Songs like Neon - EP Version by John Mayer
Based on a tempo of (+/- 10%) and a similar genre
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Dawes
Don't Send Me Away
109 bpm • A Maj • 04:54 • -7.57db
25% Popularity • 87% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 87% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Norah Jones
Feelin' The Same Way
109 bpm • F Maj • 02:57 • -9.85db
63% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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John Mayer
Neon - EP Version
109 bpm • A# min • 03:52 • -12.35db
36% Popularity • 59% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 59% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Barbra Streisand
Come Rain or Come Shine
108 bpm • G Maj • 04:10 • -6.02db
43% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Joe Purdy
Skinny Dippin Girl
108 bpm • F Maj • 04:45 • -9.98db
22% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Citizen Cope
One Lovely Day
110 bpm • G Maj • 04:01 • -9.28db
47% Popularity • 57% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 57% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Jason Reeves
Wishing Weed - Acoustic Version
108 bpm • G Maj • 03:11 • -6.22db
11% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Trevor Hall
The Lime Tree
111 bpm • B Maj • 03:39 • -4.76db
14% Popularity • 43% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 43% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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John Mayer
Born and Raised - Reprise
108 bpm • G Maj • 02:00 • -8.56db
45% Popularity • 71% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
45% Popularity • 71% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Damien Rice
Older Chests
111 bpm • C Maj • 04:46 • -16db
51% Popularity • 51% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
51% Popularity • 51% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
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Sawyer Fredericks
So Lucky
107 bpm • D Maj • 04:32 • -15.03db
9% Popularity • 57% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 57% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Chris O'Brien
Ocean Stone
107 bpm • D Maj • 03:02 • -14.35db
28% Popularity • 45% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 45% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Matt White Band
Makes Me Happy
106 bpm • G Maj • 04:02 • -9db
14% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Brett Dennen
Smoke and Mirrors
112 bpm • E Maj • 03:50 • -11.4db
13% Popularity • 76% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 76% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Weepies
Crooked Smile
112 bpm • F# Maj • 02:24 • -9db
44% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Theo Katzman
Hard For You
112 bpm • C# Maj • 04:32 • -5.6db
23% Popularity • 73% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 73% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Jason Reeves
You in a Song.
112 bpm • D min • 03:53 • -8.08db
23% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Damien Rice
Amie
106 bpm • D Maj • 04:36 • -9.37db
40% Popularity • 26% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 26% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 17% Positiveness
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Phillip Phillips
Wicked Game
106 bpm • A Maj • 04:13 • -9db
35% Popularity • 36% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 36% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Kings of Leon
Manhattan
112 bpm • A Maj • 03:24 • -5.81db
60% Popularity • 50% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 50% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Citizen Cope
Sideways
112 bpm • D Maj • 05:22 • -6.88db
53% Popularity • 57% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 57% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Passenger
Shape of Love
106 bpm • C# min • 03:08 • -9db
57% Popularity • 62% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
57% Popularity • 62% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Eric Hutchinson
Food Chain
112 bpm • F Maj • 03:41 • -5.82db
34% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Griffin House
Let Me In
113 bpm • C min • 03:47 • -6.94db
23% Popularity • 73% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
23% Popularity • 73% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Damien Rice
The Greatest Bastard
105 bpm • D Maj • 05:04 • -14.33db
39% Popularity • 43% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 43% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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John Mayer
Speak For Me
113 bpm • A Maj • 03:44 • -11.47db
46% Popularity • 69% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
46% Popularity • 69% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Mat Kearney
Closer to Love
105 bpm • C Maj • 03:37 • -9db
42% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Counting Crows
Anna Begins
113 bpm • G Maj • 04:31 • -8.47db
49% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Justin Nozuka
September Grass
105 bpm • B Maj • 04:24 • -15.57db
14% Popularity • 57% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 57% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Wallflowers
Invisible City
114 bpm • E Maj • 04:47 • -12.69db
32% Popularity • 52% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
32% Popularity • 52% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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The Goo Goo Dolls
Black Balloon
105 bpm • C# Maj • 04:09 • -8.57db
61% Popularity • 34% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 34% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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John Mayer
Whiskey, Whiskey, Whiskey
113 bpm • E min • 04:38 • -9.49db
48% Popularity • 41% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 41% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Gabe Dixon
Far From Home
104 bpm • C# Maj • 03:50 • -7.88db
19% Popularity • 67% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 67% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Edwin McCain
Sign on the Door
114 bpm • A Maj • 06:01 • -6.73db
22% Popularity • 54% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Tracy Chapman
Fast Car
104 bpm • E min • 04:56 • -15.52db
83% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
83% Popularity • 71% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Bahamas
Hockey Teeth
104 bpm • A# Maj • 02:34 • -9.24db
43% Popularity • 75% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
43% Popularity • 75% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
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Andy Davis
Laugh So You Don't Cry
104 bpm • D Maj • 03:46 • -9.51db
9% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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John Mayer
Come Back to Bed
114 bpm • A Maj • 05:23 • -4.49db
46% Popularity • 48% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
46% Popularity • 48% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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Five For Fighting
Superman (It's Not Easy) - Acoustic Vers...
104 bpm • C Maj • 03:42 • -8db
42% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Mumford & Sons
Believe
115 bpm • D Maj • 03:40 • -5.99db
48% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
48% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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O.A.R.
Shattered (Acoustic)
103 bpm • B Maj • 04:53 • -4.65db
22% Popularity • 38% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 38% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 36% Positiveness
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Casey Abrams
Midnight Girl
115 bpm • A Maj • 03:07 • -10.88db
19% Popularity • 73% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 73% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Gabe Dixon
Further The Sky
115 bpm • A# Maj • 05:03 • -9.42db
21% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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John Mayer
Quiet - EP Version
103 bpm • F# Maj • 03:20 • -14.11db
36% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jason Reeves
Reaching.
103 bpm • C min • 04:21 • -9db
20% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Norah Jones
Those Sweet Words
103 bpm • D Maj • 03:22 • -11db
65% Popularity • 80% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 80% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Eric Johnson
April Come She Will - Live
103 bpm • D Maj • 02:29 • -12.16db
35% Popularity • 37% Danceability • 46% Energy • 68% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 37% Danceability • 46% Energy • 68% Liveness
0% Instrumentalness • 37% Positiveness
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Gary Jules
Road Song Blues
115 bpm • D Maj • 02:16 • -12.49db
16% Popularity • 52% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 52% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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James Bay
If I Ain’t Got You - James Bay Spotify...
115 bpm • F min • 04:21 • -9.74db
64% Popularity • 65% Danceability • 18% Energy • 71% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 65% Danceability • 18% Energy • 71% Liveness
0% Instrumentalness • 33% Positiveness
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Khalid
Outta My Head
103 bpm • C Maj • 02:57 • -7.82db
65% Popularity • 73% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
65% Popularity • 73% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Dave Barnes
Stay Away
103 bpm • F min • 04:19 • -9.62db
23% Popularity • 78% Danceability • 43% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
23% Popularity • 78% Danceability • 43% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
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Ari Hest
Bird Never Flies
103 bpm • G min • 03:40 • -10.82db
9% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Daniel Caesar
SUPERPOSITION
116 bpm • E Maj • 04:23 • -11.21db
61% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Goo Goo Dolls
Here Is Gone
102 bpm • C# Maj • 03:58 • -5.18db
58% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Foy Vance
Doesn't Take a Whole Day
102 bpm • G Maj • 05:38 • -11.01db
24% Popularity • 54% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 54% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Five For Fighting
Superman (It's Not Easy)
102 bpm • C Maj • 03:41 • -9.3db
68% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Damien Rice
Colour Me In
116 bpm • D# Maj • 05:18 • -14.06db
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
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Tedeschi Trucks Band
Calling Out To You
102 bpm • F# Maj • 03:46 • -13.91db
39% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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John Mayer
Belief - Acoustic
102 bpm • D min • 03:42 • -8.02db
39% Popularity • 71% Danceability • 47% Energy • 14% Liveness
2% Instrumentalness • 65% Positiveness
39% Popularity • 71% Danceability • 47% Energy • 14% Liveness
2% Instrumentalness • 65% Positiveness
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Eddie Vedder
Goodbye
102 bpm • D min • 02:28 • -11.74db
32% Popularity • 53% Danceability • 30% Energy • 9% Liveness
28% Instrumentalness • 31% Positiveness
32% Popularity • 53% Danceability • 30% Energy • 9% Liveness
28% Instrumentalness • 31% Positiveness
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Colbie Caillat
Bubbly
117 bpm • A Maj • 03:34 • -12.12db
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Dawes
Something In Common
117 bpm • A Maj • 05:11 • -10.49db
21% Popularity • 63% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 63% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Joshua Radin
Today
101 bpm • A Maj • 03:26 • -17.51db
34% Popularity • 52% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
34% Popularity • 52% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Passenger
Rivers
117 bpm • G min • 03:30 • -7.59db
29% Popularity • 42% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 42% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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John Mayer
Neon
102 bpm • F min • 04:22 • -7.66db
58% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Eddie Vedder
Without You
117 bpm • C Maj • 03:18 • -10.76db
47% Popularity • 71% Danceability • 40% Energy • 10% Liveness
24% Instrumentalness • 23% Positiveness
47% Popularity • 71% Danceability • 40% Energy • 10% Liveness
24% Instrumentalness • 23% Positiveness
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Eric Hutchinson
Oh!
118 bpm • C Maj • 03:53 • -5db
32% Popularity • 82% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 82% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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James Bay
If You Ever Wanna Be In Love - James Bay...
118 bpm • B Maj • 03:56 • -8.43db
61% Popularity • 68% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 68% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 36% Positiveness
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The Goo Goo Dolls
Boxes - Acoustic
101 bpm • E Maj • 04:22 • -9db
49% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Theo Katzman
Called To Tell You
118 bpm • F# Maj • 03:21 • -10.16db
25% Popularity • 86% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 86% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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John Mayer
Wheel
117 bpm • A# Maj • 05:32 • -8.28db
43% Popularity • 58% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 58% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Jason Reeves
Someone Somewhere.
118 bpm • F Maj • 04:28 • -4.83db
21% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Tony Bennett
One for My Baby (And One More for the Ro...
100 bpm • A min • 02:56 • -11db
56% Popularity • 57% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
56% Popularity • 57% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Sister Hazel
All For You - Acoustic
119 bpm • G# Maj • 05:43 • -7.53db
34% Popularity • 58% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 58% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
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Paolo Nutini
These Streets
119 bpm • D Maj • 03:53 • -9.56db
30% Popularity • 72% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 72% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Counting Crows
Good Time
119 bpm • F Maj • 04:24 • -6.43db
24% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Five For Fighting
If God Made You
100 bpm • C Maj • 04:15 • -7db
31% Popularity • 52% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 52% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Citizen Cope
Keep Askin' (Acoustic Version)
99 bpm • G Maj • 02:49 • -10.76db
29% Popularity • 74% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 74% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Gabe Dixon
Corner Cafe
99 bpm • B Maj • 04:44 • -8.21db
8% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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John Mayer
Back To You - EP Version
99 bpm • F# min • 03:57 • -10.88db
36% Popularity • 60% Danceability • 64% Energy • 12% Liveness
13% Instrumentalness • 53% Positiveness
36% Popularity • 60% Danceability • 64% Energy • 12% Liveness
13% Instrumentalness • 53% Positiveness
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Kings of Leon
Comeback Story
120 bpm • A Maj • 03:59 • -7.3db
59% Popularity • 46% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 46% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Casey Abrams
Wore Out My Soul
120 bpm • F Maj • 04:31 • -6.77db
16% Popularity • 65% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 65% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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The Head And The Heart
Let's Be Still - Spotify Session
120 bpm • A Maj • 05:23 • -9.42db
19% Popularity • 59% Danceability • 45% Energy • 59% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 59% Danceability • 45% Energy • 59% Liveness
0% Instrumentalness • 37% Positiveness
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Craig Cardiff
When People Go
120 bpm • D Maj • 03:36 • -9.99db
15% Popularity • 78% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 78% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Maroon 5
Not Coming Home
120 bpm • C# min • 04:21 • -5.22db
41% Popularity • 67% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 67% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 38% Positiveness
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John Mayer
Waitin' On The Day
120 bpm • G Maj • 04:33 • -8.63db
50% Popularity • 66% Danceability • 44% Energy • 14% Liveness
5% Instrumentalness • 30% Positiveness
50% Popularity • 66% Danceability • 44% Energy • 14% Liveness
5% Instrumentalness • 30% Positiveness
► Preview
George Ezra
Budapest - Live from Spotify Stockholm
121 bpm • E Maj • 03:29 • -10db
46% Popularity • 68% Danceability • 29% Energy • 71% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 68% Danceability • 29% Energy • 71% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Five For Fighting
100 Years
121 bpm • G Maj • 04:04 • -7.46db
65% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Joe Firstman
Introduction to "The War of Women"
98 bpm • A# Maj • 01:25 • -11.57db
12% Popularity • 42% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 42% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Shane Alexander
Skyway Drive-In
121 bpm • D# Maj • 03:17 • -14db
23% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Joshua Radin
Only You
98 bpm • G# Maj • 02:29 • -15db
50% Popularity • 55% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 55% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
John Mayer
Something Like Olivia
99 bpm • G Maj • 03:00 • -12.16db
65% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Sister Hazel
Come Around - Acoustic
98 bpm • A Maj • 04:43 • -6.72db
16% Popularity • 56% Danceability • 66% Energy • 92% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 56% Danceability • 66% Energy • 92% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Josh Kelley
Amazing - Acoustic
97 bpm • A Maj • 03:44 • -13db
10% Popularity • 49% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 49% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Alicia Keys
Lesson Learned
122 bpm • A Maj • 04:13 • -8.56db
51% Popularity • 68% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 68% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Maroon 5
Must Get Out
97 bpm • G Maj • 03:59 • -6.64db
52% Popularity • 75% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 75% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Counting Crows
Walkaways
97 bpm • D Maj • 01:12 • -11.72db
55% Popularity • 53% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 53% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
John Mayer
83
122 bpm • D Maj • 04:50 • -5.74db
46% Popularity • 70% Danceability • 84% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
46% Popularity • 70% Danceability • 84% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
