Songs like My Shepherd Will Supply My Need (arr. M. Wilberg for choir, 2 flutes and piano) by Mack Wilberg
Based on a tempo of (+/- 10%) and a similar genre
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Janèt Sullivan Whitaker
Christ Before Us
129 bpm • D Maj • 03:53 • -12.22db
15% Popularity • 17% Danceability • 26% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
15% Popularity • 17% Danceability • 26% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
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Daniel Beck
Abide With Me 'Tis Eventide
129 bpm • D# Maj • 04:04 • -13.04db
26% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Billy Graham Crusade Choir
There's a Quiet Understanding
129 bpm • G# Maj • 02:27 • -9.56db
22% Popularity • 22% Danceability • 42% Energy • 36% Liveness
2% Instrumentalness • 28% Positiveness
22% Popularity • 22% Danceability • 42% Energy • 36% Liveness
2% Instrumentalness • 28% Positiveness
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Marty Haugen
Mass of Creation: Jesus, Lamb of God
129 bpm • A# Maj • 01:58 • -11.98db
37% Popularity • 36% Danceability • 22% Energy • 16% Liveness
2% Instrumentalness • 25% Positiveness
37% Popularity • 36% Danceability • 22% Energy • 16% Liveness
2% Instrumentalness • 25% Positiveness
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Voice Male
There Is a Green Hill Far Away
129 bpm • F# Maj • 04:24 • -14.89db
28% Popularity • 18% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 18% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ryan Maag
I Am A Child Of God / I Have A Savior
130 bpm • C Maj • 04:08 • -11.75db
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sally DeFord
If the Savior Stood Beside Me
129 bpm • C Maj • 03:24 • -23.33db
35% Popularity • 16% Danceability • 15% Energy • 33% Liveness
65% Instrumentalness • 16% Positiveness
35% Popularity • 16% Danceability • 15% Energy • 33% Liveness
65% Instrumentalness • 16% Positiveness
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Roger Hoffman
Morning Has Broken
130 bpm • D Maj • 02:25 • -21.37db
36% Popularity • 24% Danceability • 18% Energy • 12% Liveness
83% Instrumentalness • 29% Positiveness
36% Popularity • 24% Danceability • 18% Energy • 12% Liveness
83% Instrumentalness • 29% Positiveness
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Mack Wilberg
Beautiful Savior (Arr. M. Wilberg)
130 bpm • E Maj • 03:21 • -26db
31% Popularity • 18% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Shawna Edwards
The Tree of Life
128 bpm • G min • 02:36 • -11.22db
41% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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John Gardner
Fight the Good Fight with All Thy Might
130 bpm • F Maj • 01:38 • -10.51db
12% Popularity • 64% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 64% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Bernadette Farrell
Christ, Be Our Light
130 bpm • G Maj • 02:32 • -14.03db
30% Popularity • 21% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
30% Popularity • 21% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 15% Positiveness
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Eclipse 6
For the Beauty of the Earth
130 bpm • F Maj • 03:30 • -8.86db
26% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Michael R. Hicks
I Need Thee Every Hour
130 bpm • C Maj • 05:17 • -21.24db
23% Popularity • 20% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Steven Kapp Perry
Who Will Wait?
130 bpm • G Maj • 02:58 • -17.7db
19% Popularity • 25% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 25% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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April Meservy
I Am A Child Of God
128 bpm • F Maj • 04:37 • -11.44db
25% Popularity • 41% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 41% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Roger Hoffman
My Shepherd Will Supply My Need
130 bpm • C Maj • 05:00 • -24.52db
36% Popularity • 16% Danceability • 14% Energy • 9% Liveness
55% Instrumentalness • 13% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 9% Liveness
55% Instrumentalness • 13% Positiveness
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Rob Gardner, Spire Chorus & London Symphony Orchestra
Agnus Dei
130 bpm • A# Maj • 03:23 • -17.81db
10% Popularity • 18% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
At the Sea of Tiberias
130 bpm • F Maj • 03:05 • -20.46db
27% Popularity • 32% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 32% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Lacie Kirk
If the Savior Stood Beside Me
128 bpm • C Maj • 03:40 • -24.42db
32% Popularity • 55% Danceability • 2% Energy • 16% Liveness
94% Instrumentalness • 36% Positiveness
32% Popularity • 55% Danceability • 2% Energy • 16% Liveness
94% Instrumentalness • 36% Positiveness
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John D Becker
Lead Me, Lord
130 bpm • G Maj • 02:18 • -12db
30% Popularity • 32% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 32% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Majesty And Glory Performers
Near To The Heart Of God
130 bpm • C# Maj • 02:08 • -22.26db
34% Popularity • 26% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 26% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Coventry Singers
Jesus Shall Reign Where'er the Sun
131 bpm • D Maj • 02:12 • -14db
21% Popularity • 26% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
21% Popularity • 26% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 33% Positiveness
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Joseph J Daynes
Now We'll Sing With One Accord
127 bpm • A# Maj • 03:35 • -18.86db
16% Popularity • 21% Danceability • 21% Energy • 11% Liveness
39% Instrumentalness • 21% Positiveness
16% Popularity • 21% Danceability • 21% Energy • 11% Liveness
39% Instrumentalness • 21% Positiveness
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The Concordia Choir
Softly and Tenderly
127 bpm • G Maj • 02:30 • -37.64db
33% Popularity • 17% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
33% Popularity • 17% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Allyse Smith
I'll Walk With God
131 bpm • F Maj • 04:15 • -8.31db
10% Popularity • 37% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 37% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Mack Wilberg
When Clarions Sounds from Dances to Life
127 bpm • D Maj • 04:06 • -13.15db
12% Popularity • 17% Danceability • 38% Energy • 34% Liveness
97% Instrumentalness • 6% Positiveness
12% Popularity • 17% Danceability • 38% Energy • 34% Liveness
97% Instrumentalness • 6% Positiveness
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Roger Hoffman
The Lord Bless You and Keep You
131 bpm • F# Maj • 03:06 • -22.33db
29% Popularity • 17% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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The Coventry Singers
Alas! And Did My Saviour Bleed (At the C...
127 bpm • D# Maj • 03:17 • -19.16db
29% Popularity • 25% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
29% Popularity • 25% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Joseph J Daynes
Come, Listen to a Prophet's Voice
127 bpm • E Maj • 04:49 • -19.18db
17% Popularity • 17% Danceability • 16% Energy • 17% Liveness
70% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 16% Energy • 17% Liveness
70% Instrumentalness • 7% Positiveness
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Afterglow
I Heard Him Come
127 bpm • C Maj • 05:10 • -17.03db
24% Popularity • 28% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
24% Popularity • 28% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
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Daniel Beck
Gentle Savior
127 bpm • A# Maj • 04:25 • -12.51db
29% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Harding University Concert Choir
We Are One In The Spirit
132 bpm • A# min • 01:56 • -19db
33% Popularity • 35% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Hugo Alfvén
Evening
126 bpm • A Maj • 03:54 • -32.74db
7% Popularity • 17% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Mack Wilberg
Our Prayer to Thee
126 bpm • F Maj • 05:22 • -27.44db
20% Popularity • 17% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Steven Kapp Perry
Great Things & Small Things
126 bpm • C Maj • 03:58 • -20.72db
14% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Eclipse 6
Be Still My Soul
132 bpm • C Maj • 04:27 • -10.08db
30% Popularity • 28% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 28% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Frank Brownstead Choir
Christ, Be Our Light
126 bpm • G Maj • 04:05 • -17.44db
44% Popularity • 22% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
44% Popularity • 22% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
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Ricky Manalo, CSP
The God of All Grace
132 bpm • G# Maj • 04:16 • -11db
11% Popularity • 23% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 23% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
Martha
133 bpm • C# min • 03:07 • -21.78db
31% Popularity • 31% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Benn Cole
Families Can Be Together Forever
133 bpm • F Maj • 03:37 • -20.59db
31% Popularity • 36% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
31% Popularity • 36% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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OCP Choir
Alleluia! Alleluia! Let the Holy Anthem ...
125 bpm • A# Maj • 02:03 • -13.83db
21% Popularity • 28% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 28% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Tabernacle Choir at Temple Square
God Be with You Til We Meet Again
133 bpm • D Maj • 02:45 • -20.22db
37% Popularity • 16% Danceability • 16% Energy • 18% Liveness
94% Instrumentalness • 15% Positiveness
37% Popularity • 16% Danceability • 16% Energy • 18% Liveness
94% Instrumentalness • 15% Positiveness
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Bernadette Farrell
O God, You Search Me
133 bpm • D Maj • 03:22 • -19db
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Jean Tisserand
O Sons and Daughters
133 bpm • F min • 02:12 • -12.83db
27% Popularity • 23% Danceability • 21% Energy • 27% Liveness
12% Instrumentalness • 16% Positiveness
27% Popularity • 23% Danceability • 21% Energy • 27% Liveness
12% Instrumentalness • 16% Positiveness
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Discovery Singers
Abide With Me
133 bpm • F# Maj • 03:36 • -13.41db
16% Popularity • 22% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 22% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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The Songs of Taize Session Singers
Jesus Remember Me
125 bpm • D# Maj • 04:47 • -25db
36% Popularity • 22% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 22% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The New Irish Choir & Orchestra
O God You Search Me
124 bpm • D Maj • 02:39 • -15.66db
12% Popularity • 20% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 20% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kenneth Cope
Greater Than Us All
124 bpm • D# Maj • 03:40 • -23.23db
21% Popularity • 26% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
21% Popularity • 26% Danceability • 7% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
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Wayne Burton
Ask in Faith
134 bpm • D# Maj • 04:53 • -8.6db
20% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Roger Hoffman
I'm Trying to Be Like Jesus
135 bpm • A# Maj • 04:47 • -23.43db
42% Popularity • 15% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 15% Positiveness
42% Popularity • 15% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 15% Positiveness
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Faithful Fathers
Immortal Invisible God Only Wise - Churc...
124 bpm • G Maj • 02:12 • -12.46db
15% Popularity • 17% Danceability • 15% Energy • 15% Liveness
5% Instrumentalness • 16% Positiveness
15% Popularity • 17% Danceability • 15% Energy • 15% Liveness
5% Instrumentalness • 16% Positiveness
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Christopher Walker
Celtic Alleluia - Celtic Mass
124 bpm • G Maj • 01:52 • -9.61db
32% Popularity • 23% Danceability • 27% Energy • 20% Liveness
92% Instrumentalness • 28% Positiveness
32% Popularity • 23% Danceability • 27% Energy • 20% Liveness
92% Instrumentalness • 28% Positiveness
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Daniel Beck
My Dear Redeemer Lord and King
135 bpm • A# Maj • 03:35 • -13.38db
18% Popularity • 31% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 31% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Linda Rowberry
I Know That My Redeemer Lives
135 bpm • B Maj • 06:05 • -15db
37% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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The Tabernacle Choir at Temple Square
How Firm a Foundation
123 bpm • A# Maj • 04:36 • -15.09db
39% Popularity • 30% Danceability • 16% Energy • 13% Liveness
11% Instrumentalness • 21% Positiveness
39% Popularity • 30% Danceability • 16% Energy • 13% Liveness
11% Instrumentalness • 21% Positiveness
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Addison Kirk
Now Let Us Rejoice
123 bpm • D# Maj • 02:55 • -20.85db
33% Popularity • 41% Danceability • 11% Energy • 21% Liveness
91% Instrumentalness • 38% Positiveness
33% Popularity • 41% Danceability • 11% Energy • 21% Liveness
91% Instrumentalness • 38% Positiveness
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The New Irish Choir & Orchestra
He Will Hold Me Fast
123 bpm • A Maj • 04:12 • -11.07db
12% Popularity • 21% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 21% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Rob Gardner, Spire Chorus & London Symphony Orchestra
Thou Hope and Deliverer
135 bpm • E Maj • 02:04 • -24.86db
16% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Harrison Millard
Abide with Me; 'Tis Eventide
123 bpm • E Maj • 04:40 • -24.21db
11% Popularity • 22% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Shawna Edwards
The Miracle
136 bpm • A# Maj • 03:22 • -10db
44% Popularity • 48% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 48% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Carole Bayer Sager
The Prayer from Quest for Camelot
136 bpm • A Maj • 04:58 • -17.88db
9% Popularity • 15% Danceability • 17% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
9% Popularity • 15% Danceability • 17% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
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The Lower Lights
Brightly Beams Our Father's Mercy
123 bpm • F Maj • 04:03 • -15.15db
23% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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David Haas
Blest Are They
122 bpm • G# Maj • 04:57 • -9.11db
32% Popularity • 25% Danceability • 42% Energy • 96% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 25% Danceability • 42% Energy • 96% Liveness
0% Instrumentalness • 29% Positiveness
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Elenyi
Be Still My Soul (In You I Rest) / Calma...
123 bpm • G# Maj • 05:47 • -16.22db
31% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Allyse Smith
May I Serve Thee
136 bpm • D Maj • 05:07 • -10db
10% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Charles Gounod
O, Divine Redeemer
136 bpm • C Maj • 05:46 • -18.03db
18% Popularity • 17% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Beyond 5
Beautiful Savior
122 bpm • F Maj • 03:47 • -11.89db
32% Popularity • 24% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 24% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Shawna Edwards
The Miracle (Recomposed)
136 bpm • A# Maj • 04:59 • -10.93db
32% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Mack Wilberg
I'm Runnin' On
122 bpm • F Maj • 03:16 • -10.65db
8% Popularity • 38% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 38% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
Hosanna (Thy Savior Hath Come)
136 bpm • D# Maj • 04:25 • -15db
33% Popularity • 30% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 30% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Addison Kirk
Faith of Our Fathers
122 bpm • G Maj • 02:05 • -17db
28% Popularity • 42% Danceability • 19% Energy • 14% Liveness
87% Instrumentalness • 59% Positiveness
28% Popularity • 42% Danceability • 19% Energy • 14% Liveness
87% Instrumentalness • 59% Positiveness
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Michael Finlinson Moody
Faith
136 bpm • E Maj • 04:28 • -24.35db
19% Popularity • 15% Danceability • 8% Energy • 16% Liveness
55% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 8% Energy • 16% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Roger Hoffman
Rejoice, the Lord Is King!
137 bpm • F Maj • 02:42 • -17.63db
26% Popularity • 19% Danceability • 30% Energy • 11% Liveness
38% Instrumentalness • 28% Positiveness
26% Popularity • 19% Danceability • 30% Energy • 11% Liveness
38% Instrumentalness • 28% Positiveness
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Heart & Voice
Rise Up, O Men of God
122 bpm • F Maj • 01:29 • -16db
22% Popularity • 28% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 28% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Voice Male
How Firm a Foundation
122 bpm • B Maj • 05:01 • -11.83db
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 31% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Rob Gardner, Spire Chorus & London Symphony Orchestra
My Kindness Shall Not Depart from Thee
137 bpm • C Maj • 05:10 • -16db
29% Popularity • 20% Danceability • 20% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 20% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
► Preview
Michael R. Hicks
I Know That My Redeemer Lives (solo pian...
137 bpm • C Maj • 06:23 • -19.64db
27% Popularity • 50% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
27% Popularity • 50% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
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Vocal Point
I Stand All Amazed
137 bpm • F# Maj • 05:08 • -13db
35% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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César Franck
Panis Angelicus, Op. 12/5
137 bpm • G Maj • 03:56 • -22.06db
12% Popularity • 15% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Roger Hoffman
Jesus, the Very Thought Is Sweet
137 bpm • G min • 06:23 • -25.55db
27% Popularity • 15% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
27% Popularity • 15% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Voice Male
Lead, Kindly Light
137 bpm • D Maj • 03:13 • -11db
31% Popularity • 26% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 26% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Addison Kirk
Called to Serve
121 bpm • D# Maj • 02:15 • -21.02db
36% Popularity • 44% Danceability • 20% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
36% Popularity • 44% Danceability • 20% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
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Allyse Smith
Come Thou Fount
137 bpm • G min • 04:34 • -12.51db
22% Popularity • 37% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 37% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Eclipse 6
Praise to the Lord, the Almighty
137 bpm • E Maj • 03:31 • -7.52db
14% Popularity • 42% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 42% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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BYU Noteworthy
How Great Thou Art
121 bpm • D# Maj • 03:58 • -7.1db
31% Popularity • 30% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 30% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Jubilate Singers
Praise To The Lord Almighty
121 bpm • G Maj • 01:50 • -17.66db
27% Popularity • 24% Danceability • 18% Energy • 27% Liveness
48% Instrumentalness • 31% Positiveness
27% Popularity • 24% Danceability • 18% Energy • 27% Liveness
48% Instrumentalness • 31% Positiveness
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Roger Hoffman
O Holy Jesus
121 bpm • D Maj • 03:44 • -24.14db
36% Popularity • 17% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
36% Popularity • 17% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Addison Kirk
Onward Christian Soldiers
121 bpm • A# Maj • 04:02 • -20db
29% Popularity • 48% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 23% Positiveness
29% Popularity • 48% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 23% Positiveness
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The Coventry Singers
Join All the Glorious Names
138 bpm • D Maj • 02:33 • -14db
21% Popularity • 22% Danceability • 28% Energy • 12% Liveness
84% Instrumentalness • 21% Positiveness
21% Popularity • 22% Danceability • 28% Energy • 12% Liveness
84% Instrumentalness • 21% Positiveness
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Allyse Smith
A Child's Prayer
138 bpm • G Maj • 03:28 • -10.7db
39% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Traditional
He's Got the Whole World in His Hands
121 bpm • G Maj • 05:01 • -14.12db
8% Popularity • 17% Danceability • 27% Energy • 8% Liveness
69% Instrumentalness • 9% Positiveness
8% Popularity • 17% Danceability • 27% Energy • 8% Liveness
69% Instrumentalness • 9% Positiveness
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Steven Kapp Perry
Interlude: A Mighty Change
138 bpm • F Maj • 01:15 • -37db
33% Popularity • 15% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Benn Cole
Praise To The Man
138 bpm • G# Maj • 02:56 • -16db
32% Popularity • 19% Danceability • 27% Energy • 9% Liveness
75% Instrumentalness • 14% Positiveness
32% Popularity • 19% Danceability • 27% Energy • 9% Liveness
75% Instrumentalness • 14% Positiveness
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Faith Builders Chorale
Lord Jesus, You Shall Be My Song
120 bpm • D Maj • 02:44 • -23.99db
13% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Daniel Beck
Homeward Bound
120 bpm • E Maj • 04:40 • -12.54db
26% Popularity • 24% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 24% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Ryan Murphy
Brightly Beams Our Father's Mercy
120 bpm • A Maj • 05:18 • -21.08db
27% Popularity • 17% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
