Songs like My Mother Told Me by Peyton Parrish
Based on a tempo of (+/- 10%) and a similar genre
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Sabaton
Soldier of Heaven
96 bpm • A min • 03:38 • -8.35db
61% Popularity • 54% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 54% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Bubbles & The Shit Rockers
THE KITTYMAN
96 bpm • F min • 01:22 • -13.99db
39% Popularity • 93% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 93% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Tom MacDonald
Snowflakes
96 bpm • E Maj • 03:49 • -6.37db
56% Popularity • 53% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 53% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Home Free
Everybody Walkin' This Land
96 bpm • G Maj • 03:04 • -7.41db
42% Popularity • 66% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 66% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Alpine Universe
Ruins of a Long Gone Past - Acoustic
96 bpm • A# min • 01:52 • -9db
48% Popularity • 37% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 37% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Peyton Parrish
My Mother Told Me
96 bpm • A# Maj • 02:10 • -15.29db
60% Popularity • 44% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
60% Popularity • 44% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jonathan Young
Misty Mountains
97 bpm • F# Maj • 04:23 • -7.66db
42% Popularity • 40% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 40% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Watt White
Eye Of The Storm
95 bpm • D min • 03:19 • -4.15db
60% Popularity • 54% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 54% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Sabaton
The Red Baron
95 bpm • C min • 03:22 • -5.85db
62% Popularity • 40% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
62% Popularity • 40% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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State of Mine
In The Air Tonight
95 bpm • G min • 05:00 • -5.01db
57% Popularity • 49% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 49% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Alpine Universe
Lost Winter Days - Acoustic
96 bpm • C# min • 02:58 • -8db
43% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Self Deception
TicToc (Brace For Impact)
95 bpm • G# Maj • 03:04 • -4.29db
49% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Poor Man's Poison
Give and Take
95 bpm • G Maj • 03:17 • -8db
62% Popularity • 67% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 67% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Tom MacDonald
The System
95 bpm • C# Maj • 03:22 • -7db
61% Popularity • 82% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 82% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Sabaton
Bismarck
95 bpm • F# min • 05:13 • -5.55db
63% Popularity • 50% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 50% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Daridel
Viking Soul
95 bpm • D Maj • 03:08 • -6.39db
34% Popularity • 42% Danceability • 92% Energy • 6% Liveness
24% Instrumentalness • 18% Positiveness
34% Popularity • 42% Danceability • 92% Energy • 6% Liveness
24% Instrumentalness • 18% Positiveness
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Fenris
Drums n Blood
95 bpm • G Maj • 02:54 • -11.01db
39% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Peyton Parrish
You'll Be In My Heart
97 bpm • C# Maj • 04:13 • -3.49db
46% Popularity • 53% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 53% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Mat Best
Quarantine
97 bpm • C Maj • 03:21 • -5.14db
37% Popularity • 74% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 74% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Alpine Universe
Desperado
94 bpm • D min • 02:14 • -3.35db
43% Popularity • 63% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 63% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Blues Saraceno
Dogs of War
94 bpm • F Maj • 02:56 • -10.33db
55% Popularity • 47% Danceability • 44% Energy • 13% Liveness
46% Instrumentalness • 33% Positiveness
55% Popularity • 47% Danceability • 44% Energy • 13% Liveness
46% Instrumentalness • 33% Positiveness
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Cory Marks
Blame It On The Double
94 bpm • C Maj • 03:27 • -3.44db
49% Popularity • 55% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
49% Popularity • 55% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Equilibrium
Johnny B
98 bpm • F Maj • 04:04 • -5.03db
46% Popularity • 42% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 42% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Peyton Parrish
Wellerman
97 bpm • D# Maj • 02:15 • -9.05db
43% Popularity • 81% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 81% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Five Finger Death Punch
AfterLife
94 bpm • F# min • 04:03 • -4.21db
58% Popularity • 47% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 47% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Corvyx
My Heart Will Go On
98 bpm • C# min • 05:22 • -7.71db
41% Popularity • 23% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 23% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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![The Last of the Mohicans (Metal Version) [Extended] cover art](https://i.scdn.co/image/ab67616d00001e024088f585ce2dc5f9af68df88)
METALHAWK
The Last of the Mohicans (Metal Version)...
98 bpm • C Maj • 07:44 • -10.73db
35% Popularity • 15% Danceability • 47% Energy • 16% Liveness
86% Instrumentalness • 17% Positiveness
35% Popularity • 15% Danceability • 47% Energy • 16% Liveness
86% Instrumentalness • 17% Positiveness
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Jeris Johnson
Kryptonite (Reloaded)
99 bpm • G Maj • 02:37 • -4db
64% Popularity • 64% Danceability • 83% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 64% Danceability • 83% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
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Fenris
Heathen Row
93 bpm • F Maj • 02:54 • -11.35db
41% Popularity • 61% Danceability • 39% Energy • 19% Liveness
1% Instrumentalness • 9% Positiveness
41% Popularity • 61% Danceability • 39% Energy • 19% Liveness
1% Instrumentalness • 9% Positiveness
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Peyton Parrish
Battle For Earth
98 bpm • G min • 02:55 • -16.28db
32% Popularity • 30% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 30% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Nomy
Can't help falling in love
93 bpm • D# Maj • 04:21 • -5db
39% Popularity • 34% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 34% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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The Hound + The Fox
Soon May the Wellerman Come
93 bpm • C min • 02:27 • -11.88db
30% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Brothers of Metal
Berserkir
100 bpm • G Maj • 04:33 • -6.99db
48% Popularity • 54% Danceability • 89% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
48% Popularity • 54% Danceability • 89% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
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Sean Householder
The Warrior Song
100 bpm • G# Maj • 03:40 • -10.21db
43% Popularity • 75% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 75% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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SKÁLD
Fimbulvetr
100 bpm • D Maj • 03:16 • -14db
43% Popularity • 63% Danceability • 45% Energy • 38% Liveness
23% Instrumentalness • 19% Positiveness
43% Popularity • 63% Danceability • 45% Energy • 38% Liveness
23% Instrumentalness • 19% Positiveness
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Peyton Parrish
The Lion Sleeps Tonight
92 bpm • F Maj • 02:47 • -3.49db
45% Popularity • 44% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 44% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Nickelback
She Keeps Me Up
100 bpm • A Maj • 03:57 • -8.63db
70% Popularity • 77% Danceability • 61% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
70% Popularity • 77% Danceability • 61% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
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The O'Reillys and the Paddyhats
James Brian
100 bpm • C min • 03:41 • -3.9db
30% Popularity • 64% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 64% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Alpine Universe
The Empire of Winds - Acoustic
100 bpm • G# min • 01:48 • -7.86db
55% Popularity • 81% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 81% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Sean Householder
Aquila Natus
100 bpm • G Maj • 07:05 • -7.02db
30% Popularity • 68% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 68% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Tech N9ne
Red Kingdom
100 bpm • A min • 02:21 • -5.41db
58% Popularity • 80% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 80% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Peyton Parrish
Colors of the Wind
100 bpm • D min • 03:19 • -2.09db
52% Popularity • 47% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 47% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Five Finger Death Punch
Thanks For Asking
100 bpm • B min • 03:18 • -5db
56% Popularity • 63% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 63% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Tungsten
On the Sea
100 bpm • E min • 03:53 • -4.94db
45% Popularity • 50% Danceability • 73% Energy • 63% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 50% Danceability • 73% Energy • 63% Liveness
0% Instrumentalness • 39% Positiveness
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Lyric Noel
Bloody Mary
100 bpm • A min • 04:09 • -1.37db
33% Popularity • 50% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 50% Danceability • 96% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
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The EverLove
I'm Dangerous
92 bpm • G# min • 04:03 • -7.03db
59% Popularity • 69% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 69% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Sabaton
Winged Hussars
92 bpm • F# min • 03:51 • -5.37db
60% Popularity • 54% Danceability • 92% Energy • 74% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 54% Danceability • 92% Energy • 74% Liveness
0% Instrumentalness • 68% Positiveness
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Blues Saraceno
The Devil You Know
92 bpm • A min • 03:32 • -9.46db
53% Popularity • 73% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 86% Positiveness
53% Popularity • 73% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 86% Positiveness
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Eric Hollaway
Nobody Knows The Trouble I See, Lord
92 bpm • G min • 04:15 • -12.39db
22% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Self Deception
Smoke You Out
101 bpm • E min • 03:12 • -3.84db
51% Popularity • 53% Danceability • 95% Energy • 42% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 53% Danceability • 95% Energy • 42% Liveness
0% Instrumentalness • 40% Positiveness
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Colm R. McGuinness
Hoist the Colours
91 bpm • C Maj • 02:02 • -12.19db
59% Popularity • 23% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 23% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Falling In Reverse
ZOMBIFIED
91 bpm • A# min • 03:38 • -3.68db
69% Popularity • 54% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
69% Popularity • 54% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Art Of Dying
Ready for a Good Time
101 bpm • B min • 03:04 • -6db
44% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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State of Mine
Rise
101 bpm • A Maj • 03:17 • -5.3db
60% Popularity • 49% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
60% Popularity • 49% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
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Blues Saraceno
Grave Digger
91 bpm • E min • 03:35 • -11.95db
49% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 58% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Fame on Fire
Mood
91 bpm • C min • 02:31 • -5db
48% Popularity • 55% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 55% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Papa Roach
Last Resort
91 bpm • E min • 03:19 • -3.72db
81% Popularity • 59% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
81% Popularity • 59% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Van Canto
Hymn - Bonus Track
102 bpm • A# Maj • 02:16 • -9.36db
32% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Tom MacDonald
People So Stupid
90 bpm • F# Maj • 03:07 • -5.46db
60% Popularity • 66% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 66% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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State of Mine
Can't Stop Me
102 bpm • G Maj • 03:41 • -2.98db
40% Popularity • 51% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 51% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Cooper Alan
To the Bar
90 bpm • E Maj • 02:32 • -3.93db
62% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Piper.Ally
The Megalodon Reel
90 bpm • E Maj • 02:00 • -14db
35% Popularity • 38% Danceability • 29% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
35% Popularity • 38% Danceability • 29% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
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Beast In Black
They Don't Care About Us
90 bpm • D Maj • 04:32 • -6.45db
55% Popularity • 63% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 63% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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SKÁLD
Grótti
90 bpm • F# min • 02:53 • -10.64db
53% Popularity • 66% Danceability • 84% Energy • 36% Liveness
82% Instrumentalness • 53% Positiveness
53% Popularity • 66% Danceability • 84% Energy • 36% Liveness
82% Instrumentalness • 53% Positiveness
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Nickelback
Rockstar Sea Shanty
90 bpm • C min • 02:42 • -8.63db
56% Popularity • 69% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 69% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Alpine Universe
Chanson Alpine
90 bpm • A# min • 03:14 • -6.63db
39% Popularity • 50% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 50% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Sail North
Bones
90 bpm • G# Maj • 02:56 • -9.29db
63% Popularity • 58% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 58% Danceability • 63% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Saliva
They Don't Care About Us
90 bpm • G Maj • 04:04 • -3.68db
59% Popularity • 60% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 60% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Celtica Pipes Rock!
Cape Horn
90 bpm • A# min • 03:33 • -9.33db
34% Popularity • 43% Danceability • 85% Energy • 26% Liveness
89% Instrumentalness • 39% Positiveness
34% Popularity • 43% Danceability • 85% Energy • 26% Liveness
89% Instrumentalness • 39% Positiveness
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Tom MacDonald
Fake Woke
90 bpm • G# Maj • 04:12 • -7db
58% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Joseph Trapanese
Whoreson Prison Blues
90 bpm • C min • 02:07 • -15.39db
48% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Piper.Ally
Toss a Coin to Your Witcher
103 bpm • F# min • 03:20 • -15.03db
21% Popularity • 46% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 46% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Lansdowne
Burn Brighter
89 bpm • B min • 03:12 • -2.51db
52% Popularity • 52% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 52% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Disturbed
Hey You
103 bpm • C# Maj • 04:28 • -3.5db
59% Popularity • 50% Danceability • 98% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 50% Danceability • 98% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Sonya Belousova
Toss A Coin To Your Witcher
103 bpm • F min • 03:10 • -9.47db
55% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Five Finger Death Punch
A Little Bit Off
104 bpm • C Maj • 03:10 • -6.05db
70% Popularity • 66% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 66% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Faun
Halloween
104 bpm • D Maj • 03:53 • -6.2db
37% Popularity • 49% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
37% Popularity • 49% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Peyton Parrish
Rise
89 bpm • F# min • 03:11 • -8.4db
45% Popularity • 48% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 48% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
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Symphony Of Sweden
She's in My Head
105 bpm • F min • 03:03 • -5.78db
44% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Sabaton
The Last Stand
104 bpm • G min • 03:55 • -5.66db
68% Popularity • 52% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 52% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Papa Roach
Last Resort (Reloaded)
88 bpm • D Maj • 02:17 • -5.62db
62% Popularity • 64% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 64% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Cooper Alan
This Ain't Country
88 bpm • C Maj • 02:46 • -10db
54% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Home Free
Man of Constant Sorrow
88 bpm • F Maj • 03:41 • -8.8db
48% Popularity • 43% Danceability • 54% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 43% Danceability • 54% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Tinnesz
Legends Are Made
88 bpm • C Maj • 02:49 • -4.88db
69% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Powerwolf
Sanctified with Dynamite
88 bpm • C# min • 04:25 • -4.76db
58% Popularity • 24% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 24% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Peyton Parrish
Battle of York
105 bpm • G# Maj • 03:35 • -8.58db
44% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 55% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Rave The Reqviem
Oh, the Joy!
105 bpm • D min • 02:18 • -8.83db
42% Popularity • 66% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 66% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Varend Volk
This Night We Spend Ashore
105 bpm • D min • 03:27 • -5db
34% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Home Free
Skull and Bones
105 bpm • C Maj • 03:40 • -7.65db
57% Popularity • 43% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 43% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Sabaton
Great War
105 bpm • C min • 04:28 • -5.49db
58% Popularity • 51% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 51% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Amaranthe
Viral
105 bpm • D Maj • 03:01 • -6db
53% Popularity • 56% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 56% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Peyton Parrish
Master of War
105 bpm • G# Maj • 04:00 • -2.99db
46% Popularity • 30% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 30% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Poor Man's Poison
Providence
105 bpm • E min • 03:03 • -10db
65% Popularity • 50% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 50% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Brothers of Metal
One
88 bpm • G# Maj • 04:17 • -8db
46% Popularity • 45% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 45% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Miracle Of Sound
To Be Better
87 bpm • C# Maj • 03:29 • -7.79db
53% Popularity • 54% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 54% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Hollywood Undead
Whatever It Takes
87 bpm • G Maj • 03:07 • -3.43db
57% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Topher
The Patriot
87 bpm • F# min • 02:48 • -6.99db
58% Popularity • 74% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 74% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Peyton Parrish
Battle of York
105 bpm • C# Maj • 03:35 • -9.38db
38% Popularity • 53% Danceability • 65% Energy • 14% Liveness
6% Instrumentalness • 48% Positiveness
38% Popularity • 53% Danceability • 65% Energy • 14% Liveness
6% Instrumentalness • 48% Positiveness
