Songs like 旅の幕開け by Kenichiro Suehiro
Based on a tempo of (+/- 10%) and a similar genre
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赤い神Enryu
Classroom of The Elite (Plan)
110 bpm • C min • 02:34 • -15.94db
31% Popularity • 57% Danceability • 56% Energy • 9% Liveness
87% Instrumentalness • 32% Positiveness
31% Popularity • 57% Danceability • 56% Energy • 9% Liveness
87% Instrumentalness • 32% Positiveness
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MAYUKO
小さな警戒心
110 bpm • F Maj • 01:32 • -20.19db
20% Popularity • 90% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
20% Popularity • 90% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
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Yuki Hayashi
I'll be your hero
110 bpm • D min • 02:59 • -7.87db
36% Popularity • 50% Danceability • 80% Energy • 31% Liveness
89% Instrumentalness • 20% Positiveness
36% Popularity • 50% Danceability • 80% Energy • 31% Liveness
89% Instrumentalness • 20% Positiveness
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梶浦 由記
rule the battlefield
110 bpm • G min • 03:16 • -10.04db
22% Popularity • 34% Danceability • 60% Energy • 39% Liveness
84% Instrumentalness • 16% Positiveness
22% Popularity • 34% Danceability • 60% Energy • 39% Liveness
84% Instrumentalness • 16% Positiveness
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Shiro SAGISU
2219 TYBW racy orchestra
110 bpm • E Maj • 03:10 • -8.56db
34% Popularity • 45% Danceability • 81% Energy • 23% Liveness
36% Instrumentalness • 9% Positiveness
34% Popularity • 45% Danceability • 81% Energy • 23% Liveness
36% Instrumentalness • 9% Positiveness
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藤間 仁
圧倒
110 bpm • G# Maj • 01:43 • -10.35db
17% Popularity • 38% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
17% Popularity • 38% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Paranom
Win As One
110 bpm • D min • 03:08 • -7.57db
19% Popularity • 37% Danceability • 78% Energy • 7% Liveness
2% Instrumentalness • 26% Positiveness
19% Popularity • 37% Danceability • 78% Energy • 7% Liveness
2% Instrumentalness • 26% Positiveness
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KATE
約束された勝利の剣_UBW Extended
110 bpm • F# min • 00:53 • -11.4db
27% Popularity • 39% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
27% Popularity • 39% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Nobuaki Nobusawa
るかの死
110 bpm • D min • 02:12 • -20.38db
31% Popularity • 16% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
31% Popularity • 16% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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梶浦 由記
the battle is to the strong
110 bpm • G min • 03:04 • -8.95db
36% Popularity • 38% Danceability • 83% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
36% Popularity • 38% Danceability • 83% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Kohei Tanaka
ゾロVS.キング
111 bpm • D Maj • 01:36 • -5.83db
35% Popularity • 49% Danceability • 84% Energy • 20% Liveness
62% Instrumentalness • 22% Positiveness
35% Popularity • 49% Danceability • 84% Energy • 20% Liveness
62% Instrumentalness • 22% Positiveness
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藤間 仁
覚悟
111 bpm • G min • 01:58 • -7.46db
28% Popularity • 37% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
28% Popularity • 37% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
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Takashi Ohmama
AERIAL REBUILD
109 bpm • E min • 05:09 • -13.83db
33% Popularity • 26% Danceability • 38% Energy • 26% Liveness
73% Instrumentalness • 6% Positiveness
33% Popularity • 26% Danceability • 38% Energy • 26% Liveness
73% Instrumentalness • 6% Positiveness
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Kenichiro Suehiro
FIERCE ASSAULT
111 bpm • A Maj • 02:06 • -7.72db
19% Popularity • 60% Danceability • 64% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
19% Popularity • 60% Danceability • 64% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Kevin Penkin
The Ultimate Familiar
111 bpm • C Maj • 05:49 • -10.03db
13% Popularity • 35% Danceability • 78% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
13% Popularity • 35% Danceability • 78% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury (AERIAL ...
112 bpm • E min • 02:31 • -9.3db
33% Popularity • 28% Danceability • 70% Energy • 15% Liveness
19% Instrumentalness • 7% Positiveness
33% Popularity • 28% Danceability • 70% Energy • 15% Liveness
19% Instrumentalness • 7% Positiveness
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MAYUKO
ボッジの朝
112 bpm • F Maj • 01:35 • -13.87db
25% Popularity • 57% Danceability • 16% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
25% Popularity • 57% Danceability • 16% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
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Shiro SAGISU
At The Very Beginning
108 bpm • A min • 03:15 • -7.48db
31% Popularity • 51% Danceability • 73% Energy • 8% Liveness
78% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 73% Energy • 8% Liveness
78% Instrumentalness • 23% Positiveness
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帆足圭吾
"It's not about how long we live, it's h...
108 bpm • E min • 02:37 • -11.93db
26% Popularity • 56% Danceability • 66% Energy • 21% Liveness
75% Instrumentalness • 38% Positiveness
26% Popularity • 56% Danceability • 66% Energy • 21% Liveness
75% Instrumentalness • 38% Positiveness
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Kenji Kawai
WORLD TORIGA MAIN THEME
108 bpm • C# min • 03:10 • -9.62db
28% Popularity • 49% Danceability • 70% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
28% Popularity • 49% Danceability • 70% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Dude's Cover
On The Precipice of Defeat (Orchestra Re...
112 bpm • A Maj • 01:24 • -10.41db
36% Popularity • 26% Danceability • 62% Energy • 19% Liveness
90% Instrumentalness • 27% Positiveness
36% Popularity • 26% Danceability • 62% Energy • 19% Liveness
90% Instrumentalness • 27% Positiveness
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Yoshihisa Hirano
Boys, Be Courageous!
108 bpm • C Maj • 01:11 • -6.7db
40% Popularity • 62% Danceability • 82% Energy • 32% Liveness
95% Instrumentalness • 43% Positiveness
40% Popularity • 62% Danceability • 82% Energy • 32% Liveness
95% Instrumentalness • 43% Positiveness
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Yutaka Yamada
先へ
108 bpm • E Maj • 04:58 • -17.12db
33% Popularity • 16% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Shiro SAGISU
1130 TYBW full orchestra choir
112 bpm • A Maj • 02:41 • -8.66db
40% Popularity • 47% Danceability • 56% Energy • 12% Liveness
63% Instrumentalness • 7% Positiveness
40% Popularity • 47% Danceability • 56% Energy • 12% Liveness
63% Instrumentalness • 7% Positiveness
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加藤達也
Humanity's Scientific Endeavors
108 bpm • E Maj • 02:26 • -13.97db
26% Popularity • 44% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
26% Popularity • 44% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Pharozen
Emiya vs Kirei - Epic Version
108 bpm • A Maj • 02:32 • -10.6db
22% Popularity • 40% Danceability • 33% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
22% Popularity • 40% Danceability • 33% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Kenichiro Suehiro
信じる理由
112 bpm • A min • 04:29 • -16.3db
19% Popularity • 18% Danceability • 14% Energy • 24% Liveness
54% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 14% Energy • 24% Liveness
54% Instrumentalness • 4% Positiveness
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Chamber Chu
Fighting Spirit
112 bpm • A min • 02:19 • -14.01db
31% Popularity • 68% Danceability • 48% Energy • 15% Liveness
93% Instrumentalness • 80% Positiveness
31% Popularity • 68% Danceability • 48% Energy • 15% Liveness
93% Instrumentalness • 80% Positiveness
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Akira Senju
Main Theme ～The Alchemist～
113 bpm • F min • 02:01 • -16db
39% Popularity • 61% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 61% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Yoshihiro Ike
仏縁遥か
107 bpm • G min • 02:50 • -10.66db
28% Popularity • 30% Danceability • 35% Energy • 13% Liveness
86% Instrumentalness • 11% Positiveness
28% Popularity • 30% Danceability • 35% Energy • 13% Liveness
86% Instrumentalness • 11% Positiveness
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Kotaro Nakagawa
Lelouch of the Resurrection
113 bpm • D min • 02:01 • -7.21db
35% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
35% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
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Kevin Penkin
Boom, boom, boom
113 bpm • G Maj • 02:09 • -8.54db
18% Popularity • 54% Danceability • 64% Energy • 11% Liveness
16% Instrumentalness • 18% Positiveness
18% Popularity • 54% Danceability • 64% Energy • 11% Liveness
16% Instrumentalness • 18% Positiveness
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梶浦 由記
you are my king
106 bpm • A Maj • 02:37 • -12.78db
27% Popularity • 17% Danceability • 36% Energy • 10% Liveness
72% Instrumentalness • 29% Positiveness
27% Popularity • 17% Danceability • 36% Energy • 10% Liveness
72% Instrumentalness • 29% Positiveness
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Takashi Ohmama
The Way We Wanna Go
107 bpm • A# Maj • 03:34 • -10.8db
23% Popularity • 32% Danceability • 39% Energy • 21% Liveness
93% Instrumentalness • 7% Positiveness
23% Popularity • 32% Danceability • 39% Energy • 21% Liveness
93% Instrumentalness • 7% Positiveness
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MAYUKO
己の選択
114 bpm • F min • 03:02 • -11.72db
27% Popularity • 40% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
27% Popularity • 40% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
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Keiji Inai
Now, on to Adventure!
114 bpm • G Maj • 03:02 • -9.48db
16% Popularity • 57% Danceability • 55% Energy • 33% Liveness
98% Instrumentalness • 29% Positiveness
16% Popularity • 57% Danceability • 55% Energy • 33% Liveness
98% Instrumentalness • 29% Positiveness
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帆足圭吾
Honmei
114 bpm • B min • 02:34 • -7.93db
16% Popularity • 51% Danceability • 92% Energy • 33% Liveness
24% Instrumentalness • 31% Positiveness
16% Popularity • 51% Danceability • 92% Energy • 33% Liveness
24% Instrumentalness • 31% Positiveness
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阿保剛
B-Messenger
114 bpm • E min • 04:40 • -11.31db
28% Popularity • 54% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
28% Popularity • 54% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
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Asami Tachibana
月の輪
106 bpm • A# Maj • 02:13 • -7.14db
38% Popularity • 50% Danceability • 92% Energy • 36% Liveness
88% Instrumentalness • 47% Positiveness
38% Popularity • 50% Danceability • 92% Energy • 36% Liveness
88% Instrumentalness • 47% Positiveness
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Akira Senju
The Intrepid
115 bpm • F Maj • 02:18 • -12.31db
38% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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MAYUKO
初めての会話
114 bpm • F Maj • 02:02 • -15.49db
18% Popularity • 78% Danceability • 30% Energy • 12% Liveness
9% Instrumentalness • 40% Positiveness
18% Popularity • 78% Danceability • 30% Energy • 12% Liveness
9% Instrumentalness • 40% Positiveness
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Keiji Inai
Our Days
115 bpm • F# Maj • 02:32 • -12.43db
15% Popularity • 42% Danceability • 23% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
15% Popularity • 42% Danceability • 23% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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藤間 仁
優勢
115 bpm • C min • 02:02 • -6.84db
22% Popularity • 24% Danceability • 63% Energy • 10% Liveness
81% Instrumentalness • 57% Positiveness
22% Popularity • 24% Danceability • 63% Energy • 10% Liveness
81% Instrumentalness • 57% Positiveness
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赤い神Enryu
Re: The Eminence in the Shadow (The Styl...
105 bpm • C Maj • 02:16 • -8.99db
23% Popularity • 36% Danceability • 78% Energy • 14% Liveness
89% Instrumentalness • 43% Positiveness
23% Popularity • 36% Danceability • 78% Energy • 14% Liveness
89% Instrumentalness • 43% Positiveness
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Fate/Grand Order
Grand Order / カルデア (orchestra ve...
115 bpm • G# min • 04:56 • -9.91db
18% Popularity • 23% Danceability • 50% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
18% Popularity • 23% Danceability • 50% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
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Yutaka Yamada
潮流
105 bpm • D min • 03:29 • -10.8db
34% Popularity • 29% Danceability • 55% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 29% Danceability • 55% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Hitomi Kuroishi
Memory Museum
105 bpm • D min • 02:08 • -10.75db
17% Popularity • 27% Danceability • 39% Energy • 6% Liveness
27% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 39% Energy • 6% Liveness
27% Instrumentalness • 7% Positiveness
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Keiji Inai
Now, on to Battle!
114 bpm • G Maj • 01:54 • -11.58db
24% Popularity • 70% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
24% Popularity • 70% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
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小畑貴裕
グランマと鬼達
105 bpm • D# Maj • 02:02 • -13db
26% Popularity • 32% Danceability • 59% Energy • 7% Liveness
98% Instrumentalness • 6% Positiveness
26% Popularity • 32% Danceability • 59% Energy • 7% Liveness
98% Instrumentalness • 6% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury (GUND-AR...
105 bpm • E min • 01:29 • -7.27db
28% Popularity • 18% Danceability • 50% Energy • 11% Liveness
60% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 50% Energy • 11% Liveness
60% Instrumentalness • 14% Positiveness
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Yoshihiro Ike
畜生道
105 bpm • C min • 01:18 • -13.7db
30% Popularity • 57% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 12% Positiveness
30% Popularity • 57% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 12% Positiveness
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Akira Senju
To Be King
116 bpm • C min • 02:02 • -10.2db
35% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
35% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
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Shiro SAGISU
What Can You See In Their Eyes
116 bpm • F min • 02:51 • -7.65db
41% Popularity • 53% Danceability • 70% Energy • 12% Liveness
39% Instrumentalness • 17% Positiveness
41% Popularity • 53% Danceability • 70% Energy • 12% Liveness
39% Instrumentalness • 17% Positiveness
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Dude's Cover
Wandenreich Theme
104 bpm • D min • 02:40 • -8.46db
34% Popularity • 43% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
34% Popularity • 43% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
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Kenichiro Suehiro
INTO MADNESS
104 bpm • A min • 03:01 • -7.83db
28% Popularity • 52% Danceability • 75% Energy • 23% Liveness
94% Instrumentalness • 27% Positiveness
28% Popularity • 52% Danceability • 75% Energy • 23% Liveness
94% Instrumentalness • 27% Positiveness
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赤い神Enryu
Re: The Devil of Mars x The Witch of Mer...
105 bpm • E min • 04:29 • -6.21db
32% Popularity • 29% Danceability • 92% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
32% Popularity • 29% Danceability • 92% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Takashi Ohmama
The Witch From Mercury
117 bpm • F min • 04:59 • -8.29db
38% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
38% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
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Takuro Iga
BEGINNING OF THE REVENGE
117 bpm • F# min • 02:41 • -11.87db
17% Popularity • 41% Danceability • 30% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
17% Popularity • 41% Danceability • 30% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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Shiro SAGISU
1142 TYBW full orchestra choir
104 bpm • D min • 02:29 • -10.19db
35% Popularity • 48% Danceability • 45% Energy • 9% Liveness
38% Instrumentalness • 26% Positiveness
35% Popularity • 48% Danceability • 45% Energy • 9% Liveness
38% Instrumentalness • 26% Positiveness
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Yuki Hayashi
Flect's Power
117 bpm • E min • 03:01 • -9.48db
15% Popularity • 17% Danceability • 79% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
15% Popularity • 17% Danceability • 79% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
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Kenichiro Suehiro
GET STARTED
117 bpm • A min • 02:48 • -5.7db
24% Popularity • 23% Danceability • 90% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
24% Popularity • 23% Danceability • 90% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
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藤間 仁
奮起
104 bpm • E min • 02:23 • -6db
27% Popularity • 25% Danceability • 80% Energy • 20% Liveness
89% Instrumentalness • 48% Positiveness
27% Popularity • 25% Danceability • 80% Energy • 20% Liveness
89% Instrumentalness • 48% Positiveness
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Takashi Ohmama
Layer 33
103 bpm • C# Maj • 01:26 • -20.95db
30% Popularity • 59% Danceability • 43% Energy • 8% Liveness
95% Instrumentalness • 29% Positiveness
30% Popularity • 59% Danceability • 43% Energy • 8% Liveness
95% Instrumentalness • 29% Positiveness
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桶狭間ありさ
Grudge fight
118 bpm • G# Maj • 01:59 • -8.05db
33% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
33% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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KATE
消えない想い(2012 Version)
118 bpm • E min • 02:37 • -12db
26% Popularity • 40% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 30% Positiveness
26% Popularity • 40% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 30% Positiveness
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Kohei Tanaka
終結、ルフィVS.カイドウ
102 bpm • C Maj • 02:30 • -5.96db
28% Popularity • 27% Danceability • 63% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
28% Popularity • 27% Danceability • 63% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Kenichiro Suehiro
RED MOON
117 bpm • G# Maj • 02:44 • -11.71db
19% Popularity • 20% Danceability • 42% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 42% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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藤間 仁
繁栄
117 bpm • A# Maj • 01:26 • -6.16db
17% Popularity • 44% Danceability • 48% Energy • 32% Liveness
1% Instrumentalness • 48% Positiveness
17% Popularity • 44% Danceability • 48% Energy • 32% Liveness
1% Instrumentalness • 48% Positiveness
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Takashi Ohmama
GUNDAM PHARACT
102 bpm • A# min • 03:09 • -13.98db
23% Popularity • 40% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
23% Popularity • 40% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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D.Meletis
Sun Halo Theme/Head Dance
102 bpm • F Maj • 01:37 • -12.1db
38% Popularity • 48% Danceability • 70% Energy • 24% Liveness
86% Instrumentalness • 10% Positiveness
38% Popularity • 48% Danceability • 70% Energy • 24% Liveness
86% Instrumentalness • 10% Positiveness
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加藤達也
Immigrant Space Explorer
102 bpm • F# min • 04:10 • -10.84db
30% Popularity • 20% Danceability • 74% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
30% Popularity • 20% Danceability • 74% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Kohei Tanaka
解放の戦士
119 bpm • G min • 00:53 • -5.44db
31% Popularity • 26% Danceability • 74% Energy • 32% Liveness
97% Instrumentalness • 57% Positiveness
31% Popularity • 26% Danceability • 74% Energy • 32% Liveness
97% Instrumentalness • 57% Positiveness
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Jett Black
Death From Above (Bahamut Boss Theme Ima...
119 bpm • F# min • 02:35 • -14.62db
35% Popularity • 32% Danceability • 58% Energy • 7% Liveness
92% Instrumentalness • 54% Positiveness
35% Popularity • 32% Danceability • 58% Energy • 7% Liveness
92% Instrumentalness • 54% Positiveness
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Kenichiro Suehiro
契約
118 bpm • D min • 02:44 • -7.04db
15% Popularity • 53% Danceability • 76% Energy • 31% Liveness
94% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 76% Energy • 31% Liveness
94% Instrumentalness • 39% Positiveness
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Akira Senju
Next Chapter
119 bpm • A# Maj • 02:28 • -11.61db
27% Popularity • 38% Danceability • 80% Energy • 12% Liveness
98% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 80% Energy • 12% Liveness
98% Instrumentalness • 5% Positiveness
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Kevin Penkin
Resonance of Church
119 bpm • G Maj • 02:31 • -14.17db
24% Popularity • 33% Danceability • 25% Energy • 13% Liveness
82% Instrumentalness • 11% Positiveness
24% Popularity • 33% Danceability • 25% Energy • 13% Liveness
82% Instrumentalness • 11% Positiveness
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Keiji Inai
Mystical Floor
101 bpm • F# Maj • 03:43 • -17.86db
19% Popularity • 57% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
19% Popularity • 57% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Kohei Tanaka
カタクリのテーマ
102 bpm • G Maj • 02:37 • -11.48db
29% Popularity • 28% Danceability • 62% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
29% Popularity • 28% Danceability • 62% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
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梶浦 由記
this day, and never again
120 bpm • D min • 03:32 • -12db
31% Popularity • 21% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
31% Popularity • 21% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
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Kenichiro Suehiro
THEME OF CID KAGENOU
120 bpm • F Maj • 03:53 • -7.14db
41% Popularity • 35% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 20% Positiveness
41% Popularity • 35% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 20% Positiveness
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Hiroaki Tsutsumi
Get Exited!!
120 bpm • A min • 02:12 • -10db
32% Popularity • 61% Danceability • 87% Energy • 6% Liveness
82% Instrumentalness • 57% Positiveness
32% Popularity • 61% Danceability • 87% Energy • 6% Liveness
82% Instrumentalness • 57% Positiveness
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Akira Senju
Crisis in the North
120 bpm • D Maj • 01:35 • -11db
36% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
36% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
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加藤達也
Senku and Ryusui - 加藤達也
120 bpm • C# min • 03:09 • -8.94db
19% Popularity • 57% Danceability • 93% Energy • 20% Liveness
68% Instrumentalness • 54% Positiveness
19% Popularity • 57% Danceability • 93% Energy • 20% Liveness
68% Instrumentalness • 54% Positiveness
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KATE
into the night_UBW Extended
120 bpm • C min • 01:21 • -14.77db
24% Popularity • 19% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
24% Popularity • 19% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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神前 暁
Vivy -Unrivaled-
120 bpm • E min • 02:06 • -8.87db
35% Popularity • 44% Danceability • 97% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
35% Popularity • 44% Danceability • 97% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
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Kenichiro Suehiro
ONE STEP AHEAD
120 bpm • C min • 02:14 • -14.62db
19% Popularity • 53% Danceability • 12% Energy • 16% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 53% Danceability • 12% Energy • 16% Liveness
92% Instrumentalness • 28% Positiveness
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Yutaka Yamada
Donnerschlag
120 bpm • A min • 02:35 • -14.22db
20% Popularity • 35% Danceability • 49% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
20% Popularity • 35% Danceability • 49% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
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芳賀 敬太
夢幻 ～呪いの厄災～
120 bpm • G# Maj • 03:59 • -6.99db
26% Popularity • 45% Danceability • 87% Energy • 29% Liveness
92% Instrumentalness • 16% Positiveness
26% Popularity • 45% Danceability • 87% Energy • 29% Liveness
92% Instrumentalness • 16% Positiveness
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梶浦 由記
Point Zero
120 bpm • A min • 03:46 • -11db
30% Popularity • 20% Danceability • 62% Energy • 11% Liveness
34% Instrumentalness • 11% Positiveness
30% Popularity • 20% Danceability • 62% Energy • 11% Liveness
34% Instrumentalness • 11% Positiveness
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Kevin Penkin
Crystalline
120 bpm • D min • 02:14 • -10db
26% Popularity • 38% Danceability • 60% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
26% Popularity • 38% Danceability • 60% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Aztech from Hybrid Thoughts
I'm A Human
120 bpm • A min • 04:18 • -12.23db
33% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
33% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Kenichiro Suehiro
エリオール大森林の永久凍土
120 bpm • E min • 03:34 • -17.22db
27% Popularity • 48% Danceability • 19% Energy • 12% Liveness
59% Instrumentalness • 16% Positiveness
27% Popularity • 48% Danceability • 19% Energy • 12% Liveness
59% Instrumentalness • 16% Positiveness
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MAYUKO
王様ランキング -勇気!-
100 bpm • A Maj • 01:39 • -9.52db
22% Popularity • 48% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
22% Popularity • 48% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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赤い神Enryu
Re: The Eminence in the Shadow (Shadow)
121 bpm • A min • 02:46 • -8.79db
28% Popularity • 25% Danceability • 82% Energy • 13% Liveness
89% Instrumentalness • 6% Positiveness
28% Popularity • 25% Danceability • 82% Energy • 13% Liveness
89% Instrumentalness • 6% Positiveness
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梶浦 由記
Point Zero#2
120 bpm • C Maj • 03:56 • -10db
21% Popularity • 38% Danceability • 68% Energy • 14% Liveness
71% Instrumentalness • 17% Positiveness
21% Popularity • 38% Danceability • 68% Energy • 14% Liveness
71% Instrumentalness • 17% Positiveness
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Max Shirshov
Khun
100 bpm • G# Maj • 03:24 • -8db
25% Popularity • 46% Danceability • 75% Energy • 20% Liveness
46% Instrumentalness • 28% Positiveness
25% Popularity • 46% Danceability • 75% Energy • 20% Liveness
46% Instrumentalness • 28% Positiveness
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芳賀 敬太
The Sun in the Abyss
100 bpm • F min • 04:42 • -15.08db
17% Popularity • 56% Danceability • 14% Energy • 17% Liveness
50% Instrumentalness • 15% Positiveness
17% Popularity • 56% Danceability • 14% Energy • 17% Liveness
50% Instrumentalness • 15% Positiveness
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Kenichiro Suehiro
ENOUGH TO OVERWHELM
120 bpm • D# Maj • 01:39 • -6.84db
16% Popularity • 62% Danceability • 52% Energy • 17% Liveness
96% Instrumentalness • 51% Positiveness
16% Popularity • 62% Danceability • 52% Energy • 17% Liveness
96% Instrumentalness • 51% Positiveness
