Songs like Need Somebody by Xuitcasecity
Based on a tempo of (+/- 10%) and a similar genre
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gianni & kyle
wave
90 bpm • G Maj • 03:06 • -9.84db
37% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Xuitcasecity
Need Somebody (Remix)
90 bpm • A Maj • 02:40 • -8.91db
33% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Palm Trees
Outside
90 bpm • G# Maj • 02:57 • -7.28db
32% Popularity • 73% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 73% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Rence
Expensive
90 bpm • C min • 03:07 • -6.5db
36% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Chainsmokers
You Owe Me
90 bpm • F# min • 03:10 • -8.32db
50% Popularity • 68% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 68% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Jez Dior
Nobody Knows
90 bpm • B Maj • 03:38 • -5.83db
25% Popularity • 62% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 62% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Harry Hudson
Mean To Love
90 bpm • C# Maj • 02:54 • -7db
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Xuitcasecity
Crash
90 bpm • E Maj • 02:12 • -8db
38% Popularity • 81% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 81% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Three Guests
Marilyn
90 bpm • B min • 03:40 • -6db
21% Popularity • 85% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 85% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Paxton Ingram
Barricade
90 bpm • C# Maj • 03:56 • -7.03db
25% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The Chainsmokers
Push My Luck
90 bpm • D Maj • 03:01 • -6.42db
52% Popularity • 56% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 56% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Jez Dior
Cocaine
90 bpm • F Maj • 03:10 • -5.18db
38% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ocean Park Standoff
Good News
90 bpm • A Maj • 03:08 • -4.04db
47% Popularity • 60% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 60% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Xuitcasecity
Anxious
90 bpm • E min • 02:20 • -7.98db
11% Popularity • 72% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 72% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Shoffy
Cool Again
90 bpm • B Maj • 03:11 • -6.86db
51% Popularity • 80% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 80% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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EVERY
On Your Own
90 bpm • C# Maj • 03:06 • -12.54db
35% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Quinn Lewis
Hurt Me Now
89 bpm • B Maj • 03:05 • -7.71db
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Stephen Puth
Half Gone
91 bpm • C Maj • 03:12 • -5db
30% Popularity • 63% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 63% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Jackson Penn
Streetlights on Mars
91 bpm • C# min • 03:48 • -10db
24% Popularity • 43% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 43% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Xuitcasecity
Need Somebody
90 bpm • A Maj • 03:08 • -6.56db
45% Popularity • 42% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 42% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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TYLERxCORDY
Cheap Situation
91 bpm • D Maj • 02:52 • -11.86db
27% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Anna Clendening
Boys Like You - Acoustic
89 bpm • D Maj • 03:58 • -14.57db
55% Popularity • 48% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 48% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Zedd
Happy Now
88 bpm • E Maj • 03:27 • -5.13db
66% Popularity • 50% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 50% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Johnny Balik
OMW
91 bpm • E Maj • 03:29 • -7db
28% Popularity • 46% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 46% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Social House
Haunt You
92 bpm • C Maj • 03:18 • -9db
47% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Xuitcasecity
Been Through It
90 bpm • E Maj • 01:47 • -7db
18% Popularity • 84% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 84% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Josh Mac
whenicalledyou
92 bpm • G Maj • 03:25 • -11.3db
10% Popularity • 80% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 80% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Camila Cabello
Real Friends
92 bpm • C min • 03:43 • -6.87db
49% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Joshua Golden
hurt people
92 bpm • C# min • 02:43 • -5.82db
30% Popularity • 79% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 79% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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gianni & kyle
5 Shots
92 bpm • C# Maj • 03:01 • -5.74db
53% Popularity • 92% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 92% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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BoTalks
Know U Anymore
92 bpm • C# min • 03:11 • -5.84db
28% Popularity • 73% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 73% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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bülow
Not A Love Song
92 bpm • G Maj • 03:12 • -10.29db
51% Popularity • 74% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 74% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Charlotte Lawrence
Just the Same
92 bpm • G Maj • 03:31 • -5db
44% Popularity • 74% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 74% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Gomey
It's Not That Deep
88 bpm • F Maj • 02:46 • -3.92db
27% Popularity • 77% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 77% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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ANTH
Too Good at Goodbyes
92 bpm • F Maj • 03:04 • -3.65db
41% Popularity • 78% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 78% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Olivia O'Brien
Trust Issues
93 bpm • G Maj • 03:09 • -10.33db
44% Popularity • 55% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 55% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Quinn XCII
Flare Guns
93 bpm • C# min • 04:00 • -6.81db
56% Popularity • 81% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 81% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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LIVVIA
Damn
88 bpm • C Maj • 03:01 • -5.55db
35% Popularity • 76% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 76% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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CaRter
Hear Me Out
93 bpm • E Maj • 02:49 • -11.13db
17% Popularity • 88% Danceability • 42% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 88% Danceability • 42% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
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Gomey
Partner in Crime (Sped Up)
93 bpm • C Maj • 02:08 • -5.46db
19% Popularity • 58% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 58% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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A R I Z O N A
Cross My Mind, Pt. 2
93 bpm • C Maj • 03:37 • -5.19db
48% Popularity • 63% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 63% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Lost Kings
Too Far Gone
93 bpm • G Maj • 03:16 • -4.94db
38% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Ella Vos
Temporary
87 bpm • G# Maj • 02:31 • -8.27db
32% Popularity • 72% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 72% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Rosie Darling
L.A.
93 bpm • E Maj • 03:01 • -8db
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Josh Tobias
Summer Thing
87 bpm • E Maj • 03:35 • -9.37db
29% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Niykee Heaton
Mascara
87 bpm • D# Maj • 02:57 • -9.7db
41% Popularity • 70% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 70% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ivan B
Need You Still
87 bpm • C min • 04:36 • -8.33db
40% Popularity • 72% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 72% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Cody Simpson
Don’t Let Me Go
94 bpm • C Maj • 03:06 • -7.97db
28% Popularity • 60% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 60% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Kid Quill
A Song to Sing
94 bpm • D Maj • 03:05 • -7.21db
42% Popularity • 74% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 74% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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Jason Walker
Fun While It Lasted
94 bpm • C# Maj • 03:48 • -7db
25% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 74% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ivy Adara
Famous
94 bpm • A Maj • 03:43 • -5.49db
40% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Harry Hudson
Just Slide
86 bpm • F min • 02:39 • -7.33db
40% Popularity • 59% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 59% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Lost Kings
First Love
94 bpm • F Maj • 03:27 • -5.25db
47% Popularity • 62% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 62% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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NF
Lie
95 bpm • F Maj • 03:29 • -6.42db
75% Popularity • 51% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
75% Popularity • 51% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Jack Vandervelde
My Mind
95 bpm • A Maj • 03:13 • -6.22db
26% Popularity • 74% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 74% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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JST FRNDS
All Night Long
95 bpm • D# Maj • 03:35 • -7.96db
33% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Chainsmokers
My Type
95 bpm • G min • 03:37 • -6.32db
53% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Witt Lowry
Wonder If You Wonder
95 bpm • G# Maj • 03:55 • -9.22db
44% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Gomey
Big Plans
85 bpm • A Maj • 02:29 • -4.11db
25% Popularity • 68% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 68% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
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Joshua Golden
dying together
95 bpm • B min • 02:36 • -7db
33% Popularity • 79% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 79% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Nick Jonas
Chainsaw
85 bpm • D Maj • 03:19 • -4.49db
48% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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gianni & kyle
independent
85 bpm • C Maj • 03:12 • -7.84db
32% Popularity • 50% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 50% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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HARIZ
Ovrbrd
96 bpm • C Maj • 03:06 • -6.62db
9% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Daniel Schulz
Turn Back Time
96 bpm • G Maj • 03:43 • -6.53db
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Gomey
Here Because I Care
85 bpm • D Maj • 02:40 • -7.65db
20% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Anna Clendening
Boys Like You
96 bpm • D Maj • 03:07 • -8.82db
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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MKTO
Marry Those Eyes
96 bpm • F min • 02:58 • -5.11db
34% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Ali Gatie
It's You
96 bpm • B min • 03:32 • -6.97db
76% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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NOTD
Wanted
96 bpm • F Maj • 02:40 • -4.45db
50% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Cash Cash
Finest Hour
96 bpm • F min • 03:35 • -4.22db
44% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Rence
Space For You
96 bpm • G# Maj • 02:12 • -9.62db
31% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Tate McRae
stupid
96 bpm • C min • 02:53 • -6.03db
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Andy Grammer
This Ain't Love
96 bpm • G Maj • 03:25 • -6.83db
8% Popularity • 65% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 65% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Social House
Magic In The Hamptons
96 bpm • C# Maj • 02:44 • -5.34db
73% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
73% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jean Michael
Weed & Memories
84 bpm • B min • 03:31 • -12.79db
40% Popularity • 52% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 52% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Ria Mae
Too Close
96 bpm • G# Maj • 02:27 • -6.24db
36% Popularity • 48% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 48% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Lulleaux
Contact
96 bpm • G Maj • 02:21 • -3.38db
47% Popularity • 65% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 65% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Dan Talevski
If I Ain't Got You
84 bpm • G# Maj • 02:57 • -8.09db
33% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Griffin Stoller
Get Lost
84 bpm • E min • 02:20 • -5.52db
15% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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CaRter
Letdown
84 bpm • C min • 03:54 • -14db
28% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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James TW
Say Love
84 bpm • C# Maj • 03:41 • -7.64db
58% Popularity • 75% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 75% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Donovan Andrews
I Hate It
84 bpm • B min • 03:07 • -5.73db
14% Popularity • 72% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 72% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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WHATEVER WE ARE
LIMBO
84 bpm • G# Maj • 03:42 • -6.29db
33% Popularity • 42% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 42% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Gomey
Days That End in Y
84 bpm • D Maj • 02:22 • -10.94db
26% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Martin Jensen
Nobody
97 bpm • F# min • 03:31 • -5.3db
57% Popularity • 67% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 67% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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NLSN
Blue in My Eyes
97 bpm • G# Maj • 03:18 • -5.66db
34% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Joshua Golden
happysad
84 bpm • G# Maj • 02:54 • -7db
37% Popularity • 73% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 73% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Hudson
Gone
97 bpm • G Maj • 03:46 • -8db
32% Popularity • 57% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 57% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Tyler Shaw
To the Man Who Let Her Go
97 bpm • F# Maj • 03:21 • -7db
45% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 74% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Cody Simpson
Underwater
97 bpm • A Maj • 03:28 • -7.51db
40% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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FLETCHER
Undrunk
83 bpm • F Maj • 03:03 • -6.48db
59% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Gomey
Summer Ties
83 bpm • F# min • 02:36 • -5.96db
23% Popularity • 72% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 72% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Maurice Moore
C'est la vie
83 bpm • C Maj • 02:56 • -4.97db
38% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Witt Lowry
Last Letter
98 bpm • C# Maj • 04:37 • -8.48db
40% Popularity • 52% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 52% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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VAX
Fireproof
98 bpm • B Maj • 03:11 • -9.46db
42% Popularity • 63% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 63% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Ansel Elgort
All I Think About Is You
98 bpm • C# Maj • 03:08 • -5db
44% Popularity • 46% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 46% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bryce Vine
La La Land
98 bpm • C# min • 02:57 • -5.12db
50% Popularity • 77% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 77% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Xuitcasecity
Medicine
98 bpm • F Maj • 03:00 • -4.82db
17% Popularity • 64% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 64% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
