Songs like Nadja V Lázni by Ondřej Soukup
Based on a tempo of (+/- 10%) and a similar genre
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Elena Vesova
Lyric Etude
106 bpm • D min • 02:08 • -30.63db
7% Popularity • 20% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
7% Popularity • 20% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Ondřej Soukup
Intermezzo
106 bpm • F Maj • 05:14 • -21.54db
0% Popularity • 18% Danceability • 14% Energy • 71% Liveness
88% Instrumentalness • 6% Positiveness
0% Popularity • 18% Danceability • 14% Energy • 71% Liveness
88% Instrumentalness • 6% Positiveness
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Gabriel Andrés Gallegos
El pasajero oscuro
105 bpm • G min • 01:54 • -17.25db
14% Popularity • 24% Danceability • 13% Energy • 8% Liveness
84% Instrumentalness • 16% Positiveness
14% Popularity • 24% Danceability • 13% Energy • 8% Liveness
84% Instrumentalness • 16% Positiveness
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Milo Paulus
The Long Day Closes: II. An Unquiet Day
107 bpm • E Maj • 02:16 • -16.09db
15% Popularity • 21% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 21% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Emiliano Branda
Twilight Suspicion
105 bpm • A# Maj • 02:37 • -17.86db
12% Popularity • 42% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 42% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Caleb J. Both
Flying
105 bpm • F Maj • 01:20 • -17.75db
9% Popularity • 19% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 9% Positiveness
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Emanuela Dellana
Serpientes
105 bpm • E Maj • 02:21 • -20.4db
15% Popularity • 34% Danceability • 19% Energy • 21% Liveness
94% Instrumentalness • 36% Positiveness
15% Popularity • 34% Danceability • 19% Energy • 21% Liveness
94% Instrumentalness • 36% Positiveness
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Stewart Thompson
March
107 bpm • G Maj • 02:52 • -13.8db
16% Popularity • 28% Danceability • 19% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
16% Popularity • 28% Danceability • 19% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
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Music From Auschwitz Ensemble of University of Michigan
Chinesische Straßenserenade (Chinese St...
105 bpm • A Maj • 04:43 • -22.36db
17% Popularity • 44% Danceability • 8% Energy • 8% Liveness
29% Instrumentalness • 37% Positiveness
17% Popularity • 44% Danceability • 8% Energy • 8% Liveness
29% Instrumentalness • 37% Positiveness
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Zygmunt Konieczny
Jasminum
107 bpm • B min • 04:40 • -26.33db
9% Popularity • 28% Danceability • 3% Energy • 10% Liveness
52% Instrumentalness • 17% Positiveness
9% Popularity • 28% Danceability • 3% Energy • 10% Liveness
52% Instrumentalness • 17% Positiveness
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Jiří Korn
Ptákoviny
108 bpm • G# Maj • 05:14 • -14.12db
0% Popularity • 71% Danceability • 67% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
0% Popularity • 71% Danceability • 67% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
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Carl Czerny
Czerny Op. 849 Exercise No. 17: Allegro ...
108 bpm • G Maj • 00:58 • -15.1db
13% Popularity • 50% Danceability • 11% Energy • 39% Liveness
93% Instrumentalness • 46% Positiveness
13% Popularity • 50% Danceability • 11% Energy • 39% Liveness
93% Instrumentalness • 46% Positiveness
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Legendary Epic Crafter
Lights on - Epic Fantasy Instrumental
108 bpm • D min • 02:10 • -22.65db
10% Popularity • 41% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 41% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Las Eternas
Zonas de Paso
104 bpm • C# min • 02:25 • -22.32db
18% Popularity • 17% Danceability • 9% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
18% Popularity • 17% Danceability • 9% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
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Dan Levy
Tout est juste et à sa place
108 bpm • F Maj • 03:12 • -18.64db
7% Popularity • 55% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 55% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Shelly
Surreal Life at Maldives Island Villas
104 bpm • D Maj • 01:25 • -16.64db
8% Popularity • 20% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 11% Positiveness
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Sirenas Celestiales
El Alcance del Tiempo
108 bpm • F min • 02:25 • -20.03db
12% Popularity • 59% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 19% Positiveness
12% Popularity • 59% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 19% Positiveness
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Pražský big band Milana Svobody
Blues Pro P. B. B.
108 bpm • C Maj • 06:03 • -13.76db
1% Popularity • 50% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 69% Positiveness
1% Popularity • 50% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 69% Positiveness
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Ondřej Soukup
Ženy se probouzejí
108 bpm • B Maj • 01:18 • -15.29db
0% Popularity • 22% Danceability • 32% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
0% Popularity • 22% Danceability • 32% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Marijn van der Waard
Echoes of the Forest
109 bpm • G Maj • 01:47 • -32.18db
18% Popularity • 16% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Patrick Thomas Hawes
Spring Days
103 bpm • D# Maj • 01:57 • -13.83db
17% Popularity • 20% Danceability • 17% Energy • 12% Liveness
67% Instrumentalness • 34% Positiveness
17% Popularity • 20% Danceability • 17% Energy • 12% Liveness
67% Instrumentalness • 34% Positiveness
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Ninfas De Ultramar
Mentalidad Moderna
109 bpm • A# Maj • 02:24 • -22.08db
12% Popularity • 52% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
12% Popularity • 52% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Las Guerreras
Llamando La Atencion
109 bpm • A# min • 02:09 • -22.18db
14% Popularity • 24% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Lino Cannavacciuolo
Il bambino
109 bpm • D Maj • 01:03 • -28.29db
19% Popularity • 20% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Ondřej Soukup
Boo-Boo-Boo
110 bpm • D# Maj • 04:36 • -18.48db
0% Popularity • 27% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Daniel Brennare
The Secrets of the Rain (Movement I)
110 bpm • G min • 04:48 • -13.92db
11% Popularity • 28% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
11% Popularity • 28% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Lauri Porra
Firstborn
110 bpm • C Maj • 02:41 • -21.84db
18% Popularity • 56% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
18% Popularity • 56% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Ninfas De Ultramar
Obra Clasica y Maestra
109 bpm • D min • 02:11 • -20.97db
12% Popularity • 44% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
12% Popularity • 44% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Misya
Follow Me
110 bpm • F# min • 02:24 • -21.37db
17% Popularity • 39% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
17% Popularity • 39% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Ernesto Vallini
Size of Love
110 bpm • B Maj • 03:00 • -22.05db
10% Popularity • 46% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
10% Popularity • 46% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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Emanuela Dellana
Deseos
110 bpm • F# min • 02:21 • -24db
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
97% Instrumentalness • 49% Positiveness
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
97% Instrumentalness • 49% Positiveness
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Jeymes Samuel
Compunction
110 bpm • F# min • 01:17 • -16.55db
8% Popularity • 41% Danceability • 27% Energy • 35% Liveness
94% Instrumentalness • 17% Positiveness
8% Popularity • 41% Danceability • 27% Energy • 35% Liveness
94% Instrumentalness • 17% Positiveness
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Luciano Lombardi
Missing Love Under The Stars
110 bpm • D# Maj • 03:19 • -24.55db
25% Popularity • 38% Danceability • 5% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
25% Popularity • 38% Danceability • 5% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
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Las Eternas
Crimen Y Destino
102 bpm • F Maj • 02:06 • -21.63db
20% Popularity • 61% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 33% Positiveness
20% Popularity • 61% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 33% Positiveness
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Ondřej Soukup
Ptaci jsou hloupi
102 bpm • C Maj • 04:07 • -18.68db
1% Popularity • 52% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 52% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Lauri Porra
Building Life
110 bpm • G Maj • 02:04 • -21.13db
20% Popularity • 38% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
20% Popularity • 38% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Rafo Hdez
Fantasy Lll
102 bpm • G min • 02:43 • -15.14db
8% Popularity • 16% Danceability • 22% Energy • 7% Liveness
58% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 22% Energy • 7% Liveness
58% Instrumentalness • 8% Positiveness
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Natalia Walewska
Amber Tango z filmu "Goldwasser Suite"
111 bpm • D Maj • 03:12 • -13.27db
9% Popularity • 29% Danceability • 27% Energy • 29% Liveness
72% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 27% Energy • 29% Liveness
72% Instrumentalness • 10% Positiveness
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Luciano Lombardi
Missing Love Fantasy
110 bpm • D# Maj • 03:31 • -22.63db
25% Popularity • 45% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 4% Positiveness
25% Popularity • 45% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 4% Positiveness
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Lily Jimeth
Womanhood
101 bpm • D# min • 01:45 • -14.86db
17% Popularity • 22% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
17% Popularity • 22% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Ondřej Soukup
Jasnovidec
102 bpm • F Maj • 00:59 • -20.88db
4% Popularity • 70% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 70% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Laurent Courbier
Apprentissage du Vol
102 bpm • G Maj • 03:34 • -18db
10% Popularity • 17% Danceability • 12% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 12% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Hasan Ozsut
Bride
101 bpm • G min • 02:18 • -13.76db
8% Popularity • 39% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
8% Popularity • 39% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Fiona Ubong
Can't Lose Won't Lose
101 bpm • F# Maj • 01:56 • -22.14db
16% Popularity • 21% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
16% Popularity • 21% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Luciano Lombardi
Missing Love Time
110 bpm • D# Maj • 03:34 • -20.97db
25% Popularity • 28% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 28% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Wet Dream
111 bpm • G Maj • 01:17 • -23.64db
16% Popularity • 35% Danceability • 5% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
16% Popularity • 35% Danceability • 5% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
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Las Guerreras
Subiendo Las Temperaturas
101 bpm • A min • 02:21 • -15.79db
13% Popularity • 14% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Martin Stock
Erinnerungen an Abrascha
101 bpm • G min • 01:22 • -29.09db
12% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
12% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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EDO ZENITH
Bizzarro Incontro
101 bpm • B min • 02:27 • -15.41db
14% Popularity • 27% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
14% Popularity • 27% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Ninfas De Ultramar
Extasis Imaginario
101 bpm • A# min • 02:29 • -19.29db
12% Popularity • 74% Danceability • 15% Energy • 16% Liveness
48% Instrumentalness • 65% Positiveness
12% Popularity • 74% Danceability • 15% Energy • 16% Liveness
48% Instrumentalness • 65% Positiveness
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Ondřej Soukup
Michale, Marketa, Katerina
101 bpm • D Maj • 05:08 • -14.16db
0% Popularity • 29% Danceability • 31% Energy • 17% Liveness
2% Instrumentalness • 17% Positiveness
0% Popularity • 29% Danceability • 31% Energy • 17% Liveness
2% Instrumentalness • 17% Positiveness
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Luciano Lombardi
C'era Una Volta In Italia, La Patria
101 bpm • A# Maj • 07:24 • -22.31db
25% Popularity • 23% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 23% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Marcel Barsotti
Schmetterlinge im Bauch
100 bpm • C Maj • 01:59 • -21db
17% Popularity • 32% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
17% Popularity • 32% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
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Martin Jeremy Richardson
Under a Sheltering Sky
100 bpm • A min • 02:04 • -14.18db
10% Popularity • 25% Danceability • 29% Energy • 27% Liveness
87% Instrumentalness • 8% Positiveness
10% Popularity • 25% Danceability • 29% Energy • 27% Liveness
87% Instrumentalness • 8% Positiveness
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Remo Anzovino
Men and Gods
112 bpm • D# Maj • 03:19 • -16.82db
9% Popularity • 17% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Andrea Montepaone
Street Theater in Naples
112 bpm • A min • 01:46 • -9.69db
8% Popularity • 78% Danceability • 48% Energy • 11% Liveness
94% Instrumentalness • 67% Positiveness
8% Popularity • 78% Danceability • 48% Energy • 11% Liveness
94% Instrumentalness • 67% Positiveness
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Ondřej Soukup
Kapitan komorous
101 bpm • G Maj • 02:39 • -18.28db
0% Popularity • 35% Danceability • 53% Energy • 14% Liveness
26% Instrumentalness • 10% Positiveness
0% Popularity • 35% Danceability • 53% Energy • 14% Liveness
26% Instrumentalness • 10% Positiveness
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Hasta El Final
Sencillamente Espectacular
100 bpm • C Maj • 02:13 • -20.92db
14% Popularity • 32% Danceability • 17% Energy • 11% Liveness
70% Instrumentalness • 7% Positiveness
14% Popularity • 32% Danceability • 17% Energy • 11% Liveness
70% Instrumentalness • 7% Positiveness
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Ninfas De Ultramar
Llegando al Infinito
112 bpm • F min • 02:17 • -18.15db
12% Popularity • 22% Danceability • 18% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Gabriel Yared
On est bien tous les deux
100 bpm • E min • 01:37 • -24.75db
12% Popularity • 25% Danceability • 7% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 25% Danceability • 7% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
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Niki Reiser
Das kleine Gespenst
100 bpm • F min • 01:29 • -23.25db
7% Popularity • 38% Danceability • 15% Energy • 19% Liveness
17% Instrumentalness • 15% Positiveness
7% Popularity • 38% Danceability • 15% Energy • 19% Liveness
17% Instrumentalness • 15% Positiveness
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Hélène Blazy
Grand-Fathers And Grand-Sons
100 bpm • C min • 03:00 • -17.51db
14% Popularity • 66% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 47% Positiveness
14% Popularity • 66% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 47% Positiveness
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Ondřej Soukup
Helga Cockova
112 bpm • C min • 04:26 • -16.29db
0% Popularity • 62% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 62% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Stephen Warbeck
Renvoyée
112 bpm • D Maj • 03:10 • -21.32db
15% Popularity • 36% Danceability • 9% Energy • 20% Liveness
88% Instrumentalness • 23% Positiveness
15% Popularity • 36% Danceability • 9% Energy • 20% Liveness
88% Instrumentalness • 23% Positiveness
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Emanuela Dellana
Confusiones
100 bpm • D min • 02:27 • -21.06db
13% Popularity • 45% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 7% Positiveness
13% Popularity • 45% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 7% Positiveness
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Byron McKay
Visitors On Main
100 bpm • D Maj • 02:11 • -21.58db
11% Popularity • 47% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
11% Popularity • 47% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Joel Clarkson
A Bright and Beautiful Sadness
100 bpm • E min • 05:09 • -19.98db
8% Popularity • 14% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Luckless
Gare Field
100 bpm • G min • 01:01 • -26.87db
26% Popularity • 60% Danceability • 39% Energy • 55% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 60% Danceability • 39% Energy • 55% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Ondřej Soukup
Tmavomodry svet
112 bpm • C Maj • 07:04 • -11.43db
0% Popularity • 17% Danceability • 24% Energy • 16% Liveness
92% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 24% Energy • 16% Liveness
92% Instrumentalness • 5% Positiveness
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Alberto Moggi
Hurt by My Luck
100 bpm • F Maj • 02:27 • -18db
10% Popularity • 48% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
10% Popularity • 48% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
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Shaffler Highschool
Inner Peace
100 bpm • B min • 02:24 • -22.03db
11% Popularity • 38% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 17% Positiveness
11% Popularity • 38% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 17% Positiveness
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Cyrille Aufort
Oiseaux célestes
100 bpm • C min • 03:17 • -15.67db
9% Popularity • 36% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
9% Popularity • 36% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Ernesto Vallini
Good and Nice
100 bpm • G# Maj • 02:24 • -19.54db
12% Popularity • 29% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
12% Popularity • 29% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Michiru Oshima
どたばた日和
100 bpm • G Maj • 01:40 • -10.84db
12% Popularity • 72% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
12% Popularity • 72% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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Ondřej Soukup
Tvrdy chlapik
112 bpm • D min • 03:31 • -19.72db
0% Popularity • 68% Danceability • 13% Energy • 9% Liveness
79% Instrumentalness • 20% Positiveness
0% Popularity • 68% Danceability • 13% Energy • 9% Liveness
79% Instrumentalness • 20% Positiveness
► Preview
Alexander Johannes Uitz
Enigma of the Sphinx
100 bpm • F# min • 01:15 • -22.72db
12% Popularity • 49% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
12% Popularity • 49% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
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Casa Batlló
Origen
100 bpm • E Maj • 01:19 • -20.62db
10% Popularity • 32% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 32% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Martin Pošta
White Lines
100 bpm • G Maj • 04:10 • -11.36db
0% Popularity • 76% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 76% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Hannes De Maeyer
Proudest Day of My Life
100 bpm • D min • 01:30 • -20.92db
17% Popularity • 14% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Alexandre Desplat
Family Time
113 bpm • G min • 01:11 • -21.61db
16% Popularity • 19% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Jeff Russo
The Talented Mr. Ripley - FIN
113 bpm • G min • 03:35 • -14.34db
28% Popularity • 57% Danceability • 23% Energy • 10% Liveness
77% Instrumentalness • 23% Positiveness
28% Popularity • 57% Danceability • 23% Energy • 10% Liveness
77% Instrumentalness • 23% Positiveness
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Saltonbria
Fairytale Forest
113 bpm • C# Maj • 01:46 • -12.56db
9% Popularity • 49% Danceability • 30% Energy • 32% Liveness
31% Instrumentalness • 14% Positiveness
9% Popularity • 49% Danceability • 30% Energy • 32% Liveness
31% Instrumentalness • 14% Positiveness
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Ardie Son
New Life
113 bpm • G Maj • 04:18 • -14.55db
27% Popularity • 19% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
27% Popularity • 19% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Grande Moravia
Panna a netvor
113 bpm • C Maj • 02:42 • -16.5db
10% Popularity • 22% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
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Las Guerreras
Desaparicion Repentina
113 bpm • B min • 02:13 • -17.87db
15% Popularity • 25% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
15% Popularity • 25% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Georges Granier
Le départ à la pêche
113 bpm • F min • 01:09 • -15.75db
12% Popularity • 19% Danceability • 21% Energy • 8% Liveness
34% Instrumentalness • 11% Positiveness
12% Popularity • 19% Danceability • 21% Energy • 8% Liveness
34% Instrumentalness • 11% Positiveness
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Jeff Russo
A Palermo
113 bpm • D min • 01:57 • -20.44db
23% Popularity • 56% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
23% Popularity • 56% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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Los Triunfadores
Grandes Limitaciones
99 bpm • A Maj • 02:10 • -18.67db
13% Popularity • 13% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Brittanni Kia
Paradise and Soul
99 bpm • C min • 02:13 • -14.51db
10% Popularity • 25% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
10% Popularity • 25% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Ninfas De Ultramar
Absorbiendo Positividad
99 bpm • B min • 02:20 • -19.35db
13% Popularity • 45% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
13% Popularity • 45% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Pablo Pico
Il était une fois
114 bpm • G min • 01:37 • -21.08db
14% Popularity • 18% Danceability • 5% Energy • 15% Liveness
80% Instrumentalness • 7% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 15% Liveness
80% Instrumentalness • 7% Positiveness
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Sirenas Celestiales
Revolucion de los Sentimientos
99 bpm • D# min • 02:17 • -20.83db
12% Popularity • 23% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
12% Popularity • 23% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Las Guerreras
Zonas Dudosas
114 bpm • A# min • 02:41 • -21.71db
13% Popularity • 18% Danceability • 13% Energy • 15% Liveness
57% Instrumentalness • 8% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 15% Liveness
57% Instrumentalness • 8% Positiveness
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Los Triunfadores
Faltos De Compañerismo
99 bpm • G# Maj • 02:28 • -20.46db
16% Popularity • 59% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 24% Positiveness
16% Popularity • 59% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 24% Positiveness
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Miljan Minic
Golden Winds of Time
99 bpm • F min • 02:33 • -25.82db
16% Popularity • 13% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
16% Popularity • 13% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Ondřej Soukup
Nemocnice na kraji mesta III.
115 bpm • F# min • 02:08 • -7.71db
1% Popularity • 40% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 26% Positiveness
1% Popularity • 40% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 26% Positiveness
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Michiru Oshima
天使との戯れ
98 bpm • G Maj • 01:36 • -10.46db
14% Popularity • 63% Danceability • 12% Energy • 8% Liveness
61% Instrumentalness • 29% Positiveness
14% Popularity • 63% Danceability • 12% Energy • 8% Liveness
61% Instrumentalness • 29% Positiveness
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Jeff Russo
Leaving New York
115 bpm • D min • 02:30 • -16.51db
29% Popularity • 58% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
29% Popularity • 58% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
