Songs like Nachtlied, Op. 138, No. 3 by Max Reger
Based on a tempo of (+/- 10%) and a similar genre
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Louis Vierne
Messe solennelle pour deux orgues et cho...
69 bpm • E Maj • 02:16 • -17db
14% Popularity • 16% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Opus musicum: Ecce quomodo moritur justu...
69 bpm • A# Maj • 04:12 • -26.93db
8% Popularity • 14% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Max Reger
Nachtlied, Op. 138, No. 3
69 bpm • B min • 03:01 • -25.5db
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
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Gottfried Heinrich Stölzel
Diomedes: Anna Magdalena Notenbuch (Clav...
69 bpm • C# Maj • 03:49 • -19.08db
22% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Bles...
69 bpm • D min • 06:09 • -28.49db
24% Popularity • 16% Danceability • 2% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 2% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
69 bpm • D# Maj • 02:04 • -32.16db
27% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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St. Albans Cathedral Choir
Brahms: Geistliches lied Op. 30
70 bpm • D# Maj • 05:49 • -25db
8% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
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Max Reger
30 Kleine Choralvorspiele, Op. 135a: No....
69 bpm • G# Maj • 01:22 • -15db
18% Popularity • 28% Danceability • 14% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
18% Popularity • 28% Danceability • 14% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 9, "Jesus Ca...
68 bpm • A min • 02:43 • -17.09db
37% Popularity • 20% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 20% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Deutsche Messe, D. 872: Zum Ei...
68 bpm • F Maj • 03:56 • -19.97db
11% Popularity • 17% Danceability • 6% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 6% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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Lili Boulanger
Pendant la tempête
70 bpm • D Maj • 04:04 • -22.43db
8% Popularity • 12% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
70 bpm • D min • 01:06 • -27.22db
37% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Messe solennelle de Sainte-Céci...
68 bpm • A# Maj • 03:09 • -29.41db
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
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Max Reger
Variation 3: Con moto
70 bpm • A min • 01:22 • -29.94db
28% Popularity • 15% Danceability • 2% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
28% Popularity • 15% Danceability • 2% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Kyrie
70 bpm • C# min • 05:54 • -14.16db
13% Popularity • 6% Danceability • 18% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
13% Popularity • 6% Danceability • 18% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Claude Debussy
Trois chansons de Charles d'Orléans, L....
68 bpm • F# min • 02:33 • -31db
10% Popularity • 17% Danceability • 5% Energy • 26% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 5% Energy • 26% Liveness
2% Instrumentalness • 4% Positiveness
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Lili Boulanger
La Source
70 bpm • C# min • 05:36 • -26.87db
12% Popularity • 17% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Schubert
An die Musik, D. 547
70 bpm • D Maj • 02:58 • -22.22db
12% Popularity • 40% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 40% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Benjamin Britten
The Salley Gardens
68 bpm • F# Maj • 02:46 • -22db
18% Popularity • 20% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
18% Popularity • 20% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
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Max Reger
M. Reger: Der Mond ist aufgegangen
68 bpm • E min • 05:55 • -34.35db
13% Popularity • 14% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Tomaso Albinoni
Concerto Saint Marc: I. Grave
68 bpm • A# Maj • 02:10 • -18.65db
23% Popularity • 19% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
23% Popularity • 19% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Johann Michael Bach
Ich weiß, daß mein Erlöser lebt
70 bpm • G Maj • 02:42 • -19.96db
3% Popularity • 25% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 25% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Armide: Overture
70 bpm • A# Maj • 02:16 • -27.15db
40% Popularity • 43% Danceability • 9% Energy • 32% Liveness
92% Instrumentalness • 61% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 32% Liveness
92% Instrumentalness • 61% Positiveness
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Edward Elgar
Elegy, Op. 58
70 bpm • F min • 04:27 • -36.89db
27% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
27% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Magn...
70 bpm • A# Maj • 07:19 • -27.41db
16% Popularity • 13% Danceability • 5% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 5% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
37% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
37% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Lili Boulanger
Soleils de septembre
71 bpm • D Maj • 06:38 • -27.75db
12% Popularity • 11% Danceability • 3% Energy • 15% Liveness
62% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 3% Energy • 15% Liveness
62% Instrumentalness • 4% Positiveness
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George Frideric Handel
Concerto-Pasticcio in C Major: I. Largo
67 bpm • G Maj • 01:46 • -17.4db
45% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
45% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
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Jean-Baptiste Lully
Lully : Ballet des Muses : "Trop indiscr...
71 bpm • F min • 05:06 • -21.53db
39% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
39% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Johannes Brahms
4 Gesange, Op. 17: Es tont ein voller Ha...
67 bpm • G min • 03:15 • -25.92db
15% Popularity • 20% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Max Reger
Introduction and Passacaglia in D Minor
67 bpm • D min • 07:54 • -18.66db
2% Popularity • 6% Danceability • 16% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
2% Popularity • 6% Danceability • 16% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Anton Bruckner
Vexilla Regis
71 bpm • F Maj • 08:14 • -29.23db
15% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
71 bpm • B min • 03:11 • -30.91db
12% Popularity • 20% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
12% Popularity • 20% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Franz Schubert
Deutsche Messe, D. 872: III. Zum Evangel...
67 bpm • G Maj • 05:15 • -24.46db
10% Popularity • 11% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 11% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Johann Bach
Weint nicht um meinen Tod
67 bpm • C min • 06:25 • -25.46db
22% Popularity • 16% Danceability • 4% Energy • 12% Liveness
13% Instrumentalness • 10% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 12% Liveness
13% Instrumentalness • 10% Positiveness
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Max Reger
8 Ausgewählte Volkslieder: VIII. Es war...
71 bpm • A Maj • 03:42 • -27.49db
1% Popularity • 18% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 18% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Gloria: Domine Deus, Rex coelestis
66 bpm • B Maj • 04:05 • -30db
29% Popularity • 28% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Air: ...
72 bpm • F# Maj • 08:18 • -29.67db
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
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Edward Elgar
2 Choral songs, Op. 71: No. 1. The Showe...
72 bpm • D# Maj • 02:39 • -28.13db
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Lagrime di San Pietro: V. Giovane donna ...
66 bpm • G min • 02:14 • -23.7db
31% Popularity • 17% Danceability • 9% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 9% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: D...
72 bpm • A min • 03:00 • -27.64db
11% Popularity • 21% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Max Reger
Ich sehe dich in tausend Bildern, Op.105...
72 bpm • F# min • 02:26 • -34.86db
5% Popularity • 24% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 24% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Miserere mei, Z. 109
66 bpm • A min • 01:22 • -25.22db
37% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Raaf Hekkema
Vom Himmel hoch, da komm ich her (After ...
72 bpm • D# Maj • 02:01 • -17.85db
30% Popularity • 27% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 40% Positiveness
30% Popularity • 27% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 40% Positiveness
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Girolamo Frescobaldi
Canzona undecima a due canti "detta la p...
72 bpm • A min • 02:14 • -23.01db
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
66 bpm • D# Maj • 03:56 • -24db
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Du bist die Ruh, Op. 59 No. 3,...
66 bpm • D# Maj • 04:27 • -28.48db
20% Popularity • 28% Danceability • 1% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 1% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 1. Chor: ...
72 bpm • F Maj • 11:18 • -28.69db
33% Popularity • 6% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
33% Popularity • 6% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Come, Let Us Worship
66 bpm • C# Maj • 01:43 • -19.41db
15% Popularity • 18% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
15% Popularity • 18% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Max Reger
52 Choralvorspiele für Orgel, Op. 67: X...
66 bpm • D# Maj • 01:54 • -31.53db
6% Popularity • 16% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
6% Popularity • 16% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
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Cristobal de Morales
Officium defunctorum: Parce mihi Domine:...
66 bpm • A# Maj • 05:21 • -36.59db
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
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Melchior Franck
Ein feste Burg ist unser Gott in F Major
66 bpm • C Maj • 01:11 • -18db
25% Popularity • 26% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
25% Popularity • 26% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
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Johann Sebastian Bach
Wie schön leuchtet der Morgenstern, BWV...
66 bpm • F Maj • 07:20 • -15.18db
8% Popularity • 28% Danceability • 23% Energy • 25% Liveness
63% Instrumentalness • 20% Positiveness
8% Popularity • 28% Danceability • 23% Energy • 25% Liveness
63% Instrumentalness • 20% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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Max Reger
Ich hab die Nacht geträumet, WoO VI/11,...
73 bpm • G min • 02:50 • -28.9db
3% Popularity • 11% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 11% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Bernat Vivancos
Aeternam
65 bpm • B min • 09:25 • -24db
26% Popularity • 6% Danceability • 6% Energy • 31% Liveness
91% Instrumentalness • 3% Positiveness
26% Popularity • 6% Danceability • 6% Energy • 31% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Johannes Ockeghem
Requiem: Kyrie
73 bpm • G Maj • 04:33 • -24db
27% Popularity • 11% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
27% Popularity • 11% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
► Preview
César Franck
Panis Angelicus (Arr. Leopold Stokowski)
65 bpm • A Maj • 03:49 • -23.96db
24% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 3. Otche nash (Our F...
73 bpm • D# Maj • 04:25 • -27db
12% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
► Preview
Louis Vierne
Messe solennelle pour deux orgues et cho...
73 bpm • C# min • 05:37 • -18db
17% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
17% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
Myrthen, Op. 25: No. 3. Der Nussbaum
65 bpm • G Maj • 03:32 • -28.2db
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
► Preview
Josef Rheinberger
Wie Lieblich Sind Deine Wohnungen, Op. 3...
73 bpm • A# Maj • 05:43 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Andreas Scholl
Sancta Mater
73 bpm • D Maj • 03:38 • -16.41db
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Michael McGlynn
Where All Roses Go
73 bpm • B min • 04:58 • -22db
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
52% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Paul Hindemith
6 Chansons: No. 5. En hiver
65 bpm • F min • 01:19 • -24.48db
21% Popularity • 25% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 25% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Ralph Vaughan Williams
Hymn-Tune Prelude on Song 13 by Orlando ...
73 bpm • G Maj • 03:21 • -32.73db
18% Popularity • 17% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Variationen über ein Thema von Haydn f�...
73 bpm • D# Maj • 01:43 • -34.91db
0% Popularity • 29% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 36% Positiveness
0% Popularity • 29% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 36% Positiveness
► Preview
Alfred Stier
Mit Freuden zart zu dieser Fahrt
73 bpm • D Maj • 02:23 • -22.62db
4% Popularity • 33% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
4% Popularity • 33% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Max Reger
Variations and Fugue on an Original Them...
65 bpm • B min • 05:27 • -20.84db
0% Popularity • 7% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
0% Popularity • 7% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
► Preview
César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
65 bpm • A Maj • 06:49 • -30.41db
8% Popularity • 15% Danceability • 2% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 2% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
64 bpm • B min • 02:19 • -17db
33% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
33% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Kyrie
74 bpm • D min • 04:38 • -33.66db
16% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Robert Schumann
Dichterliebe, Op. 48: I. Im wunderschön...
74 bpm • B min • 01:33 • -25db
22% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Brahms
Variationen über ein Thema von Haydn f�...
64 bpm • A# Maj • 02:48 • -32.46db
0% Popularity • 37% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
0% Popularity • 37% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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George Frideric Handel
Handel / Arr. Tracey for Organ: Water Mu...
64 bpm • D Maj • 03:44 • -19db
23% Popularity • 17% Danceability • 18% Energy • 7% Liveness
95% Instrumentalness • 17% Positiveness
23% Popularity • 17% Danceability • 18% Energy • 7% Liveness
95% Instrumentalness • 17% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Max Reger
Morgengesang
64 bpm • D# Maj • 02:45 • -25.58db
3% Popularity • 19% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Des pas dans l'allée, Op. 141, No. 1
74 bpm • D min • 05:20 • -33.2db
19% Popularity • 15% Danceability • 2% Energy • 6% Liveness
9% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 2% Energy • 6% Liveness
9% Instrumentalness • 3% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Anton Bruckner
Anton Bruckner: Ave Maria
74 bpm • F Maj • 03:19 • -24db
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Thomas Tallis
Mass For Four Voices: 1. Gloria
64 bpm • C Maj • 05:09 • -22db
27% Popularity • 9% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
27% Popularity • 9% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
64 bpm • C Maj • 01:10 • -18.12db
30% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
30% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Max Reger
12 Pieces, Op. 59: VI. Fugue in D Major
75 bpm • D Maj • 04:22 • -21.44db
0% Popularity • 7% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Lili Boulanger
Vieille prière bouddhique
75 bpm • F min • 08:47 • -23.94db
8% Popularity • 12% Danceability • 4% Energy • 6% Liveness
25% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 4% Energy • 6% Liveness
25% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
22% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Adolf Lohmann
Ich will dich lieben, meine Stärke
75 bpm • C Maj • 02:53 • -29db
12% Popularity • 24% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 24% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Pie Jesu
75 bpm • F min • 03:37 • -34.6db
18% Popularity • 20% Danceability • 1% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
18% Popularity • 20% Danceability • 1% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerabat
75 bpm • D# Maj • 02:49 • -25db
37% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
37% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
75 bpm • G Maj • 03:50 • -29db
22% Popularity • 11% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
