Songs like Neo-neun Neo-rul Aljana - Live by Sohyang
Based on a tempo of (+/- 10%) and a similar genre
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Naoto Kaiho
Fathoms Below
70 bpm • G Maj • 01:28 • -10.95db
17% Popularity • 46% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 46% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Ítalo Luiz
A Sereia Vai Te Enfeitiçar
70 bpm • G Maj • 01:28 • -11.17db
28% Popularity • 49% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 49% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Jonah Hauer-King
Fathoms Below
70 bpm • G Maj • 01:28 • -11.19db
44% Popularity • 54% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 54% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Coro - La Sirenita
Final Feliz
69 bpm • G Maj • 03:12 • -10.85db
17% Popularity • 11% Danceability • 29% Energy • 10% Liveness
22% Instrumentalness • 7% Positiveness
17% Popularity • 11% Danceability • 29% Energy • 10% Liveness
22% Instrumentalness • 7% Positiveness
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Zina Kouprianovitch
Kto ty
69 bpm • B min • 01:12 • -18.63db
11% Popularity • 29% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 29% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Steven Price
Back Home
69 bpm • G# Maj • 05:11 • -16.76db
21% Popularity • 7% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
21% Popularity • 7% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Alan Silvestri
He's Alive
69 bpm • G Maj • 03:01 • -24.51db
10% Popularity • 11% Danceability • 7% Energy • 20% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 7% Energy • 20% Liveness
2% Instrumentalness • 4% Positiveness
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Cozi Zuehlsdorff
The Switch
69 bpm • D Maj • 00:57 • -6.35db
22% Popularity • 48% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 48% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Nemo
The Tank Gang - Score Version
69 bpm • F Maj • 01:07 • -14.84db
29% Popularity • 76% Danceability • 26% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 76% Danceability • 26% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Christopher Nightingale
The Acrobat and The Escapologist
72 bpm • C Maj • 02:14 • -11.1db
39% Popularity • 17% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
39% Popularity • 17% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
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Ji Chang Wook
아저씨. 마술을 믿으세요?
72 bpm • A Maj • 03:37 • -9.65db
33% Popularity • 29% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 29% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Cathy Ang
Mooncakes
72 bpm • C# Maj • 04:19 • -11db
38% Popularity • 26% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 26% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Christopher Lennertz
Candy Factory
73 bpm • E Maj • 03:07 • -13.2db
20% Popularity • 33% Danceability • 41% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
20% Popularity • 33% Danceability • 41% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Daniel Hart
Neverland
73 bpm • A Maj • 02:42 • -11.35db
36% Popularity • 29% Danceability • 37% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
36% Popularity • 29% Danceability • 37% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
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Marlin
The Drop Off - Score Version
67 bpm • D Maj • 01:01 • -11.09db
32% Popularity • 50% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 50% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Alisha Weir
I'm Here
72 bpm • C min • 03:43 • -11db
37% Popularity • 14% Danceability • 18% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
37% Popularity • 14% Danceability • 18% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Joby Talbot
Rosita Loses Out
66 bpm • A Maj • 01:15 • -32.61db
25% Popularity • 23% Danceability • 1% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 1% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Cathy Ang
Rocket to the Moon (Reprise)
73 bpm • A Maj • 02:01 • -8.02db
34% Popularity • 36% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 36% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Donna Murphy
Mother Knows Best
75 bpm • F Maj • 03:11 • -10.81db
51% Popularity • 44% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 44% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Ji Chang Wook
아스팔트의 저주
74 bpm • F min • 03:26 • -8.84db
35% Popularity • 44% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 44% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Germaine Franco
I Need You
75 bpm • G Maj • 02:27 • -28db
48% Popularity • 17% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
48% Popularity • 17% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Charlotte's Web
75 bpm • C Maj • 01:03 • -18.08db
27% Popularity • 29% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
27% Popularity • 29% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Li Qi
Wo Shi Mo A Na
75 bpm • D min • 02:42 • -11.35db
9% Popularity • 43% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 43% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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KIM BO KYEONG (NEON)
행복을 병속에 담는 법 - 김보�...
75 bpm • D# Maj • 04:25 • -8.04db
8% Popularity • 32% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 32% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 10% Positiveness
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Steven Price
Nighttime Conversation
75 bpm • D# min • 01:39 • -24db
30% Popularity • 14% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
30% Popularity • 14% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Jodi Benson
Part of Your World (Reprise)/ Ursula Plo...
75 bpm • F Maj • 03:03 • -19db
25% Popularity • 15% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 7% Positiveness
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Kevin Kliesch
Tower Escape and Destruction
65 bpm • C Maj • 03:11 • -9.09db
12% Popularity • 14% Danceability • 67% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
12% Popularity • 14% Danceability • 67% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Mandy Moore
When Will My Life Begin (Reprise 1)
75 bpm • C Maj • 01:03 • -17.95db
54% Popularity • 39% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 39% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Mancina
Tala's Deathbed
76 bpm • G# Maj • 02:00 • -18db
48% Popularity • 19% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Heidi Blickenstaff
After All of This and Everything
76 bpm • C# Maj • 02:59 • -9.39db
13% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Marlin
Go with the Flow - Soundtrack
76 bpm • A# Maj • 03:38 • -9db
34% Popularity • 36% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 36% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 48% Positiveness
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Liz Callaway, Steve Vinovich, Jonathan Hadary, David Zippel, Lex de Azevedo, Larry Bastian, Larry Schwartz
No Fear
76 bpm • F Maj • 03:37 • -16.71db
31% Popularity • 62% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 62% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Liu Mei Ling
Ni Shi Shui
64 bpm • B min • 01:12 • -19.17db
8% Popularity • 34% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 34% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Søren Launbjerg
Et skridt foran (reprise)
77 bpm • A# Maj • 01:01 • -18.63db
13% Popularity • 19% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 19% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Randy Newman
Ray Laid Low
76 bpm • C min • 03:21 • -17.01db
18% Popularity • 16% Danceability • 14% Energy • 15% Liveness
5% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 14% Energy • 15% Liveness
5% Instrumentalness • 4% Positiveness
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Germaine Franco
The Cracks Emerge
77 bpm • C# Maj • 01:22 • -14.55db
45% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
45% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Sophie Delmas
N’écoute que moi - De "Raiponce"/Band...
77 bpm • F Maj • 03:10 • -11.09db
43% Popularity • 46% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 46% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Rachel House
I Am Moana (Song of the Ancestors) (Ko A...
77 bpm • A min • 02:42 • -12.47db
26% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Lee Juck
Rest
77 bpm • G Maj • 04:44 • -9.69db
18% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Susan Egan
All Is Found/Into the Unknown
77 bpm • A# min • 02:58 • -8.88db
23% Popularity • 26% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 26% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Christopher Nightingale
The Most Dangerous Feat
64 bpm • C Maj • 03:55 • -13.25db
36% Popularity • 16% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 26% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Cathy Ang
Love Someone New
64 bpm • D Maj • 03:36 • -14db
37% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Judy Kuhn
Just Around the Riverbend
63 bpm • C Maj • 02:28 • -11.66db
54% Popularity • 42% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 42% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Leslie Bricusse
It Takes All Sorts
77 bpm • G# Maj • 02:40 • -9.43db
24% Popularity • 53% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 53% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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James Hayden
They're The Clades!
77 bpm • F Maj • 01:04 • -11.91db
23% Popularity • 51% Danceability • 52% Energy • 14% Liveness
74% Instrumentalness • 29% Positiveness
23% Popularity • 51% Danceability • 52% Energy • 14% Liveness
74% Instrumentalness • 29% Positiveness
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Geoff Zanelli
Malkin Confesses
77 bpm • C Maj • 02:47 • -16.66db
20% Popularity • 18% Danceability • 16% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 16% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Emma Thompson
The Hammer
77 bpm • B Maj • 03:23 • -9db
43% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Joby Talbot
Turns Out There’s Always A Choice
78 bpm • F Maj • 01:41 • -27.73db
21% Popularity • 25% Danceability • 2% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 2% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
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Marlin
In the Big Blue World - Soundtrack
63 bpm • G# Maj • 04:26 • -13db
36% Popularity • 35% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 35% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Evan Rachel Wood
All Is Found (Lullaby Ending) - Outtake
78 bpm • A min • 01:54 • -14.77db
27% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Donghwa Jung
Remember Me (Lullaby)
79 bpm • C Maj • 01:09 • -16.64db
10% Popularity • 64% Danceability • 8% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 64% Danceability • 8% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Anika Noni Rose
Almost There
79 bpm • A min • 02:24 • -6.47db
62% Popularity • 55% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
62% Popularity • 55% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Peter Pan Live! Orchestra
The Fight
79 bpm • G# Maj • 01:37 • -8db
11% Popularity • 38% Danceability • 54% Energy • 39% Liveness
93% Instrumentalness • 48% Positiveness
11% Popularity • 38% Danceability • 54% Energy • 39% Liveness
93% Instrumentalness • 48% Positiveness
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Taylor Swift
But Daddy I Love Him
79 bpm • E Maj • 05:40 • -7.64db
83% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
83% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Jonatha Brooke
I'll Try (Reprise)
79 bpm • D# Maj • 01:07 • -18db
28% Popularity • 33% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 33% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Sleeping Beauty
Waiting For My Prince
79 bpm • D Maj • 02:54 • -7.07db
18% Popularity • 33% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 33% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Graham Phillips
Her Voice
80 bpm • D Maj • 02:37 • -8.63db
22% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Alan Silvestri
Famous!
80 bpm • D Maj • 03:09 • -16.12db
8% Popularity • 27% Danceability • 15% Energy • 22% Liveness
67% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 15% Energy • 22% Liveness
67% Instrumentalness • 7% Positiveness
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Jodi Benson
Here On The Land And Sea (Finale)
80 bpm • C Maj • 01:44 • -7db
40% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
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Christophe Beck
Introducción
80 bpm • D Maj • 00:59 • -13.1db
25% Popularity • 38% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
25% Popularity • 38% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
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Rapunzel
Wind in My Hair
80 bpm • C Maj • 02:34 • -5.5db
45% Popularity • 40% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 40% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Sophie Delmas
Prologue
80 bpm • C Maj • 02:02 • -16.15db
26% Popularity • 24% Danceability • 15% Energy • 20% Liveness
1% Instrumentalness • 14% Positiveness
26% Popularity • 24% Danceability • 15% Energy • 20% Liveness
1% Instrumentalness • 14% Positiveness
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Christopher Nightingale
Magnus Returns
80 bpm • D# Maj • 03:52 • -10.55db
31% Popularity • 25% Danceability • 31% Energy • 35% Liveness
93% Instrumentalness • 8% Positiveness
31% Popularity • 25% Danceability • 31% Energy • 35% Liveness
93% Instrumentalness • 8% Positiveness
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Alan Silvestri
Off To School
81 bpm • D Maj • 01:21 • -22.99db
7% Popularity • 12% Danceability • 5% Energy • 15% Liveness
18% Instrumentalness • 5% Positiveness
7% Popularity • 12% Danceability • 5% Energy • 15% Liveness
18% Instrumentalness • 5% Positiveness
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Kevin Kliesch
Rocks Point the Way
81 bpm • A min • 03:05 • -15.06db
15% Popularity • 8% Danceability • 15% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 15% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
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Bruna Guerin
Algum Lugar (Versão Créditos)
81 bpm • C Maj • 03:47 • -8.84db
15% Popularity • 51% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 51% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Cast - Frozen
Gélido Coração
81 bpm • D min • 01:46 • -11db
42% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Rupert Gregson-Williams
Jackie's Mountains
60 bpm • A# Maj • 02:14 • -26.47db
24% Popularity • 13% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Mandy Moore
Healing Incantation
81 bpm • F# Maj • 00:54 • -22.62db
53% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Lindiwe Mkhize
Circle of Life/Nants' Ingonyama
81 bpm • A# Maj • 04:01 • -8.15db
56% Popularity • 30% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 30% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Joseph Williams
Can You Feel the Love Tonight
81 bpm • F Maj • 02:56 • -15.26db
57% Popularity • 34% Danceability • 19% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 34% Danceability • 19% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
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Tokyo DisneySea
Minnie's Wishing Ring: Wishes Come True ...
82 bpm • F Maj • 01:27 • -4.93db
11% Popularity • 29% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 29% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Mark Watters
Wedding/Attack Of The Forty Thieves
82 bpm • C Maj • 06:40 • -18db
14% Popularity • 20% Danceability • 23% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
14% Popularity • 20% Danceability • 23% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
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Steven Price
I've Lost Everything Now
82 bpm • C# Maj • 05:49 • -12.87db
21% Popularity • 15% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 5% Positiveness
21% Popularity • 15% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 5% Positiveness
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Christopher Nightingale
Day of Reckoning
82 bpm • C Maj • 01:58 • -14.5db
31% Popularity • 28% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 28% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Marc Shaiman
Race to Big Ben
82 bpm • B min • 04:55 • -12.96db
24% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
24% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
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Judy Kuhn
Like Other Girls
82 bpm • G Maj • 02:25 • -8.42db
46% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Blayne Weaver
So to Be One of Us
82 bpm • G Maj • 01:26 • -9db
19% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Kevin Kliesch
Onward to the Dark Kingdom
83 bpm • G min • 03:12 • -12.03db
13% Popularity • 10% Danceability • 29% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 29% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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Paul Ainsley, Ric Stoneback, Tom Alan Robbins, Lenny Wolpe, Sandy Duncan, David Zippel, Lex de Azevedo, Larry Bastian
Practice, Practice, Practice
83 bpm • C Maj • 02:23 • -18db
31% Popularity • 42% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 42% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Griffin Newman
Andalasia
83 bpm • G Maj • 04:30 • -11.67db
24% Popularity • 47% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 47% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Jodi Benson
In Harmony
83 bpm • D Maj • 01:59 • -7db
36% Popularity • 58% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 58% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Joel McNeely
The Journey Begins
83 bpm • C Maj • 02:59 • -17.5db
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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Marcy Harriell
More - Reprise - Outtake
83 bpm • D Maj • 02:38 • -10.45db
40% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Marc Shaiman
Chase Through the Bank
83 bpm • F Maj • 01:11 • -18.19db
32% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
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Evan Rachel Wood
All Is Found
83 bpm • F Maj • 02:05 • -12.32db
67% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
67% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Mandy Moore
The Girl Who Has Everything (Reprise)
83 bpm • A# Maj • 00:57 • -10.47db
31% Popularity • 36% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 36% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Caroline Bowman
I Can't Lose You
83 bpm • G Maj • 03:04 • -6.07db
40% Popularity • 44% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 44% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Auli'i Cravalho
How Far I'll Go
84 bpm • E Maj • 02:43 • -10.97db
69% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
69% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Emmylou Homs
Tout réparer
84 bpm • C min • 03:37 • -14db
44% Popularity • 33% Danceability • 9% Energy • 48% Liveness
0% Instrumentalness • 11% Positiveness
44% Popularity • 33% Danceability • 9% Energy • 48% Liveness
0% Instrumentalness • 11% Positiveness
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Jaedyn Randell
How Far I'll Go (Tukuna Au)
83 bpm • C# min • 02:43 • -10.74db
23% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Mark Mancina
The Hook
84 bpm • G Maj • 01:09 • -22.15db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Liu Mei Ling
Neng Zou Duo Yuan
84 bpm • C# min • 02:43 • -10db
14% Popularity • 52% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 52% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Kris Bowers
The Ghost Realm
84 bpm • B Maj • 03:22 • -18.88db
31% Popularity • 13% Danceability • 26% Energy • 44% Liveness
80% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 26% Energy • 44% Liveness
80% Instrumentalness • 6% Positiveness
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Joel McNeely
Here Beside Me
84 bpm • C Maj • 02:35 • -14.8db
32% Popularity • 20% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
32% Popularity • 20% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Gabriella Uhl
What It Means to Be a Friend
85 bpm • A Maj • 03:22 • -7.55db
21% Popularity • 53% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 53% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Jaedyn Randell
How Far I'll Go (Tukuna Au) - Reprise
84 bpm • C# min • 01:27 • -9.22db
15% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Vai Mahina
An Innocent Warrior
85 bpm • D Maj • 01:37 • -11.23db
63% Popularity • 28% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
