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Neuland
Songs like
Neuland
by
Una Luna
Based on a tempo of (+/- 10%) and a similar genre
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Una Luna
Neuland
128 bpm • A Maj • 02:30 • -24.18db
40% Popularity • 45% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Algoth Holmes
Fields Of Green
128 bpm • F# min • 02:47 • -20.38db
53% Popularity • 51% Danceability • 11% Energy • 16% Liveness
94% Instrumentalness • 25% Positiveness
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Martin Landh
Angel Song
128 bpm • D# min • 03:01 • -19db
41% Popularity • 41% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Karim Blau
Sylvia
127 bpm • F Maj • 02:57 • -25.1db
16% Popularity • 49% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 47% Positiveness
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SigrÃður
Welcome Home
129 bpm • D min • 04:12 • -27.25db
39% Popularity • 23% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Hayden Cargile
Scarlet Macaw
130 bpm • E Maj • 02:22 • -27.83db
36% Popularity • 28% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 45% Positiveness
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Peter Sandberg
Synesthesia (Scaled Down Version)
130 bpm • A Maj • 01:54 • -22db
55% Popularity • 68% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Charlie Key
Sleepy Mountains
130 bpm • C# Maj • 02:50 • -23.26db
51% Popularity • 65% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
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Peter Cavallo
Quietly Quietly
130 bpm • D# Maj • 03:22 • -35db
58% Popularity • 32% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Edward Elysseus
Clear Blue Skies
131 bpm • A# Maj • 03:17 • -23.09db
37% Popularity • 58% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Martèn LeGrand
Pinehouse
126 bpm • C min • 02:46 • -22.82db
28% Popularity • 37% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Tosh Møller
Længsel
131 bpm • C# Maj • 01:55 • -26.89db
39% Popularity • 34% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Piotr Miteska
A Drift in Time
125 bpm • G Maj • 02:40 • -26.63db
36% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Daniel Hueber
Ticino
125 bpm • F# min • 01:44 • -20.36db
36% Popularity • 34% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Bela Nemeth
Harbour
131 bpm • C Maj • 02:14 • -27.6db
24% Popularity • 41% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 33% Positiveness
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Lucas Vendrai
Pas de deux
131 bpm • C# min • 02:18 • -17.37db
42% Popularity • 55% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Ana Olgica
The Remedy
125 bpm • G min • 02:54 • -25db
37% Popularity • 31% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Amanda Mancini
Skyshards
131 bpm • A Maj • 02:33 • -23db
47% Popularity • 45% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Levi Stills
Intermezzo
132 bpm • C min • 02:02 • -23.82db
42% Popularity • 62% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
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Pataki Gisella
Zala
131 bpm • F Maj • 01:53 • -23.42db
35% Popularity • 33% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 27% Positiveness
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Oskar Schuster
Theben
132 bpm • A min • 02:42 • -23db
39% Popularity • 51% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
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Léonie Deval
Footsteps
124 bpm • C min • 02:36 • -20.32db
39% Popularity • 46% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Gabriel Parker
Devil In Disguise
132 bpm • E min • 02:19 • -25.21db
38% Popularity • 48% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
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Moux
Chasing Stars
124 bpm • C Maj • 02:22 • -30.85db
48% Popularity • 48% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Rick Jolt
One With You
124 bpm • D Maj • 02:13 • -26db
42% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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Algoth Holmes
Way Back Home
132 bpm • F# min • 03:24 • -20.99db
33% Popularity • 59% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
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Angus MacRae
Mirror Lake
132 bpm • G# Maj • 04:31 • -21db
50% Popularity • 40% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
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Giuseppe Galvetti
Marinette
133 bpm • C# Maj • 02:17 • -26.24db
30% Popularity • 53% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
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Jose Carcavelos
Camera Obscura
133 bpm • C min • 02:11 • -20.31db
30% Popularity • 38% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Mellancolia
Falling too Far
133 bpm • D min • 03:20 • -24.03db
18% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Rhiannon Bannenberg
For Stormboy
123 bpm • G# min • 01:36 • -29.13db
54% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Karin Borg
Norrsken
134 bpm • C min • 01:35 • -22.4db
51% Popularity • 28% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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James Spiteri
Rain
133 bpm • A Maj • 03:33 • -21.8db
36% Popularity • 34% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Elliot Ziegler
Lyon
122 bpm • D min • 01:52 • -21.24db
38% Popularity • 52% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Michael Ottosson
Through The Wind
134 bpm • E min • 02:51 • -24.98db
33% Popularity • 40% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Chad Lawson
The Broad Sun
122 bpm • D# Maj • 03:28 • -35.34db
35% Popularity • 35% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Blithe Youth
Innocentia
134 bpm • F Maj • 02:23 • -23.09db
35% Popularity • 37% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
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Oscar Sundberg
Homebound
122 bpm • G# Maj • 02:57 • -18.87db
19% Popularity • 26% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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James Spiteri
May
122 bpm • G Maj • 06:08 • -19.11db
23% Popularity • 37% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Gabriel Parker
Ripples
134 bpm • A# Maj • 01:51 • -18db
36% Popularity • 50% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Emile Franck
Magnolian Rendition
134 bpm • D min • 02:32 • -24db
22% Popularity • 29% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Christopher Dicker
Solitaire
134 bpm • D min • 01:54 • -22.99db
40% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Klaus Weissmuller
fabienne
134 bpm • G# Maj • 01:56 • -22.52db
43% Popularity • 40% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Hans Johansen
Dedication - Piano Version
135 bpm • C# Maj • 04:17 • -23.67db
34% Popularity • 54% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Kyran Martin
Belmont Street
122 bpm • B min • 02:29 • -21db
35% Popularity • 42% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Lo Mimieux
Nightingale (Scaled Down Version)
135 bpm • C Maj • 02:08 • -15.42db
46% Popularity • 40% Danceability • 24% Energy • 16% Liveness
75% Instrumentalness • 26% Positiveness
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Verinda
Dust
136 bpm • C# min • 02:29 • -26.9db
28% Popularity • 35% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
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Evelyn Stein
Woodland
136 bpm • A# Maj • 01:59 • -26db
27% Popularity • 51% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 64% Positiveness
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Goratie
Holding on to Forever
121 bpm • A# Maj • 02:05 • -22.2db
46% Popularity • 40% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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Ever So Blue
Fragment
136 bpm • F# Maj • 02:33 • -28.68db
52% Popularity • 40% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Mae Ji-Yoon
Intuition
136 bpm • C Maj • 02:11 • -21.07db
47% Popularity • 64% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 70% Positiveness
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Bela Nemeth
Talisman Stallion
136 bpm • F Maj • 02:00 • -22.87db
24% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Charles Weathersby
Longing For Yesterday
136 bpm • D min • 03:37 • -33.47db
39% Popularity • 42% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Conrad Sieverts
Odd Ones
121 bpm • A min • 03:58 • -20.45db
21% Popularity • 45% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Mark Souzek
Don't Let Me Go
136 bpm • C Maj • 01:55 • -27.33db
37% Popularity • 22% Danceability • 7% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
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Jensine Fleischer
Dalliance
136 bpm • A# min • 02:57 • -26.14db
36% Popularity • 37% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Vincent & A Secret
Someday, Sometime
136 bpm • G Maj • 01:41 • -33.81db
34% Popularity • 47% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Chad Lawson
Home Sweet Home: The Lore Variations
120 bpm • G min • 06:25 • -30.65db
33% Popularity • 52% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Alida Sørby
Seljalandsfoss
120 bpm • A# min • 02:56 • -23db
28% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Elliot Ziegler
Guarda
136 bpm • A# min • 01:38 • -23.17db
42% Popularity • 33% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 31% Positiveness
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Leo Finka
Sentimental
120 bpm • G min • 02:25 • -15.88db
22% Popularity • 70% Danceability • 12% Energy • 16% Liveness
92% Instrumentalness • 37% Positiveness
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Omer Bresler
Faded
120 bpm • A min • 02:14 • -24.06db
33% Popularity • 56% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Tristan Eckerson
Luz
120 bpm • D# min • 03:23 • -32db
29% Popularity • 51% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Sufi Sheman
Sentiment
137 bpm • C# Maj • 02:10 • -26.32db
47% Popularity • 56% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 51% Positiveness
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Vincent & A Secret
Full Room Empty Space
137 bpm • A# min • 01:54 • -32.24db
24% Popularity • 66% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Piano Novel
Vert tendre
137 bpm • F Maj • 04:55 • -23.4db
33% Popularity • 30% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Henrietta Kuipers
Salvatore
138 bpm • D Maj • 02:16 • -25db
39% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Arlen Ness
Rasung Consciousness
138 bpm • B min • 02:20 • -29db
40% Popularity • 72% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 44% Positiveness
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Arden Forest
Alabaster
138 bpm • A# min • 01:53 • -23.05db
38% Popularity • 37% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Lo Mimieux
Berceuse (Scaled Down Version)
138 bpm • A# min • 02:30 • -16.4db
45% Popularity • 38% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Giuseppe Galvetti
Romance
119 bpm • G Maj • 03:34 • -28.46db
32% Popularity • 38% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Maree Docia
At Last, Sunrise
138 bpm • B Maj • 02:02 • -30db
46% Popularity • 56% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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James Spiteri
Easy To Let Go
118 bpm • C# Maj • 03:53 • -22.11db
39% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Sophie Hutchings
Whisper To Closeness
118 bpm • D min • 04:16 • -22.97db
29% Popularity • 43% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Una Luna
Il Vicolo
118 bpm • D# Maj • 03:20 • -25db
40% Popularity • 42% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Kylian Rebour
Fields
118 bpm • C min • 02:03 • -20.72db
35% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Mewael Yemane
Wishes
118 bpm • A min • 01:38 • -27.06db
46% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Edvard Kravchuk
Moment of Silence
139 bpm • A Maj • 03:31 • -34.27db
42% Popularity • 36% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 48% Positiveness
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James Spiteri
The Forest
118 bpm • B Maj • 06:15 • -15.81db
38% Popularity • 33% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Oneke
Rays of Hope
139 bpm • D min • 02:01 • -22.44db
31% Popularity • 23% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Izumi Tanaka
Distant Lights
139 bpm • C Maj • 03:16 • -21.99db
27% Popularity • 50% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Lo Mimieux
Misericorde
118 bpm • F Maj • 03:19 • -28.19db
29% Popularity • 46% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Mewael Yemane
In your eyes
117 bpm • D# min • 02:16 • -25.46db
32% Popularity • 29% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Darrell Boxman
Oudewater
140 bpm • F# Maj • 01:42 • -23.75db
37% Popularity • 31% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
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Projet Calmant
Impasse des Bourdonnais
117 bpm • G min • 01:07 • -23.64db
45% Popularity • 26% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Heinz Goldblatt
Traveling
117 bpm • A# Maj • 01:59 • -20db
35% Popularity • 43% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Luke Howard
Open
141 bpm • C min • 03:02 • -28.87db
51% Popularity • 26% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Ever So Blue
At Dawn
116 bpm • D Maj • 02:16 • -25db
54% Popularity • 62% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Ensemble Rivr Dane
Sugarcane
116 bpm • C Maj • 02:24 • -21.43db
42% Popularity • 38% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 31% Positiveness
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Moux
Gaze
141 bpm • D# min • 02:40 • -22.17db
50% Popularity • 57% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Sigimund
The Tale of Two Hearts
141 bpm • C# min • 03:24 • -28.54db
39% Popularity • 40% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Józef Gatysik
Evolutionistically yours
116 bpm • F Maj • 02:40 • -32db
25% Popularity • 32% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Aaron Lansing
Faded Dreams
116 bpm • A min • 01:51 • -33db
42% Popularity • 40% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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Luke Howard
In Metaphor, Solace
116 bpm • A# min • 02:33 • -22.3db
40% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Tom Janis
Mori
116 bpm • E Maj • 02:00 • -20.75db
19% Popularity • 38% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Vincent Pino
Forgotten By Time
115 bpm • G min • 02:17 • -28.13db
36% Popularity • 34% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Adam Fincher
Pearly White
143 bpm • F Maj • 02:25 • -22.55db
23% Popularity • 42% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Andy Gbormittah
Help
115 bpm • G# Maj • 01:34 • -25.76db
38% Popularity • 45% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Alonzo Gautier
Lekko
114 bpm • F# min • 02:22 • -24.16db
27% Popularity • 39% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Louis Landon
Conscious Love
143 bpm • C Maj • 05:04 • -20.55db
40% Popularity • 39% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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