularity • 51% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 54% Positiveness
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Cyril Cusack
The Second Coming
111 bpm • A min • 01:35 • -11db
14% Popularity • 63% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 63% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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William Shakespeare
Chapter 26 - Hamlet
109 bpm • G# Maj • 03:05 • -14.42db
5% Popularity • 71% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 25% Positiveness
5% Popularity • 71% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 25% Positiveness
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Ghizela Rowe
The Tiger - William Blake
98 bpm • B min • 01:05 • -27.1db
19% Popularity • 76% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 76% Danceability • 3% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Brian Reitzell
Snake Charmer from Aperitivo
111 bpm • F# Maj • 03:35 • -9.09db
26% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Hedwig And The Angry Inch - Original Broadway Cast
The Origin of Love
98 bpm • D Maj • 05:35 • -7.56db
31% Popularity • 42% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 42% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Will Connolly
The Moon
111 bpm • B min • 02:49 • -17.74db
27% Popularity • 45% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
27% Popularity • 45% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Robert Benford Lepley
Poem: You Darkness, That I Come From - S...
111 bpm • C Maj • 01:03 • -25.6db
9% Popularity • 41% Danceability • 7% Energy • 16% Liveness
1% Instrumentalness • 49% Positiveness
9% Popularity • 41% Danceability • 7% Energy • 16% Liveness
1% Instrumentalness • 49% Positiveness
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William Shakespeare
The Sonnets: Sonnet 1: From Fairest Crea...
98 bpm • E min • 01:07 • -25.33db
11% Popularity • 76% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 76% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Terry Mann
Where's the Girl?
111 bpm • G# min • 03:21 • -12.31db
28% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Johnny Depp
Wait - Highlights Version
111 bpm • B Maj • 02:37 • -15.28db
19% Popularity • 35% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
19% Popularity • 35% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Tim Curry
Planet Schmanet Janet
97 bpm • D min • 01:39 • -5.66db
38% Popularity • 57% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 57% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Sylvia Plath
On The Plethora Of Dryads
97 bpm • A# min • 01:36 • -22.72db
9% Popularity • 68% Danceability • 6% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 68% Danceability • 6% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Paul Williams
Ordinary Fool
113 bpm • A# Maj • 04:16 • -17.84db
28% Popularity • 44% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 44% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
William Shakespeare
Chapter 20 - Hamlet
112 bpm • C Maj • 03:14 • -12.39db
6% Popularity • 72% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
6% Popularity • 72% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Victoria Wood
Reincarnation
113 bpm • C min • 03:41 • -18.34db
12% Popularity • 74% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 74% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Johnny Depp
No Place Like London - Highlights versio...
113 bpm • D# Maj • 04:25 • -18.75db
23% Popularity • 32% Danceability • 11% Energy • 24% Liveness
1% Instrumentalness • 6% Positiveness
23% Popularity • 32% Danceability • 11% Energy • 24% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Reclam Hörbücher
Romeo und Julia - III. Akt, 5. Szene, Te...
113 bpm • F min • 01:34 • -11.25db
6% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Christina Rossetti
Remember By Christina Rossetti
113 bpm • D Maj • 00:50 • -26.25db
19% Popularity • 71% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 71% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Matthew Gray Gubler
Annabel Lee by Edgar Allan Poe
95 bpm • B min • 02:32 • -16.72db
23% Popularity • 56% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 56% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
William Shakespeare
Chapter 8 - Macbeth
112 bpm • C# Maj • 03:00 • -14.95db
13% Popularity • 71% Danceability • 27% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 71% Danceability • 27% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Victoria Wood
Real Life
114 bpm • D# Maj • 03:11 • -20.92db
12% Popularity • 59% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 59% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Michael C. Hall
Absolute Beginners
114 bpm • D Maj • 04:39 • -5.21db
22% Popularity • 76% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 76% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Johnny Depp
Pretty Women
113 bpm • D min • 04:27 • -15db
30% Popularity • 38% Danceability • 20% Energy • 74% Liveness
1% Instrumentalness • 29% Positiveness
30% Popularity • 38% Danceability • 20% Energy • 74% Liveness
1% Instrumentalness • 29% Positiveness
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Célia Johnson
Words
95 bpm • G Maj • 02:10 • -23db
12% Popularity • 67% Danceability • 9% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 67% Danceability • 9% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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Richard Adler
The Pajama Game: Hernando's Hideaway
114 bpm • C min • 03:48 • -12.37db
18% Popularity • 69% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 69% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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William Shakespeare
Chapter 1 - Hamlet
112 bpm • C Maj • 03:10 • -15.75db
17% Popularity • 71% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 71% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
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Kristin Chenoweth
I'm A Stranger Here Myself from One Touc...
114 bpm • D# min • 02:57 • -8db
12% Popularity • 57% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 57% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Leonard Bernstein
West Side Story: Act I: Dance at the Gym...
115 bpm • A min • 09:27 • -11.84db
35% Popularity • 42% Danceability • 44% Energy • 25% Liveness
2% Instrumentalness • 32% Positiveness
35% Popularity • 42% Danceability • 44% Energy • 25% Liveness
2% Instrumentalness • 32% Positiveness
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Alan Rickman
Ladies in Their Sensitivities
114 bpm • D Maj • 01:23 • -15.3db
17% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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John Williams
Far From The Home I Love
94 bpm • A Maj • 03:01 • -21db
37% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Barry Bostwick
Once in a While
115 bpm • F Maj • 03:03 • -8.25db
31% Popularity • 39% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 39% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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William Shakespeare
Act 2.13 & Act 3.1 - Much Ado About Noth...
95 bpm • G Maj • 08:16 • -15.31db
0% Popularity • 68% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 68% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Emily Dickinson
It Was Not Death For I Stood Up
116 bpm • G# Maj • 01:03 • -20db
17% Popularity • 73% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 73% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Anne Hathaway
I Dreamed A Dream
93 bpm • A# Maj • 04:37 • -17.23db
52% Popularity • 27% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
52% Popularity • 27% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Johnny Depp
Wait
115 bpm • B Maj • 02:38 • -14.92db
20% Popularity • 35% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
20% Popularity • 35% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
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John Williams
Anatevka
94 bpm • D min • 03:38 • -16.17db
32% Popularity • 38% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 38% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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The Warner Bros. Studio Orchestra
Of All The Gin Joints In All The Towns I...
116 bpm • D# min • 01:55 • -18.16db
6% Popularity • 60% Danceability • 49% Energy • 94% Liveness
0% Instrumentalness • 10% Positiveness
6% Popularity • 60% Danceability • 49% Energy • 94% Liveness
0% Instrumentalness • 10% Positiveness
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William Shakespeare
Chapter 19 - Macbeth
113 bpm • C min • 04:27 • -14.13db
5% Popularity • 72% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
5% Popularity • 72% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Emmy The Great
Comic Books
93 bpm • F Maj • 03:35 • -14db
16% Popularity • 42% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 42% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Anthony Warlow
It's a Dangerous Game
116 bpm • E min • 04:16 • -9.62db
33% Popularity • 34% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 34% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Helena Bonham Carter
The Worst Pies in London
94 bpm • F Maj • 02:23 • -10.99db
34% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
