Songs like 絕地反擊 by Kenji Kawai
Based on a tempo of (+/- 10%) and a similar genre
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Ludvig Forssell
V Has Come To
118 bpm • G min • 03:08 • -17.97db
30% Popularity • 30% Danceability • 33% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 33% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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桶狭間ありさ
Grudge fight
118 bpm • G# Maj • 01:59 • -8.05db
32% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
32% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Kenji Kawai
絕地反擊
118 bpm • D min • 04:04 • -13.77db
18% Popularity • 30% Danceability • 40% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
18% Popularity • 30% Danceability • 40% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Dream Cave
Choirs of War
118 bpm • G# Maj • 02:06 • -12.51db
23% Popularity • 52% Danceability • 39% Energy • 34% Liveness
96% Instrumentalness • 9% Positiveness
23% Popularity • 52% Danceability • 39% Energy • 34% Liveness
96% Instrumentalness • 9% Positiveness
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Stephen Rippy
Noddingagushpa
117 bpm • G min • 01:12 • -8.07db
30% Popularity • 41% Danceability • 55% Energy • 10% Liveness
74% Instrumentalness • 51% Positiveness
30% Popularity • 41% Danceability • 55% Energy • 10% Liveness
74% Instrumentalness • 51% Positiveness
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Yutaka Yamada
腥風
117 bpm • B min • 03:39 • -10.98db
32% Popularity • 25% Danceability • 58% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
32% Popularity • 25% Danceability • 58% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Henry Jackman
Poppy
117 bpm • C# min • 02:17 • -10.77db
22% Popularity • 36% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 36% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Takashi Ohmama
The Witch From Mercury
117 bpm • F min • 04:59 • -8.29db
37% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
37% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
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Kenji Kawai
小龍問路
118 bpm • C# Maj • 01:13 • -21.19db
11% Popularity • 51% Danceability • 49% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
11% Popularity • 51% Danceability • 49% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
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Dream Cave
A Mother's Wrath
117 bpm • D Maj • 01:49 • -11.6db
19% Popularity • 43% Danceability • 25% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 43% Danceability • 25% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Alex Cottrell
Streets of Stalingrad
117 bpm • A# min • 03:35 • -18db
13% Popularity • 21% Danceability • 23% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
13% Popularity • 21% Danceability • 23% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Kosta Ost
Rurouni Kenshin Epic Fight Scene
119 bpm • A min • 02:15 • -19.41db
13% Popularity • 26% Danceability • 7% Energy • 18% Liveness
45% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 7% Energy • 18% Liveness
45% Instrumentalness • 11% Positiveness
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Henry Jackman
Manners Maketh Man
117 bpm • B min • 01:37 • -12.15db
43% Popularity • 32% Danceability • 26% Energy • 9% Liveness
49% Instrumentalness • 17% Positiveness
43% Popularity • 32% Danceability • 26% Energy • 9% Liveness
49% Instrumentalness • 17% Positiveness
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Kenichiro Suehiro
THEME OF CID KAGENOU
120 bpm • F Maj • 03:53 • -7.14db
40% Popularity • 35% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 20% Positiveness
40% Popularity • 35% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 20% Positiveness
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Kenji Kawai
絕望1
119 bpm • F min • 03:03 • -25.72db
10% Popularity • 25% Danceability • 1% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 1% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Bergersen
Moving Mountains
116 bpm • C min • 03:01 • -8db
41% Popularity • 36% Danceability • 58% Energy • 36% Liveness
77% Instrumentalness • 16% Positiveness
41% Popularity • 36% Danceability • 58% Energy • 36% Liveness
77% Instrumentalness • 16% Positiveness
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Lorenzo Ferrara
Zetsu Theme
120 bpm • A min • 02:32 • -11.03db
34% Popularity • 40% Danceability • 53% Energy • 19% Liveness
88% Instrumentalness • 13% Positiveness
34% Popularity • 40% Danceability • 53% Energy • 19% Liveness
88% Instrumentalness • 13% Positiveness
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Lucas Ricciotti
Strangereal World War (Ace Combat Medley...
120 bpm • C# Maj • 07:24 • -12.39db
20% Popularity • 17% Danceability • 38% Energy • 33% Liveness
89% Instrumentalness • 16% Positiveness
20% Popularity • 17% Danceability • 38% Energy • 33% Liveness
89% Instrumentalness • 16% Positiveness
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Steven Price
April, 1945
116 bpm • A# Maj • 04:14 • -13db
33% Popularity • 43% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 43% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
Tsushima Suite: I. Seion
120 bpm • E min • 09:28 • -16.26db
32% Popularity • 40% Danceability • 27% Energy • 5% Liveness
68% Instrumentalness • 18% Positiveness
32% Popularity • 40% Danceability • 27% Energy • 5% Liveness
68% Instrumentalness • 18% Positiveness
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Grant Newman
Villain versus Young Hero
120 bpm • C min • 03:15 • -12.09db
10% Popularity • 22% Danceability • 45% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 45% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
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Max Shirshov
Ghost of Tsushima Epic Medley: Jin Sakai...
120 bpm • G min • 05:40 • -12.13db
12% Popularity • 25% Danceability • 66% Energy • 30% Liveness
75% Instrumentalness • 19% Positiveness
12% Popularity • 25% Danceability • 66% Energy • 30% Liveness
75% Instrumentalness • 19% Positiveness
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WuShu Allstars
Fist of Fury
120 bpm • E min • 03:25 • -11.26db
14% Popularity • 54% Danceability • 46% Energy • 13% Liveness
93% Instrumentalness • 30% Positiveness
14% Popularity • 54% Danceability • 46% Energy • 13% Liveness
93% Instrumentalness • 30% Positiveness
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Jason Hayes
The Stars Our Home
120 bpm • F min • 03:46 • -13db
26% Popularity • 42% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
26% Popularity • 42% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Shiro SAGISU
soundscape to ardor
120 bpm • A min • 02:48 • -14db
47% Popularity • 55% Danceability • 43% Energy • 9% Liveness
73% Instrumentalness • 53% Positiveness
47% Popularity • 55% Danceability • 43% Energy • 9% Liveness
73% Instrumentalness • 53% Positiveness
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Samurai Jack
Dragon Ride
120 bpm • D Maj • 01:01 • -13.12db
12% Popularity • 52% Danceability • 57% Energy • 17% Liveness
80% Instrumentalness • 4% Positiveness
12% Popularity • 52% Danceability • 57% Energy • 17% Liveness
80% Instrumentalness • 4% Positiveness
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Context Sensitive
Titan Striker
120 bpm • G# Maj • 03:48 • -17db
13% Popularity • 43% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
13% Popularity • 43% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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Grant Newman
Last March Of Heroes
120 bpm • D Maj • 02:30 • -17db
21% Popularity • 44% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 44% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 4% Positiveness
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Akira Senju
Crisis in the North
120 bpm • D Maj • 01:35 • -11db
35% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
35% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
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Masaru Yokoyama
Mobile Suit Gundam: Iron-Blooded Orphans
120 bpm • E min • 02:40 • -6.79db
42% Popularity • 60% Danceability • 86% Energy • 24% Liveness
87% Instrumentalness • 29% Positiveness
42% Popularity • 60% Danceability • 86% Energy • 24% Liveness
87% Instrumentalness • 29% Positiveness
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MUSASHI PROJECT
朝
120 bpm • C Maj • 01:35 • -14.85db
39% Popularity • 64% Danceability • 24% Energy • 7% Liveness
37% Instrumentalness • 50% Positiveness
39% Popularity • 64% Danceability • 24% Energy • 7% Liveness
37% Instrumentalness • 50% Positiveness
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Two Steps from Hell
Victory (Orchestral)
120 bpm • F Maj • 05:22 • -14db
28% Popularity • 50% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
28% Popularity • 50% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Jeff van Dyck
Yoisa
120 bpm • A min • 02:07 • -17db
27% Popularity • 87% Danceability • 64% Energy • 11% Liveness
82% Instrumentalness • 41% Positiveness
27% Popularity • 87% Danceability • 64% Energy • 11% Liveness
82% Instrumentalness • 41% Positiveness
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Alan Al
Epic Horn
120 bpm • C Maj • 01:53 • -11.84db
12% Popularity • 60% Danceability • 78% Energy • 16% Liveness
61% Instrumentalness • 69% Positiveness
12% Popularity • 60% Danceability • 78% Energy • 16% Liveness
61% Instrumentalness • 69% Positiveness
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Akira Senju
To Be King
116 bpm • C min • 02:02 • -10.2db
34% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
34% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
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Kenji Kawai
映司登場
116 bpm • D min • 01:42 • -16.81db
1% Popularity • 30% Danceability • 13% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
1% Popularity • 30% Danceability • 13% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
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Audiomachine
Kneel Before the Crown
120 bpm • E min • 02:33 • -11db
33% Popularity • 49% Danceability • 40% Energy • 22% Liveness
76% Instrumentalness • 6% Positiveness
33% Popularity • 49% Danceability • 40% Energy • 22% Liveness
76% Instrumentalness • 6% Positiveness
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Dream Cave
The Last Legion
120 bpm • E Maj • 01:42 • -9.78db
11% Popularity • 45% Danceability • 66% Energy • 22% Liveness
85% Instrumentalness • 26% Positiveness
11% Popularity • 45% Danceability • 66% Energy • 22% Liveness
85% Instrumentalness • 26% Positiveness
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Kaoru Wada
天馬星座の聖闘士
116 bpm • C Maj • 01:44 • -8.18db
11% Popularity • 48% Danceability • 46% Energy • 9% Liveness
53% Instrumentalness • 56% Positiveness
11% Popularity • 48% Danceability • 46% Energy • 9% Liveness
53% Instrumentalness • 56% Positiveness
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Joey Newman
Under siege
116 bpm • C Maj • 01:49 • -11.01db
12% Popularity • 50% Danceability • 38% Energy • 6% Liveness
26% Instrumentalness • 17% Positiveness
12% Popularity • 50% Danceability • 38% Energy • 6% Liveness
26% Instrumentalness • 17% Positiveness
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Cris Velasco
Brothers of Blood
120 bpm • G Maj • 02:44 • -8db
42% Popularity • 46% Danceability • 82% Energy • 17% Liveness
93% Instrumentalness • 20% Positiveness
42% Popularity • 46% Danceability • 82% Energy • 17% Liveness
93% Instrumentalness • 20% Positiveness
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Kenji Kawai
Strike
120 bpm • C# Maj • 02:24 • -13.53db
19% Popularity • 63% Danceability • 66% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
19% Popularity • 63% Danceability • 66% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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Rupert Gregson-Williams
Arthur
121 bpm • C# Maj • 04:40 • -12.5db
32% Popularity • 19% Danceability • 58% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 58% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Antti Martikainen
Xian (Remaster)
115 bpm • G# Maj • 09:01 • -7.56db
22% Popularity • 45% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
22% Popularity • 45% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
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Crescent Sun
Hatred
115 bpm • C Maj • 02:36 • -14.26db
36% Popularity • 31% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
36% Popularity • 31% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Lorenzo Ferrara
My Mother and My Father
121 bpm • F Maj • 03:17 • -15.73db
41% Popularity • 22% Danceability • 34% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 22% Danceability • 34% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Funcom Soundtrack
Conan Exiles (Main Theme)
115 bpm • G min • 03:02 • -10.45db
31% Popularity • 37% Danceability • 38% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
31% Popularity • 37% Danceability • 38% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
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Akira Senju
The Intrepid
115 bpm • F Maj • 02:18 • -12.31db
38% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Greg Edmonson
Uncharted, Drake's Fortune: Nate's Theme
115 bpm • F# Maj • 01:52 • -16db
41% Popularity • 20% Danceability • 16% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 20% Danceability • 16% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Kenji Kawai
絕望2
115 bpm • G min • 04:47 • -22.39db
12% Popularity • 23% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
12% Popularity • 23% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Ilan Eshkeri
The Way of the Ghost
114 bpm • G min • 04:14 • -15db
45% Popularity • 17% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Henry Jackman
Skydiving
114 bpm • D Maj • 03:37 • -11.81db
31% Popularity • 22% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
31% Popularity • 22% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Shigeaki Saegusa
MAIN TITLE
122 bpm • C Maj • 04:45 • -10db
32% Popularity • 28% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
32% Popularity • 28% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Roc Chen
The Stars and The Beginning
114 bpm • F Maj • 04:22 • -19.02db
9% Popularity • 17% Danceability • 3% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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Richard Beddow
Total War - Three Kingdoms
114 bpm • F min • 03:17 • -12db
23% Popularity • 43% Danceability • 39% Energy • 11% Liveness
48% Instrumentalness • 26% Positiveness
23% Popularity • 43% Danceability • 39% Energy • 11% Liveness
48% Instrumentalness • 26% Positiveness
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Immediate
Vindicator
122 bpm • A min • 02:35 • -8.65db
10% Popularity • 43% Danceability • 80% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
10% Popularity • 43% Danceability • 80% Energy • 11% Liveness
76% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Rescue Continues
122 bpm • E min • 03:46 • -15db
40% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Kaoru Wada
幼き日のテンマとアローン
114 bpm • C Maj • 02:14 • -10.48db
19% Popularity • 42% Danceability • 45% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
19% Popularity • 42% Danceability • 45% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
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Shigeru Umebayashi
Tsushima Suite: IV. Kodoku
123 bpm • D Maj • 09:50 • -18.91db
28% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Patrick Gill
Dragon Punch
123 bpm • G# Maj • 03:52 • -12.04db
10% Popularity • 58% Danceability • 49% Energy • 37% Liveness
65% Instrumentalness • 31% Positiveness
10% Popularity • 58% Danceability • 49% Energy • 37% Liveness
65% Instrumentalness • 31% Positiveness
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Kenji Kawai
Union
123 bpm • C Maj • 02:05 • -13.02db
12% Popularity • 74% Danceability • 54% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
12% Popularity • 74% Danceability • 54% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Taro Iwashiro
The Red Cliff
123 bpm • D# Maj • 08:12 • -10db
19% Popularity • 23% Danceability • 30% Energy • 18% Liveness
83% Instrumentalness • 5% Positiveness
19% Popularity • 23% Danceability • 30% Energy • 18% Liveness
83% Instrumentalness • 5% Positiveness
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Chris Rickwood
Imperial Honor
113 bpm • F min • 02:19 • -13.07db
9% Popularity • 57% Danceability • 62% Energy • 9% Liveness
86% Instrumentalness • 36% Positiveness
9% Popularity • 57% Danceability • 62% Energy • 9% Liveness
86% Instrumentalness • 36% Positiveness
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Dream Cave
The Eternal War
113 bpm • C Maj • 02:05 • -11db
35% Popularity • 53% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
35% Popularity • 53% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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J.T. Peterson
Last Breath
113 bpm • F# Maj • 02:32 • -12.05db
35% Popularity • 43% Danceability • 53% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
35% Popularity • 43% Danceability • 53% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Patrick Gill
Ryu Fights Back
123 bpm • G# Maj • 01:34 • -7.99db
14% Popularity • 47% Danceability • 84% Energy • 7% Liveness
60% Instrumentalness • 60% Positiveness
14% Popularity • 47% Danceability • 84% Energy • 7% Liveness
60% Instrumentalness • 60% Positiveness
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Kotaro Nakagawa
Lelouch of the Resurrection
113 bpm • D min • 02:01 • -7.21db
34% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
34% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
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Danny Bensi and Saunder Jurriaans
Knights / Promises
112 bpm • D Maj • 03:54 • -12.02db
29% Popularity • 38% Danceability • 33% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
29% Popularity • 38% Danceability • 33% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Sarah Schachner
Valor
112 bpm • B min • 02:48 • -13.06db
30% Popularity • 35% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 35% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Dream Cave
A Dark Future
124 bpm • C# Maj • 01:35 • -11.01db
22% Popularity • 70% Danceability • 60% Energy • 21% Liveness
88% Instrumentalness • 55% Positiveness
22% Popularity • 70% Danceability • 60% Energy • 21% Liveness
88% Instrumentalness • 55% Positiveness
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Kenji Kawai
絕境 (Instrumental)
125 bpm • B min • 01:21 • -24.99db
13% Popularity • 19% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Christopher Lennertz
To Stalingrad
125 bpm • G min • 03:17 • -15.38db
19% Popularity • 19% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
19% Popularity • 19% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Greg Edmonson
Nate's Theme 3.0
125 bpm • E min • 01:47 • -12db
44% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
44% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
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The Marcus Hedges Trend Orchestra
Breaker of Chains
125 bpm • F min • 02:34 • -12.29db
17% Popularity • 30% Danceability • 54% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
17% Popularity • 30% Danceability • 54% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Tina Guo
Uncharted: Nate's Theme
125 bpm • C Maj • 03:11 • -11db
21% Popularity • 21% Danceability • 50% Energy • 14% Liveness
77% Instrumentalness • 5% Positiveness
21% Popularity • 21% Danceability • 50% Energy • 14% Liveness
77% Instrumentalness • 5% Positiveness
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Bonnie Grace
The Big Chase
111 bpm • F# min • 02:35 • -11.8db
10% Popularity • 55% Danceability • 57% Energy • 12% Liveness
69% Instrumentalness • 38% Positiveness
10% Popularity • 55% Danceability • 57% Energy • 12% Liveness
69% Instrumentalness • 38% Positiveness
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Kenji Kawai
真意
111 bpm • F min • 02:53 • -17.75db
12% Popularity • 16% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 16% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Henry Jackman
A Thief's End
125 bpm • G min • 01:54 • -16db
46% Popularity • 22% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
46% Popularity • 22% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Greg Edmonson
Nate's Theme 2.0
125 bpm • G Maj • 01:45 • -15db
42% Popularity • 29% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
42% Popularity • 29% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Hi-Finesse
Millennia
111 bpm • F# min • 02:40 • -5db
35% Popularity • 20% Danceability • 74% Energy • 19% Liveness
5% Instrumentalness • 26% Positiveness
35% Popularity • 20% Danceability • 74% Energy • 19% Liveness
5% Instrumentalness • 26% Positiveness
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Honor of Kings
Ice Blade
111 bpm • G# Maj • 04:08 • -10.09db
10% Popularity • 25% Danceability • 68% Energy • 24% Liveness
88% Instrumentalness • 33% Positiveness
10% Popularity • 25% Danceability • 68% Energy • 24% Liveness
88% Instrumentalness • 33% Positiveness
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Rich Douglas
Enclosure
111 bpm • F Maj • 02:28 • -15.47db
17% Popularity • 17% Danceability • 32% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
17% Popularity • 17% Danceability • 32% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Kenji Kawai
Decisive Battle
111 bpm • C Maj • 02:42 • -13.08db
24% Popularity • 28% Danceability • 64% Energy • 23% Liveness
95% Instrumentalness • 24% Positiveness
24% Popularity • 28% Danceability • 64% Energy • 23% Liveness
95% Instrumentalness • 24% Positiveness
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Armin Haas
One Against the World (Zheng Jian)
126 bpm • D min • 01:50 • -14.93db
14% Popularity • 30% Danceability • 33% Energy • 20% Liveness
78% Instrumentalness • 17% Positiveness
14% Popularity • 30% Danceability • 33% Energy • 20% Liveness
78% Instrumentalness • 17% Positiveness
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Kenichiro Suehiro
UNSURPASSABLE MAGIC
126 bpm • D min • 02:34 • -7.6db
34% Popularity • 47% Danceability • 86% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
34% Popularity • 47% Danceability • 86% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
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Don Davis
Neodämmerung
126 bpm • C min • 05:59 • -6.58db
32% Popularity • 24% Danceability • 74% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
32% Popularity • 24% Danceability • 74% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
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Ian Livingstone
A New Dawn
110 bpm • G min • 04:15 • -12.52db
33% Popularity • 44% Danceability • 70% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
33% Popularity • 44% Danceability • 70% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Keiji Inai
Bunny Envy
126 bpm • E min • 02:00 • -12.35db
34% Popularity • 25% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
34% Popularity • 25% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
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Kenji Kawai
反省 (Instrumental)
126 bpm • D Maj • 01:18 • -19.62db
10% Popularity • 44% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
10% Popularity • 44% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Yutaka Yamada
力動
110 bpm • D min • 03:41 • -9.33db
27% Popularity • 30% Danceability • 64% Energy • 15% Liveness
68% Instrumentalness • 7% Positiveness
27% Popularity • 30% Danceability • 64% Energy • 15% Liveness
68% Instrumentalness • 7% Positiveness
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Makoto Miyazaki
Garou's Theme - Hybrid Orchestral Versi...
110 bpm • B min • 01:49 • -13.12db
30% Popularity • 40% Danceability • 53% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
30% Popularity • 40% Danceability • 53% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Peter Roe
Honorable Death
110 bpm • A min • 03:24 • -10.82db
19% Popularity • 37% Danceability • 54% Energy • 9% Liveness
27% Instrumentalness • 10% Positiveness
19% Popularity • 37% Danceability • 54% Energy • 9% Liveness
27% Instrumentalness • 10% Positiveness
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Naoki Sato
Godzilla-1.0 Godzilla Suite I
110 bpm • C# min • 03:40 • -9.55db
40% Popularity • 24% Danceability • 40% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
40% Popularity • 24% Danceability • 40% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Helsy
Brave Shine (Orchestra Version)
109 bpm • G# Maj • 01:33 • -11.31db
10% Popularity • 30% Danceability • 56% Energy • 57% Liveness
94% Instrumentalness • 57% Positiveness
10% Popularity • 30% Danceability • 56% Energy • 57% Liveness
94% Instrumentalness • 57% Positiveness
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Edgar Hopp
Rise From the Ruins
127 bpm • C# Maj • 02:01 • -14.01db
9% Popularity • 61% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
9% Popularity • 61% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Mark Petrie
Mechanize This
109 bpm • F Maj • 03:44 • -13.58db
14% Popularity • 20% Danceability • 55% Energy • 12% Liveness
84% Instrumentalness • 8% Positiveness
14% Popularity • 20% Danceability • 55% Energy • 12% Liveness
84% Instrumentalness • 8% Positiveness
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Kiyoshi Yoshida
Rising Sun
128 bpm • A Maj • 04:06 • -11db
30% Popularity • 61% Danceability • 88% Energy • 30% Liveness
92% Instrumentalness • 84% Positiveness
30% Popularity • 61% Danceability • 88% Energy • 30% Liveness
92% Instrumentalness • 84% Positiveness
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Takashi Ohmama
Twilight AXIS
128 bpm • A# min • 04:34 • -15.33db
14% Popularity • 25% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
