Songs like My Mother Wants Me Dead by carolesdaughter
Based on a tempo of (+/- 10%) and a similar genre
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carolesdaughter
My Mother Wants Me Dead
190 bpm • A# Maj • 01:45 • -4.43db
55% Popularity • 45% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 45% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Set It Off
Partners in Crime
190 bpm • C# Maj • 03:31 • -3.44db
71% Popularity • 38% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
71% Popularity • 38% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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VIAL
Therapy
188 bpm • D Maj • 02:18 • -5.02db
29% Popularity • 36% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 36% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dazey and the Scouts
Groan
188 bpm • G Maj • 02:59 • -5.21db
57% Popularity • 31% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 31% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Mother Mother
Hayloft II (SMASHUP)
192 bpm • A min • 03:43 • -3.62db
58% Popularity • 44% Danceability • 94% Energy • 9% Liveness
3% Instrumentalness • 43% Positiveness
58% Popularity • 44% Danceability • 94% Energy • 9% Liveness
3% Instrumentalness • 43% Positiveness
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Lovejoy
Taunt
187 bpm • G Maj • 02:13 • -9.31db
68% Popularity • 48% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
68% Popularity • 48% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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carolesdaughter
Trailer Trash
194 bpm • G min • 02:32 • -4.26db
37% Popularity • 45% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 45% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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DeathbyRomy
No Mercy
185 bpm • F# min • 02:25 • -2.35db
48% Popularity • 49% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 49% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Oozes
Ready
185 bpm • C Maj • 01:47 • -5.18db
41% Popularity • 34% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 34% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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VIAL
Embryo
185 bpm • G Maj • 02:42 • -6.68db
30% Popularity • 30% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 30% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Dirty Bynum
Moth Man
184 bpm • C Maj • 02:35 • -9.91db
48% Popularity • 41% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 41% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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NOAHFINNCE
AFTER THERAPY
184 bpm • C Maj • 02:21 • -6.3db
41% Popularity • 44% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 44% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Dazey and the Scouts
Nice Nice
198 bpm • C Maj • 03:25 • -7.51db
54% Popularity • 23% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 23% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lovejoy
One Day
183 bpm • A# min • 02:24 • -8.57db
70% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
70% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Negative 25
Brutal
182 bpm • F min • 03:02 • -7.5db
44% Popularity • 52% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 52% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Scene Queen
Pink Rover
198 bpm • C# Maj • 01:58 • -5db
60% Popularity • 50% Danceability • 72% Energy • 43% Liveness
2% Instrumentalness • 42% Positiveness
60% Popularity • 50% Danceability • 72% Energy • 43% Liveness
2% Instrumentalness • 42% Positiveness
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VIAL
Planet Drool
200 bpm • E Maj • 02:27 • -5.47db
33% Popularity • 32% Danceability • 72% Energy • 53% Liveness
10% Instrumentalness • 42% Positiveness
33% Popularity • 32% Danceability • 72% Energy • 53% Liveness
10% Instrumentalness • 42% Positiveness
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NOAHFINNCE
BETTER DAYS
200 bpm • A Maj • 02:46 • -6.1db
38% Popularity • 50% Danceability • 48% Energy • 94% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 50% Danceability • 48% Energy • 94% Liveness
0% Instrumentalness • 72% Positiveness
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Derivakat
REVIVED
180 bpm • C# min • 02:33 • -7.48db
63% Popularity • 65% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 65% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Get Scared
Sarcasm
180 bpm • G min • 03:18 • -4.83db
69% Popularity • 39% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
69% Popularity • 39% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Poppy
I Disagree
180 bpm • C Maj • 03:13 • -5db
59% Popularity • 36% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 36% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
New Invention
180 bpm • C Maj • 03:11 • -3.03db
59% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Pinkshift
nothing (in my head)
180 bpm • C# min • 03:05 • -1db
40% Popularity • 31% Danceability • 98% Energy • 33% Liveness
1% Instrumentalness • 54% Positiveness
40% Popularity • 31% Danceability • 98% Energy • 33% Liveness
1% Instrumentalness • 54% Positiveness
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Modern Baseball
Tears Over Beers
180 bpm • C# Maj • 02:48 • -7.05db
67% Popularity • 29% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
67% Popularity • 29% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mother Mother
Back To Life
180 bpm • A Maj • 02:45 • -5.93db
56% Popularity • 29% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 29% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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McCafferty
Beachboy
180 bpm • E Maj • 03:19 • -7.22db
65% Popularity • 43% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
65% Popularity • 43% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Crawlers
Fuck Me (I Didn’t Know How To Say)
179 bpm • G# Maj • 03:06 • -6.09db
51% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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VIAL
Violet
179 bpm • B min • 02:32 • -5.42db
34% Popularity • 41% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
34% Popularity • 41% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
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Destroy Boys
Vixen
179 bpm • A Maj • 02:37 • -3.53db
58% Popularity • 25% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 25% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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NOAHFINNCE
GROWING UP ON THE INTERNET
178 bpm • B min • 03:19 • -4.8db
46% Popularity • 41% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 41% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Mother Mother
Hayloft II
178 bpm • A min • 03:35 • -4.54db
76% Popularity • 33% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
76% Popularity • 33% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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carolesdaughter
Dead Boy (in my room)
178 bpm • F# Maj • 03:07 • -7.78db
34% Popularity • 42% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 42% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Weathers
I'm Not Ok
178 bpm • A Maj • 03:01 • -3.39db
57% Popularity • 40% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 40% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Lincoln
Smokey Eyes
177 bpm • F# Maj • 03:15 • -4.2db
55% Popularity • 16% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 16% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Lovejoy
Concrete
177 bpm • C# Maj • 03:16 • -7.35db
64% Popularity • 56% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
64% Popularity • 56% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Rio Romeo
Small Towns
204 bpm • C Maj • 02:13 • -11.72db
48% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
48% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Mars Argo
Angry
176 bpm • C Maj • 03:54 • -7db
48% Popularity • 37% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 37% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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carolesdaughter
sunshine and roses
178 bpm • F Maj • 02:33 • -8.97db
38% Popularity • 58% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 58% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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VIAL
Addict
175 bpm • C Maj • 02:57 • -5.06db
26% Popularity • 36% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 36% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Lincoln
How I Survived Bobby Mackey's Personal H...
205 bpm • B Maj • 03:07 • -4.19db
47% Popularity • 30% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 30% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Lovejoy
Scum
176 bpm • C# Maj • 03:52 • -6.37db
63% Popularity • 54% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
63% Popularity • 54% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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ZAND
I Spit On Your Grave
175 bpm • C# Maj • 03:39 • -5.43db
49% Popularity • 43% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 43% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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NOAHFINNCE
MIND BLANK NO THOUGHTS
175 bpm • F# Maj • 02:26 • -6.58db
38% Popularity • 20% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 20% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Badflower
Stalker
175 bpm • F Maj • 03:28 • -4.46db
47% Popularity • 56% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 56% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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poutyface
Peter Pan
175 bpm • B Maj • 02:28 • -4.53db
31% Popularity • 54% Danceability • 86% Energy • 37% Liveness
1% Instrumentalness • 60% Positiveness
31% Popularity • 54% Danceability • 86% Energy • 37% Liveness
1% Instrumentalness • 60% Positiveness
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Maggie Lindemann
she knows it
175 bpm • F Maj • 02:36 • -5db
58% Popularity • 61% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 61% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Pinkshift
the kids aren't alright
174 bpm • B Maj • 03:16 • -1.42db
40% Popularity • 28% Danceability • 99% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
40% Popularity • 28% Danceability • 99% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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carolesdaughter
xo I hope u die
174 bpm • D Maj • 02:19 • -6.98db
40% Popularity • 44% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 44% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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NOAHFINNCE
LALALA
174 bpm • B min • 03:05 • -5.26db
45% Popularity • 35% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 35% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 33% Positiveness
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Caroline Carr
Innocent Consent
172 bpm • F# min • 03:27 • -8.13db
46% Popularity • 43% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 43% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Will Wood
I / Me / Myself
172 bpm • B min • 04:51 • -5.27db
67% Popularity • 48% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
67% Popularity • 48% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
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girli
Has Been
172 bpm • C# min • 03:25 • -9db
50% Popularity • 65% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 65% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Pinkshift
Mars
173 bpm • C# min • 03:45 • -4.8db
38% Popularity • 32% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 32% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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James Marriott
Where Has Everyone Gone?
172 bpm • G min • 03:36 • -4.36db
51% Popularity • 51% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 51% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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carolesdaughter
Trailer Trash (Acoustic)
174 bpm • A# min • 02:49 • -7.4db
24% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Royal & the Serpent
FUCKBOI REJECTS
172 bpm • F# min • 02:07 • -3.59db
52% Popularity • 49% Danceability • 90% Energy • 82% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 49% Danceability • 90% Energy • 82% Liveness
0% Instrumentalness • 53% Positiveness
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The Oozes
Hungry
172 bpm • G Maj • 01:45 • -8.1db
31% Popularity • 41% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 41% Danceability • 66% Energy • 57% Liveness
0% Instrumentalness • 45% Positiveness
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Wilbur Soot
Soft Boy
171 bpm • A Maj • 02:17 • -12.47db
62% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Diva Bleach
White Noise
171 bpm • D Maj • 03:09 • -6db
25% Popularity • 37% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 37% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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VIAL
Vodka Lemonade
170 bpm • C Maj • 02:25 • -5.13db
32% Popularity • 51% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 51% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Destructo Disk
I Wish I Was A Riot Grrrl
170 bpm • C# Maj • 02:25 • -5.28db
52% Popularity • 45% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 45% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Sir Chloe
Untie You
170 bpm • D Maj • 03:20 • -6db
49% Popularity • 35% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 35% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Cavetown
Meteor Shower
170 bpm • F Maj • 04:25 • -10.31db
70% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
70% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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phem
flowers
170 bpm • E min • 02:41 • -5.67db
45% Popularity • 49% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 49% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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The Brobecks
Better Than Me
170 bpm • G Maj • 04:27 • -7.39db
66% Popularity • 38% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
66% Popularity • 38% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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girli
I Don’t Like Myself
170 bpm • A min • 02:44 • -7.13db
54% Popularity • 61% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 61% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Mother Mother
Little Pistol
170 bpm • G Maj • 04:28 • -7.84db
56% Popularity • 30% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
56% Popularity • 30% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
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carpetgarden
Can Ghosts Be Gay?
169 bpm • A Maj • 03:21 • -13.33db
51% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Slush Puppy
EAT SPIT!
168 bpm • C# Maj • 02:03 • -2.69db
63% Popularity • 76% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 76% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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TX2
A Choice...
168 bpm • D Maj • 03:02 • -6.36db
43% Popularity • 42% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 42% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
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Royal & the Serpent
GO F*CK URSELF
166 bpm • D Maj • 02:26 • -3db
47% Popularity • 55% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 55% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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girli
What a Shame!
216 bpm • C Maj • 03:09 • -10.22db
38% Popularity • 44% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 44% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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James Marriott
Sleeping On Trains
166 bpm • F min • 03:04 • -6.81db
54% Popularity • 48% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 48% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Mother Mother
The Knack
168 bpm • B min • 02:59 • -7.45db
45% Popularity • 51% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 51% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Crawlers
Feminist Radical Hypocritical Delusional
166 bpm • B min • 02:02 • -4db
34% Popularity • 46% Danceability • 91% Energy • 11% Liveness
13% Instrumentalness • 74% Positiveness
34% Popularity • 46% Danceability • 91% Energy • 11% Liveness
13% Instrumentalness • 74% Positiveness
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TX2
Pull The Plug
167 bpm • E min • 02:38 • -6db
48% Popularity • 51% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 51% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Sir Chloe
Too Close
166 bpm • A Maj • 02:50 • -5.73db
70% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
70% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Mindless Self Indulgence
Prescription
166 bpm • B min • 03:05 • -4.9db
54% Popularity • 59% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
54% Popularity • 59% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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Kelsy Karter & The Heroines
Love Me or Hate Me
166 bpm • G# Maj • 03:16 • -5.27db
39% Popularity • 48% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 48% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Slush Puppy
Juliette
165 bpm • D Maj • 02:50 • -10db
46% Popularity • 46% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 46% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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GRLwood
Get Shot
165 bpm • A Maj • 02:20 • -8db
46% Popularity • 34% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 44% Positiveness
46% Popularity • 34% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 44% Positiveness
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Lovejoy
It's All Futile! It's All Pointless!
165 bpm • A Maj • 03:40 • -8.92db
64% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
64% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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Sushi Soucy
Average
165 bpm • C Maj • 02:00 • -13.1db
58% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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girli
I Really F**ked It Up
165 bpm • A# min • 02:45 • -6.8db
58% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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poutyface
HEY NEIGHBOR!
165 bpm • E min • 02:25 • -7.57db
44% Popularity • 52% Danceability • 75% Energy • 31% Liveness
10% Instrumentalness • 85% Positiveness
44% Popularity • 52% Danceability • 75% Energy • 31% Liveness
10% Instrumentalness • 85% Positiveness
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Sorry Mom
Molly Sells Molly By The Seashore
165 bpm • F Maj • 02:22 • -8.55db
45% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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VIAL
Something More
165 bpm • D Maj • 03:00 • -5db
27% Popularity • 50% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 50% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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GRLwood
Vaccines Made Me Gay
164 bpm • B min • 02:24 • -5db
42% Popularity • 42% Danceability • 93% Energy • 8% Liveness
75% Instrumentalness • 69% Positiveness
42% Popularity • 42% Danceability • 93% Energy • 8% Liveness
75% Instrumentalness • 69% Positiveness
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The Oozes
I Still Adore You
164 bpm • A min • 02:23 • -11db
46% Popularity • 30% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 30% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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chloe moriondo
Rly Don't Care
164 bpm • G Maj • 02:26 • -7.69db
44% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Lovejoy
You'll Understand When You're Older
164 bpm • G# Maj • 03:52 • -9db
61% Popularity • 53% Danceability • 73% Energy • 22% Liveness
3% Instrumentalness • 68% Positiveness
61% Popularity • 53% Danceability • 73% Energy • 22% Liveness
3% Instrumentalness • 68% Positiveness
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Sorry Mom
I Fucked Yr Mom
165 bpm • G Maj • 02:32 • -7.7db
58% Popularity • 64% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 64% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Mother Mother
Life
164 bpm • A Maj • 03:06 • -2.7db
49% Popularity • 48% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 48% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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GRLwood
I Hate My Mom
163 bpm • A Maj • 02:33 • -8db
61% Popularity • 37% Danceability • 86% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
61% Popularity • 37% Danceability • 86% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
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Kailee Morgue
This Is Why I'm Hot
163 bpm • G# Maj • 02:07 • -3.27db
50% Popularity • 53% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 53% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
