Songs like Negril by Boris Gardiner
Based on a tempo of (+/- 10%) and a similar genre
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Billy Brooks
Fourty Days
113 bpm • F Maj • 06:17 • -9.12db
30% Popularity • 58% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
30% Popularity • 58% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
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Alex Rodriguez
El Mercado
113 bpm • G Maj • 04:57 • -7.36db
15% Popularity • 61% Danceability • 86% Energy • 14% Liveness
74% Instrumentalness • 85% Positiveness
15% Popularity • 61% Danceability • 86% Energy • 14% Liveness
74% Instrumentalness • 85% Positiveness
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Lonnie Liston Smith
Astral Traveling
113 bpm • F Maj • 05:30 • -11db
24% Popularity • 42% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 55% Positiveness
24% Popularity • 42% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 55% Positiveness
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Boris Gardiner
Negril
113 bpm • A# Maj • 02:58 • -11.27db
10% Popularity • 82% Danceability • 42% Energy • 6% Liveness
81% Instrumentalness • 93% Positiveness
10% Popularity • 82% Danceability • 42% Energy • 6% Liveness
81% Instrumentalness • 93% Positiveness
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The Beginning Of The End
When She Made Me Promise
113 bpm • A min • 04:17 • -9db
35% Popularity • 65% Danceability • 90% Energy • 37% Liveness
11% Instrumentalness • 90% Positiveness
35% Popularity • 65% Danceability • 90% Energy • 37% Liveness
11% Instrumentalness • 90% Positiveness
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Village Crusaders
Akiwawa
113 bpm • A# Maj • 03:10 • -8.75db
10% Popularity • 63% Danceability • 69% Energy • 11% Liveness
42% Instrumentalness • 68% Positiveness
10% Popularity • 63% Danceability • 69% Energy • 11% Liveness
42% Instrumentalness • 68% Positiveness
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Enrique Olivarez & Los Vampiros
Arriba Tipo
113 bpm • G min • 02:21 • -6.75db
11% Popularity • 62% Danceability • 69% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
11% Popularity • 62% Danceability • 69% Energy • 9% Liveness
84% Instrumentalness • 94% Positiveness
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Weldon Irvine
Music Is the Key
112 bpm • G Maj • 07:35 • -13db
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Boncana Maïga
Petroci
113 bpm • C min • 02:24 • -8.5db
27% Popularity • 62% Danceability • 74% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
27% Popularity • 62% Danceability • 74% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
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Philip Cohran & The Artistic Heritage Ensemble
Malcolm X
114 bpm • C Maj • 05:21 • -9.36db
9% Popularity • 71% Danceability • 68% Energy • 11% Liveness
8% Instrumentalness • 86% Positiveness
9% Popularity • 71% Danceability • 68% Energy • 11% Liveness
8% Instrumentalness • 86% Positiveness
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Giuliano Sorgini
Ultima caccia
114 bpm • C Maj • 03:55 • -14.56db
14% Popularity • 75% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
14% Popularity • 75% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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Roy Ayers Ubiquity
Fire Weaver
114 bpm • F min • 03:40 • -11.94db
11% Popularity • 40% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 40% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Galt MacDermot
Golden Apples, Pt. II
112 bpm • G# Maj • 03:51 • -9.89db
18% Popularity • 53% Danceability • 72% Energy • 12% Liveness
81% Instrumentalness • 62% Positiveness
18% Popularity • 53% Danceability • 72% Energy • 12% Liveness
81% Instrumentalness • 62% Positiveness
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JC Davis
A New Day (is Here at Last)
114 bpm • G min • 03:11 • -6.06db
15% Popularity • 65% Danceability • 78% Energy • 8% Liveness
96% Instrumentalness • 95% Positiveness
15% Popularity • 65% Danceability • 78% Energy • 8% Liveness
96% Instrumentalness • 95% Positiveness
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Manu Dibango
Africadelic
112 bpm • A# Maj • 02:16 • -4.52db
32% Popularity • 63% Danceability • 88% Energy • 7% Liveness
87% Instrumentalness • 81% Positiveness
32% Popularity • 63% Danceability • 88% Energy • 7% Liveness
87% Instrumentalness • 81% Positiveness
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Weldon Irvine
Bananas
112 bpm • A# Maj • 02:19 • -8.74db
14% Popularity • 54% Danceability • 80% Energy • 11% Liveness
46% Instrumentalness • 93% Positiveness
14% Popularity • 54% Danceability • 80% Energy • 11% Liveness
46% Instrumentalness • 93% Positiveness
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Black Truth Rhythm Band
Ifetayo
112 bpm • D Maj • 05:48 • -12.57db
11% Popularity • 59% Danceability • 51% Energy • 15% Liveness
76% Instrumentalness • 64% Positiveness
11% Popularity • 59% Danceability • 51% Energy • 15% Liveness
76% Instrumentalness • 64% Positiveness
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Boris Gardiner
Expression Dub
112 bpm • C# min • 02:26 • -8.83db
2% Popularity • 71% Danceability • 84% Energy • 19% Liveness
79% Instrumentalness • 91% Positiveness
2% Popularity • 71% Danceability • 84% Energy • 19% Liveness
79% Instrumentalness • 91% Positiveness
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Ray Fernandez
Soul Freedom
115 bpm • G Maj • 04:15 • -12.79db
20% Popularity • 51% Danceability • 59% Energy • 5% Liveness
75% Instrumentalness • 60% Positiveness
20% Popularity • 51% Danceability • 59% Energy • 5% Liveness
75% Instrumentalness • 60% Positiveness
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The Mebusas
Son Of Mr Bull Dog
111 bpm • G Maj • 05:22 • -11.89db
11% Popularity • 51% Danceability • 67% Energy • 8% Liveness
83% Instrumentalness • 71% Positiveness
11% Popularity • 51% Danceability • 67% Energy • 8% Liveness
83% Instrumentalness • 71% Positiveness
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The Sorcerers
Cave of Brahma
115 bpm • D min • 03:37 • -7.91db
14% Popularity • 77% Danceability • 72% Energy • 19% Liveness
72% Instrumentalness • 78% Positiveness
14% Popularity • 77% Danceability • 72% Energy • 19% Liveness
72% Instrumentalness • 78% Positiveness
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Charles Earland
Lowdown
111 bpm • C Maj • 08:14 • -8.36db
13% Popularity • 52% Danceability • 79% Energy • 84% Liveness
85% Instrumentalness • 71% Positiveness
13% Popularity • 52% Danceability • 79% Energy • 84% Liveness
85% Instrumentalness • 71% Positiveness
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Bola Johnson
Ezuku Buzo
115 bpm • F Maj • 02:55 • -8.29db
19% Popularity • 72% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 72% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Salah Ragab
Neveen
111 bpm • B min • 07:54 • -8db
21% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Harold Alexander
Tite Rope
115 bpm • F min • 03:44 • -13.61db
8% Popularity • 57% Danceability • 71% Energy • 22% Liveness
16% Instrumentalness • 92% Positiveness
8% Popularity • 57% Danceability • 71% Energy • 22% Liveness
16% Instrumentalness • 92% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:46 • -13.58db
11% Popularity • 66% Danceability • 40% Energy • 14% Liveness
77% Instrumentalness • 56% Positiveness
11% Popularity • 66% Danceability • 40% Energy • 14% Liveness
77% Instrumentalness • 56% Positiveness
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Boris Gardiner
Bobby Socks to Stockings (Sax)
115 bpm • C Maj • 03:55 • -6.3db
1% Popularity • 68% Danceability • 53% Energy • 42% Liveness
18% Instrumentalness • 90% Positiveness
1% Popularity • 68% Danceability • 53% Energy • 42% Liveness
18% Instrumentalness • 90% Positiveness
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The Chakachas
Love, Love, Love
116 bpm • D min • 02:52 • -15.2db
31% Popularity • 62% Danceability • 42% Energy • 17% Liveness
18% Instrumentalness • 82% Positiveness
31% Popularity • 62% Danceability • 42% Energy • 17% Liveness
18% Instrumentalness • 82% Positiveness
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Lafayette Afro Rock Band
Malik
116 bpm • C# Maj • 05:06 • -7db
9% Popularity • 42% Danceability • 88% Energy • 16% Liveness
84% Instrumentalness • 73% Positiveness
9% Popularity • 42% Danceability • 88% Energy • 16% Liveness
84% Instrumentalness • 73% Positiveness
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Dee Felice Trio
Nightingale
110 bpm • F Maj • 02:30 • -8db
29% Popularity • 65% Danceability • 90% Energy • 14% Liveness
88% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 90% Energy • 14% Liveness
88% Instrumentalness • 81% Positiveness
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Blowfly
Butterfly Theme
116 bpm • C Maj • 02:17 • -15.18db
11% Popularity • 80% Danceability • 50% Energy • 11% Liveness
51% Instrumentalness • 73% Positiveness
11% Popularity • 80% Danceability • 50% Energy • 11% Liveness
51% Instrumentalness • 73% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:47 • -13.05db
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
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Rudolph Johnson
The Highest Pleasure
110 bpm • A Maj • 07:38 • -16.95db
14% Popularity • 41% Danceability • 51% Energy • 12% Liveness
81% Instrumentalness • 60% Positiveness
14% Popularity • 41% Danceability • 51% Energy • 12% Liveness
81% Instrumentalness • 60% Positiveness
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Pucho & The Latin Soul Brothers
Got Myself A Good Man
110 bpm • D# Maj • 05:46 • -11db
20% Popularity • 75% Danceability • 79% Energy • 3% Liveness
3% Instrumentalness • 88% Positiveness
20% Popularity • 75% Danceability • 79% Energy • 3% Liveness
3% Instrumentalness • 88% Positiveness
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Cal Tjader
Solar Heat
116 bpm • G min • 02:39 • -10.92db
14% Popularity • 78% Danceability • 51% Energy • 11% Liveness
8% Instrumentalness • 58% Positiveness
14% Popularity • 78% Danceability • 51% Energy • 11% Liveness
8% Instrumentalness • 58% Positiveness
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Boris Gardiner
A Berkshire Idyll: Adagio - Poco più mo...
110 bpm • B Maj • 02:57 • -28.97db
0% Popularity • 19% Danceability • 3% Energy • 23% Liveness
91% Instrumentalness • 3% Positiveness
0% Popularity • 19% Danceability • 3% Energy • 23% Liveness
91% Instrumentalness • 3% Positiveness
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Lafayette Afro Rock Band
Hihache
110 bpm • C Maj • 06:57 • -10db
38% Popularity • 55% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 88% Positiveness
38% Popularity • 55% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 88% Positiveness
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George Freeman
The Bump
117 bpm • G min • 07:58 • -10.32db
12% Popularity • 55% Danceability • 76% Energy • 49% Liveness
45% Instrumentalness • 64% Positiveness
12% Popularity • 55% Danceability • 76% Energy • 49% Liveness
45% Instrumentalness • 64% Positiveness
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Los Yoyi
Tú no me puedes conquistar - Remasteriz...
117 bpm • D Maj • 03:07 • -12.97db
14% Popularity • 68% Danceability • 43% Energy • 11% Liveness
76% Instrumentalness • 85% Positiveness
14% Popularity • 68% Danceability • 43% Energy • 11% Liveness
76% Instrumentalness • 85% Positiveness
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The Gaturs
Gatur Bait
109 bpm • A min • 02:46 • -18.91db
32% Popularity • 82% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 90% Positiveness
32% Popularity • 82% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 90% Positiveness
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Manu Dibango
New Bell
117 bpm • G Maj • 06:48 • -6.27db
28% Popularity • 64% Danceability • 96% Energy • 15% Liveness
78% Instrumentalness • 89% Positiveness
28% Popularity • 64% Danceability • 96% Energy • 15% Liveness
78% Instrumentalness • 89% Positiveness
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Magnum
Your Mind
109 bpm • E min • 03:59 • -10.8db
10% Popularity • 46% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
10% Popularity • 46% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
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Lafayette Afro Rock Band
Nicky
117 bpm • C Maj • 06:01 • -7.25db
11% Popularity • 70% Danceability • 81% Energy • 44% Liveness
86% Instrumentalness • 76% Positiveness
11% Popularity • 70% Danceability • 81% Energy • 44% Liveness
86% Instrumentalness • 76% Positiveness
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Kool & The Gang
Raw Hamburger
117 bpm • C Maj • 03:37 • -11.86db
13% Popularity • 60% Danceability • 45% Energy • 9% Liveness
54% Instrumentalness • 50% Positiveness
13% Popularity • 60% Danceability • 45% Energy • 9% Liveness
54% Instrumentalness • 50% Positiveness
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African Music Machine
Tropical
109 bpm • D Maj • 02:22 • -7.99db
24% Popularity • 88% Danceability • 87% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
24% Popularity • 88% Danceability • 87% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
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Larry Ridley
Well You Needn't
109 bpm • C# Maj • 08:29 • -13.83db
22% Popularity • 48% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
22% Popularity • 48% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
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Brentford All-Stars
Greedy G
109 bpm • G Maj • 03:38 • -11.76db
18% Popularity • 84% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 54% Positiveness
18% Popularity • 84% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 54% Positiveness
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The Lyman Woodard Organization
Belle Isle Daze
109 bpm • C min • 07:27 • -13.32db
14% Popularity • 62% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
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Monomono
Plain Fighting
109 bpm • C Maj • 05:39 • -8.52db
13% Popularity • 72% Danceability • 64% Energy • 9% Liveness
17% Instrumentalness • 74% Positiveness
13% Popularity • 72% Danceability • 64% Energy • 9% Liveness
17% Instrumentalness • 74% Positiveness
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Lonnie Liston Smith
In Search Of Truth
108 bpm • A min • 07:11 • -14.01db
18% Popularity • 39% Danceability • 53% Energy • 74% Liveness
2% Instrumentalness • 54% Positiveness
18% Popularity • 39% Danceability • 53% Energy • 74% Liveness
2% Instrumentalness • 54% Positiveness
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S.O.U.L.
Memphis Underground
118 bpm • G Maj • 03:57 • -15.18db
13% Popularity • 72% Danceability • 58% Energy • 8% Liveness
92% Instrumentalness • 82% Positiveness
13% Popularity • 72% Danceability • 58% Energy • 8% Liveness
92% Instrumentalness • 82% Positiveness
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Larry Ridley
Changa Chikuyo
109 bpm • C Maj • 04:08 • -13.42db
10% Popularity • 40% Danceability • 70% Energy • 12% Liveness
71% Instrumentalness • 58% Positiveness
10% Popularity • 40% Danceability • 70% Energy • 12% Liveness
71% Instrumentalness • 58% Positiveness
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The Counts
Tecalli
118 bpm • F min • 04:08 • -11.1db
22% Popularity • 77% Danceability • 46% Energy • 16% Liveness
90% Instrumentalness • 83% Positiveness
22% Popularity • 77% Danceability • 46% Energy • 16% Liveness
90% Instrumentalness • 83% Positiveness
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Peter King
Now I'm a Man
108 bpm • A min • 03:38 • -8.14db
10% Popularity • 66% Danceability • 56% Energy • 16% Liveness
83% Instrumentalness • 71% Positiveness
10% Popularity • 66% Danceability • 56% Energy • 16% Liveness
83% Instrumentalness • 71% Positiveness
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The Lyman Woodard Organization
Saturday Night Special
108 bpm • A# Maj • 07:08 • -9.93db
19% Popularity • 72% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
19% Popularity • 72% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
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Orlando Julius
Love Thy Neighbour
108 bpm • G min • 04:18 • -6.01db
27% Popularity • 63% Danceability • 93% Energy • 10% Liveness
80% Instrumentalness • 70% Positiveness
27% Popularity • 63% Danceability • 93% Energy • 10% Liveness
80% Instrumentalness • 70% Positiveness
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The Fabulous Three
Nightbird
118 bpm • F min • 02:07 • -9.86db
42% Popularity • 66% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
42% Popularity • 66% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Ramsey Lewis Trio
Uhuru
118 bpm • D Maj • 02:15 • -9.07db
17% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Manu Dibango
Afro-Soul
108 bpm • G Maj • 02:44 • -5.32db
19% Popularity • 50% Danceability • 88% Energy • 17% Liveness
80% Instrumentalness • 76% Positiveness
19% Popularity • 50% Danceability • 88% Energy • 17% Liveness
80% Instrumentalness • 76% Positiveness
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David Axelrod
Urizen
118 bpm • A# min • 04:03 • -11.78db
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
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Piero Umiliani
Le ore che contano
119 bpm • A# Maj • 05:06 • -11.28db
12% Popularity • 70% Danceability • 44% Energy • 10% Liveness
80% Instrumentalness • 82% Positiveness
12% Popularity • 70% Danceability • 44% Energy • 10% Liveness
80% Instrumentalness • 82% Positiveness
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Patrice Rushen
Haw-Right Now
119 bpm • C Maj • 08:02 • -13.01db
25% Popularity • 68% Danceability • 63% Energy • 11% Liveness
37% Instrumentalness • 90% Positiveness
25% Popularity • 68% Danceability • 63% Energy • 11% Liveness
37% Instrumentalness • 90% Positiveness
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Boris Gardiner
Melting Pot
119 bpm • E min • 04:29 • -13.78db
1% Popularity • 70% Danceability • 61% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
1% Popularity • 70% Danceability • 61% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
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Nino Nardini
Brutus Drum
107 bpm • F min • 02:14 • -11db
11% Popularity • 66% Danceability • 79% Energy • 16% Liveness
91% Instrumentalness • 93% Positiveness
11% Popularity • 66% Danceability • 79% Energy • 16% Liveness
91% Instrumentalness • 93% Positiveness
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Catalyst
New-Found Truths
107 bpm • B Maj • 05:28 • -18db
21% Popularity • 57% Danceability • 45% Energy • 12% Liveness
81% Instrumentalness • 22% Positiveness
21% Popularity • 57% Danceability • 45% Energy • 12% Liveness
81% Instrumentalness • 22% Positiveness
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Wess & The Airedales
Blackout
107 bpm • F min • 02:52 • -6.89db
9% Popularity • 60% Danceability • 87% Energy • 16% Liveness
85% Instrumentalness • 92% Positiveness
9% Popularity • 60% Danceability • 87% Energy • 16% Liveness
85% Instrumentalness • 92% Positiveness
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Magnum
Witch Doctor's Brew
107 bpm • D min • 07:27 • -14.56db
16% Popularity • 46% Danceability • 47% Energy • 12% Liveness
92% Instrumentalness • 50% Positiveness
16% Popularity • 46% Danceability • 47% Energy • 12% Liveness
92% Instrumentalness • 50% Positiveness
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Mulatu Astatke
Munaye - Stereo Version
119 bpm • D min • 03:32 • -15.8db
27% Popularity • 70% Danceability • 41% Energy • 20% Liveness
79% Instrumentalness • 92% Positiveness
27% Popularity • 70% Danceability • 41% Energy • 20% Liveness
79% Instrumentalness • 92% Positiveness
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Lonnie Liston Smith
Footprints
120 bpm • C min • 06:06 • -10.68db
15% Popularity • 47% Danceability • 79% Energy • 8% Liveness
4% Instrumentalness • 78% Positiveness
15% Popularity • 47% Danceability • 79% Energy • 8% Liveness
4% Instrumentalness • 78% Positiveness
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Weldon Irvine
Fat Mouth
120 bpm • A min • 07:13 • -6.3db
10% Popularity • 52% Danceability • 95% Energy • 9% Liveness
75% Instrumentalness • 94% Positiveness
10% Popularity • 52% Danceability • 95% Energy • 9% Liveness
75% Instrumentalness • 94% Positiveness
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Pacific Express
The Way It Used to Be
120 bpm • G Maj • 04:06 • -7.93db
24% Popularity • 46% Danceability • 92% Energy • 7% Liveness
70% Instrumentalness • 96% Positiveness
24% Popularity • 46% Danceability • 92% Energy • 7% Liveness
70% Instrumentalness • 96% Positiveness
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Earth, Wind & Fire
Bad Tune
120 bpm • E min • 04:42 • -13.49db
18% Popularity • 46% Danceability • 62% Energy • 8% Liveness
43% Instrumentalness • 57% Positiveness
18% Popularity • 46% Danceability • 62% Energy • 8% Liveness
43% Instrumentalness • 57% Positiveness
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Whitefield Brothers
Lullaby For Lagos Quantic
120 bpm • G Maj • 02:39 • -9db
28% Popularity • 58% Danceability • 54% Energy • 8% Liveness
86% Instrumentalness • 50% Positiveness
28% Popularity • 58% Danceability • 54% Energy • 8% Liveness
86% Instrumentalness • 50% Positiveness
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Mulatu Astatke
Emnete
120 bpm • C# Maj • 03:29 • -12db
41% Popularity • 75% Danceability • 44% Energy • 6% Liveness
85% Instrumentalness • 87% Positiveness
41% Popularity • 75% Danceability • 44% Energy • 6% Liveness
85% Instrumentalness • 87% Positiveness
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Mary Lou Williams
The Pussy's in the Well
106 bpm • F Maj • 01:48 • -10.86db
28% Popularity • 71% Danceability • 69% Energy • 15% Liveness
68% Instrumentalness • 69% Positiveness
28% Popularity • 71% Danceability • 69% Energy • 15% Liveness
68% Instrumentalness • 69% Positiveness
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The J.B.'s
These Are The JB's
120 bpm • G Maj • 03:00 • -12.57db
18% Popularity • 90% Danceability • 37% Energy • 6% Liveness
77% Instrumentalness • 91% Positiveness
18% Popularity • 90% Danceability • 37% Energy • 6% Liveness
77% Instrumentalness • 91% Positiveness
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The Fabulous Three
Sweetback
120 bpm • B min • 02:19 • -19.01db
27% Popularity • 43% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
27% Popularity • 43% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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Manu Dibango
Iron Wood
120 bpm • C Maj • 02:43 • -9.08db
25% Popularity • 68% Danceability • 69% Energy • 9% Liveness
60% Instrumentalness • 93% Positiveness
25% Popularity • 68% Danceability • 69% Energy • 9% Liveness
60% Instrumentalness • 93% Positiveness
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Cedric IM Brooks & The Light of Saba
Sabasi
106 bpm • A min • 04:48 • -8.75db
18% Popularity • 66% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 79% Positiveness
18% Popularity • 66% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 79% Positiveness
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Preston Love
Chili Mac
106 bpm • G Maj • 03:38 • -9db
14% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Matata
Return To You
106 bpm • E min • 03:30 • -10.9db
11% Popularity • 82% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 58% Positiveness
11% Popularity • 82% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 58% Positiveness
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The J.B.'s
My Brother
121 bpm • C Maj • 05:37 • -14.84db
16% Popularity • 67% Danceability • 54% Energy • 32% Liveness
4% Instrumentalness • 93% Positiveness
16% Popularity • 67% Danceability • 54% Energy • 32% Liveness
4% Instrumentalness • 93% Positiveness
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Orlando Julius
In The Middle
106 bpm • C Maj • 04:52 • -7db
37% Popularity • 66% Danceability • 88% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
37% Popularity • 66% Danceability • 88% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
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King Sunny Ade
Ja Fun Mi - Instrumental
105 bpm • A# min • 07:13 • -12.3db
20% Popularity • 46% Danceability • 68% Energy • 23% Liveness
59% Instrumentalness • 83% Positiveness
20% Popularity • 46% Danceability • 68% Energy • 23% Liveness
59% Instrumentalness • 83% Positiveness
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The Fabulous Three
Recording 82
121 bpm • F min • 03:20 • -12db
28% Popularity • 55% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 65% Positiveness
28% Popularity • 55% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 65% Positiveness
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David Axelrod
Song Of Innocence
105 bpm • G Maj • 04:34 • -12db
24% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
24% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
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Thomas Clausen
Bio Rhythm No.3
105 bpm • G Maj • 01:57 • -9.2db
9% Popularity • 61% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 61% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The J.B.'s
Hot Pants Road
105 bpm • A min • 02:45 • -12db
38% Popularity • 83% Danceability • 54% Energy • 5% Liveness
5% Instrumentalness • 95% Positiveness
38% Popularity • 83% Danceability • 54% Energy • 5% Liveness
5% Instrumentalness • 95% Positiveness
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Art Blakey
A Chant For Bu
105 bpm • A# min • 08:35 • -10.97db
21% Popularity • 44% Danceability • 71% Energy • 9% Liveness
38% Instrumentalness • 65% Positiveness
21% Popularity • 44% Danceability • 71% Energy • 9% Liveness
38% Instrumentalness • 65% Positiveness
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The Freedom Sounds
Behold the Day
105 bpm • F# min • 04:49 • -12.5db
8% Popularity • 59% Danceability • 61% Energy • 18% Liveness
5% Instrumentalness • 79% Positiveness
8% Popularity • 59% Danceability • 61% Energy • 18% Liveness
5% Instrumentalness • 79% Positiveness
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Lafayette Afro Rock Band
Djungi - Remastered
122 bpm • G min • 03:05 • -7.83db
34% Popularity • 54% Danceability • 83% Energy • 4% Liveness
95% Instrumentalness • 90% Positiveness
34% Popularity • 54% Danceability • 83% Energy • 4% Liveness
95% Instrumentalness • 90% Positiveness
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Gary Bartz
Dr. Follow's Dance
122 bpm • G min • 10:31 • -12.74db
8% Popularity • 53% Danceability • 62% Energy • 65% Liveness
18% Instrumentalness • 84% Positiveness
8% Popularity • 53% Danceability • 62% Energy • 65% Liveness
18% Instrumentalness • 84% Positiveness
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Kenny Cox
Clap Clap! The Joyful Noise
122 bpm • C Maj • 07:23 • -9.55db
18% Popularity • 66% Danceability • 58% Energy • 23% Liveness
91% Instrumentalness • 80% Positiveness
18% Popularity • 66% Danceability • 58% Energy • 23% Liveness
91% Instrumentalness • 80% Positiveness
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Henry Franklin
Soft Spirit
104 bpm • C Maj • 07:31 • -16.02db
17% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
17% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Dr. Lonnie Smith
Psychedelic Pi - Remastered
104 bpm • F min • 06:32 • -9.36db
8% Popularity • 55% Danceability • 70% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
8% Popularity • 55% Danceability • 70% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
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The Lyman Woodard Organization
On Your Mind
104 bpm • A Maj • 03:53 • -11.49db
16% Popularity • 69% Danceability • 56% Energy • 13% Liveness
77% Instrumentalness • 63% Positiveness
16% Popularity • 69% Danceability • 56% Energy • 13% Liveness
77% Instrumentalness • 63% Positiveness
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Father's Children
Linda Movement
123 bpm • C min • 02:32 • -11.51db
19% Popularity • 94% Danceability • 48% Energy • 2% Liveness
68% Instrumentalness • 96% Positiveness
19% Popularity • 94% Danceability • 48% Energy • 2% Liveness
68% Instrumentalness • 96% Positiveness
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Les vikings de la Guadeloupe
Let's Stay up Vikings
104 bpm • C Maj • 06:11 • -14.71db
8% Popularity • 43% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
8% Popularity • 43% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
