Songs like Ne irascaris (from Cantiones Sacrae) by William Byrd
Based on a tempo of (+/- 10%) and a similar genre
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Claudio Monteverdi
Quel Augellin Che Canta
77 bpm • G# min • 01:54 • -28.58db
13% Popularity • 17% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • F Maj • 02:10 • -30db
28% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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William Byrd
Byrd: Mass for Five Voices - 11. Agnus D...
77 bpm • E Maj • 03:31 • -26db
14% Popularity • 17% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Dum transisset Sabbatum 1 - 3....
76 bpm • F min • 01:11 • -16.97db
21% Popularity • 16% Danceability • 11% Energy • 5% Liveness
28% Instrumentalness • 8% Positiveness
21% Popularity • 16% Danceability • 11% Energy • 5% Liveness
28% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: II. ...
76 bpm • A# min • 07:21 • -19.28db
14% Popularity • 15% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 15% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
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William Byrd
Miserere mei Deus
76 bpm • E min • 03:20 • -21.7db
11% Popularity • 17% Danceability • 15% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 15% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
18% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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John Taverner
Quemadmodum
76 bpm • C min • 06:30 • -24db
9% Popularity • 7% Danceability • 11% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 11% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Oxford Camerata
Mass A 5: Sanctus
78 bpm • C min • 04:14 • -24db
11% Popularity • 9% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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William Byrd
Prevent Us, O Lord, T 207
76 bpm • G# Maj • 02:37 • -30.56db
9% Popularity • 8% Danceability • 7% Energy • 11% Liveness
15% Instrumentalness • 9% Positiveness
9% Popularity • 8% Danceability • 7% Energy • 11% Liveness
15% Instrumentalness • 9% Positiveness
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Arautos do Evangelho
Amicus Meus
78 bpm • G min • 03:05 • -23.24db
16% Popularity • 14% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Adrian Willaert
Missa super Benedicta es: Agnus Dei
78 bpm • C Maj • 04:04 • -21db
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Herbert Howells
Requiem aeternam (1)
78 bpm • E min • 02:53 • -32.84db
25% Popularity • 15% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
God Is Our Refuge
76 bpm • G min • 01:06 • -29.35db
16% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Musikalische Exequien, Op. 7: III. Canti...
76 bpm • G min • 05:01 • -22.6db
8% Popularity • 10% Danceability • 10% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
8% Popularity • 10% Danceability • 10% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
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William Byrd
Byrd: Mass for Five Voices - 05. Qui Pro...
78 bpm • E Maj • 01:29 • -28db
13% Popularity • 18% Danceability • 8% Energy • 20% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 8% Energy • 20% Liveness
4% Instrumentalness • 4% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: IV. Gladsome Li...
78 bpm • C min • 04:11 • -28.46db
9% Popularity • 8% Danceability • 3% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
78 bpm • G Maj • 06:48 • -25.56db
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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William Byrd
Mass for five voices: V. Agnus Dei
78 bpm • D# Maj • 03:37 • -24.41db
17% Popularity • 18% Danceability • 6% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:10 • -23.73db
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Crecquillon
Crecquillon: Pater peccavi - 1. Pater pe...
79 bpm • G Maj • 04:24 • -20db
12% Popularity • 13% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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William Byrd
Ave verum corpus
79 bpm • G min • 03:51 • -28.33db
15% Popularity • 7% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
75 bpm • D# min • 01:04 • -22.9db
25% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
25% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
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Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
31% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
31% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Frank Martin
Mass for Double Choir: III. Credo
75 bpm • A min • 05:44 • -22db
14% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Agnus Dei
75 bpm • G# min • 02:34 • -19.33db
19% Popularity • 22% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Palestrina: Sicut Lilium Inter Spinas 1
79 bpm • B min • 04:42 • -24.11db
19% Popularity • 8% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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William Byrd
Byrd: Mass for Five Voices - 03. Domine ...
79 bpm • C# min • 03:10 • -20.86db
13% Popularity • 24% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 24% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Carlo Gesualdo
O dolorosa gioia
79 bpm • G# Maj • 04:40 • -23.45db
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
23% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Io Mi Son Giovinetta
75 bpm • G# min • 02:19 • -26db
13% Popularity • 19% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
13% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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William Byrd
Mass for 5 Voices: VI. Agnus Dei
79 bpm • D# Maj • 03:04 • -22.91db
11% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Sacred Concerto No. 27, "Hlasom moim ko ...
80 bpm • B min • 03:12 • -22.89db
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Ave Maria
79 bpm • C min • 02:58 • -21.94db
8% Popularity • 10% Danceability • 14% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 14% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Feria quinta: I. ...
80 bpm • A min • 04:19 • -22.35db
15% Popularity • 9% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Osculetur me
80 bpm • C min • 03:23 • -24.13db
18% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Non, Nobis Domine
79 bpm • D Maj • 01:18 • -34.99db
26% Popularity • 28% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
26% Popularity • 28% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Josef Rheinberger
Hymnen, Op. 140: III. Eripe me
80 bpm • D Maj • 04:11 • -23.81db
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 2, Until the Daybre...
74 bpm • F min • 02:32 • -36.49db
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Charles D'Argentil
Missa pro defunctis: V. Sanctus
80 bpm • A Maj • 03:14 • -13.11db
15% Popularity • 15% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
33% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
74 bpm • D# min • 01:50 • -31.25db
21% Popularity • 17% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
William Byrd
In Nomine No. 2
75 bpm • C# min • 03:07 • -28.64db
14% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
14% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
► Preview
Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Taaveti laulud 22, "Mu Jumal! Mu Jumal!"...
80 bpm • G Maj • 04:26 • -26db
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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John Taverner
Taverner: Leroy Kyrie
74 bpm • C# Maj • 03:33 • -19.95db
11% Popularity • 14% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Robert Ramsey
When David Heard
80 bpm • G# min • 02:28 • -21db
9% Popularity • 14% Danceability • 8% Energy • 11% Liveness
48% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 8% Energy • 11% Liveness
48% Instrumentalness • 6% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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William Byrd
Mass for Four Voices: Kyrie
80 bpm • F min • 02:02 • -27.1db
15% Popularity • 11% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 11% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Kyrie
74 bpm • D min • 04:38 • -33.66db
17% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Motets: Alma redemptoris mater
74 bpm • C Maj • 03:38 • -27db
12% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 08. Hosa...
80 bpm • D# Maj • 01:35 • -18db
22% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Calmus Ensemble
Abendlied Op. 693
80 bpm • D# Maj • 02:32 • -20db
15% Popularity • 11% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
15% Popularity • 11% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
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Anton Bruckner
Os justi, WAB 30
80 bpm • C Maj • 04:10 • -26.02db
17% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
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William Byrd
Byrd: Mass for Four Voices - 01. Kyrie
74 bpm • G min • 01:59 • -21.03db
17% Popularity • 10% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Canon a 3 voc. in unisono, Cantio Sacra
80 bpm • A# min • 02:33 • -34db
14% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
14% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye II
81 bpm • C# min • 01:16 • -24.02db
26% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
26% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Psal...
81 bpm • C Maj • 06:25 • -32.03db
21% Popularity • 10% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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William Byrd
Mass for Five Voices - 4a. Sanctus
81 bpm • C# min • 01:21 • -25db
10% Popularity • 20% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Jacques Arcadelt
O pulcherrima mulierum a 5
81 bpm • A# min • 02:34 • -22db
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
