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Natchez Shopping Blues
Songs like
Natchez Shopping Blues
by
Olu Dara
Based on a tempo of (+/- 10%) and a similar genre
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Olu Dara
Natchez Shopping Blues
108 bpm • G Maj • 03:36 • -14.8db
14% Popularity • 62% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Champion Jack Dupree
Stack-O-Lee
108 bpm • G# Maj • 03:56 • -17db
35% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Willie Wright
Right On For The Darkness
108 bpm • F min • 03:20 • -8db
40% Popularity • 63% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Black Merda!
Think of Me
108 bpm • A Maj • 02:33 • -19.85db
12% Popularity • 64% Danceability • 4% Energy • 50% Liveness
0% Instrumentalness • 48% Positiveness
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Chuck E. Weiss
It Rains on Me
108 bpm • G# Maj • 02:34 • -10.31db
17% Popularity • 69% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Vera Hall
Another Man Done Gone
108 bpm • D Maj • 01:24 • -20.31db
32% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Earl King
Mama & Papa
108 bpm • A Maj • 03:05 • -7.61db
26% Popularity • 79% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Shuggie Otis
Ice Cold Daydream
108 bpm • E Maj • 02:32 • -11db
36% Popularity • 72% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 90% Positiveness
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Rahsaan Roland Kirk
Volunteered Slavery
108 bpm • A# Maj • 05:45 • -13.63db
17% Popularity • 38% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Olu Dara
Zora
109 bpm • D Maj • 03:14 • -10.07db
16% Popularity • 50% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Ted Hawkins
Biloxi
107 bpm • F# Maj • 04:41 • -11.82db
29% Popularity • 62% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Dan Hicks & His Hot Licks
Evenin' Breeze
109 bpm • A Maj • 03:55 • -15.2db
18% Popularity • 74% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Sharon Jones & The Dap-Kings
Mama Don't Like My Man
109 bpm • C min • 02:30 • -7.48db
45% Popularity • 81% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ike Turner & The Kings Of Rhythm
Black Angel
109 bpm • A min • 03:11 • -11.97db
13% Popularity • 54% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
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The Neville Brothers
Wild Injuns
109 bpm • D Maj • 03:17 • -14.53db
18% Popularity • 73% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Olu Dara
Neighborhoods
107 bpm • F# Maj • 04:53 • -9.93db
16% Popularity • 68% Danceability • 47% Energy • 9% Liveness
10% Instrumentalness • 68% Positiveness
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Bobby Charles
All the Money
107 bpm • E Maj • 05:17 • -15.83db
19% Popularity • 50% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
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Shuggie Otis
Oxford Gray
109 bpm • B min • 06:53 • -16db
21% Popularity • 52% Danceability • 32% Energy • 14% Liveness
80% Instrumentalness • 41% Positiveness
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Howlin' Wolf
California Blues
109 bpm • G Maj • 02:58 • -11.49db
11% Popularity • 46% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Dan Hicks & His Hot Licks
Canned Music
107 bpm • A min • 04:05 • -18db
25% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Champion Jack Dupree
Frankie & Johnny
109 bpm • A# Maj • 03:23 • -17db
21% Popularity • 64% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Charles Bradley
Golden Rule
109 bpm • F min • 03:29 • -8.12db
37% Popularity • 70% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Buddy Miles
Joe Tex
106 bpm • G min • 04:58 • -9.5db
16% Popularity • 56% Danceability • 77% Energy • 7% Liveness
57% Instrumentalness • 90% Positiveness
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Van Morrison
I've Been Working - 1999 Remaster
110 bpm • C min • 03:29 • -16.47db
28% Popularity • 76% Danceability • 40% Energy • 10% Liveness
27% Instrumentalness • 92% Positiveness
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Terry Callier
Jack O’Diamonds
110 bpm • D Maj • 05:37 • -14.63db
16% Popularity • 53% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Eugene McDaniels
Susan Jane
110 bpm • G Maj • 02:10 • -13.34db
20% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Bo Diddley
The Great Grandfather
110 bpm • D min • 02:26 • -18.18db
26% Popularity • 77% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Willie Wright
Dance Floor
110 bpm • D Maj • 09:28 • -10.37db
27% Popularity • 82% Danceability • 46% Energy • 8% Liveness
15% Instrumentalness • 87% Positiveness
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Champion Jack Dupree
Strollin'
110 bpm • F# Maj • 03:01 • -27db
29% Popularity • 74% Danceability • 6% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
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Naomi Shelton
Am I Asking Too Much?
106 bpm • G# Maj • 04:02 • -4.71db
10% Popularity • 74% Danceability • 84% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
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Alvin Robinson
I'm Just a Down Home Girl
106 bpm • F min • 03:02 • -10.13db
27% Popularity • 68% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Irma Thomas
Back Water Blues
106 bpm • D Maj • 03:30 • -10.33db
24% Popularity • 63% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Betty Davis
I'm Ready, Willing & Able - Take 9
111 bpm • G# Maj • 03:21 • -12.46db
10% Popularity • 71% Danceability • 61% Energy • 2% Liveness
2% Instrumentalness • 89% Positiveness
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Willie Wright
Lack Of Education
110 bpm • E Maj • 03:38 • -8.84db
12% Popularity • 76% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Young-Holt Unlimited
Dig Her Walk
106 bpm • F min • 03:21 • -15db
23% Popularity • 68% Danceability • 40% Energy • 10% Liveness
12% Instrumentalness • 26% Positiveness
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Oscar Brown, Jr.
Brother Where Are You?
105 bpm • C# Maj • 04:09 • -20db
25% Popularity • 49% Danceability • 24% Energy • 93% Liveness
0% Instrumentalness • 75% Positiveness
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Baby Huey
A Change Is Going To Come
105 bpm • F# min • 09:31 • -10.47db
34% Popularity • 46% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Magic Sam
I Have The Same Old Blues
111 bpm • F min • 03:35 • -9.98db
24% Popularity • 74% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
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Marc Ribot
John Brown
111 bpm • A min • 05:53 • -7.29db
10% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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The Como Mamas
Move Upstairs
111 bpm • G min • 03:33 • -8db
30% Popularity • 65% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Howlin' Wolf
I Asked For Water
111 bpm • E Maj • 02:52 • -19.34db
31% Popularity • 70% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Andre Williams
Cadillac Jack
105 bpm • A Maj • 03:09 • -14.14db
12% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Habib Koité
Goin' Down the Road Feelin' Bad
105 bpm • C# Maj • 04:00 • -13.65db
16% Popularity • 53% Danceability • 27% Energy • 10% Liveness
3% Instrumentalness • 82% Positiveness
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Latin Playboys
Cuca's Blues
111 bpm • A Maj • 03:14 • -9.51db
11% Popularity • 59% Danceability • 69% Energy • 85% Liveness
5% Instrumentalness • 33% Positiveness
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John Boutté
Good Neighbor
111 bpm • F Maj • 02:26 • -9.44db
23% Popularity • 78% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Magic Sam
It's All Your Fault
111 bpm • A Maj • 04:55 • -10.48db
9% Popularity • 49% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
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Chuck E. Weiss
Congo Square at Midnight
105 bpm • C Maj • 04:31 • -7.91db
11% Popularity • 78% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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The Campbell Brothers
Good All The Time
105 bpm • B Maj • 05:20 • -10db
15% Popularity • 56% Danceability • 85% Energy • 11% Liveness
94% Instrumentalness • 75% Positiveness
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Darondo
Qualified
105 bpm • G# Maj • 02:52 • -9db
41% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
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Christopher Hedge
Makoutou
105 bpm • A# min • 04:55 • -13.26db
0% Popularity • 77% Danceability • 59% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Youlden
Life's One Act Play
111 bpm • G Maj • 06:30 • -14db
16% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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C.W. Stoneking
I Heard The Marching Of The Drum
105 bpm • C# min • 03:56 • -6.6db
29% Popularity • 65% Danceability • 36% Energy • 11% Liveness
23% Instrumentalness • 81% Positiveness
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Terry Callier
900 Miles
105 bpm • D Maj • 05:07 • -16db
47% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Tom Waits
A Sweet Little Bullet From A Pretty Blue...
112 bpm • E min • 05:36 • -9.37db
32% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Big Mama Thornton
Guide Me Home
104 bpm • G Maj • 04:23 • -6.16db
14% Popularity • 60% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Shuggie Otis
Cold Shot
112 bpm • C min • 04:05 • -13.54db
15% Popularity • 61% Danceability • 56% Energy • 35% Liveness
82% Instrumentalness • 85% Positiveness
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The James Hunter Six
Blisters
112 bpm • A Maj • 02:46 • -9.32db
26% Popularity • 70% Danceability • 52% Energy • 10% Liveness
79% Instrumentalness • 87% Positiveness
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Ida Sand
Manic Depression
104 bpm • B min • 03:27 • -9.63db
5% Popularity • 66% Danceability • 60% Energy • 12% Liveness
2% Instrumentalness • 46% Positiveness
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Terry Callier
900 Miles - Take 1
104 bpm • D Maj • 05:02 • -14.78db
13% Popularity • 34% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Caldwell
Hadn't I Been Good to You
113 bpm • A min • 04:10 • -5.05db
12% Popularity • 78% Danceability • 64% Energy • 15% Liveness
6% Instrumentalness • 91% Positiveness
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Olu Dara
Your Lips
104 bpm • D Maj • 09:23 • -7.54db
0% Popularity • 67% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Donny Hathaway
Sugar Lee
103 bpm • F min • 03:59 • -5.65db
22% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Champion Jack Dupree
Junker's Blues
103 bpm • F Maj • 03:12 • -22db
52% Popularity • 78% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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C.W. Stoneking
You Took My Thing And Put It In Your Pla...
113 bpm • C Maj • 02:50 • -10.74db
16% Popularity • 68% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Big Mama Thornton
School Boy
103 bpm • G# Maj • 04:30 • -11.99db
16% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ali Farka Touré
Timbarma
113 bpm • E Maj • 05:08 • -17.67db
18% Popularity • 57% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Clarence Carter
The Road of Love
113 bpm • A# Maj • 02:56 • -15.48db
25% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Luther Dickinson
Horseshoe (Reprise)
103 bpm • D Maj • 03:01 • -14.39db
22% Popularity • 73% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 46% Positiveness
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Olu Dara
Bell & Ponce (At the Movie Show)
103 bpm • A# min • 03:50 • -8.14db
9% Popularity • 70% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Latin Playboys
If
114 bpm • C Maj • 01:41 • -13.91db
24% Popularity • 44% Danceability • 24% Energy • 38% Liveness
9% Instrumentalness • 78% Positiveness
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Willie Wright
Jackie's Song
103 bpm • E Maj • 04:49 • -10db
15% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Champion Jack Dupree
Evil Woman
114 bpm • C Maj • 04:21 • -17.69db
36% Popularity • 54% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Darondo
My Momma and My Poppa
102 bpm • D Maj • 04:10 • -8.59db
28% Popularity • 79% Danceability • 61% Energy • 16% Liveness
4% Instrumentalness • 67% Positiveness
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The Neville Brothers
The Ballad Of Hollis Brown
114 bpm • C min • 05:47 • -23.38db
21% Popularity • 60% Danceability • 16% Energy • 10% Liveness
34% Instrumentalness • 78% Positiveness
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Karen Dalton
In My Own Dream
114 bpm • G Maj • 04:18 • -9.02db
14% Popularity • 62% Danceability • 51% Energy • 11% Liveness
53% Instrumentalness • 42% Positiveness
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Big Mama Thornton
My Heavy Load
114 bpm • G# Maj • 05:48 • -16.91db
16% Popularity • 57% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Willie Wright
Africa
114 bpm • D Maj • 04:22 • -11.26db
11% Popularity • 45% Danceability • 40% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Dr. John & The Lower 911
Feel Good Music
114 bpm • F min • 03:23 • -7.75db
11% Popularity • 82% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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The Holmes Brothers
We Meet, We Part, We Remember
102 bpm • A Maj • 03:56 • -7.77db
23% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Terry Callier
Lazarus Man
102 bpm • D Maj • 08:28 • -11.92db
30% Popularity • 54% Danceability • 52% Energy • 8% Liveness
10% Instrumentalness • 11% Positiveness
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Leon Redbone
Lazybones
101 bpm • F# Maj • 03:06 • -17.91db
37% Popularity • 69% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Karen Dalton
Blues On The Ceiling
115 bpm • C Maj • 03:37 • -20.18db
26% Popularity • 54% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Solomon Burke
Sit This One Out
115 bpm • C Maj • 04:33 • -10.93db
21% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Terry Reid
River
101 bpm • G Maj • 05:45 • -16db
32% Popularity • 71% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
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Dave Pike Set
Regards from Freddie Horrowitz
115 bpm • G Maj • 04:40 • -9.5db
19% Popularity • 42% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 45% Positiveness
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The Neville Brothers
Fire And Brimstone
115 bpm • C# min • 03:58 • -13.57db
26% Popularity • 57% Danceability • 74% Energy • 34% Liveness
4% Instrumentalness • 77% Positiveness
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Booker T. Jones
Everything Is Everything
101 bpm • A Maj • 04:35 • -5.26db
33% Popularity • 64% Danceability • 87% Energy • 10% Liveness
49% Instrumentalness • 82% Positiveness
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Tom Waits
Wrong Side Of The Road
115 bpm • E min • 05:14 • -11.59db
31% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Nick Waterhouse
Stanyan Street
116 bpm • C Maj • 07:47 • -11db
36% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Ann Peebles
What You Laid on Me
116 bpm • C Maj • 02:25 • -8.3db
35% Popularity • 88% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Olu Dara
Harlem Country Girl
101 bpm • C# Maj • 05:48 • -14.38db
29% Popularity • 50% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Mighty Mo Rodgers
Mali To Mississippi
116 bpm • B min • 03:37 • -8db
11% Popularity • 85% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Darondo
Gimme Some
101 bpm • G min • 03:03 • -8db
32% Popularity • 71% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Magic Sam
Stop! You're Hurting Me
101 bpm • E Maj • 04:52 • -11db
22% Popularity • 48% Danceability • 46% Energy • 12% Liveness
11% Instrumentalness • 65% Positiveness
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The Coasters
Down Home Girl
100 bpm • A# Maj • 03:06 • -13.71db
26% Popularity • 66% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Big Mama Thornton
Big Mama's Blues (My Love)
100 bpm • A min • 04:08 • -4db
13% Popularity • 41% Danceability • 52% Energy • 13% Liveness
22% Instrumentalness • 56% Positiveness
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Olu Dara
Herbman
101 bpm • G Maj • 04:42 • -9.22db
12% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Tony Allen
Never (Lagos Never Gonna Be the Same)
100 bpm • F Maj • 03:53 • -8.46db
40% Popularity • 77% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Darondo
Luscious Lady
100 bpm • A# min • 03:15 • -7db
48% Popularity • 70% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Magic Sam
I Need You so Bad
100 bpm • A Maj • 04:56 • -12db
17% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Natchez Shopping Blues