Songs like 昼下がりのカボ by シャシャイ
Based on a tempo of (+/- 10%) and a similar genre
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シャシャイ
日曜日のコミューン
95 bpm • G Maj • 02:09 • -15.91db
3% Popularity • 68% Danceability • 55% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
3% Popularity • 68% Danceability • 55% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Kevin Flatt
Blue Beauty
95 bpm • C# Maj • 06:44 • -13.11db
24% Popularity • 65% Danceability • 48% Energy • 13% Liveness
91% Instrumentalness • 37% Positiveness
24% Popularity • 65% Danceability • 48% Energy • 13% Liveness
91% Instrumentalness • 37% Positiveness
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Alexander Ray
Numeri
95 bpm • G Maj • 01:17 • -23.95db
16% Popularity • 75% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
16% Popularity • 75% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Noah Kellman
Waves
95 bpm • C# Maj • 04:00 • -13.01db
18% Popularity • 65% Danceability • 50% Energy • 11% Liveness
95% Instrumentalness • 94% Positiveness
18% Popularity • 65% Danceability • 50% Energy • 11% Liveness
95% Instrumentalness • 94% Positiveness
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Rejoin
We Know U
95 bpm • C min • 04:34 • -11.17db
19% Popularity • 49% Danceability • 52% Energy • 11% Liveness
79% Instrumentalness • 14% Positiveness
19% Popularity • 49% Danceability • 52% Energy • 11% Liveness
79% Instrumentalness • 14% Positiveness
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Adriano Tortora
Oceano
95 bpm • E min • 05:56 • -14.16db
22% Popularity • 36% Danceability • 45% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
22% Popularity • 36% Danceability • 45% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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シャシャイ
紫の秋
95 bpm • D# min • 02:09 • -20.2db
3% Popularity • 84% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 86% Positiveness
3% Popularity • 84% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 86% Positiveness
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Dexter Goldberg
One For Ahmad
95 bpm • D Maj • 03:31 • -19.55db
15% Popularity • 61% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
15% Popularity • 61% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Alexander Ray
Solitudine
95 bpm • A# min • 01:53 • -19.37db
15% Popularity • 66% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 88% Positiveness
15% Popularity • 66% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 88% Positiveness
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Mathias Heise
Funky Sister
95 bpm • E min • 06:25 • -10.82db
14% Popularity • 64% Danceability • 49% Energy • 7% Liveness
30% Instrumentalness • 64% Positiveness
14% Popularity • 64% Danceability • 49% Energy • 7% Liveness
30% Instrumentalness • 64% Positiveness
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Adam Bronstein
Fear in The Public Sphere
95 bpm • G min • 04:34 • -13.96db
16% Popularity • 44% Danceability • 40% Energy • 12% Liveness
55% Instrumentalness • 32% Positiveness
16% Popularity • 44% Danceability • 40% Energy • 12% Liveness
55% Instrumentalness • 32% Positiveness
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Fredrik Kronkvist
Abstract Move
95 bpm • E Maj • 01:00 • -14.8db
38% Popularity • 50% Danceability • 39% Energy • 11% Liveness
75% Instrumentalness • 20% Positiveness
38% Popularity • 50% Danceability • 39% Energy • 11% Liveness
75% Instrumentalness • 20% Positiveness
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シャシャイ
土曜日の時刻
95 bpm • F min • 02:09 • -21.29db
3% Popularity • 83% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 70% Positiveness
3% Popularity • 83% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 70% Positiveness
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Marco Vavassori
Sognando
94 bpm • G min • 04:53 • -11.18db
9% Popularity • 50% Danceability • 38% Energy • 8% Liveness
32% Instrumentalness • 54% Positiveness
9% Popularity • 50% Danceability • 38% Energy • 8% Liveness
32% Instrumentalness • 54% Positiveness
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The Adam Deitch Quartet
Progressions
94 bpm • C# Maj • 05:19 • -8.76db
10% Popularity • 55% Danceability • 50% Energy • 11% Liveness
76% Instrumentalness • 24% Positiveness
10% Popularity • 55% Danceability • 50% Energy • 11% Liveness
76% Instrumentalness • 24% Positiveness
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Wasted Generation
Father's Day
94 bpm • C# Maj • 04:22 • -10.28db
23% Popularity • 39% Danceability • 48% Energy • 9% Liveness
26% Instrumentalness • 47% Positiveness
23% Popularity • 39% Danceability • 48% Energy • 9% Liveness
26% Instrumentalness • 47% Positiveness
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Thomas Sejthen Trio
Birdy
96 bpm • G# Maj • 04:13 • -16.94db
16% Popularity • 52% Danceability • 27% Energy • 8% Liveness
91% Instrumentalness • 43% Positiveness
16% Popularity • 52% Danceability • 27% Energy • 8% Liveness
91% Instrumentalness • 43% Positiveness
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Max Ionata
Three and One
96 bpm • C# Maj • 04:22 • -13.78db
13% Popularity • 73% Danceability • 30% Energy • 19% Liveness
78% Instrumentalness • 58% Positiveness
13% Popularity • 73% Danceability • 30% Energy • 19% Liveness
78% Instrumentalness • 58% Positiveness
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シャシャイ
普通の月
95 bpm • G# Maj • 02:09 • -19.38db
3% Popularity • 89% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 80% Positiveness
3% Popularity • 89% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 80% Positiveness
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Joe Locascio
Comes Around
94 bpm • E min • 03:45 • -18db
23% Popularity • 40% Danceability • 30% Energy • 24% Liveness
38% Instrumentalness • 21% Positiveness
23% Popularity • 40% Danceability • 30% Energy • 24% Liveness
38% Instrumentalness • 21% Positiveness
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The Consouls
Force Your Way
94 bpm • E min • 04:48 • -13.04db
21% Popularity • 54% Danceability • 41% Energy • 24% Liveness
1% Instrumentalness • 59% Positiveness
21% Popularity • 54% Danceability • 41% Energy • 24% Liveness
1% Instrumentalness • 59% Positiveness
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Adriano Tortora
Vicini Lontani
96 bpm • G Maj • 06:44 • -13.31db
26% Popularity • 37% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
26% Popularity • 37% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Jambal
Meanwhile
94 bpm • C Maj • 02:47 • -11.12db
12% Popularity • 75% Danceability • 42% Energy • 7% Liveness
79% Instrumentalness • 30% Positiveness
12% Popularity • 75% Danceability • 42% Energy • 7% Liveness
79% Instrumentalness • 30% Positiveness
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秩父英里
Crossing Reality
96 bpm • F min • 06:10 • -9.78db
11% Popularity • 36% Danceability • 64% Energy • 8% Liveness
56% Instrumentalness • 45% Positiveness
11% Popularity • 36% Danceability • 64% Energy • 8% Liveness
56% Instrumentalness • 45% Positiveness
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シャシャイ
春とカトリーナ
95 bpm • G Maj • 02:09 • -15.15db
3% Popularity • 78% Danceability • 54% Energy • 9% Liveness
96% Instrumentalness • 47% Positiveness
3% Popularity • 78% Danceability • 54% Energy • 9% Liveness
96% Instrumentalness • 47% Positiveness
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Miron Rafajlovic
Bazar
94 bpm • D min • 05:57 • -11.2db
13% Popularity • 62% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
13% Popularity • 62% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Ray Gallon
Nardis
96 bpm • C Maj • 05:36 • -16.06db
22% Popularity • 44% Danceability • 31% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
22% Popularity • 44% Danceability • 31% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
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Theo Erskine
June
94 bpm • C# Maj • 06:28 • -12.58db
14% Popularity • 50% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
14% Popularity • 50% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Caris Hermes
As
94 bpm • F# Maj • 06:32 • -16.48db
19% Popularity • 32% Danceability • 33% Energy • 13% Liveness
90% Instrumentalness • 35% Positiveness
19% Popularity • 32% Danceability • 33% Energy • 13% Liveness
90% Instrumentalness • 35% Positiveness
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Terrace Martin
Cotton Tail
93 bpm • G# Maj • 02:48 • -8.58db
27% Popularity • 52% Danceability • 58% Energy • 24% Liveness
94% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 58% Energy • 24% Liveness
94% Instrumentalness • 54% Positiveness
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シャシャイ
普通の祈り
95 bpm • F min • 02:09 • -15db
3% Popularity • 64% Danceability • 42% Energy • 10% Liveness
78% Instrumentalness • 87% Positiveness
3% Popularity • 64% Danceability • 42% Energy • 10% Liveness
78% Instrumentalness • 87% Positiveness
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Teus Nobel
Look For The Silver Lining
97 bpm • F min • 05:37 • -14.55db
17% Popularity • 71% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
17% Popularity • 71% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Joey Alexander
Zealousy
97 bpm • A# min • 06:46 • -15.98db
30% Popularity • 53% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
30% Popularity • 53% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Magic trio
Wake up blues
93 bpm • C# Maj • 03:25 • -14.68db
28% Popularity • 48% Danceability • 36% Energy • 8% Liveness
86% Instrumentalness • 63% Positiveness
28% Popularity • 48% Danceability • 36% Energy • 8% Liveness
86% Instrumentalness • 63% Positiveness
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The Adam Deitch Quartet
Play on Playa
93 bpm • A# min • 06:57 • -9.71db
22% Popularity • 67% Danceability • 55% Energy • 14% Liveness
88% Instrumentalness • 73% Positiveness
22% Popularity • 67% Danceability • 55% Energy • 14% Liveness
88% Instrumentalness • 73% Positiveness
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Trevor Lawrence Jr.
Selma
93 bpm • E min • 02:18 • -10.49db
16% Popularity • 50% Danceability • 36% Energy • 7% Liveness
6% Instrumentalness • 62% Positiveness
16% Popularity • 50% Danceability • 36% Energy • 7% Liveness
6% Instrumentalness • 62% Positiveness
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シャシャイ
秘密めいた裏道
95 bpm • A# min • 02:09 • -17.5db
3% Popularity • 61% Danceability • 30% Energy • 17% Liveness
69% Instrumentalness • 67% Positiveness
3% Popularity • 61% Danceability • 30% Energy • 17% Liveness
69% Instrumentalness • 67% Positiveness
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Motor City Trio
Reaching
97 bpm • E Maj • 02:14 • -20.14db
25% Popularity • 61% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 28% Positiveness
25% Popularity • 61% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 28% Positiveness
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Aki Rissanen
Breezy
97 bpm • E min • 05:55 • -11.68db
11% Popularity • 61% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 59% Positiveness
11% Popularity • 61% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 59% Positiveness
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Mikael Máni
Two Sisters
93 bpm • A Maj • 05:27 • -12.52db
9% Popularity • 46% Danceability • 22% Energy • 8% Liveness
79% Instrumentalness • 17% Positiveness
9% Popularity • 46% Danceability • 22% Energy • 8% Liveness
79% Instrumentalness • 17% Positiveness
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Sydney Taylor Band
Night Dreamer
93 bpm • D# Maj • 04:27 • -13.02db
10% Popularity • 39% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
10% Popularity • 39% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Gustav Lundgren
Inútil Paisagem
93 bpm • A Maj • 08:11 • -15.95db
11% Popularity • 68% Danceability • 18% Energy • 8% Liveness
75% Instrumentalness • 17% Positiveness
11% Popularity • 68% Danceability • 18% Energy • 8% Liveness
75% Instrumentalness • 17% Positiveness
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シャシャイ
情熱的な太陽
95 bpm • C# Maj • 02:09 • -18.18db
3% Popularity • 70% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 64% Positiveness
3% Popularity • 70% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 64% Positiveness
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Eddie Henderson
Scorpio Rising
97 bpm • F min • 07:01 • -14.9db
12% Popularity • 60% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 49% Positiveness
12% Popularity • 60% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 49% Positiveness
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Myele Manzanza
Something Old Something New
93 bpm • C# Maj • 06:36 • -15.05db
24% Popularity • 28% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 52% Positiveness
24% Popularity • 28% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 52% Positiveness
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Alexander Ray
For The Label
98 bpm • G# min • 02:05 • -7.64db
32% Popularity • 54% Danceability • 50% Energy • 39% Liveness
91% Instrumentalness • 65% Positiveness
32% Popularity • 54% Danceability • 50% Energy • 39% Liveness
91% Instrumentalness • 65% Positiveness
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Mikael Máni
Bus Song
92 bpm • C# min • 05:30 • -15.24db
6% Popularity • 44% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
6% Popularity • 44% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
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Geoffrey Dean
Blue Minor
92 bpm • F min • 04:29 • -10.3db
16% Popularity • 48% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 54% Positiveness
16% Popularity • 48% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 54% Positiveness
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シャシャイ
切望的なエッセンス
95 bpm • A# min • 02:09 • -16.45db
3% Popularity • 56% Danceability • 34% Energy • 15% Liveness
64% Instrumentalness • 43% Positiveness
3% Popularity • 56% Danceability • 34% Energy • 15% Liveness
64% Instrumentalness • 43% Positiveness
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Kári Egilsson Band
Ring Rhyme
98 bpm • G Maj • 03:39 • -13.84db
20% Popularity • 49% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
20% Popularity • 49% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
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Eggmann Quartet
Crowded Windows
92 bpm • C min • 05:36 • -8.99db
14% Popularity • 59% Danceability • 56% Energy • 12% Liveness
43% Instrumentalness • 42% Positiveness
14% Popularity • 59% Danceability • 56% Energy • 12% Liveness
43% Instrumentalness • 42% Positiveness
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Judith Hines
Lamented Tears
92 bpm • G Maj • 03:07 • -21db
13% Popularity • 57% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
13% Popularity • 57% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
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People in Orbit
Interlude
98 bpm • E Maj • 01:10 • -9.81db
26% Popularity • 67% Danceability • 43% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
26% Popularity • 67% Danceability • 43% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
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Patrick Booth
Inch by Inch
98 bpm • D min • 05:06 • -11.57db
10% Popularity • 47% Danceability • 40% Energy • 26% Liveness
52% Instrumentalness • 62% Positiveness
10% Popularity • 47% Danceability • 40% Energy • 26% Liveness
52% Instrumentalness • 62% Positiveness
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シャシャイ
切望的なソング
95 bpm • F min • 02:09 • -20.1db
3% Popularity • 86% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
3% Popularity • 86% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
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Rotem Sivan
Dragon
92 bpm • G# Maj • 02:34 • -11.05db
24% Popularity • 61% Danceability • 68% Energy • 20% Liveness
80% Instrumentalness • 71% Positiveness
24% Popularity • 61% Danceability • 68% Energy • 20% Liveness
80% Instrumentalness • 71% Positiveness
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Terrace Martin
Peace
98 bpm • G# Maj • 06:10 • -14.43db
27% Popularity • 40% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
27% Popularity • 40% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Alex Goodman
Like a Fire That Consumes All Before It
98 bpm • G min • 06:08 • -12.1db
13% Popularity • 48% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
13% Popularity • 48% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Claudio Giambruno
Sea Muse
98 bpm • C# Maj • 03:38 • -10.37db
22% Popularity • 39% Danceability • 60% Energy • 11% Liveness
69% Instrumentalness • 36% Positiveness
22% Popularity • 39% Danceability • 60% Energy • 11% Liveness
69% Instrumentalness • 36% Positiveness
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Alès Demil
Like we used to say I
99 bpm • C Maj • 03:18 • -15.78db
15% Popularity • 49% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
15% Popularity • 49% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
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シャシャイ
皐普通のスプリングタイム
95 bpm • G# min • 02:09 • -15.93db
3% Popularity • 72% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 64% Positiveness
3% Popularity • 72% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 64% Positiveness
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Jaron Lamar Davis
Midwest Bred
92 bpm • A# min • 06:42 • -9.22db
9% Popularity • 68% Danceability • 43% Energy • 13% Liveness
78% Instrumentalness • 64% Positiveness
9% Popularity • 68% Danceability • 43% Energy • 13% Liveness
78% Instrumentalness • 64% Positiveness
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Tom Berkmann
Cedar
92 bpm • C Maj • 08:22 • -14db
3% Popularity • 48% Danceability • 33% Energy • 7% Liveness
86% Instrumentalness • 31% Positiveness
3% Popularity • 48% Danceability • 33% Energy • 7% Liveness
86% Instrumentalness • 31% Positiveness
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Patrick Booth
Skipping Stones
99 bpm • C Maj • 06:49 • -12.28db
10% Popularity • 39% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
10% Popularity • 39% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
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Minhwi Lee
Tarot
99 bpm • G min • 01:07 • -19.49db
35% Popularity • 47% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 55% Positiveness
35% Popularity • 47% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 55% Positiveness
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Happy Imaeda
Chocolate House
91 bpm • A# Maj • 02:32 • -12.68db
16% Popularity • 59% Danceability • 59% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
16% Popularity • 59% Danceability • 59% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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シャシャイ
霜普通の反動
95 bpm • A# min • 02:09 • -17.23db
3% Popularity • 74% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
3% Popularity • 74% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
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Mathis Picard
Never Again
99 bpm • C# Maj • 06:51 • -11.19db
11% Popularity • 35% Danceability • 80% Energy • 18% Liveness
95% Instrumentalness • 42% Positiveness
11% Popularity • 35% Danceability • 80% Energy • 18% Liveness
95% Instrumentalness • 42% Positiveness
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Human Being Human
Continuation Day
99 bpm • A# min • 05:42 • -17.93db
20% Popularity • 60% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
20% Popularity • 60% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Sean Mason
Final Voyage
99 bpm • D Maj • 06:18 • -10.93db
40% Popularity • 50% Danceability • 50% Energy • 12% Liveness
83% Instrumentalness • 55% Positiveness
40% Popularity • 50% Danceability • 50% Energy • 12% Liveness
83% Instrumentalness • 55% Positiveness
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Vladimir Torres
She comes and goes
100 bpm • D Maj • 06:27 • -10.19db
12% Popularity • 45% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
12% Popularity • 45% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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İstanbul West Side Collective
Karadayı
100 bpm • B min • 04:26 • -12.14db
16% Popularity • 68% Danceability • 40% Energy • 7% Liveness
89% Instrumentalness • 52% Positiveness
16% Popularity • 68% Danceability • 40% Energy • 7% Liveness
89% Instrumentalness • 52% Positiveness
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シャシャイ
至福のラブソング
95 bpm • D# Maj • 02:09 • -20.01db
3% Popularity • 65% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 64% Positiveness
3% Popularity • 65% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 64% Positiveness
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Adam Birnbaum
Prelude in Db Major
90 bpm • C# Maj • 04:20 • -18.21db
18% Popularity • 61% Danceability • 31% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
18% Popularity • 61% Danceability • 31% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
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Alexander Ray
Technical Ideas
100 bpm • F min • 02:02 • -6.7db
20% Popularity • 86% Danceability • 53% Energy • 9% Liveness
29% Instrumentalness • 82% Positiveness
20% Popularity • 86% Danceability • 53% Energy • 9% Liveness
29% Instrumentalness • 82% Positiveness
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Michael Benedikt
You Give Me Something
100 bpm • B min • 02:19 • -15.82db
16% Popularity • 85% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 65% Positiveness
16% Popularity • 85% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 65% Positiveness
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The Secret Brothers
Dark Entrance, Pt. 3
90 bpm • A# min • 02:09 • -12.82db
21% Popularity • 75% Danceability • 57% Energy • 36% Liveness
72% Instrumentalness • 61% Positiveness
21% Popularity • 75% Danceability • 57% Energy • 36% Liveness
72% Instrumentalness • 61% Positiveness
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Ted Taforo
Cloud Feelings
100 bpm • D min • 04:28 • -9.51db
32% Popularity • 66% Danceability • 55% Energy • 36% Liveness
59% Instrumentalness • 49% Positiveness
32% Popularity • 66% Danceability • 55% Energy • 36% Liveness
59% Instrumentalness • 49% Positiveness
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シャシャイ
思い出の入り江
95 bpm • F min • 02:09 • -15.72db
3% Popularity • 64% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 89% Positiveness
3% Popularity • 64% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 89% Positiveness
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The Gramophone Allstars
Rolando's Revenge
90 bpm • A min • 05:52 • -6.85db
15% Popularity • 48% Danceability • 60% Energy • 17% Liveness
86% Instrumentalness • 58% Positiveness
15% Popularity • 48% Danceability • 60% Energy • 17% Liveness
86% Instrumentalness • 58% Positiveness
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Digby Jones
Posso Avere
90 bpm • B min • 02:32 • -13.99db
19% Popularity • 81% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 68% Positiveness
19% Popularity • 81% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 68% Positiveness
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Tommy Pratomo
Astramaya Arsa
90 bpm • A min • 04:14 • -9.01db
26% Popularity • 51% Danceability • 73% Energy • 38% Liveness
81% Instrumentalness • 53% Positiveness
26% Popularity • 51% Danceability • 73% Energy • 38% Liveness
81% Instrumentalness • 53% Positiveness
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The Secret Brothers
Happy Drunk Couple
90 bpm • A# Maj • 01:26 • -14.09db
27% Popularity • 62% Danceability • 45% Energy • 12% Liveness
96% Instrumentalness • 69% Positiveness
27% Popularity • 62% Danceability • 45% Energy • 12% Liveness
96% Instrumentalness • 69% Positiveness
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Alexander Ray
La caccia
90 bpm • G# Maj • 01:59 • -22.81db
15% Popularity • 73% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 66% Positiveness
15% Popularity • 73% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 66% Positiveness
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シャシャイ
巧妙な胸騒ぎ
95 bpm • F min • 02:09 • -20.17db
3% Popularity • 83% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
3% Popularity • 83% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
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Carsten Rubeling
Shunda Creek
90 bpm • G# Maj • 04:32 • -15.5db
8% Popularity • 35% Danceability • 35% Energy • 10% Liveness
44% Instrumentalness • 29% Positiveness
8% Popularity • 35% Danceability • 35% Energy • 10% Liveness
44% Instrumentalness • 29% Positiveness
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Joey Alexander
Why Don’t We
90 bpm • G min • 07:48 • -14.48db
29% Popularity • 44% Danceability • 43% Energy • 16% Liveness
93% Instrumentalness • 24% Positiveness
29% Popularity • 44% Danceability • 43% Energy • 16% Liveness
93% Instrumentalness • 24% Positiveness
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the new hot
What a Wonderful World
100 bpm • F Maj • 04:43 • -15.95db
23% Popularity • 52% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
23% Popularity • 52% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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The Secret Brothers
Happy Drunk Couple, Pt. 4
90 bpm • C Maj • 01:26 • -14.57db
27% Popularity • 71% Danceability • 38% Energy • 10% Liveness
73% Instrumentalness • 67% Positiveness
27% Popularity • 71% Danceability • 38% Energy • 10% Liveness
73% Instrumentalness • 67% Positiveness
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Sunscape
Waking the Koanda
100 bpm • C# Maj • 07:03 • -10.49db
9% Popularity • 57% Danceability • 72% Energy • 7% Liveness
48% Instrumentalness • 45% Positiveness
9% Popularity • 57% Danceability • 72% Energy • 7% Liveness
48% Instrumentalness • 45% Positiveness
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シャシャイ
激しい旅路
95 bpm • F min • 02:09 • -21.79db
3% Popularity • 59% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
3% Popularity • 59% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
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Jeremy Dutton
Vulnerable
101 bpm • B min • 03:27 • -14.19db
12% Popularity • 35% Danceability • 40% Energy • 40% Liveness
94% Instrumentalness • 23% Positiveness
12% Popularity • 35% Danceability • 40% Energy • 40% Liveness
94% Instrumentalness • 23% Positiveness
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Stéphane Mercier
Take 5
90 bpm • A# min • 04:35 • -11.45db
12% Popularity • 50% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 60% Positiveness
12% Popularity • 50% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 60% Positiveness
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Chris Mondak
LowFi
90 bpm • F Maj • 04:51 • -11.1db
23% Popularity • 63% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 45% Positiveness
23% Popularity • 63% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 45% Positiveness
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Atlantis Jazz Ensemble
Blessings
90 bpm • A# min • 08:00 • -10.19db
13% Popularity • 38% Danceability • 52% Energy • 21% Liveness
71% Instrumentalness • 61% Positiveness
13% Popularity • 38% Danceability • 52% Energy • 21% Liveness
71% Instrumentalness • 61% Positiveness
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Kári Egilsson Band
Óróapúls
101 bpm • F# Maj • 04:00 • -13.62db
13% Popularity • 39% Danceability • 39% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
13% Popularity • 39% Danceability • 39% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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シャシャイ
巧妙なタンゴ
95 bpm • F min • 02:09 • -15.1db
3% Popularity • 62% Danceability • 42% Energy • 12% Liveness
85% Instrumentalness • 81% Positiveness
3% Popularity • 62% Danceability • 42% Energy • 12% Liveness
85% Instrumentalness • 81% Positiveness
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Sunscape
Abyss Bridge
101 bpm • G# min • 04:47 • -10.6db
13% Popularity • 55% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
13% Popularity • 55% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
