Songs like シベリアン・ドール・ハウス by Yoko Kanno
Based on a tempo of (+/- 10%) and a similar genre
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Yoko Kanno
シベリアン・ドール・ハウス
142 bpm • C Maj • 03:50 • -14.23db
18% Popularity • 24% Danceability • 45% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
18% Popularity • 24% Danceability • 45% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Gabriela Robin
Celiane
143 bpm • C Maj • 04:07 • -21.27db
16% Popularity • 24% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
16% Popularity • 24% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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Kenji Kawai
Portent
143 bpm • G# Maj • 01:03 • -16.27db
20% Popularity • 50% Danceability • 37% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 50% Danceability • 37% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Susumu Hirasawa
KUMI Jefferson
141 bpm • E min • 03:08 • -15.56db
11% Popularity • 15% Danceability • 31% Energy • 8% Liveness
74% Instrumentalness • 17% Positiveness
11% Popularity • 15% Danceability • 31% Energy • 8% Liveness
74% Instrumentalness • 17% Positiveness
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SEATBELTS
TANK! Virtual Session 2020
141 bpm • A# min • 03:40 • -10.39db
27% Popularity • 61% Danceability • 60% Energy • 14% Liveness
71% Instrumentalness • 37% Positiveness
27% Popularity • 61% Danceability • 60% Energy • 14% Liveness
71% Instrumentalness • 37% Positiveness
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岡部啓一
Peaceful Sleep - Arranged by Cheng Bi me...
140 bpm • G Maj • 03:58 • -10.22db
31% Popularity • 50% Danceability • 31% Energy • 10% Liveness
69% Instrumentalness • 15% Positiveness
31% Popularity • 50% Danceability • 31% Energy • 10% Liveness
69% Instrumentalness • 15% Positiveness
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Ilaria Graziano
where does this ocean go？
143 bpm • G min • 04:43 • -11.46db
29% Popularity • 51% Danceability • 79% Energy • 9% Liveness
2% Instrumentalness • 43% Positiveness
29% Popularity • 51% Danceability • 79% Energy • 9% Liveness
2% Instrumentalness • 43% Positiveness
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Yoko Kanno
3tops
143 bpm • G min • 03:57 • -6.39db
20% Popularity • 50% Danceability • 86% Energy • 16% Liveness
84% Instrumentalness • 50% Positiveness
20% Popularity • 50% Danceability • 86% Energy • 16% Liveness
84% Instrumentalness • 50% Positiveness
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Nobuo Uematsu
Water
140 bpm • E min • 02:21 • -9.06db
28% Popularity • 42% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 42% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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(K)NoW_NAME
Alley
140 bpm • A min • 01:29 • -8.82db
11% Popularity • 42% Danceability • 74% Energy • 11% Liveness
98% Instrumentalness • 24% Positiveness
11% Popularity • 42% Danceability • 74% Energy • 11% Liveness
98% Instrumentalness • 24% Positiveness
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SEATBELTS
"Real Folk Blues" For these days
141 bpm • F# min • 04:22 • -12.53db
27% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Gabriela Robin
SANTI-U
144 bpm • E Maj • 07:11 • -14.91db
16% Popularity • 26% Danceability • 66% Energy • 31% Liveness
84% Instrumentalness • 28% Positiveness
16% Popularity • 26% Danceability • 66% Energy • 31% Liveness
84% Instrumentalness • 28% Positiveness
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岡部啓一
Alien Manifestation
144 bpm • A Maj • 06:27 • -12.23db
41% Popularity • 50% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
41% Popularity • 50% Danceability • 49% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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Steve Conte
living inside the shell
144 bpm • C# Maj • 06:24 • -6.42db
32% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Yoko Kanno
blues in the Net
140 bpm • D Maj • 06:41 • -18.1db
14% Popularity • 39% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 39% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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(K)NoW_NAME
Shocking!
140 bpm • C# Maj • 01:34 • -7.35db
15% Popularity • 67% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 87% Positiveness
15% Popularity • 67% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 87% Positiveness
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Michiel van den Bos
Ambrosia Hunt (Battery Park)
140 bpm • B min • 04:07 • -17.28db
22% Popularity • 52% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
22% Popularity • 52% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Michiru Oshima
等価交換
140 bpm • D min • 01:08 • -17.28db
30% Popularity • 44% Danceability • 24% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
30% Popularity • 44% Danceability • 24% Energy • 10% Liveness
73% Instrumentalness • 15% Positiveness
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Masakatsu Takagi
Sweet Spirit
144 bpm • D# Maj • 01:03 • -22db
29% Popularity • 22% Danceability • 13% Energy • 35% Liveness
89% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 13% Energy • 35% Liveness
89% Instrumentalness • 6% Positiveness
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Arnaud Roy
The Last Empire (Nakalim Theme)
140 bpm • C# min • 04:07 • -16.28db
14% Popularity • 33% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 33% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Kenji Kawai
Hallucination
140 bpm • A min • 04:33 • -8.52db
20% Popularity • 53% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
20% Popularity • 53% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
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Akira Yamaoka
Maternal Heart
144 bpm • D Maj • 03:02 • -9.11db
39% Popularity • 60% Danceability • 49% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
39% Popularity • 60% Danceability • 49% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Solar Fields
Ropeburn
140 bpm • A# Maj • 07:15 • -11.15db
25% Popularity • 56% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
25% Popularity • 56% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Masaru Yokoyama
Barren Land
144 bpm • G# Maj • 01:39 • -21db
24% Popularity • 51% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
24% Popularity • 51% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
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鈴木光人
Parallel Worlds - Aggressive Mix
140 bpm • C# Maj • 03:16 • -8.8db
29% Popularity • 57% Danceability • 88% Energy • 7% Liveness
73% Instrumentalness • 69% Positiveness
29% Popularity • 57% Danceability • 88% Energy • 7% Liveness
73% Instrumentalness • 69% Positiveness
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Arnaud Roy
The Dust - ES2 Remix
140 bpm • C# Maj • 04:27 • -14.67db
6% Popularity • 51% Danceability • 47% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
6% Popularity • 51% Danceability • 47% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
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Amos Roddy
Density
140 bpm • D Maj • 03:17 • -14db
32% Popularity • 46% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
32% Popularity • 46% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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Tsuneo Imahori
you've blown it over the sands
140 bpm • A Maj • 01:52 • -9.81db
18% Popularity • 52% Danceability • 73% Energy • 13% Liveness
82% Instrumentalness • 66% Positiveness
18% Popularity • 52% Danceability • 73% Energy • 13% Liveness
82% Instrumentalness • 66% Positiveness
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zts
apathy
144 bpm • D# Maj • 04:18 • -11.17db
20% Popularity • 55% Danceability • 37% Energy • 11% Liveness
21% Instrumentalness • 7% Positiveness
20% Popularity • 55% Danceability • 37% Energy • 11% Liveness
21% Instrumentalness • 7% Positiveness
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Akira Yamaoka
Breeze - in Monochrome Night
140 bpm • F# min • 04:14 • -9.47db
42% Popularity • 40% Danceability • 53% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
42% Popularity • 40% Danceability • 53% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
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Yasunori Mitsuda
Memories of Green
140 bpm • F# Maj • 03:48 • -7db
35% Popularity • 50% Danceability • 51% Energy • 21% Liveness
97% Instrumentalness • 73% Positiveness
35% Popularity • 50% Danceability • 51% Energy • 21% Liveness
97% Instrumentalness • 73% Positiveness
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Yoko Kanno
solid state society
144 bpm • B min • 04:39 • -7.13db
19% Popularity • 29% Danceability • 82% Energy • 13% Liveness
80% Instrumentalness • 5% Positiveness
19% Popularity • 29% Danceability • 82% Energy • 13% Liveness
80% Instrumentalness • 5% Positiveness
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1000 Eyes
3000 Cycles (I missed you)
140 bpm • C Maj • 01:29 • -33.42db
43% Popularity • 16% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
43% Popularity • 16% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Amos Roddy
Yatagan
145 bpm • C# Maj • 02:25 • -15.31db
29% Popularity • 28% Danceability • 54% Energy • 16% Liveness
95% Instrumentalness • 10% Positiveness
29% Popularity • 28% Danceability • 54% Energy • 16% Liveness
95% Instrumentalness • 10% Positiveness
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(K)NoW_NAME
Time Suspense
145 bpm • C# Maj • 02:10 • -7.41db
14% Popularity • 50% Danceability • 81% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
14% Popularity • 50% Danceability • 81% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
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Hideki Taniuchi
Senritsu B
146 bpm • C min • 03:02 • -13.52db
29% Popularity • 65% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
29% Popularity • 65% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Origa
rise
146 bpm • F min • 05:28 • -7db
42% Popularity • 46% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 46% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Ilaria Graziano
replica
140 bpm • F# Maj • 05:23 • -6.53db
32% Popularity • 52% Danceability • 95% Energy • 24% Liveness
34% Instrumentalness • 38% Positiveness
32% Popularity • 52% Danceability • 95% Energy • 24% Liveness
34% Instrumentalness • 38% Positiveness
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保刈久明
機械天使アクエリオン
138 bpm • B Maj • 04:35 • -7.24db
6% Popularity • 45% Danceability • 97% Energy • 42% Liveness
88% Instrumentalness • 29% Positiveness
6% Popularity • 45% Danceability • 97% Energy • 42% Liveness
88% Instrumentalness • 29% Positiveness
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Yoko Kanno
スマイル
138 bpm • A Maj • 04:11 • -13.44db
13% Popularity • 60% Danceability • 52% Energy • 34% Liveness
5% Instrumentalness • 32% Positiveness
13% Popularity • 60% Danceability • 52% Energy • 34% Liveness
5% Instrumentalness • 32% Positiveness
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Rik Schaffer
Crypts Combat
138 bpm • C Maj • 02:46 • -7.85db
19% Popularity • 56% Danceability • 86% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
19% Popularity • 56% Danceability • 86% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
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Susumu Hirasawa
City-No.5
146 bpm • A Maj • 03:02 • -13.16db
10% Popularity • 24% Danceability • 40% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 24% Danceability • 40% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
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Origa
rise [TV size]
146 bpm • F min • 01:30 • -3.16db
29% Popularity • 42% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 42% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Hideki Taniuchi
Kincho
147 bpm • C min • 03:53 • -7.08db
36% Popularity • 55% Danceability • 85% Energy • 10% Liveness
53% Instrumentalness • 74% Positiveness
36% Popularity • 55% Danceability • 85% Energy • 10% Liveness
53% Instrumentalness • 74% Positiveness
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Gabriela Robin
take a little hand
145 bpm • C min • 05:04 • -9.38db
28% Popularity • 34% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 34% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Shoi Miyazawa
Isentropic Flow
137 bpm • G# Maj • 01:45 • -25.78db
21% Popularity • 46% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
21% Popularity • 46% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Yoko Kanno
break through
148 bpm • D Maj • 02:36 • -6.48db
14% Popularity • 46% Danceability • 96% Energy • 32% Liveness
64% Instrumentalness • 75% Positiveness
14% Popularity • 46% Danceability • 96% Energy • 32% Liveness
64% Instrumentalness • 75% Positiveness
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Susumu Hirasawa
Monster
136 bpm • D Maj • 04:03 • -21.13db
36% Popularity • 15% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
36% Popularity • 15% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Akira Yamaoka
Null Moon
148 bpm • C min • 02:50 • -13db
47% Popularity • 51% Danceability • 35% Energy • 36% Liveness
93% Instrumentalness • 37% Positiveness
47% Popularity • 51% Danceability • 35% Energy • 36% Liveness
93% Instrumentalness • 37% Positiveness
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Joel Nielsen
Harbinger (Definitive Edition)
148 bpm • G# Maj • 02:43 • -12.53db
19% Popularity • 40% Danceability • 53% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 40% Danceability • 53% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Keiichi Okabe
Presentiment of Death by Fire
136 bpm • G# min • 03:06 • -13.59db
19% Popularity • 31% Danceability • 38% Energy • 14% Liveness
52% Instrumentalness • 19% Positiveness
19% Popularity • 31% Danceability • 38% Energy • 14% Liveness
52% Instrumentalness • 19% Positiveness
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Kota Hoshino
Infall
148 bpm • A Maj • 01:41 • -16db
21% Popularity • 29% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
21% Popularity • 29% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Disasterpeace
The Resonant Canyon
136 bpm • C# Maj • 05:19 • -22.4db
26% Popularity • 38% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 38% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Hiroyuki Sawano
前半再収録型10☆極★服
136 bpm • D Maj • 04:45 • -10.73db
16% Popularity • 58% Danceability • 54% Energy • 15% Liveness
12% Instrumentalness • 16% Positiveness
16% Popularity • 58% Danceability • 54% Energy • 15% Liveness
12% Instrumentalness • 16% Positiveness
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Yoko Kanno
surf
136 bpm • C Maj • 02:57 • -12.09db
21% Popularity • 61% Danceability • 82% Energy • 16% Liveness
93% Instrumentalness • 78% Positiveness
21% Popularity • 61% Danceability • 82% Energy • 16% Liveness
93% Instrumentalness • 78% Positiveness
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Ilaria Graziano
i can't be cool
136 bpm • C Maj • 04:32 • -6.44db
29% Popularity • 44% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
29% Popularity • 44% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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Rik Schaffer
Sewer Enter Lair
136 bpm • D# Maj • 02:14 • -19.48db
19% Popularity • 18% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Joyce Moreno
dogs and angels
149 bpm • A Maj • 03:01 • -15.37db
20% Popularity • 35% Danceability • 14% Energy • 7% Liveness
70% Instrumentalness • 4% Positiveness
20% Popularity • 35% Danceability • 14% Energy • 7% Liveness
70% Instrumentalness • 4% Positiveness
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Theodor Bastard
Heart of the Labyrinth
149 bpm • G Maj • 02:36 • -18.14db
16% Popularity • 24% Danceability • 30% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
16% Popularity • 24% Danceability • 30% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Disasterpeace
The Sentients
135 bpm • G# min • 09:27 • -21.85db
23% Popularity • 40% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
23% Popularity • 40% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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IO Echo
Aokigahara Forest
135 bpm • G Maj • 04:22 • -12.48db
22% Popularity • 15% Danceability • 18% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 18% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Yoko Kanno
お散歩タチコマ
135 bpm • E min • 02:01 • -17.09db
14% Popularity • 92% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 89% Positiveness
14% Popularity • 92% Danceability • 8% Energy • 10% Liveness
46% Instrumentalness • 89% Positiveness
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Masashi Hamauzu
FINAL FANTASY XIII-2 Overture
135 bpm • C min • 02:12 • -15.61db
20% Popularity • 15% Danceability • 24% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 24% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Deniz Akbulut
Mysterious Place
135 bpm • F min • 01:36 • -18db
26% Popularity • 46% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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JAMES SHIMOJI
Dead Heat
135 bpm • A Maj • 01:02 • -6.05db
25% Popularity • 49% Danceability • 94% Energy • 28% Liveness
94% Instrumentalness • 34% Positiveness
25% Popularity • 49% Danceability • 94% Energy • 28% Liveness
94% Instrumentalness • 34% Positiveness
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Hideki Taniuchi
L no Nakama
150 bpm • A min • 02:29 • -13.98db
40% Popularity • 53% Danceability • 35% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
40% Popularity • 53% Danceability • 35% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Rik Schaffer
Santa Monica Theme
150 bpm • G Maj • 05:04 • -18.68db
28% Popularity • 46% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
28% Popularity • 46% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Carlos Viola
Cantes de Confesión
150 bpm • A min • 05:34 • -17db
35% Popularity • 46% Danceability • 33% Energy • 17% Liveness
87% Instrumentalness • 40% Positiveness
35% Popularity • 46% Danceability • 33% Energy • 17% Liveness
87% Instrumentalness • 40% Positiveness
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Ilaria Graziano
velveteen
150 bpm • C min • 05:05 • -7db
28% Popularity • 57% Danceability • 91% Energy • 37% Liveness
31% Instrumentalness • 78% Positiveness
28% Popularity • 57% Danceability • 91% Energy • 37% Liveness
31% Instrumentalness • 78% Positiveness
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Susumu Hirasawa
Murder
150 bpm • E min • 09:29 • -12.17db
42% Popularity • 37% Danceability • 87% Energy • 32% Liveness
90% Instrumentalness • 8% Positiveness
42% Popularity • 37% Danceability • 87% Energy • 32% Liveness
90% Instrumentalness • 8% Positiveness
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SQUARE ENIX MUSIC
His Dream
150 bpm • D min • 01:57 • -19.9db
39% Popularity • 52% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
39% Popularity • 52% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Mickymar Productions Ltd
June the 28th
151 bpm • B Maj • 03:18 • -16.48db
17% Popularity • 17% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
17% Popularity • 17% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Yoko Kanno
access all areas
151 bpm • C# Maj • 01:34 • -11.26db
13% Popularity • 53% Danceability • 89% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
13% Popularity • 53% Danceability • 89% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
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Carlos Viola
Una Senda de Pasos Blancos
150 bpm • G# min • 05:04 • -21.84db
29% Popularity • 40% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 40% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Ilaria Graziano
i do
133 bpm • C Maj • 04:49 • -10db
32% Popularity • 38% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 38% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Ed Harrison
Breaching the Veil
133 bpm • A# min • 04:28 • -12.36db
21% Popularity • 30% Danceability • 58% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
21% Popularity • 30% Danceability • 58% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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阿保剛
Urd
152 bpm • C Maj • 02:35 • -13.84db
15% Popularity • 42% Danceability • 52% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
15% Popularity • 42% Danceability • 52% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
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Joe Hisaishi
星の歌 - シンセサイザー versio...
133 bpm • B min • 01:13 • -12.66db
19% Popularity • 22% Danceability • 41% Energy • 12% Liveness
98% Instrumentalness • 12% Positiveness
19% Popularity • 22% Danceability • 41% Energy • 12% Liveness
98% Instrumentalness • 12% Positiveness
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Yoko Kanno
FAX me
133 bpm • D Maj • 01:23 • -10.85db
11% Popularity • 57% Danceability • 33% Energy • 14% Liveness
61% Instrumentalness • 30% Positiveness
11% Popularity • 57% Danceability • 33% Energy • 14% Liveness
61% Instrumentalness • 30% Positiveness
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fingerspit
Labyrinth Summons
132 bpm • G min • 03:01 • -24db
22% Popularity • 26% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 26% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Carlos Viola
El Quejío
150 bpm • A min • 05:17 • -14.67db
25% Popularity • 29% Danceability • 46% Energy • 17% Liveness
72% Instrumentalness • 20% Positiveness
25% Popularity • 29% Danceability • 46% Energy • 17% Liveness
72% Instrumentalness • 20% Positiveness
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Arnaud Roy
Dungeon of the Endless (Main Title)
132 bpm • F min • 02:12 • -12.49db
15% Popularity • 31% Danceability • 28% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
15% Popularity • 31% Danceability • 28% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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(K)NoW_NAME
UNDONE
132 bpm • C# Maj • 01:40 • -12.19db
12% Popularity • 71% Danceability • 71% Energy • 7% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 71% Danceability • 71% Energy • 7% Liveness
64% Instrumentalness • 4% Positiveness
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Shiro SAGISU
REI III
132 bpm • A min • 03:44 • -6.69db
23% Popularity • 38% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
23% Popularity • 38% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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JAMES SHIMOJI
Moniter Room
132 bpm • D Maj • 01:06 • -17db
11% Popularity • 53% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 53% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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仲野順也
This Is Your Story
132 bpm • A Maj • 02:20 • -11.91db
35% Popularity • 41% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 7% Positiveness
35% Popularity • 41% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 7% Positiveness
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Carlos Viola
Coplas de Incienso
133 bpm • B min • 02:54 • -16.87db
30% Popularity • 42% Danceability • 45% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
30% Popularity • 42% Danceability • 45% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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Ludvig Forssell
Chiral Carcass Culling
132 bpm • C# Maj • 02:23 • -9.42db
25% Popularity • 34% Danceability • 74% Energy • 35% Liveness
78% Instrumentalness • 14% Positiveness
25% Popularity • 34% Danceability • 74% Energy • 35% Liveness
78% Instrumentalness • 14% Positiveness
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Gabriela Robin
サイバーバード
154 bpm • G Maj • 05:58 • -5.78db
37% Popularity • 34% Danceability • 91% Energy • 21% Liveness
14% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 91% Energy • 21% Liveness
14% Instrumentalness • 32% Positiveness
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Ed Harrison
Versalife
154 bpm • G# Maj • 07:45 • -15.65db
23% Popularity • 37% Danceability • 51% Energy • 15% Liveness
80% Instrumentalness • 5% Positiveness
23% Popularity • 37% Danceability • 51% Energy • 15% Liveness
80% Instrumentalness • 5% Positiveness
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Akira Yamaoka
True
154 bpm • C min • 03:06 • -11.17db
43% Popularity • 66% Danceability • 57% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
43% Popularity • 66% Danceability • 57% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Shoi Miyazawa
Hearing Things
154 bpm • F# min • 02:42 • -21.89db
26% Popularity • 24% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
26% Popularity • 24% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Hiroyuki Sawano
追加発注型6☆極★服
130 bpm • B min • 04:15 • -11.11db
18% Popularity • 30% Danceability • 81% Energy • 13% Liveness
71% Instrumentalness • 13% Positiveness
18% Popularity • 30% Danceability • 81% Energy • 13% Liveness
71% Instrumentalness • 13% Positiveness
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Tsuneo Imahori
we are in a jam
155 bpm • A Maj • 01:00 • -10.3db
11% Popularity • 57% Danceability • 94% Energy • 43% Liveness
87% Instrumentalness • 56% Positiveness
11% Popularity • 57% Danceability • 94% Energy • 43% Liveness
87% Instrumentalness • 56% Positiveness
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Yoko Kanno
ペットフード
131 bpm • A Maj • 01:29 • -7.78db
17% Popularity • 63% Danceability • 90% Energy • 29% Liveness
83% Instrumentalness • 80% Positiveness
17% Popularity • 63% Danceability • 90% Energy • 29% Liveness
83% Instrumentalness • 80% Positiveness
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Arnaud Roy
Worship the Endless
130 bpm • C# min • 04:07 • -15.26db
31% Popularity • 49% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 49% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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(K)NoW_NAME
Lovely Magic
130 bpm • C# Maj • 02:00 • -6.67db
20% Popularity • 60% Danceability • 99% Energy • 11% Liveness
78% Instrumentalness • 24% Positiveness
20% Popularity • 60% Danceability • 99% Energy • 11% Liveness
78% Instrumentalness • 24% Positiveness
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Jesper Kyd
47 Detected
130 bpm • C# min • 03:09 • -16.96db
16% Popularity • 72% Danceability • 35% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
16% Popularity • 72% Danceability • 35% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
