Songs like Natural's Not in It by Tom Morello
Based on a tempo of (+/- 10%) and a similar genre
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Tom Morello
Natural's Not in It
162 bpm • G Maj • 03:18 • -2.65db
16% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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WAVEBOMB
Facing Waves
162 bpm • F# min • 03:20 • -5.94db
16% Popularity • 35% Danceability • 95% Energy • 29% Liveness
66% Instrumentalness • 41% Positiveness
16% Popularity • 35% Danceability • 95% Energy • 29% Liveness
66% Instrumentalness • 41% Positiveness
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Painted Shield
I Am Your Country
162 bpm • E Maj • 02:53 • -7.9db
26% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Gang Of Four
Natural's Not in It
161 bpm • C Maj • 03:06 • -6.97db
46% Popularity • 76% Danceability • 84% Energy • 2% Liveness
7% Instrumentalness • 90% Positiveness
46% Popularity • 76% Danceability • 84% Energy • 2% Liveness
7% Instrumentalness • 90% Positiveness
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Clutch
Guild of Mute Assassins
163 bpm • B min • 06:44 • -5.43db
12% Popularity • 23% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 23% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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![Too Soft to Live and Too Hard to Die (feat. Elin Larsson [Blues Pills]) - single version cover art](https://i.scdn.co/image/ab67616d00001e02c8b62cbe1cd562b16b7f6a9d)
The Picturebooks
Too Soft to Live and Too Hard to Die - ...
163 bpm • A# min • 04:00 • -3.93db
17% Popularity • 40% Danceability • 94% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
17% Popularity • 40% Danceability • 94% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
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The Mysterines
I Win Every Time
161 bpm • F Maj • 02:52 • -3.93db
27% Popularity • 40% Danceability • 87% Energy • 19% Liveness
1% Instrumentalness • 43% Positiveness
27% Popularity • 40% Danceability • 87% Energy • 19% Liveness
1% Instrumentalness • 43% Positiveness
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Pretenders
Hate for Sale
163 bpm • E Maj • 02:30 • -4.39db
20% Popularity • 26% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 26% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Pearl Jam
Quick Escape
164 bpm • A Maj • 04:46 • -5.28db
39% Popularity • 42% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 42% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
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Dinosaur Pile-Up
Back Foot
160 bpm • F# Maj • 03:08 • -5.85db
48% Popularity • 55% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 55% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Clutch
Run, John Barleycorn, Run - The Weatherm...
161 bpm • C Maj • 04:30 • -7.18db
14% Popularity • 45% Danceability • 86% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
14% Popularity • 45% Danceability • 86% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
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Monster Magnet
Learning to Die
160 bpm • A Maj • 06:27 • -6.87db
13% Popularity • 25% Danceability • 80% Energy • 40% Liveness
15% Instrumentalness • 28% Positiveness
13% Popularity • 25% Danceability • 80% Energy • 40% Liveness
15% Instrumentalness • 28% Positiveness
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Fear No Empire
Revolt
160 bpm • F# Maj • 02:34 • -2.87db
22% Popularity • 49% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 49% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Morello
Hold The Line
160 bpm • C# Maj • 03:12 • -6.1db
52% Popularity • 56% Danceability • 93% Energy • 76% Liveness
3% Instrumentalness • 61% Positiveness
52% Popularity • 56% Danceability • 93% Energy • 76% Liveness
3% Instrumentalness • 61% Positiveness
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Gogol Bordello
Roaring 2020s (RenaiDance)
164 bpm • E min • 03:43 • -10.59db
10% Popularity • 53% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 53% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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The Crew
One Voice
160 bpm • F Maj • 03:08 • -4.9db
18% Popularity • 50% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 50% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Serj Tankian
Rumi
160 bpm • F min • 05:27 • -4.04db
30% Popularity • 40% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 40% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Crown Lands
Leadfoot
164 bpm • A# Maj • 03:29 • -5.35db
23% Popularity • 31% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 31% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Foolproof
Violet
164 bpm • E Maj • 03:06 • -2.4db
18% Popularity • 38% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 38% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Tom Morello
Harlem Hellfighter
164 bpm • E min • 01:59 • -7.29db
27% Popularity • 48% Danceability • 90% Energy • 38% Liveness
3% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 90% Energy • 38% Liveness
3% Instrumentalness • 48% Positiveness
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Tech N9ne Collabos
Straight Out the Gate: (The Scott Steven...
164 bpm • A Maj • 03:44 • -5.74db
50% Popularity • 56% Danceability • 87% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 56% Danceability • 87% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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Gang Of Four
Natural's Not In It
160 bpm • D Maj • 03:19 • -7.07db
7% Popularity • 65% Danceability • 73% Energy • 5% Liveness
39% Instrumentalness • 80% Positiveness
7% Popularity • 65% Danceability • 73% Energy • 5% Liveness
39% Instrumentalness • 80% Positiveness
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Serj Tankian
Left of Center
160 bpm • E min • 03:06 • -4db
32% Popularity • 37% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 37% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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AFI
Twisted Tongues
160 bpm • E min • 04:01 • -5.41db
33% Popularity • 18% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
33% Popularity • 18% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Frank Carter & The Rattlesnakes
Battlefield
159 bpm • C Maj • 01:51 • -5.73db
27% Popularity • 20% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 20% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Morello
Weather Strike (The Bloody Beetroots Rem...
160 bpm • G Maj • 02:27 • -1.52db
21% Popularity • 52% Danceability • 95% Energy • 33% Liveness
18% Instrumentalness • 53% Positiveness
21% Popularity • 52% Danceability • 95% Energy • 33% Liveness
18% Instrumentalness • 53% Positiveness
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The Subways
Fight
165 bpm • F# Maj • 02:40 • -4.61db
15% Popularity • 48% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 48% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Vylan
Northern Line
165 bpm • D Maj • 02:20 • -4.53db
33% Popularity • 60% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 60% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Serj Tankian
Cornucopia
165 bpm • C# Maj • 04:28 • -4db
38% Popularity • 45% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 45% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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The Network
Trans Am
158 bpm • E min • 01:59 • -7.03db
22% Popularity • 52% Danceability • 94% Energy • 54% Liveness
42% Instrumentalness • 87% Positiveness
22% Popularity • 52% Danceability • 94% Energy • 54% Liveness
42% Instrumentalness • 87% Positiveness
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Daron Malakian and Scars On Broadway
Assimilate
166 bpm • B Maj • 03:38 • -3.51db
38% Popularity • 36% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
38% Popularity • 36% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Tom Morello
Field Of Tigers
164 bpm • E min • 03:57 • -2.57db
15% Popularity • 38% Danceability • 99% Energy • 37% Liveness
2% Instrumentalness • 16% Positiveness
15% Popularity • 38% Danceability • 99% Energy • 37% Liveness
2% Instrumentalness • 16% Positiveness
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Cage The Elephant
Broken Boy
166 bpm • F# min • 02:43 • -3.5db
42% Popularity • 49% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 49% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Incubus
Karma, Come Back
158 bpm • B Maj • 04:27 • -7.25db
40% Popularity • 58% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 58% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Biffy Clyro
North of No South - Edit
167 bpm • F Maj • 03:36 • -4db
20% Popularity • 39% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 39% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Deap Vally
I Like Crime
158 bpm • C Maj • 03:30 • -3.4db
16% Popularity • 54% Danceability • 92% Energy • 7% Liveness
91% Instrumentalness • 37% Positiveness
16% Popularity • 54% Danceability • 92% Energy • 7% Liveness
91% Instrumentalness • 37% Positiveness
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Skeleton Club
777
167 bpm • D Maj • 02:47 • -4db
11% Popularity • 53% Danceability • 74% Energy • 34% Liveness
3% Instrumentalness • 28% Positiveness
11% Popularity • 53% Danceability • 74% Energy • 34% Liveness
3% Instrumentalness • 28% Positiveness
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Tom Morello
Save Our Souls
160 bpm • E min • 02:36 • -3.73db
27% Popularity • 43% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 43% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Offspring
Hassan Chop
167 bpm • B Maj • 02:20 • -1.55db
37% Popularity • 18% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 18% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Anti-Flag
A Dying Plea Vol. 1
167 bpm • C Maj • 03:26 • -2.49db
27% Popularity • 36% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 36% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Blind Melon
Fence
157 bpm • G Maj • 04:10 • -6.02db
26% Popularity • 37% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 37% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Frank Carter & The Rattlesnakes
Off With His Head
168 bpm • E min • 02:37 • -2.9db
33% Popularity • 48% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 48% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Sports Team
Happy (God's Own Country)
168 bpm • C# Maj • 02:31 • -2db
28% Popularity • 46% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 46% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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'68
Bad Bite
168 bpm • C# Maj • 03:10 • -5.08db
25% Popularity • 56% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 56% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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The Struts
Wild Child
156 bpm • F# min • 03:42 • -2.64db
44% Popularity • 23% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 23% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Dinosaur Pile-Up
Thrash Metal Cassette
168 bpm • C# min • 03:39 • -6.02db
46% Popularity • 47% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
46% Popularity • 47% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
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Deap Vally
Perfuction
168 bpm • C# min • 02:56 • -4.32db
12% Popularity • 27% Danceability • 99% Energy • 9% Liveness
11% Instrumentalness • 9% Positiveness
12% Popularity • 27% Danceability • 99% Energy • 9% Liveness
11% Instrumentalness • 9% Positiveness
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Biffy Clyro
End Of
168 bpm • D min • 04:37 • -4.44db
36% Popularity • 47% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 47% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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John Dolmayan
Road to Nowhere
156 bpm • E Maj • 03:52 • -5.35db
22% Popularity • 35% Danceability • 82% Energy • 36% Liveness
15% Instrumentalness • 19% Positiveness
22% Popularity • 35% Danceability • 82% Energy • 36% Liveness
15% Instrumentalness • 19% Positiveness
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La Roux
Damaged Goods
156 bpm • E min • 03:54 • -7.06db
28% Popularity • 74% Danceability • 74% Energy • 10% Liveness
7% Instrumentalness • 83% Positiveness
28% Popularity • 74% Danceability • 74% Energy • 10% Liveness
7% Instrumentalness • 83% Positiveness
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Tom Morello
Suburban Guerrilla
156 bpm • D Maj • 03:06 • -5.81db
19% Popularity • 68% Danceability • 76% Energy • 26% Liveness
50% Instrumentalness • 55% Positiveness
19% Popularity • 68% Danceability • 76% Energy • 26% Liveness
50% Instrumentalness • 55% Positiveness
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Coheed and Cambria
Jessie's Girl 2 - Director's Cut
155 bpm • G Maj • 03:51 • -4.2db
19% Popularity • 49% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 49% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Mars Volta
Inertiatic ESP - Unfinished Original Rec...
169 bpm • B min • 03:58 • -3.56db
17% Popularity • 22% Danceability • 91% Energy • 28% Liveness
2% Instrumentalness • 55% Positiveness
17% Popularity • 22% Danceability • 91% Energy • 28% Liveness
2% Instrumentalness • 55% Positiveness
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Bad Religion
Emancipation Of The Mind
155 bpm • F Maj • 02:41 • -4.11db
26% Popularity • 45% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 45% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Battleme
Where You Goin' Cha Cha?
155 bpm • D Maj • 03:13 • -5.48db
7% Popularity • 55% Danceability • 92% Energy • 54% Liveness
71% Instrumentalness • 60% Positiveness
7% Popularity • 55% Danceability • 92% Energy • 54% Liveness
71% Instrumentalness • 60% Positiveness
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Enter Shikari
( The Dreamer's Hotel) (Bob Vylan Remix)
170 bpm • D# Maj • 02:52 • -16.65db
16% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Offspring
Huck It
155 bpm • E min • 02:38 • -5.1db
30% Popularity • 45% Danceability • 92% Energy • 19% Liveness
22% Instrumentalness • 75% Positiveness
30% Popularity • 45% Danceability • 92% Energy • 19% Liveness
22% Instrumentalness • 75% Positiveness
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Coheed and Cambria
Jessie's Girl 2
155 bpm • D Maj • 03:51 • -4.16db
37% Popularity • 48% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 48% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Throwing Muses
Dark Blue
170 bpm • G Maj • 03:54 • -4.4db
18% Popularity • 37% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 37% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Frank Carter & The Rattlesnakes
Sticky
170 bpm • A# min • 02:34 • -3db
38% Popularity • 55% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 55% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Gang Of Four
The Dying Rays (2020)
170 bpm • F# min • 03:26 • -11.7db
12% Popularity • 68% Danceability • 52% Energy • 11% Liveness
42% Instrumentalness • 38% Positiveness
12% Popularity • 68% Danceability • 52% Energy • 11% Liveness
42% Instrumentalness • 38% Positiveness
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Outkast
B.O.B. (Bombs Over Baghdad) - Zack de la...
154 bpm • B Maj • 04:36 • -5.41db
35% Popularity • 58% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 58% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Tom Morello
Radium Girls
170 bpm • D Maj • 03:49 • -3db
32% Popularity • 46% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 48% Positiveness
32% Popularity • 46% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 48% Positiveness
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Big Spring
Shovel It In
170 bpm • F Maj • 03:16 • -5.95db
15% Popularity • 32% Danceability • 84% Energy • 41% Liveness
37% Instrumentalness • 48% Positiveness
15% Popularity • 32% Danceability • 84% Energy • 41% Liveness
37% Instrumentalness • 48% Positiveness
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Everything Everything
Natural's Not in It
154 bpm • G Maj • 03:40 • -4.9db
16% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Patrón
Next Stop
154 bpm • A Maj • 03:19 • -7.13db
12% Popularity • 44% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 44% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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The Mighty Mighty Bosstones
THE FINAL PARADE
154 bpm • C Maj • 07:57 • -4.25db
20% Popularity • 59% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 59% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Sword
Daughter Of Dawn
171 bpm • C Maj • 05:07 • -6.65db
13% Popularity • 33% Danceability • 82% Energy • 9% Liveness
7% Instrumentalness • 83% Positiveness
13% Popularity • 33% Danceability • 82% Energy • 9% Liveness
7% Instrumentalness • 83% Positiveness
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Pearl Jam
Superblood Wolfmoon
153 bpm • A Maj • 03:49 • -5.17db
43% Popularity • 51% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 51% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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The Blinders
Forty Days And Forty Nights
153 bpm • E Maj • 03:15 • -7.75db
28% Popularity • 48% Danceability • 88% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
28% Popularity • 48% Danceability • 88% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
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Frank Turner
Stephen Plays the Drums
172 bpm • A Maj • 02:30 • -3.58db
13% Popularity • 48% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 48% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Badflower
F*ck The World
153 bpm • C# min • 04:43 • -5.53db
39% Popularity • 59% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
39% Popularity • 59% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
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Fake Names
Darkest Days
172 bpm • E Maj • 03:24 • -5.42db
10% Popularity • 39% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 39% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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Deap Lips
Love is a Mind Control
172 bpm • G# min • 07:07 • -6.47db
13% Popularity • 33% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 33% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Skunk Anansie
This Means War
172 bpm • G Maj • 04:13 • -4.47db
21% Popularity • 43% Danceability • 91% Energy • 17% Liveness
41% Instrumentalness • 36% Positiveness
21% Popularity • 43% Danceability • 91% Energy • 17% Liveness
41% Instrumentalness • 36% Positiveness
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John Dolmayan
Starman
152 bpm • C Maj • 02:31 • -3.1db
29% Popularity • 32% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 32% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Lack Of Afro
Blow It Up
152 bpm • G Maj • 01:58 • -5.81db
11% Popularity • 50% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 50% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Satellite Party
Insanity Rains
152 bpm • B min • 03:27 • -4.63db
15% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Wolfmother
Higher
173 bpm • G Maj • 03:19 • -7.44db
26% Popularity • 13% Danceability • 76% Energy • 30% Liveness
4% Instrumentalness • 29% Positiveness
26% Popularity • 13% Danceability • 76% Energy • 30% Liveness
4% Instrumentalness • 29% Positiveness
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Dub Trio
Not Alone
152 bpm • B min • 05:06 • -7.92db
30% Popularity • 48% Danceability • 65% Energy • 59% Liveness
2% Instrumentalness • 42% Positiveness
30% Popularity • 48% Danceability • 65% Energy • 59% Liveness
2% Instrumentalness • 42% Positiveness
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Andrew W.K.
Everybody Sins - Radio Edit
152 bpm • C min • 04:17 • -3.35db
19% Popularity • 52% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 52% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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The Smashing Pumpkins
The Colour Of Love
151 bpm • A Maj • 04:23 • -10db
42% Popularity • 50% Danceability • 73% Energy • 12% Liveness
36% Instrumentalness • 44% Positiveness
42% Popularity • 50% Danceability • 73% Energy • 12% Liveness
36% Instrumentalness • 44% Positiveness
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Pitchshifter
Efkd
174 bpm • D Maj • 04:28 • -2.67db
7% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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John Dolmayan
Runaway
174 bpm • A Maj • 04:47 • -2.65db
17% Popularity • 24% Danceability • 95% Energy • 4% Liveness
4% Instrumentalness • 60% Positiveness
17% Popularity • 24% Danceability • 95% Energy • 4% Liveness
4% Instrumentalness • 60% Positiveness
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Djerv
Throne
174 bpm • A min • 02:58 • -5.35db
20% Popularity • 45% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 45% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Bush
The Kingdom
174 bpm • D Maj • 03:47 • -3.89db
36% Popularity • 37% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 37% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Daron Malakian and Scars On Broadway
Chemicals
174 bpm • C# Maj • 03:13 • -3.62db
45% Popularity • 53% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 53% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Tom Morello
Interstate 80
174 bpm • G Maj • 04:38 • -4.74db
29% Popularity • 36% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 36% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Des Rocs
Wayne
150 bpm • E Maj • 03:20 • -5db
46% Popularity • 44% Danceability • 93% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 44% Danceability • 93% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
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The Bronx
Watering the Well
150 bpm • D Maj • 03:36 • -5.75db
21% Popularity • 48% Danceability • 96% Energy • 11% Liveness
13% Instrumentalness • 64% Positiveness
21% Popularity • 48% Danceability • 96% Energy • 11% Liveness
13% Instrumentalness • 64% Positiveness
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Wonk Unit
Disco Fever
150 bpm • G Maj • 02:35 • -2db
10% Popularity • 38% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 38% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Serj Tankian
Electric Yerevan
150 bpm • D# Maj • 03:46 • -1.65db
27% Popularity • 40% Danceability • 100% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 40% Danceability • 100% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Bad Religion
What Are We Standing For
150 bpm • C Maj • 02:53 • -2.48db
33% Popularity • 52% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 52% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Tom Morello
Charmed I’m Sure
150 bpm • D Maj • 03:42 • -0.93db
19% Popularity • 45% Danceability • 79% Energy • 19% Liveness
77% Instrumentalness • 41% Positiveness
19% Popularity • 45% Danceability • 79% Energy • 19% Liveness
77% Instrumentalness • 41% Positiveness
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The Mighty Mighty Bosstones
I DON'T BELIEVE IN ANYTHING
150 bpm • G Maj • 03:46 • -5.27db
27% Popularity • 60% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 60% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Atomic Bitchwax
Scorpio
175 bpm • G Maj • 03:21 • -6.07db
17% Popularity • 29% Danceability • 98% Energy • 9% Liveness
87% Instrumentalness • 29% Positiveness
17% Popularity • 29% Danceability • 98% Energy • 9% Liveness
87% Instrumentalness • 29% Positiveness
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Wolfmother
Hot Night
150 bpm • F Maj • 02:54 • -8.1db
22% Popularity • 62% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 62% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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The Bronx
White Shadow
175 bpm • D Maj • 03:15 • -5.14db
23% Popularity • 31% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
23% Popularity • 31% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
