Songs like Na-Na-Ne-Na-Nay by Bill Carter
Based on a tempo of (+/- 10%) and a similar genre
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Bill Carter
Na-Na-Ne-Na-Nay
146 bpm • A Maj • 03:10 • -8.98db
19% Popularity • 56% Danceability • 81% Energy • 45% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 56% Danceability • 81% Energy • 45% Liveness
0% Instrumentalness • 95% Positiveness
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The Vaughan Brothers
White Boots
146 bpm • B min • 03:49 • -11.61db
30% Popularity • 71% Danceability • 80% Energy • 4% Liveness
2% Instrumentalness • 92% Positiveness
30% Popularity • 71% Danceability • 80% Energy • 4% Liveness
2% Instrumentalness • 92% Positiveness
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Stevie Ray Vaughan
Boot Hill - 1989 Version
146 bpm • D# Maj • 02:13 • -8.32db
40% Popularity • 35% Danceability • 70% Energy • 11% Liveness
6% Instrumentalness • 88% Positiveness
40% Popularity • 35% Danceability • 70% Energy • 11% Liveness
6% Instrumentalness • 88% Positiveness
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Keith Richards
Blues In The Morning
146 bpm • B min • 04:26 • -4db
24% Popularity • 28% Danceability • 89% Energy • 47% Liveness
1% Instrumentalness • 36% Positiveness
24% Popularity • 28% Danceability • 89% Energy • 47% Liveness
1% Instrumentalness • 36% Positiveness
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Billy F Gibbons
Standing Around Crying
146 bpm • A Maj • 04:24 • -6.89db
24% Popularity • 50% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
24% Popularity • 50% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Tony Joe White
Saturday Night in Oak Grove, Louisiana
146 bpm • A min • 02:14 • -14db
35% Popularity • 66% Danceability • 57% Energy • 12% Liveness
47% Instrumentalness • 86% Positiveness
35% Popularity • 66% Danceability • 57% Energy • 12% Liveness
47% Instrumentalness • 86% Positiveness
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Steppenwolf
Berry Rides Again
145 bpm • F Maj • 02:50 • -12db
43% Popularity • 62% Danceability • 77% Energy • 9% Liveness
20% Instrumentalness • 97% Positiveness
43% Popularity • 62% Danceability • 77% Energy • 9% Liveness
20% Instrumentalness • 97% Positiveness
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Johnny Copeland
Rain
147 bpm • A Maj • 06:03 • -7db
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Molly Hatchet
Jukin' City
147 bpm • G Maj • 03:47 • -8.19db
28% Popularity • 52% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
28% Popularity • 52% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Joe Louis Walker
Too Drunk To Drive Drunk
145 bpm • E Maj • 03:56 • -3db
35% Popularity • 64% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
35% Popularity • 64% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
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The J. Geils Band
I Don't Need You No More
145 bpm • C Maj • 02:35 • -7.38db
37% Popularity • 50% Danceability • 80% Energy • 34% Liveness
6% Instrumentalness • 93% Positiveness
37% Popularity • 50% Danceability • 80% Energy • 34% Liveness
6% Instrumentalness • 93% Positiveness
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The Outlaws
Gunsmoke
147 bpm • D Maj • 04:18 • -7db
28% Popularity • 44% Danceability • 85% Energy • 20% Liveness
57% Instrumentalness • 87% Positiveness
28% Popularity • 44% Danceability • 85% Energy • 20% Liveness
57% Instrumentalness • 87% Positiveness
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Stevie Ray Vaughan
Empty Arms - 1984 Version
148 bpm • C# min • 03:28 • -9.14db
37% Popularity • 34% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 34% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Bill Carter
The Right Place
148 bpm • E Maj • 03:12 • -5.5db
23% Popularity • 52% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 52% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Molly Hatchet
Whiskey Man
145 bpm • D Maj • 03:39 • -6db
44% Popularity • 49% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 49% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Buddy Whittington
Fender Champ
144 bpm • E Maj • 02:59 • -4.29db
33% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Smokin' Joe Kubek
Freezer Burn
144 bpm • G Maj • 04:31 • -3.97db
19% Popularity • 35% Danceability • 89% Energy • 8% Liveness
79% Instrumentalness • 83% Positiveness
19% Popularity • 35% Danceability • 89% Energy • 8% Liveness
79% Instrumentalness • 83% Positiveness
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Koko Taylor
Hey Bartender
144 bpm • B min • 02:53 • -9.78db
34% Popularity • 57% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 57% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Free
I'm A Mover
149 bpm • G Maj • 02:58 • -11db
45% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmie Vaughan
I Ain't Never
149 bpm • C Maj • 03:04 • -4.77db
27% Popularity • 62% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 62% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Molly Hatchet
Trust Your Old Friend
147 bpm • D Maj • 03:54 • -10.28db
23% Popularity • 54% Danceability • 81% Energy • 14% Liveness
9% Instrumentalness • 86% Positiveness
23% Popularity • 54% Danceability • 81% Energy • 14% Liveness
9% Instrumentalness • 86% Positiveness
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The Paul Butterfield Blues Band
Look over Yonders Wall
143 bpm • D Maj • 02:27 • -8.36db
17% Popularity • 40% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 40% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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John Lee Hooker
Boogie Chillen'
149 bpm • B Maj • 03:10 • -15.9db
52% Popularity • 67% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
52% Popularity • 67% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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The Kinsey Report
One Step Back
143 bpm • E min • 04:12 • -7.62db
9% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Vaughan Brothers
DFW
149 bpm • C Maj • 02:52 • -11db
34% Popularity • 65% Danceability • 85% Energy • 54% Liveness
67% Instrumentalness • 87% Positiveness
34% Popularity • 65% Danceability • 85% Energy • 54% Liveness
67% Instrumentalness • 87% Positiveness
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Jimmie Vaughan
Boom Bapa Boom
143 bpm • C Maj • 03:55 • -9.27db
31% Popularity • 68% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 68% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
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Molly Hatchet
Let the Good Times Roll
149 bpm • A Maj • 02:57 • -7.37db
31% Popularity • 53% Danceability • 86% Energy • 17% Liveness
46% Instrumentalness • 87% Positiveness
31% Popularity • 53% Danceability • 86% Energy • 17% Liveness
46% Instrumentalness • 87% Positiveness
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James Gang
Heartbreak Hotel
142 bpm • E Maj • 02:15 • -10.41db
31% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Susan Tedeschi
Rock Me Right
142 bpm • E Maj • 04:27 • -6.71db
34% Popularity • 58% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
34% Popularity • 58% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
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Elmore James
One Way Out
150 bpm • F min • 02:21 • -11db
16% Popularity • 49% Danceability • 62% Energy • 19% Liveness
16% Instrumentalness • 83% Positiveness
16% Popularity • 49% Danceability • 62% Energy • 19% Liveness
16% Instrumentalness • 83% Positiveness
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The Vaughan Brothers
Good Texan
143 bpm • A Maj • 04:21 • -13db
41% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Son Seals
I Can't Hold Out
142 bpm • C Maj • 04:14 • -13.06db
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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Lynyrd Skynyrd
Railroad Song
150 bpm • G Maj • 04:15 • -9.68db
42% Popularity • 59% Danceability • 79% Energy • 11% Liveness
11% Instrumentalness • 90% Positiveness
42% Popularity • 59% Danceability • 79% Energy • 11% Liveness
11% Instrumentalness • 90% Positiveness
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Sonny Boy Williamson II
Too Young To Die - Stereo Version
142 bpm • D Maj • 03:01 • -8.17db
29% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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The Paul Butterfield Blues Band
I Got My Mojo Working
142 bpm • D Maj • 03:32 • -9db
32% Popularity • 64% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 64% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
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Ry Cooder
Cotton Needs Pickin' - 2018 Remaster
141 bpm • C Maj • 02:58 • -15.62db
22% Popularity • 55% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 55% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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The Vaughan Brothers
Hillbillies from Outerspace
142 bpm • G# Maj • 03:45 • -15.34db
30% Popularity • 76% Danceability • 26% Energy • 61% Liveness
88% Instrumentalness • 83% Positiveness
30% Popularity • 76% Danceability • 26% Energy • 61% Liveness
88% Instrumentalness • 83% Positiveness
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Carey Bell
Lonesome Stranger
151 bpm • E min • 04:03 • -11.28db
17% Popularity • 57% Danceability • 47% Energy • 11% Liveness
5% Instrumentalness • 79% Positiveness
17% Popularity • 57% Danceability • 47% Energy • 11% Liveness
5% Instrumentalness • 79% Positiveness
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The Outlaws
Keep Prayin'
151 bpm • D Maj • 02:46 • -8db
27% Popularity • 46% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 46% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Sonny Boy Williamson II
Checkin' Up On My Baby - Single Version
141 bpm • G Maj • 01:57 • -6.17db
43% Popularity • 55% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 55% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Clarence "Gatemouth" Brown
Ventilator Blues
141 bpm • C Maj • 06:13 • -13.08db
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Little Feat
Oh, Atlanta
152 bpm • C Maj • 03:29 • -14db
42% Popularity • 52% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 52% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Tinsley Ellis
Bringing Home the Bacon
140 bpm • G min • 06:15 • -3db
15% Popularity • 22% Danceability • 92% Energy • 38% Liveness
5% Instrumentalness • 57% Positiveness
15% Popularity • 22% Danceability • 92% Energy • 38% Liveness
5% Instrumentalness • 57% Positiveness
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Gov't Mule
Worried Down With The Blues
140 bpm • F Maj • 08:43 • -7db
32% Popularity • 48% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
32% Popularity • 48% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
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Eddy Clearwater
Too Old To Get Married
153 bpm • C Maj • 03:55 • -3db
11% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 54% Danceability • 83% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
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Blackfoot
Gimme, Gimme, Gimme
153 bpm • E Maj • 04:04 • -6db
24% Popularity • 47% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 47% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Boy Arnold
Don't Stay Out All Night
140 bpm • D Maj • 03:16 • -7.51db
25% Popularity • 53% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 53% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Lynyrd Skynyrd
Take Your Time - Single Version
139 bpm • A Maj • 07:29 • -11.73db
34% Popularity • 52% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
34% Popularity • 52% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
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Son Seals
Crying For My Baby
153 bpm • C Maj • 04:41 • -8.21db
30% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
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Lonnie Mack
Natural Disaster
139 bpm • A# Maj • 04:20 • -10db
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
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Sonny Landreth
Blues Attack
154 bpm • G Maj • 05:14 • -7.13db
12% Popularity • 53% Danceability • 93% Energy • 71% Liveness
4% Instrumentalness • 61% Positiveness
12% Popularity • 53% Danceability • 93% Energy • 71% Liveness
4% Instrumentalness • 61% Positiveness
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Blackfoot
Spendin' Cabbage
139 bpm • G Maj • 03:16 • -10.55db
28% Popularity • 42% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 42% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Jimmy Thackery And The Drivers
Long, Lean & Lanky
153 bpm • G Maj • 03:32 • -8db
10% Popularity • 59% Danceability • 88% Energy • 9% Liveness
11% Instrumentalness • 68% Positiveness
10% Popularity • 59% Danceability • 88% Energy • 9% Liveness
11% Instrumentalness • 68% Positiveness
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Gov't Mule
Thorazine Shuffle
138 bpm • A Maj • 06:47 • -6.67db
34% Popularity • 63% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
34% Popularity • 63% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
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The Paul Butterfield Blues Band
Everything's Gonna Be Alright
138 bpm • C Maj • 02:58 • -8.25db
9% Popularity • 59% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 59% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Lonnie Mack
If You Have To Know
138 bpm • A Maj • 04:34 • -9db
36% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Tommy Castro
Definition of Insanity
138 bpm • G Maj • 03:40 • -4db
32% Popularity • 69% Danceability • 77% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 69% Danceability • 77% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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The Blues Brothers
Green Onions
155 bpm • A# min • 05:47 • -8.25db
38% Popularity • 48% Danceability • 83% Energy • 96% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 48% Danceability • 83% Energy • 96% Liveness
0% Instrumentalness • 76% Positiveness
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The Outlaws
Cry No More
155 bpm • A Maj • 04:21 • -6db
26% Popularity • 45% Danceability • 78% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 45% Danceability • 78% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
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Smokin' Joe Kubek
Midlife Crisis, Midnight Flight
137 bpm • E Maj • 03:04 • -3db
24% Popularity • 47% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 47% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Robin Trower
I Can't Wait Much Longer
137 bpm • E min • 05:21 • -12db
34% Popularity • 36% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 36% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Lonnie Mack
Satisfy Susie
137 bpm • A# Maj • 04:33 • -8.2db
32% Popularity • 51% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 83% Positiveness
32% Popularity • 51% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 83% Positiveness
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Big Walter Horton
Have A Good Time
156 bpm • B min • 03:48 • -15db
41% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Tommy Castro
Make It Back To Memphis
155 bpm • E Maj • 04:35 • -3.28db
23% Popularity • 49% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 49% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Duane Allman
Happily Married Man
156 bpm • C Maj • 02:41 • -11.73db
28% Popularity • 60% Danceability • 72% Energy • 46% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 60% Danceability • 72% Energy • 46% Liveness
1% Instrumentalness • 96% Positiveness
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Billy F Gibbons
That’s What She Said
136 bpm • C Maj • 03:13 • -2.84db
25% Popularity • 32% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 32% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Ry Cooder
Crossroads - 2008 Remaster
136 bpm • C Maj • 04:24 • -13.95db
40% Popularity • 63% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 63% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Lonnie Mack
Camp Washington Chili
137 bpm • F Maj • 02:26 • -10.36db
36% Popularity • 39% Danceability • 79% Energy • 28% Liveness
87% Instrumentalness • 83% Positiveness
36% Popularity • 39% Danceability • 79% Energy • 28% Liveness
87% Instrumentalness • 83% Positiveness
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Guitar Shorty
Blues In My Blood
136 bpm • D Maj • 03:12 • -5.62db
37% Popularity • 61% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 61% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
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Joanne Shaw Taylor
In the Mood
157 bpm • A Maj • 03:45 • -4.58db
30% Popularity • 38% Danceability • 98% Energy • 36% Liveness
88% Instrumentalness • 85% Positiveness
30% Popularity • 38% Danceability • 98% Energy • 36% Liveness
88% Instrumentalness • 85% Positiveness
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Elmore James
Madison Blues
136 bpm • D Maj • 02:22 • -8db
35% Popularity • 55% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
35% Popularity • 55% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
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Ted Nugent
Dog Eat Dog
136 bpm • A min • 04:03 • -6db
39% Popularity • 54% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 54% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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The Outlaws
Waterhole
136 bpm • G Maj • 02:06 • -7.79db
32% Popularity • 43% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 98% Positiveness
32% Popularity • 43% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 98% Positiveness
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Rick Derringer
Hide Away 1962
135 bpm • G# Maj • 04:04 • -7.28db
15% Popularity • 50% Danceability • 80% Energy • 17% Liveness
79% Instrumentalness • 76% Positiveness
15% Popularity • 50% Danceability • 80% Energy • 17% Liveness
79% Instrumentalness • 76% Positiveness
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U.P. Wilson
Shakin' Dem Bones
157 bpm • C Maj • 03:47 • -10.91db
26% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
26% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Keith Richards
I Could Have Stood You Up (2019 Remaster...
158 bpm • A# min • 03:13 • -3.33db
23% Popularity • 49% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 49% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Paul Butterfield Blues Band
Thank You Mr. Poobah
158 bpm • D Maj • 04:05 • -9.8db
26% Popularity • 44% Danceability • 70% Energy • 40% Liveness
78% Instrumentalness • 92% Positiveness
26% Popularity • 44% Danceability • 70% Energy • 40% Liveness
78% Instrumentalness • 92% Positiveness
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John Lee Hooker
Think Twice Before You Go
158 bpm • B min • 02:03 • -14db
46% Popularity • 60% Danceability • 49% Energy • 15% Liveness
26% Instrumentalness • 97% Positiveness
46% Popularity • 60% Danceability • 49% Energy • 15% Liveness
26% Instrumentalness • 97% Positiveness
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The Vaughan Brothers
Hard to Be
158 bpm • A# Maj • 04:42 • -12db
40% Popularity • 70% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 96% Positiveness
40% Popularity • 70% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 96% Positiveness
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Robin Trower
Little Bit of Sympathy - 2007 Remaster
134 bpm • D Maj • 04:21 • -7.72db
37% Popularity • 38% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 38% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Albert King
The Hunter
134 bpm • A Maj • 02:44 • -10.47db
39% Popularity • 78% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 78% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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A.C. Reed
These Blues Is Killing Me
159 bpm • B min • 03:07 • -7.41db
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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The Paul Butterfield Blues Band
Blues with a Feeling
134 bpm • C Maj • 04:24 • -10db
24% Popularity • 38% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 38% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Son Seals
She's Fine aka Honey, Where You Going
159 bpm • D Maj • 03:42 • -16.7db
34% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
34% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
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Ronnie Wood
Outlaws
159 bpm • D Maj • 04:02 • -5.06db
33% Popularity • 49% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 49% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Christone "Kingfish" Ingram
Before I'm Old
160 bpm • D Maj • 04:15 • -5.53db
39% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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The J. Geils Band
Struttin' with My Baby
134 bpm • F Maj • 03:18 • -5db
18% Popularity • 54% Danceability • 92% Energy • 18% Liveness
22% Instrumentalness • 69% Positiveness
18% Popularity • 54% Danceability • 92% Energy • 18% Liveness
22% Instrumentalness • 69% Positiveness
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The Animals
Brother Bill (The Last Clean Shirt)
160 bpm • C Maj • 03:19 • -8db
44% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Lonnie Mack
Satisfy Suzie
133 bpm • A# Maj • 04:57 • -8db
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
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Free
Woman
133 bpm • F# min • 03:51 • -11.58db
35% Popularity • 77% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 77% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Robben Ford
Talk to Your Daughter
133 bpm • C Maj • 04:10 • -13db
35% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Les Paul
Bad Case Of Lovin' You
133 bpm • D Maj • 03:54 • -7db
25% Popularity • 46% Danceability • 84% Energy • 32% Liveness
1% Instrumentalness • 65% Positiveness
25% Popularity • 46% Danceability • 84% Energy • 32% Liveness
1% Instrumentalness • 65% Positiveness
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Robin Trower
Caledonia
133 bpm • F min • 03:42 • -8db
33% Popularity • 48% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 48% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Popa Chubby
Low Down And Dirty
132 bpm • G Maj • 04:40 • -5.34db
20% Popularity • 52% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 52% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Howlin' Wolf
Built For Comfort
133 bpm • D Maj • 02:39 • -10db
33% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 50% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Elmore James
Look on Yonder Wall
162 bpm • E Maj • 02:25 • -4.64db
23% Popularity • 54% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 54% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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T-Bone Walker
T-Bone Shuffle
132 bpm • G# Maj • 02:50 • -13.58db
31% Popularity • 66% Danceability • 40% Energy • 13% Liveness
13% Instrumentalness • 80% Positiveness
31% Popularity • 66% Danceability • 40% Energy • 13% Liveness
13% Instrumentalness • 80% Positiveness
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Lynyrd Skynyrd
Whiskey Rock-A-Roller
132 bpm • G Maj • 04:15 • -10.55db
46% Popularity • 63% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 63% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
