Songs like Neujahrsoratorium (New Year's Oratorio) (arr. B. Klapprott): Erzahlet, ihr Himmel, die gottlichen Werke! (Chorus) by Georg Gebel II
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Graupner
Partita GWV 150: IV. Sarabande
145 bpm • B min • 01:57 • -27db
14% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
14% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Georg Philipp Telemann
Tönet die Freude, TWV 1:1410: No. 12, H...
144 bpm • G# Maj • 00:51 • -17.31db
9% Popularity • 15% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
9% Popularity • 15% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
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Arcangelo Corelli
Trio Sonata in D Minor, Op. 3 No. 5: III...
144 bpm • E Maj • 01:41 • -19.36db
9% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Anthony Holborne
Galliard Heigh Ho Holiday
143 bpm • G# Maj • 01:30 • -22.35db
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
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Louis-Antoine Dornel
Suitte en Trio No. 3 in E Minor, Op. 1: ...
142 bpm • D# min • 01:45 • -19.71db
17% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
17% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
143 bpm • F# min • 06:59 • -19.34db
14% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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François Couperin
Concert Royal No. 2 in D: III. Air tendr...
141 bpm • C# min • 03:40 • -17.28db
7% Popularity • 27% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 31% Positiveness
7% Popularity • 27% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 31% Positiveness
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Georg Philipp Telemann
Telemann: Ouverture-Suite for Recorder a...
141 bpm • A min • 02:36 • -23.7db
25% Popularity • 63% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
25% Popularity • 63% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
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Johann Pachelbel
Aria and 6 Variations in F Major, P.195:...
151 bpm • E Maj • 01:08 • -33.32db
7% Popularity • 32% Danceability • 13% Energy • 8% Liveness
98% Instrumentalness • 80% Positiveness
7% Popularity • 32% Danceability • 13% Energy • 8% Liveness
98% Instrumentalness • 80% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: VII. Te...
141 bpm • C# Maj • 02:41 • -28db
10% Popularity • 38% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
10% Popularity • 38% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Henry Purcell
The Gordion Knot Unty'd, Z. 597: Fourth ...
141 bpm • B Maj • 01:28 • -21db
18% Popularity • 65% Danceability • 19% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
18% Popularity • 65% Danceability • 19% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
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Johann Sebastian Bach
Liebster Jesu, mein Verlangen, BWV 32: A...
141 bpm • D# min • 06:47 • -20.86db
9% Popularity • 21% Danceability • 5% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 5% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Niccolò Jommelli
Miserere in G Minor, HocJ C1.23: I. Mise...
140 bpm • B min • 01:35 • -23.52db
17% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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![Bist du bei mir (Formerly Attrib. Bach as BWV 508)[Voice & Harpsichord] cover art](https://i.scdn.co/image/ab67616d00001e0299acf539a3fa903fc3223059)
Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. Bach a...
140 bpm • D Maj • 02:46 • -26.2db
7% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The Royal Wind Music
Galliard
139 bpm • F# Maj • 02:22 • -18.59db
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Qui tollis I
138 bpm • F Maj • 00:59 • -29.53db
14% Popularity • 15% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
14% Popularity • 15% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Henry Purcell
Fantazia V, Z. 736
139 bpm • E Maj • 04:09 • -17.03db
9% Popularity • 19% Danceability • 18% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 18% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part One:...
139 bpm • D# min • 04:42 • -19.92db
2% Popularity • 27% Danceability • 13% Energy • 20% Liveness
1% Instrumentalness • 17% Positiveness
2% Popularity • 27% Danceability • 13% Energy • 20% Liveness
1% Instrumentalness • 17% Positiveness
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Georg Philipp Telemann
Gesegnet ist die Zuversicht, TVWV 1:616:...
138 bpm • A Maj • 02:21 • -24.16db
7% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jean-Baptiste Quentin
3e Livre de Sonates à violon seul et ba...
137 bpm • D# min • 03:20 • -18.77db
12% Popularity • 21% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86, B. 153: VI. Agn...
137 bpm • G Maj • 05:03 • -27.39db
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Gregorio Strozzi
Capricci da sonare cembali et organi, Op...
136 bpm • C Maj • 01:18 • -16.22db
8% Popularity • 22% Danceability • 17% Energy • 17% Liveness
83% Instrumentalness • 46% Positiveness
8% Popularity • 22% Danceability • 17% Energy • 17% Liveness
83% Instrumentalness • 46% Positiveness
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Arcangelo Corelli
Concerto in F Major, Op. 6 No. 2: III. A...
136 bpm • D# Maj • 01:50 • -18.77db
9% Popularity • 26% Danceability • 15% Energy • 24% Liveness
84% Instrumentalness • 43% Positiveness
9% Popularity • 26% Danceability • 15% Energy • 24% Liveness
84% Instrumentalness • 43% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
137 bpm • A Maj • 04:12 • -21.25db
14% Popularity • 16% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
20% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
20% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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George Frideric Handel
Organ Concerto No. 14 in A Major, HWV 29...
135 bpm • F min • 01:25 • -37.57db
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Giovanni Bononcini
Stabat Mater a quatro in C Minor: IX. Vi...
135 bpm • D# Maj • 01:26 • -17.73db
19% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Francesco Carlos de S. Joseph
Obra de 5° tom
135 bpm • B Maj • 04:01 • -20.88db
9% Popularity • 25% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
9% Popularity • 25% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in A Minor...
159 bpm • G# min • 04:18 • -23.3db
3% Popularity • 33% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
3% Popularity • 33% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 3 in D Major: V. Alle...
133 bpm • C# Maj • 01:02 • -18.08db
11% Popularity • 50% Danceability • 18% Energy • 18% Liveness
3% Instrumentalness • 75% Positiveness
11% Popularity • 50% Danceability • 18% Energy • 18% Liveness
3% Instrumentalness • 75% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
133 bpm • D Maj • 01:22 • -16.01db
9% Popularity • 22% Danceability • 26% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
9% Popularity • 22% Danceability • 26% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
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Giulio Segni Da Modena
Ricercar 5
132 bpm • A# min • 02:07 • -19.74db
8% Popularity • 21% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
132 bpm • B Maj • 03:26 • -25.92db
11% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
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Sebastián de Vivanco
Canon perpetuo
132 bpm • A# min • 01:35 • -30db
9% Popularity • 21% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
9% Popularity • 21% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: V. Vidit suum
132 bpm • E min • 01:05 • -25.23db
15% Popularity • 22% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Fantazia I, Z. 732
162 bpm • C# min • 02:43 • -18.92db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
70% Instrumentalness • 26% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
70% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
131 bpm • F min • 06:14 • -19.09db
16% Popularity • 31% Danceability • 6% Energy • 11% Liveness
35% Instrumentalness • 18% Positiveness
16% Popularity • 31% Danceability • 6% Energy • 11% Liveness
35% Instrumentalness • 18% Positiveness
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Georg Philipp Telemann
Die Donnerode, TWV 6:3, Pt. 1: No. 5, Di...
131 bpm • F# Maj • 01:42 • -18.76db
8% Popularity • 39% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 39% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Heinrich Schütz
Auferstehungshistorie, SWV 50: (Die Elfe...
129 bpm • D# min • 01:01 • -17.66db
9% Popularity • 39% Danceability • 19% Energy • 21% Liveness
1% Instrumentalness • 7% Positiveness
9% Popularity • 39% Danceability • 19% Energy • 21% Liveness
1% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Violin Sonata in G Minor, Op. 5 No. 5: V...
129 bpm • F# min • 01:46 • -22.39db
14% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Georg Gebel II
Mein Jesu A und O, der Anfrang und das E...
129 bpm • C# min • 03:12 • -19.78db
0% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Purcell
Fantazia IX, Z. 740
129 bpm • E Maj • 04:23 • -18.1db
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Musici di San Marco
Concerto, D-Major, For Strings And Organ...
128 bpm • C# Maj • 02:15 • -20.69db
10% Popularity • 38% Danceability • 23% Energy • 23% Liveness
84% Instrumentalness • 43% Positiveness
10% Popularity • 38% Danceability • 23% Energy • 23% Liveness
84% Instrumentalness • 43% Positiveness
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Georg Philipp Telemann
Dich rühmen die Welten, TWV 1:329: No. ...
131 bpm • C# Maj • 02:15 • -24.37db
10% Popularity • 18% Danceability • 6% Energy • 12% Liveness
63% Instrumentalness • 14% Positiveness
10% Popularity • 18% Danceability • 6% Energy • 12% Liveness
63% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Bach, JS: Markus-Passion, BWV 247: No. 1...
129 bpm • G# min • 05:23 • -24.49db
14% Popularity • 18% Danceability • 12% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Benedictu...
128 bpm • G# min • 00:55 • -19.55db
19% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Carlo Gesualdo
Canzon Francese del Principe
127 bpm • G# min • 04:45 • -27.98db
22% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
22% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: VII. Pre...
126 bpm • C# min • 02:07 • -16.39db
9% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Johann Friedrich Fasch
Er heißet Wunderbar, Rat, Kraft, Held, ...
126 bpm • F# min • 01:12 • -17.57db
13% Popularity • 22% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 7% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Dich rühmen die Welten, TWV 1:329: No. ...
128 bpm • G# min • 01:35 • -20.22db
11% Popularity • 20% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
11% Popularity • 20% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Gott ist mein konig (Chorus)
168 bpm • C# Maj • 01:59 • -17.77db
11% Popularity • 24% Danceability • 14% Energy • 32% Liveness
3% Instrumentalness • 15% Positiveness
11% Popularity • 24% Danceability • 14% Energy • 32% Liveness
3% Instrumentalness • 15% Positiveness
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Jacques Hotteterre
Suite No. 3 in G major for recorder & b....
170 bpm • F# Maj • 03:46 • -25.71db
8% Popularity • 22% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 17% Positiveness
8% Popularity • 22% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 17% Positiveness
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Jean-Baptiste Lully
Phaëton, LWV 61: Act II, Scene 5 Petit ...
170 bpm • F min • 01:02 • -25db
8% Popularity • 15% Danceability • 11% Energy • 24% Liveness
92% Instrumentalness • 34% Positiveness
8% Popularity • 15% Danceability • 11% Energy • 24% Liveness
92% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: VII. Gloria patri
170 bpm • C# min • 04:44 • -24.93db
9% Popularity • 18% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Dietrich Buxtehude
Herzlich Lieb hab' ich dich, O Herr, Bux...
171 bpm • C Maj • 08:16 • -21db
9% Popularity • 18% Danceability • 8% Energy • 16% Liveness
9% Instrumentalness • 7% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 16% Liveness
9% Instrumentalness • 7% Positiveness
► Preview
Georg Philipp Telemann
Gräulich sind die letzten Zeiten, TVWV ...
168 bpm • B min • 00:54 • -16.42db
8% Popularity • 19% Danceability • 10% Energy • 31% Liveness
94% Instrumentalness • 16% Positiveness
8% Popularity • 19% Danceability • 10% Energy • 31% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Johann Sebastian Bach
Erfreut euch, ihr Herzen, BWV 66: Aria: ...
170 bpm • C# Maj • 06:10 • -22.24db
7% Popularity • 24% Danceability • 13% Energy • 8% Liveness
40% Instrumentalness • 64% Positiveness
7% Popularity • 24% Danceability • 13% Energy • 8% Liveness
40% Instrumentalness • 64% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Johann Adolf Hasse
Mass in D Minor: Kyrie: Kyrie I
125 bpm • C# min • 02:33 • -20.65db
20% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
125 bpm • G# min • 02:39 • -27.8db
18% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
18% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
► Preview
Christopher Simpson
Prelude in G Minor
172 bpm • F# Maj • 01:00 • -22.57db
12% Popularity • 15% Danceability • 6% Energy • 12% Liveness
65% Instrumentalness • 26% Positiveness
12% Popularity • 15% Danceability • 6% Energy • 12% Liveness
65% Instrumentalness • 26% Positiveness
► Preview
Marin Marais
Marais: Pièces en trio: Suite No. 5 en ...
173 bpm • D# min • 02:14 • -24.56db
8% Popularity • 10% Danceability • 7% Energy • 19% Liveness
72% Instrumentalness • 12% Positiveness
8% Popularity • 10% Danceability • 7% Energy • 19% Liveness
72% Instrumentalness • 12% Positiveness
► Preview
Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
128 bpm • F# min • 03:27 • -24.34db
9% Popularity • 27% Danceability • 4% Energy • 15% Liveness
4% Instrumentalness • 11% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 15% Liveness
4% Instrumentalness • 11% Positiveness
► Preview
Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
124 bpm • B Maj • 02:07 • -24.39db
16% Popularity • 44% Danceability • 11% Energy • 41% Liveness
79% Instrumentalness • 50% Positiveness
16% Popularity • 44% Danceability • 11% Energy • 41% Liveness
79% Instrumentalness • 50% Positiveness
► Preview
Francesca Torelli
Le mouton: Canarie
176 bpm • F min • 01:37 • -27db
12% Popularity • 32% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
12% Popularity • 32% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
► Preview
Antonio Vivaldi
Stabat Mater in F Minor, RV 621: No. 9.,...
177 bpm • B min • 01:01 • -18.84db
21% Popularity • 18% Danceability • 29% Energy • 16% Liveness
55% Instrumentalness • 28% Positiveness
21% Popularity • 18% Danceability • 29% Energy • 16% Liveness
55% Instrumentalness • 28% Positiveness
► Preview
František Tůma
Motettum de tempore: III. Recitativo. In...
177 bpm • D# Maj • 01:11 • -27.38db
8% Popularity • 25% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
![[Suite en ré majeur]: VIII. La Fromental (No. 54) & Double (No. 5) cover art](https://i.scdn.co/image/ab67616d00001e020dc6972d7e8b1544b6486e51)
Marin Marais
[Suite en ré majeur]: VIII. La Fromenta...
177 bpm • C# Maj • 01:24 • -23.87db
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
98% Instrumentalness • 44% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
98% Instrumentalness • 44% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244: Pt. I: Ari...
125 bpm • F min • 04:21 • -30.15db
9% Popularity • 31% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 18% Positiveness
9% Popularity • 31% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 18% Positiveness
► Preview
Christopher Simpson
Prelude in D Major
180 bpm • C# Maj • 01:21 • -21.81db
11% Popularity • 23% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
11% Popularity • 23% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
► Preview
Francesca Torelli
L'amant content: Canarie
178 bpm • G# Maj • 01:26 • -25.37db
13% Popularity • 40% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 36% Positiveness
13% Popularity • 40% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 36% Positiveness
► Preview
Matthew Locke
The Flat Consort for My Cousin Kemble, S...
180 bpm • G# Maj • 01:33 • -21.14db
17% Popularity • 18% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Georg Gebel II
Mein Jesu A und O, der Anfrang und das E...
180 bpm • E Maj • 01:10 • -21.79db
0% Popularity • 41% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 41% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye IV
180 bpm • C# min • 01:31 • -26.18db
15% Popularity • 14% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Aus der Tiefen rufe ich, Herr, zu dir, B...
124 bpm • C# min • 03:12 • -19.39db
9% Popularity • 20% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Georg Philipp Telemann
Telemann: Ouverture-Suite for Recorder a...
185 bpm • E min • 02:00 • -25.72db
21% Popularity • 46% Danceability • 6% Energy • 18% Liveness
3% Instrumentalness • 60% Positiveness
21% Popularity • 46% Danceability • 6% Energy • 18% Liveness
3% Instrumentalness • 60% Positiveness
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Dietrich Buxtehude
Sonata in B-Flat Major, Op. 2, No. 1, Bu...
199 bpm • A Maj • 01:21 • -17.65db
16% Popularity • 21% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 21% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 2: No....
173 bpm • D Maj • 02:09 • -24.93db
11% Popularity • 16% Danceability • 10% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Matthäus Passion, BWV 244, Pt. 1, The B...
173 bpm • A# min • 04:33 • -26.24db
11% Popularity • 26% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 26% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Oster-Oratorium, BWV 249: Sinfonia
174 bpm • C# Maj • 04:09 • -19.39db
11% Popularity • 32% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 53% Positiveness
11% Popularity • 32% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 53% Positiveness
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Johann Sebastian Bach
Bach, JS: Markus-Passion, BWV 247: No. 5...
176 bpm • C# min • 06:21 • -25.24db
12% Popularity • 8% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
