Songs like Navagraha Sthothram by Trivendram Sisters
Based on a tempo of (+/- 10%) and a similar genre
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Vijaya Lakshmi Sharma
Nithyanadakari
137 bpm • C Maj • 08:15 • -9.01db
17% Popularity • 70% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 70% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Trivendram Sisters
Dakshinamorthy Ashtakam
137 bpm • G min • 10:24 • -11.15db
2% Popularity • 48% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 48% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sikkil Gurucharan
Chinnan Chiru Pen Pole - Sindhubhairavi ...
137 bpm • A# Maj • 06:04 • -9.99db
30% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Prana Kishore
Shirdi Sai Baba 108 Chants: Healing Vibr...
136 bpm • G# Maj • 12:40 • -10.76db
22% Popularity • 26% Danceability • 19% Energy • 21% Liveness
6% Instrumentalness • 20% Positiveness
22% Popularity • 26% Danceability • 19% Energy • 21% Liveness
6% Instrumentalness • 20% Positiveness
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Sounds of Isha
Thillai Vaazh Andhanar
137 bpm • C# Maj • 07:49 • -11.93db
36% Popularity • 77% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 77% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Vadivelu
Santhana Malligaiyil - Reprise
138 bpm • F Maj • 04:31 • -9db
40% Popularity • 83% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 83% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Anuradha Sriram
Sai Arathi
138 bpm • C Maj • 01:02 • -4.28db
8% Popularity • 47% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 47% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Trivendram Sisters
Navagraha Sthothram
137 bpm • G Maj • 23:51 • -10.36db
1% Popularity • 53% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 53% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Mahanadi Shobana
Selva Thiruve
136 bpm • D Maj • 06:19 • -6db
14% Popularity • 61% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 61% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Vighnesh Ghanapaathi
Shri Suktam
138 bpm • A Maj • 05:10 • -6.07db
49% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Sounds of Isha
Pitha Pirai Soodi
136 bpm • C# min • 05:12 • -11.41db
37% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Seven
Mahalkshmi Ashtakam
136 bpm • A Maj • 04:24 • -11db
39% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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T. M. Soundararajan
Enakkum Idam
138 bpm • G min • 04:49 • -9db
30% Popularity • 51% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
30% Popularity • 51% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Trivendram Sisters
Soundarya Lahari
138 bpm • G Maj • 04:04 • -10.19db
7% Popularity • 45% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 45% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Maharajapuram Santhanam
Seetha Kalyana Vaibogamey
136 bpm • C Maj • 07:33 • -16.79db
27% Popularity • 40% Danceability • 15% Energy • 33% Liveness
1% Instrumentalness • 43% Positiveness
27% Popularity • 40% Danceability • 15% Energy • 33% Liveness
1% Instrumentalness • 43% Positiveness
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Ranjani-Gayatri
Sri Dakshinamurthy Stotram
139 bpm • D Maj • 09:25 • -10.15db
26% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Aruna Sairam
Krishna Nee Begane - Raga Yamuna Kalyani...
139 bpm • A# Maj • 10:19 • -13db
13% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Pranavi
Suddha Brahma
139 bpm • F# min • 02:18 • -8db
46% Popularity • 54% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 54% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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T. S. Ranganathan
Venkatesa Gayatri 11 Times
135 bpm • A Maj • 04:08 • -7.54db
26% Popularity • 69% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 69% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Mahesh Raghvan
Pibare Rama Rasam
139 bpm • E Maj • 04:11 • -8.14db
36% Popularity • 36% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 36% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Anirudh Sharma
Madhura Madhura Meenakshi - Bhagyashree ...
135 bpm • A Maj • 06:29 • -7.12db
19% Popularity • 61% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 61% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Mambalam Sisters Vijayalakshmi-Chitra & B. Ramana
Nithyanandakari
139 bpm • C Maj • 08:08 • -10.43db
11% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Jagadiswari Murthy
Meluko
135 bpm • D Maj • 06:20 • -7.62db
21% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Shraddha Jain
Maa Durga Chalisa
135 bpm • D Maj • 04:58 • -6.35db
28% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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T. S. Ranganathan
Rudra Gayatri 11 Times
135 bpm • A Maj • 04:08 • -6.92db
24% Popularity • 70% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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D.V. Ramani
Sivapuranam
140 bpm • G Maj • 28:21 • -9.08db
41% Popularity • 70% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 70% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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S. P. Eashwar
Unnai Thanna
134 bpm • G Maj • 04:59 • -8.92db
7% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Sivasri Skandaprasad
Shri Ganeshaya Dheemahi
140 bpm • C# Maj • 05:27 • -12.28db
34% Popularity • 71% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 71% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Alvin Bruno
Nirvana Shatakam
140 bpm • B Maj • 03:04 • -8.1db
27% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Seven
Guru Ashtakam
140 bpm • E min • 05:01 • -11db
35% Popularity • 66% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 66% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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T. S. Ranganathan
Anjaneya Gayatri 11 Times
135 bpm • A Maj • 04:08 • -7.58db
26% Popularity • 64% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 64% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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D.V. Ramani
Kadhalagi
140 bpm • A min • 08:56 • -8.76db
24% Popularity • 65% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 65% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Aravind Sundar
Sri Vighna Rajam Bhaje - Ghambira Natai ...
140 bpm • B Maj • 04:06 • -7.8db
35% Popularity • 70% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 70% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ranjani-Gayatri
He Govinda
140 bpm • G Maj • 08:51 • -11db
17% Popularity • 36% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 36% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Thevaara Isai Mani Ka. Venkatesan
Velundu Vinai Illai Mayil Undu
141 bpm • G Maj • 04:23 • -5.9db
38% Popularity • 52% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 52% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Gayathri Venkataraghavan
Vanajaksha (Varnam)
134 bpm • G# Maj • 06:59 • -8.34db
11% Popularity • 40% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 40% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Trivendram Sisters
Soryaashtakam
134 bpm • F min • 04:31 • -10.65db
1% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Krishh
Swamimalai
141 bpm • A# Maj • 04:25 • -13.39db
30% Popularity • 75% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 75% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Ramakrishna
Jai Sri Shiridinadha
133 bpm • G Maj • 02:19 • -7.63db
13% Popularity • 66% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 66% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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K. J. Yesudas
Harivarasanam
141 bpm • E min • 05:09 • -8.01db
44% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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A. R. Ramani Ammal
Swamiye Saranamaiyya
141 bpm • D# Maj • 02:46 • -10db
20% Popularity • 50% Danceability • 79% Energy • 85% Liveness
1% Instrumentalness • 65% Positiveness
20% Popularity • 50% Danceability • 79% Energy • 85% Liveness
1% Instrumentalness • 65% Positiveness
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Maharajapuram Santhanam
Sadhinchane - Maharajapuram Santhanam
142 bpm • B Maj • 09:32 • -12.36db
24% Popularity • 49% Danceability • 66% Energy • 20% Liveness
61% Instrumentalness • 92% Positiveness
24% Popularity • 49% Danceability • 66% Energy • 20% Liveness
61% Instrumentalness • 92% Positiveness
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Vijaya Lakshmi Sharma
Raja Rajarajeshwari Ashtakam
133 bpm • G min • 07:22 • -6.52db
4% Popularity • 67% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 67% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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A.R. Rahman
Ini Achcham Achcham Illai
142 bpm • G Maj • 05:17 • -12.38db
16% Popularity • 56% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 56% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Sanjeev Abhyankar
Jai Shankar Shiv Shankar - Bhajan
142 bpm • B min • 06:48 • -10db
15% Popularity • 60% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 60% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Jayshri Prakash
Govardhana Giridhaara
132 bpm • G min • 06:23 • -3.53db
25% Popularity • 73% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 73% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Bangalore Sisters
Sri Tulasi Gayatri Mantra
132 bpm • D# min • 11:44 • -3.44db
23% Popularity • 57% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 57% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Various Artists
Lambhodharaya - Language: Tamil; Genre: ...
132 bpm • A Maj • 08:10 • -7.5db
19% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 70% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Narsimha Nayak
Hanuman Kavacham
143 bpm • C# Maj • 07:58 • -4db
27% Popularity • 47% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 47% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Mano, Kasinath Sarma, N.S. Prakash Rao, Lalitha Saagari & Srinivas (Jeans)
Siva Astakam
144 bpm • C# Maj • 03:28 • -13db
34% Popularity • 64% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 64% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Sirkazhi Govindarajan
Sivanukku Isainthathu
131 bpm • D Maj • 04:23 • -12.43db
11% Popularity • 45% Danceability • 26% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 45% Danceability • 26% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
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Usha Mohan
Neeranjanam
131 bpm • F Maj • 02:37 • -4db
39% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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IndianRaga
Amba Neelambari - Neelambari - Adi Talam
131 bpm • G Maj • 09:16 • -11.59db
17% Popularity • 28% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 28% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Sanjay Subrahmanyan
Tunbam Nergaiyil Desh (Live)
144 bpm • G Maj • 07:46 • -13.71db
24% Popularity • 38% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 38% Danceability • 30% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
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M. S. Subbulakshmi
Bhavamulona
144 bpm • G Maj • 05:05 • -8db
21% Popularity • 46% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 46% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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T. M. Soundararajan
Andru Ketpavan
131 bpm • C min • 04:16 • -7.71db
25% Popularity • 42% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 42% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Maharajapuram Santhanam
Jagadanandakaraka - Maharajapuram Santha...
144 bpm • B Maj • 13:26 • -11.42db
18% Popularity • 48% Danceability • 69% Energy • 20% Liveness
11% Instrumentalness • 96% Positiveness
18% Popularity • 48% Danceability • 69% Energy • 20% Liveness
11% Instrumentalness • 96% Positiveness
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N. J. Nandini
Alarshara Parithapam - Suruti - Misra Ch...
144 bpm • C# Maj • 05:44 • -8.65db
23% Popularity • 62% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 62% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Neyveli Santhanagopalan
Sami Ninne Kori (Live)
144 bpm • F# Maj • 07:29 • -14.21db
11% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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S. Sowmya
Thunga Theera
144 bpm • G Maj • 07:42 • -7.15db
26% Popularity • 42% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 42% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Rahiman
Shiva Thandavam Tamil
130 bpm • G Maj • 04:59 • -15.11db
35% Popularity • 73% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 36% Positiveness
35% Popularity • 73% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 36% Positiveness
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Sounds of Isha
Vaananai Madhi Soodiya
130 bpm • G# Maj • 04:37 • -10.62db
30% Popularity • 37% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 37% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Sandeep Narayan
Nannu Vidachi, Reethigowla
130 bpm • D Maj • 04:53 • -9.36db
27% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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S.A. Rajkumar
Veppilai Veppilai
130 bpm • G Maj • 04:02 • -8.17db
24% Popularity • 76% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 76% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Sathyaprakash
Paasi Padarntha Malai Murugaiah
145 bpm • C min • 05:56 • -4.53db
7% Popularity • 64% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 64% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Narsimha Nayak
Sri Lakshmi Narsimha Stuti
145 bpm • C Maj • 01:10 • -8.65db
30% Popularity • 66% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 66% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Saptaparna, Kamalaja, Ramya
Lakshmi Sthuthi
145 bpm • C Maj • 04:00 • -10.35db
13% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Kaundinya Achutuni
Ayya Shivayya
145 bpm • F Maj • 04:12 • -7.8db
26% Popularity • 76% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 76% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Vighnesh Ghanapaathi
Durga Suktam
129 bpm • A Maj • 03:03 • -5.12db
47% Popularity • 64% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 64% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Veeramanidaasan
Aadi Velliyilae - Language: Tamil; Genre...
145 bpm • G min • 04:48 • -6.35db
19% Popularity • 49% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 49% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Ranjani-Gayatri
Bhavayami - Yamanakalyani - Kanda Chapu
145 bpm • G Maj • 05:57 • -7.13db
14% Popularity • 33% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 33% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Sanjay Subrahmanyan
Kandena Govinda
145 bpm • A Maj • 05:17 • -9.38db
20% Popularity • 52% Danceability • 36% Energy • 40% Liveness
2% Instrumentalness • 37% Positiveness
20% Popularity • 52% Danceability • 36% Energy • 40% Liveness
2% Instrumentalness • 37% Positiveness
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Haripriya
Muddugare Yesoda - Priya Sisters
145 bpm • C# Maj • 04:46 • -9.34db
24% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 51% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Devi
Lalitha Navarathna Maalai
129 bpm • D Maj • 10:17 • -8.05db
13% Popularity • 66% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 66% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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K. B. Sundarambal
Pazham Nee Appaa
129 bpm • G# Maj • 03:16 • -16.09db
17% Popularity • 50% Danceability • 29% Energy • 95% Liveness
10% Instrumentalness • 28% Positiveness
17% Popularity • 50% Danceability • 29% Energy • 95% Liveness
10% Instrumentalness • 28% Positiveness
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Gopal
Ninaivo Oru Violin
128 bpm • G min • 04:53 • -3.44db
16% Popularity • 51% Danceability • 71% Energy • 26% Liveness
5% Instrumentalness • 43% Positiveness
16% Popularity • 51% Danceability • 71% Energy • 26% Liveness
5% Instrumentalness • 43% Positiveness
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K.S. Surekha
Sri Lakshmi Narsimha Karavalamba Stotram
146 bpm • F min • 08:51 • -5.73db
23% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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L. R. Eswari
Muthumaari Ammanukku
128 bpm • F Maj • 03:17 • -8db
18% Popularity • 41% Danceability • 57% Energy • 37% Liveness
84% Instrumentalness • 87% Positiveness
18% Popularity • 41% Danceability • 57% Energy • 37% Liveness
84% Instrumentalness • 87% Positiveness
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RK Kravanah
Engge Karuppu Saamy
128 bpm • D min • 06:28 • -3.06db
28% Popularity • 50% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 50% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 35% Positiveness
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Trivendram Sisters
Mahishasura Mardhini
128 bpm • C Maj • 11:26 • -9.23db
1% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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K. S. Harisankar
Mukthi
128 bpm • C min • 03:16 • -8db
22% Popularity • 51% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 51% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Siva
Sivanamaya
147 bpm • A# Maj • 04:26 • -14.03db
26% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Yashasvi Ramakrishna Sharma
Ganesha Adharvashirshopanishad
147 bpm • G Maj • 01:17 • -6.73db
48% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Rita Thyagarajan
Ksheerabdhi Kanyakaku
148 bpm • B Maj • 05:55 • -9.38db
17% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sanjay Subrahmanyan
Ramanai Bhajithaal (Mand) (Live)
127 bpm • D Maj • 03:58 • -10.49db
22% Popularity • 51% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 51% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Veeramani Raju
Thulli Thulli
127 bpm • D Maj • 04:17 • -5.49db
7% Popularity • 60% Danceability • 91% Energy • 38% Liveness
4% Instrumentalness • 90% Positiveness
7% Popularity • 60% Danceability • 91% Energy • 38% Liveness
4% Instrumentalness • 90% Positiveness
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Neyveli Santhanagopalan
Chandrachuda
148 bpm • D Maj • 03:12 • -18.26db
31% Popularity • 50% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 50% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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A.R. Rahman
Kaadu Potta Kaadu
126 bpm • C# min • 05:32 • -7.67db
13% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Pithukuli Murugadas
Aadathu Asangathu Vaa Kanna
149 bpm • B min • 09:18 • -9.55db
8% Popularity • 54% Danceability • 60% Energy • 65% Liveness
11% Instrumentalness • 77% Positiveness
8% Popularity • 54% Danceability • 60% Energy • 65% Liveness
11% Instrumentalness • 77% Positiveness
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T. M. Soundararajan
Senthoor Kandhaiyya
149 bpm • A Maj • 04:29 • -7db
24% Popularity • 46% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 46% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Dattatreya Stotram
Dattatreya Stotram
149 bpm • D Maj • 05:03 • -14db
21% Popularity • 64% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 64% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Trivendram Sisters
Suprabatham. Pt, 1
125 bpm • G# Maj • 16:24 • -9db
0% Popularity • 64% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 64% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Sounds of Isha
Thodudaiya Seviyan
150 bpm • G# Maj • 08:50 • -11db
32% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Lalgudi G. Jayaraman
Innam En Manam - Charukesi - Adi
125 bpm • G Maj • 08:03 • -7.18db
19% Popularity • 66% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 66% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Vighnesh Ghanapaathi
Narayana Suktam
125 bpm • A Maj • 05:11 • -6db
45% Popularity • 58% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 58% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Narsimha Nayak
Sri Lakshmi Narasimhashtakam
150 bpm • G# Maj • 08:57 • -7db
20% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Smitha
Yaa Devi
125 bpm • F Maj • 07:00 • -9db
28% Popularity • 62% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 62% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Shri Ram Mantra
Naam Ramayan
125 bpm • C# Maj • 10:41 • -11db
26% Popularity • 74% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 74% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
