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Nashville, Indiana
Songs like
Nashville, Indiana
by
O'Shea
Based on a tempo of (+/- 10%) and a similar genre
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Jayne Denham
Calamity
76 bpm • A Maj • 03:20 • -4db
9% Popularity • 51% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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O'Shea
Nashville, Indiana
76 bpm • G Maj • 04:23 • -7.6db
2% Popularity • 56% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Jared Porter
Pieces
75 bpm • D Maj • 04:09 • -5.87db
20% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jetty Road
Soundtrack to Your Life
77 bpm • D Maj • 03:31 • -3.9db
8% Popularity • 49% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Emily Hatton
Red Wine and Blue
78 bpm • G Maj • 03:55 • -2.77db
10% Popularity • 46% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Brad Cox
Thought I Knew Love
78 bpm • F# Maj • 03:07 • -5.36db
21% Popularity • 52% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Tori Darke
Pick Me Up
78 bpm • F# Maj • 03:35 • -5.46db
16% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Hayley Jensen
Welcome Back Summer
78 bpm • E Maj • 03:13 • -6.9db
14% Popularity • 56% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Missy Lancaster
Forget
73 bpm • A Maj • 03:07 • -4.15db
9% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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O'Shea
Thoughts and Prayers
78 bpm • C Maj • 03:21 • -6.77db
0% Popularity • 36% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Viper Creek Band
Blue Jean Jacket
80 bpm • A Maj • 03:54 • -4.51db
18% Popularity • 36% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Hurricane Fall
Good One
80 bpm • G# Maj • 02:49 • -4.25db
18% Popularity • 39% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Troy Kemp
Beach Mode
80 bpm • A Maj • 03:11 • -6.51db
13% Popularity • 60% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Kaylee Bell
Home
80 bpm • F Maj • 02:51 • -3.63db
37% Popularity • 48% Danceability • 86% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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Mackenzie Leigh Meyer
Barbie Doll
80 bpm • F Maj • 02:39 • -6.49db
13% Popularity • 51% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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O'Shea
Meant To Be
72 bpm • A Maj • 03:50 • -6.6db
2% Popularity • 44% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Jasmine Rae
Party on the Couch
81 bpm • E Maj • 02:38 • -5db
11% Popularity • 65% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Hinterland
In The Hinterland
81 bpm • B Maj • 03:18 • -5db
17% Popularity • 55% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 90% Positiveness
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Brooke McClymont & Adam Eckersley
Country Music, You And Beer
82 bpm • A Maj • 03:35 • -4.76db
26% Popularity • 50% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Route 33
Quarter Past You
82 bpm • F Maj • 03:35 • -5.36db
10% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Rachael Fahim
Middle Ground
82 bpm • D Maj • 02:50 • -1.58db
19% Popularity • 49% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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O'Shea
These Days
82 bpm • A Maj • 03:34 • -8.01db
0% Popularity • 27% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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The Viper Creek Band
Australian Girls
82 bpm • G Maj • 03:52 • -5db
23% Popularity • 53% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Drew McAlister
Kissing a Girl Goodnight
82 bpm • C# Maj • 03:24 • -10.17db
8% Popularity • 48% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Sunny Cowgirls
Sunny Days
83 bpm • C Maj • 04:25 • -9.37db
25% Popularity • 59% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jade Gibson
'Til We Fly
83 bpm • C Maj • 03:43 • -7.43db
10% Popularity • 50% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tenille Arts
Everybody Knows Everybody
83 bpm • F# Maj • 03:19 • -5.84db
29% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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O'Shea
Watch Me Quit
70 bpm • B Maj • 05:48 • -7.95db
1% Popularity • 46% Danceability • 29% Energy • 61% Liveness
0% Instrumentalness • 33% Positiveness
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Hayley Marsten
Spectacular Heartbreak
83 bpm • G Maj • 04:46 • -5.16db
22% Popularity • 47% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Zac & George
Red Wine & Roses
83 bpm • F Maj • 03:12 • -5.13db
36% Popularity • 59% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Rachael Fahim
Iconic
83 bpm • B min • 02:35 • -4.98db
9% Popularity • 55% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Baylou
Bang Bang
84 bpm • G Maj • 03:22 • -3.46db
8% Popularity • 51% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Troy Kemp
Hung Up On You
84 bpm • C# min • 03:12 • -4.25db
21% Popularity • 53% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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O'Shea
It Never Goes Away
70 bpm • F# Maj • 03:17 • -8.38db
2% Popularity • 48% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Sara Berki
Good Enough
84 bpm • A Maj • 03:42 • -4.91db
31% Popularity • 55% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Kaylee Bell
Little Bit Small Town
84 bpm • B Maj • 03:10 • -4.24db
29% Popularity • 55% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Nice Horse
Cowgirl
84 bpm • A Maj • 03:12 • -6.19db
34% Popularity • 57% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Madeline Merlo
Motel Flamingo
85 bpm • A# Maj • 03:32 • -5.34db
26% Popularity • 46% Danceability • 87% Energy • 57% Liveness
0% Instrumentalness • 83% Positiveness
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Jayne Denham
Highway Rockstar
87 bpm • A Maj • 03:29 • -4.24db
24% Popularity • 55% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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O'Shea
Start Over
84 bpm • D Maj • 03:25 • -7.69db
4% Popularity • 53% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Taylor Moss
You Ain't Getting A Song
87 bpm • G Maj • 02:44 • -3.89db
26% Popularity • 70% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Kaylee Bell
Song Of My Summer
85 bpm • D Maj • 03:28 • -6.97db
17% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Abbie Ferris
For a Moment
87 bpm • G# Maj • 03:52 • -6.41db
21% Popularity • 65% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Brad Cox
Feathered Indians
88 bpm • A# Maj • 03:57 • -4.45db
34% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jayne Denham
Stacks
87 bpm • E min • 02:58 • -4db
29% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Catherine Britt
I Am A Country Song
90 bpm • D Maj • 04:20 • -5.35db
20% Popularity • 50% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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O'Shea
Old School
90 bpm • G Maj • 02:49 • -3.8db
1% Popularity • 60% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Kaylee Bell
Be With You
90 bpm • C# Maj • 02:51 • -5db
40% Popularity • 54% Danceability • 84% Energy • 6% Liveness
2% Instrumentalness • 71% Positiveness
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Morgan Evans
Sweet Home to You
90 bpm • C Maj • 03:11 • -6.52db
18% Popularity • 58% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Southbound xo
Get Drunk On Me
90 bpm • E min • 03:13 • -6.49db
18% Popularity • 56% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Troy Kemp
My Favourite Thing
90 bpm • E Maj • 03:07 • -4.77db
13% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Jasmine Rae
Look It Up
90 bpm • F min • 03:04 • -4.47db
12% Popularity • 63% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Hurricane Fall
Top Down
90 bpm • C# min • 03:12 • -3.88db
25% Popularity • 60% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Sammy White
Diamonds And Dolly
91 bpm • F Maj • 03:02 • -4.35db
18% Popularity • 56% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Tom Curtain
Territory Time
91 bpm • G Maj • 03:18 • -4.86db
33% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Kristy Cox
I Still Call Australia Home
91 bpm • E Maj • 04:00 • -8db
13% Popularity • 27% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Ashley McBryde
Better on the Water
91 bpm • C Maj • 03:01 • -4.01db
37% Popularity • 65% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Caitlyn Shadbolt
Bones
91 bpm • D Maj • 02:46 • -7.33db
9% Popularity • 64% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Teigen Gayse
Blame The Wine
92 bpm • D# Maj • 03:05 • -4.44db
15% Popularity • 68% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 85% Positiveness
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Mae Valley
Home
92 bpm • D# Maj • 02:57 • -4.74db
22% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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O'Shea
Bridezilla (It Only Gets Better)
92 bpm • E Maj • 03:49 • -4.65db
1% Popularity • 48% Danceability • 84% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
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Troy Kemp
Like A Hit To Me
93 bpm • G Maj • 03:14 • -3.35db
8% Popularity • 59% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Jayne Denham
Car Trouble
93 bpm • C Maj • 02:56 • -5.13db
24% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Forde
Life's Got Something Good for Me
93 bpm • B Maj • 03:49 • -6.54db
14% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Morgan Evans
While We're Young
94 bpm • D Maj • 03:21 • -5.77db
1% Popularity • 52% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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McAlister Kemp
Country Proud
94 bpm • F Maj • 03:02 • -3db
31% Popularity • 48% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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O'Shea
Dancing In The Minefields
94 bpm • F# Maj • 03:37 • -6.36db
0% Popularity • 41% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Kaylee Bell
Falling
95 bpm • F# Maj • 03:14 • -5db
27% Popularity • 49% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Drew McAlister
More to It
95 bpm • A Maj • 03:26 • -4.01db
11% Popularity • 55% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Ell Regan
Bulldust
95 bpm • B Maj • 03:14 • -5.55db
16% Popularity • 65% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Andrew Swift
Say the Word
95 bpm • A Maj • 03:40 • -5db
14% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Tom Curtain
Nothin's Gonna Stop Us Now
95 bpm • F# min • 03:52 • -5.76db
20% Popularity • 74% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Steve Forde
Hurricane
95 bpm • A# min • 04:00 • -5.46db
11% Popularity • 52% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Kaylee Bell
That's What I Call Crazy
95 bpm • G# Maj • 03:22 • -5.39db
29% Popularity • 64% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Taylor Moss
Country Proud
95 bpm • F Maj • 02:51 • -4.03db
37% Popularity • 60% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Evans
Love Is Real - Int'l Mix
95 bpm • F min • 02:42 • -5.59db
24% Popularity • 61% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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Sabrina Durante
Saddle Up
95 bpm • C Maj • 03:08 • -9.62db
12% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Southbound xo
Composure
96 bpm • F# min • 02:54 • -5.39db
10% Popularity • 64% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Madeline Merlo
Honey Jack
96 bpm • A# Maj • 03:08 • -3.69db
24% Popularity • 72% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Brooke McClymont & Adam Eckersley
Love On The Loose
96 bpm • G Maj • 03:37 • -3.46db
13% Popularity • 59% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Chelsea Basham
I Make My Own Sunshine
96 bpm • G Maj • 03:32 • -5.36db
15% Popularity • 68% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Setterfield
Right About Now
95 bpm • E Maj • 03:09 • -5.09db
33% Popularity • 70% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Tori Darke
So Gone
96 bpm • G# Maj • 03:28 • -2.67db
12% Popularity • 60% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Taylor Moss
Ain't No Girly Girl
96 bpm • E Maj • 03:27 • -3.95db
42% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Christie Lamb
Beat of My Own Drum
97 bpm • C# min • 03:06 • -4.1db
8% Popularity • 78% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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O'Shea
Be With You Tonight
97 bpm • E Maj • 03:23 • -3.54db
4% Popularity • 56% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Caitlyn Shadbolt
Shoot out the Lights
98 bpm • D Maj • 03:28 • -5.09db
12% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Alaura Lynne
Redneck Country Boys
98 bpm • A# Maj • 03:13 • -3.24db
34% Popularity • 76% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Southbound xo
Find Our Way
98 bpm • F# Maj • 02:44 • -2db
25% Popularity • 53% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Adam Eckersley Band
Long Enough To Disappear
99 bpm • A Maj • 03:30 • -4db
15% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Andrew Swift
Never Meant to Break Your Heart
99 bpm • G Maj • 03:45 • -7db
18% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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O'Shea
The Trouble With You
98 bpm • D min • 03:47 • -7.67db
0% Popularity • 51% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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McAlister Kemp
All Kinds of Tough
99 bpm • C Maj • 04:03 • -5db
18% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Blake O'Connor
Beautiful As You
99 bpm • F Maj • 03:42 • -4db
12% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Bobby Wills
Won't You Be Mine
100 bpm • A# Maj • 03:37 • -5.37db
27% Popularity • 52% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Brad Cox
Old Skoolin'
100 bpm • A# Maj • 02:41 • -4.14db
35% Popularity • 72% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Andrew Swift
Head Full of Honey
99 bpm • A Maj • 04:03 • -4.77db
25% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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O'Shea
Neon Soul
100 bpm • E Maj • 03:12 • -3.75db
9% Popularity • 61% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Melanie Dyer
Fresh
100 bpm • B Maj • 02:53 • -4.99db
20% Popularity • 69% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Davisson Brothers Band
Unbreak You
100 bpm • C Maj • 04:31 • -7db
11% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Nashville, Indiana