Songs like Nacht und Träume, Op. 43 No. 2, D. 827 by Franz Schubert
Based on a tempo of (+/- 10%) and a similar genre
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Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
37% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
37% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Domenico Cimarosa
Sonata No. 55 in A Minor (Arr. Ólafsson...
80 bpm • A min • 02:44 • -36db
36% Popularity • 41% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
36% Popularity • 41% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Franz Schubert
Nacht und Träume, Op. 43 No. 2, D. 827
80 bpm • E Maj • 03:25 • -25.16db
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
43% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
43% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
44% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: No. 2, Liebesleid...
79 bpm • A min • 03:40 • -25.96db
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
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Anonymous
Wiegenlied (Lullaby), Op. 98, No. 2, D. ...
81 bpm • G Maj • 01:06 • -22.37db
33% Popularity • 18% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 22% Positiveness
33% Popularity • 18% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 22% Positiveness
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Franz Schubert
An die Musik, D. 547 (Transc. for Cello ...
81 bpm • D Maj • 02:25 • -21db
23% Popularity • 25% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
23% Popularity • 25% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Fanny Mendelssohn
Allegro molto in C Minor
79 bpm • F min • 03:23 • -21.24db
33% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
38% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
38% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Adoration
79 bpm • G Maj • 03:38 • -25.57db
38% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Franz Schubert
Piano Quintet in A Major, Op. 114, D 667...
81 bpm • E Maj • 11:45 • -20.68db
26% Popularity • 27% Danceability • 13% Energy • 7% Liveness
65% Instrumentalness • 28% Positiveness
26% Popularity • 27% Danceability • 13% Energy • 7% Liveness
65% Instrumentalness • 28% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am Laid ...
79 bpm • G min • 03:09 • -21.75db
42% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
42% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
56% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Franz Schubert
Schubert / Transcr. Tharaud: Rosamunde, ...
79 bpm • A# Maj • 05:58 • -24.16db
21% Popularity • 27% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
21% Popularity • 27% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Keyboard Sonata in F Minor, Kk. 466 - Up...
82 bpm • F min • 03:57 • -39.84db
43% Popularity • 21% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
43% Popularity • 21% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
56% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
56% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
78 bpm • A# Maj • 04:18 • -31db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Reynaldo Hahn
Cello Sonata in A Minor: II. Lamento
78 bpm • D min • 02:05 • -34.39db
25% Popularity • 22% Danceability • 1% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 1% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
82 bpm • C min • 06:06 • -24db
34% Popularity • 10% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Franz Schubert
An die Musik, Op. 88 No. 4, D. 547
78 bpm • D Maj • 02:32 • -24.66db
9% Popularity • 17% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 4 in E Minor
82 bpm • E min • 02:01 • -39db
46% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
46% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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G. I. Gurdjieff
Woman´s Prayer
83 bpm • F min • 01:58 • -30db
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Philip Glass
Tissue No. 6
78 bpm • A min • 03:17 • -32db
18% Popularity • 21% Danceability • 1% Energy • 19% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 1% Energy • 19% Liveness
85% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Cello Concerto in A Minor, Op....
83 bpm • F Maj • 04:05 • -27.47db
37% Popularity • 20% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 20% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
57% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
57% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Ignaz Friedman
Don Juan: Gavotte (arr. I. Friedman for ...
77 bpm • D# Maj • 04:16 • -30db
39% Popularity • 32% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 18% Positiveness
39% Popularity • 32% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 18% Positiveness
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Nino Rota
Il Padrino (for Harp): Un poco liberamen...
83 bpm • F min • 03:32 • -29.48db
35% Popularity • 29% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
35% Popularity • 29% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
37% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Gluck / Arr Siloti: Orphée et Eurydice,...
77 bpm • A# min • 03:15 • -31.54db
34% Popularity • 23% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 23% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Erik Satie
Pièces froides: II. Airs à faire fuir ...
76 bpm • G Maj • 01:46 • -34.26db
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Frédéric Chopin
Waltz No. 12 in F Minor, Op. 70 No. 2
76 bpm • G# Maj • 01:48 • -34.21db
47% Popularity • 28% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
47% Popularity • 28% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Henry Purcell
Music for a While
76 bpm • A min • 04:10 • -23db
45% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
45% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
76 bpm • F# Maj • 02:23 • -33db
44% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
76 bpm • A# Maj • 03:50 • -25.79db
43% Popularity • 10% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyrical Pieces, Op. 12: No. 1, Arietta
76 bpm • D# Maj • 01:10 • -35.49db
37% Popularity • 40% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
37% Popularity • 40% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Franz Schubert
Valse Noble No. 8 en La Majeur, D. 969
76 bpm • A Maj • 00:58 • -24.98db
33% Popularity • 47% Danceability • 5% Energy • 7% Liveness
97% Instrumentalness • 61% Positiveness
33% Popularity • 47% Danceability • 5% Energy • 7% Liveness
97% Instrumentalness • 61% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
26% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Rentaro Taki
The Moon on the Ruined Castle (Arr. Cell...
84 bpm • C min • 01:13 • -32.06db
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
► Preview
Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
► Preview
Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
84 bpm • A# Maj • 03:24 • -32db
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
58% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
58% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
55% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Alexander Borodin
Nocturne (Arr. Cullen for Cello and Orch...
76 bpm • A Maj • 04:05 • -27db
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
► Preview
Friedrich Burgmüller
18 Études, Op. 109: No. 7, Berceuse
85 bpm • F Maj • 01:26 • -30db
46% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
► Preview
Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Johannes Brahms
Drei Intermezzi, Op. 117: I. Andante mod...
75 bpm • D# Maj • 05:31 • -38db
27% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
27% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Fantasia No. 3 in D Minor, K. 397
85 bpm • D Maj • 05:46 • -22.64db
22% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
22% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
48% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
48% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Franz Schubert
Abendstern, D. 806 (Arr. X. van Dijk for...
85 bpm • G min • 02:33 • -31.84db
24% Popularity • 9% Danceability • 1% Energy • 18% Liveness
38% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 1% Energy • 18% Liveness
38% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
23% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Philip Glass
Tissue No. 7
75 bpm • A# Maj • 03:15 • -37.03db
45% Popularity • 11% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
45% Popularity • 11% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Franz Schubert
Heidenroslein, Op. 3, No. 3, D. 257 (arr...
75 bpm • A Maj • 01:08 • -28.32db
36% Popularity • 38% Danceability • 4% Energy • 13% Liveness
45% Instrumentalness • 43% Positiveness
36% Popularity • 38% Danceability • 4% Energy • 13% Liveness
45% Instrumentalness • 43% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
86 bpm • A Maj • 04:33 • -26db
34% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
52% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
52% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Johannes Brahms
Intermezzo in B-Flat Major, Op. 76 No. 4
75 bpm • D# Maj • 02:22 • -35.43db
29% Popularity • 19% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
29% Popularity • 19% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Gina Alice
Opus
75 bpm • A min • 04:51 • -26.61db
36% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Claude Debussy
Cello Sonata in D Minor: I. Prologue: Le...
86 bpm • D min • 04:31 • -23db
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Piano Sonata in E-Flat Major, WoO 47, No...
86 bpm • A# Maj • 02:56 • -35db
44% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
44% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Luise Adolpha Le Beau
Cello Sonata in D Major, Op. 17: II. And...
86 bpm • B min • 04:30 • -24.14db
42% Popularity • 15% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 15% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Sergei Rachmaninoff
14 Romances, Op. 34: No. 1, The Muse (Ar...
86 bpm • E min • 04:37 • -22.04db
21% Popularity • 19% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Stille Musik: 3. Augenblicke der Serenad...
86 bpm • C Maj • 02:17 • -39db
58% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
58% Popularity • 16% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
6 Lieder, Op. 57: 5. Venetianisches Gond...
86 bpm • B min • 01:56 • -21.42db
28% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
28% Popularity • 25% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
