Songs like Neveen by Salah Ragab
Based on a tempo of (+/- 10%) and a similar genre
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Sun Ra
Spontaneous Simplicity - Stereo, Previou...
111 bpm • B min • 03:01 • -19.6db
20% Popularity • 65% Danceability • 26% Energy • 9% Liveness
15% Instrumentalness • 24% Positiveness
20% Popularity • 65% Danceability • 26% Energy • 9% Liveness
15% Instrumentalness • 24% Positiveness
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Adele Sebastian
Desert Fairy Princess
111 bpm • F Maj • 09:02 • -23.6db
13% Popularity • 39% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
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Salah Ragab
Neveen
111 bpm • B min • 07:54 • -8db
22% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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The Shaolin Afronauts
The Scarab
111 bpm • C min • 04:54 • -8.1db
23% Popularity • 51% Danceability • 63% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
23% Popularity • 51% Danceability • 63% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:46 • -13.58db
11% Popularity • 66% Danceability • 40% Energy • 14% Liveness
77% Instrumentalness • 56% Positiveness
11% Popularity • 66% Danceability • 40% Energy • 14% Liveness
77% Instrumentalness • 56% Positiveness
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Yusef Lateef
Jungle Plum - 1972
111 bpm • A min • 04:33 • -17.34db
22% Popularity • 50% Danceability • 42% Energy • 7% Liveness
60% Instrumentalness • 65% Positiveness
22% Popularity • 50% Danceability • 42% Energy • 7% Liveness
60% Instrumentalness • 65% Positiveness
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Lloyd Miller
Fantasia Pt. 1
111 bpm • C# Maj • 02:35 • -12.98db
33% Popularity • 45% Danceability • 64% Energy • 14% Liveness
74% Instrumentalness • 47% Positiveness
33% Popularity • 45% Danceability • 64% Energy • 14% Liveness
74% Instrumentalness • 47% Positiveness
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Daniel Villarreal
Patria
110 bpm • D Maj • 02:35 • -11.28db
27% Popularity • 51% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
27% Popularity • 51% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
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Weldon Irvine
Bananas
112 bpm • A# Maj • 02:19 • -8.74db
14% Popularity • 54% Danceability • 80% Energy • 11% Liveness
46% Instrumentalness • 93% Positiveness
14% Popularity • 54% Danceability • 80% Energy • 11% Liveness
46% Instrumentalness • 93% Positiveness
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Azymuth
Xingó - Version 1
112 bpm • G Maj • 04:56 • -9.59db
17% Popularity • 40% Danceability • 76% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
17% Popularity • 40% Danceability • 76% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:47 • -13.05db
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
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Ahmed Malek
Les vacances de l'inspecteur tahar
110 bpm • F Maj • 02:12 • -8.84db
32% Popularity • 41% Danceability • 82% Energy • 9% Liveness
94% Instrumentalness • 80% Positiveness
32% Popularity • 41% Danceability • 82% Energy • 9% Liveness
94% Instrumentalness • 80% Positiveness
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Rudolph Johnson
The Highest Pleasure
110 bpm • A Maj • 07:38 • -16.95db
14% Popularity • 41% Danceability • 51% Energy • 12% Liveness
81% Instrumentalness • 60% Positiveness
14% Popularity • 41% Danceability • 51% Energy • 12% Liveness
81% Instrumentalness • 60% Positiveness
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Dee Felice Trio
Nightingale
110 bpm • F Maj • 02:30 • -8db
29% Popularity • 65% Danceability • 90% Energy • 14% Liveness
88% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 90% Energy • 14% Liveness
88% Instrumentalness • 81% Positiveness
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Pierre Cavalli
Tempo In Tempo
112 bpm • A Maj • 02:48 • -12db
34% Popularity • 50% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
34% Popularity • 50% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
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Eden Ahbez
Market Place
110 bpm • D min • 02:30 • -14.98db
24% Popularity • 38% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
24% Popularity • 38% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Admas
Samba Shegitu
112 bpm • E min • 04:42 • -10.59db
15% Popularity • 79% Danceability • 62% Energy • 12% Liveness
80% Instrumentalness • 66% Positiveness
15% Popularity • 79% Danceability • 62% Energy • 12% Liveness
80% Instrumentalness • 66% Positiveness
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Abdou El Omari / عبده العماري
Rajaat Laayoun / رجعت العيون
112 bpm • A Maj • 05:28 • -16.95db
7% Popularity • 49% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
7% Popularity • 49% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
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Kamal Keila
Al Asafir
110 bpm • F# min • 05:20 • -5.28db
33% Popularity • 68% Danceability • 75% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
33% Popularity • 68% Danceability • 75% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Alice Coltrane
Blue Nile
112 bpm • B min • 07:01 • -13db
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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Jean-Pierre Mirouze
Sexopolis
112 bpm • G min • 04:42 • -4.59db
35% Popularity • 50% Danceability • 71% Energy • 19% Liveness
92% Instrumentalness • 51% Positiveness
35% Popularity • 50% Danceability • 71% Energy • 19% Liveness
92% Instrumentalness • 51% Positiveness
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Christian Burchard
Egypt Straat
110 bpm • G Maj • 03:58 • -11.95db
0% Popularity • 55% Danceability • 87% Energy • 36% Liveness
7% Instrumentalness • 51% Positiveness
0% Popularity • 55% Danceability • 87% Energy • 36% Liveness
7% Instrumentalness • 51% Positiveness
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Clifford Jordan Quartet
John Coltrane
112 bpm • E min • 06:48 • -15.51db
18% Popularity • 44% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 44% Positiveness
18% Popularity • 44% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 44% Positiveness
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The Sorcerers
Arid Plain
112 bpm • A min • 03:27 • -11.89db
30% Popularity • 74% Danceability • 39% Energy • 8% Liveness
82% Instrumentalness • 84% Positiveness
30% Popularity • 74% Danceability • 39% Energy • 8% Liveness
82% Instrumentalness • 84% Positiveness
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Mor Thiam
Sindiely
112 bpm • D# Maj • 05:55 • -12.26db
8% Popularity • 57% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 57% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Boncana Maïga
Petroci
113 bpm • C min • 02:24 • -8.5db
27% Popularity • 62% Danceability • 74% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
27% Popularity • 62% Danceability • 74% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
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Weldon Irvine
Music Is the Key
112 bpm • G Maj • 07:35 • -13db
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Baden Powell
Sarava
113 bpm • F Maj • 03:36 • -11.65db
24% Popularity • 50% Danceability • 56% Energy • 13% Liveness
70% Instrumentalness • 59% Positiveness
24% Popularity • 50% Danceability • 56% Energy • 13% Liveness
70% Instrumentalness • 59% Positiveness
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Elias Rahbani and His Orchestra
I Want to Be
109 bpm • E min • 03:24 • -11.59db
29% Popularity • 63% Danceability • 67% Energy • 32% Liveness
82% Instrumentalness • 81% Positiveness
29% Popularity • 63% Danceability • 67% Energy • 32% Liveness
82% Instrumentalness • 81% Positiveness
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Charlie Rouse
Merci Bon Dieu
113 bpm • B min • 05:57 • -13.03db
31% Popularity • 83% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
31% Popularity • 83% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
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Travis Biggs
Tibetian Serenity
109 bpm • B min • 05:22 • -11.22db
24% Popularity • 56% Danceability • 67% Energy • 32% Liveness
33% Instrumentalness • 40% Positiveness
24% Popularity • 56% Danceability • 67% Energy • 32% Liveness
33% Instrumentalness • 40% Positiveness
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The Scorpios
Mashena: We Went
109 bpm • C Maj • 03:10 • -11.39db
21% Popularity • 61% Danceability • 54% Energy • 3% Liveness
6% Instrumentalness • 97% Positiveness
21% Popularity • 61% Danceability • 54% Energy • 3% Liveness
6% Instrumentalness • 97% Positiveness
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The Lyman Woodard Organization
Belle Isle Daze
109 bpm • C min • 07:27 • -13.32db
14% Popularity • 62% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 42% Positiveness
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Pharoah Sanders
Wisdom Through Music
114 bpm • D Maj • 05:43 • -15db
27% Popularity • 36% Danceability • 53% Energy • 30% Liveness
52% Instrumentalness • 83% Positiveness
27% Popularity • 36% Danceability • 53% Energy • 30% Liveness
52% Instrumentalness • 83% Positiveness
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Ahmed Malek
Casbah
114 bpm • G min • 03:25 • -7.24db
34% Popularity • 63% Danceability • 65% Energy • 7% Liveness
13% Instrumentalness • 87% Positiveness
34% Popularity • 63% Danceability • 65% Energy • 7% Liveness
13% Instrumentalness • 87% Positiveness
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Giuliano Sorgini
Ultima caccia
114 bpm • C Maj • 03:55 • -14.56db
16% Popularity • 75% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
16% Popularity • 75% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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Philip Cohran & The Artistic Heritage Ensemble
Malcolm X
114 bpm • C Maj • 05:21 • -9.36db
10% Popularity • 71% Danceability • 68% Energy • 11% Liveness
8% Instrumentalness • 86% Positiveness
10% Popularity • 71% Danceability • 68% Energy • 11% Liveness
8% Instrumentalness • 86% Positiveness
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Yusef Lateef
Raymond Winchester
114 bpm • A min • 02:36 • -13.8db
19% Popularity • 52% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
19% Popularity • 52% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
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The Lyman Woodard Organization
Saturday Night Special - Alternative Tak...
108 bpm • C min • 06:56 • -14.61db
10% Popularity • 65% Danceability • 50% Energy • 8% Liveness
88% Instrumentalness • 86% Positiveness
10% Popularity • 65% Danceability • 50% Energy • 8% Liveness
88% Instrumentalness • 86% Positiveness
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Orlando Julius
Love Thy Neighbour
108 bpm • G min • 04:18 • -6.01db
28% Popularity • 63% Danceability • 93% Energy • 10% Liveness
80% Instrumentalness • 70% Positiveness
28% Popularity • 63% Danceability • 93% Energy • 10% Liveness
80% Instrumentalness • 70% Positiveness
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Stringtronics
Dawn Mists
114 bpm • D min • 03:30 • -20.92db
22% Popularity • 24% Danceability • 11% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
22% Popularity • 24% Danceability • 11% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
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Horace Silver
The Gods Of The Yoruba
108 bpm • G# Maj • 06:08 • -14.48db
11% Popularity • 56% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
11% Popularity • 56% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
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Sestetto Dino Piana & Oscar Valdambrini
Placido
108 bpm • F min • 04:36 • -14.84db
18% Popularity • 62% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
18% Popularity • 62% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
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Louis Banks
Song for My Lady
108 bpm • B min • 04:14 • -13.45db
16% Popularity • 58% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 83% Positiveness
16% Popularity • 58% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 83% Positiveness
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The Lyman Woodard Organization
Saturday Night Special
108 bpm • A# Maj • 07:08 • -9.93db
20% Popularity • 72% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
20% Popularity • 72% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
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Monty Alexander
Knowing That We Were Meant for Each Othe...
108 bpm • G min • 03:54 • -16.83db
11% Popularity • 66% Danceability • 44% Energy • 21% Liveness
30% Instrumentalness • 82% Positiveness
11% Popularity • 66% Danceability • 44% Energy • 21% Liveness
30% Instrumentalness • 82% Positiveness
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Morris Wilson Beau Bailey
Paul's Ark
114 bpm • F# min • 03:19 • -8.48db
14% Popularity • 40% Danceability • 64% Energy • 11% Liveness
49% Instrumentalness • 70% Positiveness
14% Popularity • 40% Danceability • 64% Energy • 11% Liveness
49% Instrumentalness • 70% Positiveness
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Admas
Bahta's Highlife
114 bpm • C Maj • 06:00 • -10.92db
19% Popularity • 74% Danceability • 70% Energy • 9% Liveness
91% Instrumentalness • 94% Positiveness
19% Popularity • 74% Danceability • 70% Energy • 9% Liveness
91% Instrumentalness • 94% Positiveness
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Ahmed Malek
La ville, Pt. 2
107 bpm • C Maj • 05:12 • -8.59db
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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Oneness Of Juju
West Wind
115 bpm • B min • 07:42 • -14.25db
12% Popularity • 53% Danceability • 47% Energy • 14% Liveness
34% Instrumentalness • 25% Positiveness
12% Popularity • 53% Danceability • 47% Energy • 14% Liveness
34% Instrumentalness • 25% Positiveness
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Kamal Keila
Agricultural Revolution
115 bpm • F min • 05:07 • -6.83db
32% Popularity • 56% Danceability • 73% Energy • 22% Liveness
2% Instrumentalness • 78% Positiveness
32% Popularity • 56% Danceability • 73% Energy • 22% Liveness
2% Instrumentalness • 78% Positiveness
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Byard Lancaster
It's Not up to Us
107 bpm • D min • 04:53 • -13.45db
15% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
15% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
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Niagara
Rhythm Go
107 bpm • A# min • 02:46 • -10db
12% Popularity • 82% Danceability • 84% Energy • 6% Liveness
90% Instrumentalness • 41% Positiveness
12% Popularity • 82% Danceability • 84% Energy • 6% Liveness
90% Instrumentalness • 41% Positiveness
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Dave Pike Set
Regards from Freddie Horrowitz
115 bpm • G Maj • 04:40 • -9.5db
18% Popularity • 42% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 45% Positiveness
18% Popularity • 42% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 45% Positiveness
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Cesar Camargo Mariano
Fábrica
107 bpm • B min • 04:18 • -9db
16% Popularity • 39% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
16% Popularity • 39% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Oneness Of Juju
Incognito
115 bpm • C min • 08:12 • -13.96db
8% Popularity • 38% Danceability • 44% Energy • 42% Liveness
70% Instrumentalness • 33% Positiveness
8% Popularity • 38% Danceability • 44% Energy • 42% Liveness
70% Instrumentalness • 33% Positiveness
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The Chakachas
Love, Love, Love
116 bpm • D min • 02:52 • -15.2db
31% Popularity • 62% Danceability • 42% Energy • 17% Liveness
18% Instrumentalness • 82% Positiveness
31% Popularity • 62% Danceability • 42% Energy • 17% Liveness
18% Instrumentalness • 82% Positiveness
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Oliver Nelson
Baja Bossa
107 bpm • D min • 07:22 • -11db
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
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Erick Cosaque
Kominike
106 bpm • D min • 05:31 • -12.8db
15% Popularity • 75% Danceability • 56% Energy • 33% Liveness
78% Instrumentalness • 74% Positiveness
15% Popularity • 75% Danceability • 56% Energy • 33% Liveness
78% Instrumentalness • 74% Positiveness
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Salah Ragab
Egypt Strut
116 bpm • C Maj • 04:55 • -6.68db
32% Popularity • 66% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
32% Popularity • 66% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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4 Mars
Na Daadihi (Guide Us)
106 bpm • C min • 04:33 • -9.59db
15% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Riz Ortolani
Serena e Lomunno
106 bpm • C Maj • 02:49 • -17db
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
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Hailu Mergia
Zengadyw Derekou
116 bpm • G# Maj • 03:40 • -10.59db
31% Popularity • 63% Danceability • 58% Energy • 20% Liveness
90% Instrumentalness • 87% Positiveness
31% Popularity • 63% Danceability • 58% Energy • 20% Liveness
90% Instrumentalness • 87% Positiveness
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Elysian Spring
Lotus
116 bpm • G Maj • 08:01 • -16.72db
21% Popularity • 39% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
21% Popularity • 39% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
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Eddie the Sheik Kochak
Jazz in Port Said
116 bpm • E min • 02:13 • -7.64db
6% Popularity • 68% Danceability • 67% Energy • 42% Liveness
47% Instrumentalness • 78% Positiveness
6% Popularity • 68% Danceability • 67% Energy • 42% Liveness
47% Instrumentalness • 78% Positiveness
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Marijata
No Condition Is Permanent
106 bpm • C Maj • 07:01 • -14db
31% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Pierre Cavalli
Possarinhos
106 bpm • D min • 02:29 • -13.21db
49% Popularity • 69% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
49% Popularity • 69% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
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Orlando Julius
In The Middle
106 bpm • C Maj • 04:52 • -7db
38% Popularity • 66% Danceability • 88% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
38% Popularity • 66% Danceability • 88% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
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Hailu Mergia
Mestirawi Debdabe
116 bpm • A min • 04:36 • -10.12db
24% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Nico Gomez And His Afro Percussion Inc.
Baila Chibiquiban
105 bpm • A min • 03:06 • -9db
30% Popularity • 60% Danceability • 82% Energy • 9% Liveness
63% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 82% Energy • 9% Liveness
63% Instrumentalness • 68% Positiveness
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Alice Coltrane
Huntington Ashram Monastery
117 bpm • A min • 05:31 • -15.66db
24% Popularity • 55% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 55% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Don Cherry
Brown Rice
105 bpm • G# min • 05:14 • -10.96db
34% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
34% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
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Los Yoyi
Tú no me puedes conquistar - Remasteriz...
117 bpm • D Maj • 03:07 • -12.97db
15% Popularity • 68% Danceability • 43% Energy • 11% Liveness
76% Instrumentalness • 85% Positiveness
15% Popularity • 68% Danceability • 43% Energy • 11% Liveness
76% Instrumentalness • 85% Positiveness
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Getatchew Mekurya
Ainotche Terabu
117 bpm • A# min • 04:36 • -11.92db
10% Popularity • 37% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
10% Popularity • 37% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
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Calvin Keys
Shawn-Neeq
117 bpm • A Maj • 05:54 • -17.88db
24% Popularity • 42% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
24% Popularity • 42% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Hailu Mergia
Yene Nesh Wey (Amalele)
105 bpm • B Maj • 04:38 • -11.33db
33% Popularity • 42% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 42% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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The Scorpions
Forssa Saeeda
117 bpm • D Maj • 06:55 • -6.94db
24% Popularity • 60% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 60% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Lloyd Clifton Miller
Gol-e Gandom
117 bpm • D min • 04:12 • -12.6db
12% Popularity • 27% Danceability • 59% Energy • 35% Liveness
5% Instrumentalness • 45% Positiveness
12% Popularity • 27% Danceability • 59% Energy • 35% Liveness
5% Instrumentalness • 45% Positiveness
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David Axelrod
Song Of Innocence
105 bpm • G Maj • 04:34 • -12db
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
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Momo Wandel Soumah
Afro Blue
105 bpm • F min • 07:28 • -16.35db
21% Popularity • 61% Danceability • 34% Energy • 11% Liveness
83% Instrumentalness • 75% Positiveness
21% Popularity • 61% Danceability • 34% Energy • 11% Liveness
83% Instrumentalness • 75% Positiveness
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Charles Stepney
Step on Step
105 bpm • F Maj • 04:02 • -13.32db
14% Popularity • 69% Danceability • 41% Energy • 15% Liveness
84% Instrumentalness • 66% Positiveness
14% Popularity • 69% Danceability • 41% Energy • 15% Liveness
84% Instrumentalness • 66% Positiveness
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Mor Thiam
Ayo Ayo Nene
105 bpm • G Maj • 05:46 • -10.93db
23% Popularity • 50% Danceability • 72% Energy • 34% Liveness
2% Instrumentalness • 68% Positiveness
23% Popularity • 50% Danceability • 72% Energy • 34% Liveness
2% Instrumentalness • 68% Positiveness
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Herbie Mann
Incense
118 bpm • C min • 07:19 • -21.8db
9% Popularity • 49% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 66% Positiveness
9% Popularity • 49% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 66% Positiveness
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Tony Allen
Love Is A Natural Feeling
105 bpm • C# Maj • 09:08 • -12.06db
14% Popularity • 66% Danceability • 77% Energy • 12% Liveness
75% Instrumentalness • 94% Positiveness
14% Popularity • 66% Danceability • 77% Energy • 12% Liveness
75% Instrumentalness • 94% Positiveness
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Burhan Tonguç Ritim Grubu
Fundacık Du Bi Ba
118 bpm • C min • 03:32 • -9.71db
11% Popularity • 46% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 46% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Alice Coltrane
Turiya
104 bpm • C min • 04:17 • -19.95db
29% Popularity • 34% Danceability • 30% Energy • 12% Liveness
26% Instrumentalness • 45% Positiveness
29% Popularity • 34% Danceability • 30% Energy • 12% Liveness
26% Instrumentalness • 45% Positiveness
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Placebo
Aria
104 bpm • G min • 04:59 • -12.03db
18% Popularity • 54% Danceability • 42% Energy • 29% Liveness
29% Instrumentalness • 41% Positiveness
18% Popularity • 54% Danceability • 42% Energy • 29% Liveness
29% Instrumentalness • 41% Positiveness
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Dizzy Gillespie
Alligator
118 bpm • F min • 05:04 • -8.63db
12% Popularity • 65% Danceability • 56% Energy • 22% Liveness
83% Instrumentalness • 83% Positiveness
12% Popularity • 65% Danceability • 56% Energy • 22% Liveness
83% Instrumentalness • 83% Positiveness
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Henry Franklin
Soft Spirit
104 bpm • C Maj • 07:31 • -16.02db
18% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
18% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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The Fabulous Three
Nightbird
118 bpm • F min • 02:07 • -9.86db
42% Popularity • 66% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
42% Popularity • 66% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Ahmed Malek
Autopsie d'un complot
104 bpm • A min • 03:29 • -11.12db
50% Popularity • 58% Danceability • 60% Energy • 30% Liveness
85% Instrumentalness • 70% Positiveness
50% Popularity • 58% Danceability • 60% Energy • 30% Liveness
85% Instrumentalness • 70% Positiveness
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Dur-Dur Band
Gorof (Elixir)
118 bpm • E Maj • 05:40 • -10.73db
31% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Lyman Woodard Organization
On Your Mind
104 bpm • A Maj • 03:53 • -11.49db
15% Popularity • 69% Danceability • 56% Energy • 13% Liveness
77% Instrumentalness • 63% Positiveness
15% Popularity • 69% Danceability • 56% Energy • 13% Liveness
77% Instrumentalness • 63% Positiveness
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David Axelrod
Urizen
118 bpm • A# min • 04:03 • -11.78db
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
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Azymuth
Castelo - Version 1
104 bpm • C# Maj • 03:34 • -7db
35% Popularity • 61% Danceability • 94% Energy • 7% Liveness
80% Instrumentalness • 61% Positiveness
35% Popularity • 61% Danceability • 94% Energy • 7% Liveness
80% Instrumentalness • 61% Positiveness
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Girma Bèyènè
Ene negn bay manesh
119 bpm • C# Maj • 04:02 • -10.11db
25% Popularity • 55% Danceability • 31% Energy • 47% Liveness
1% Instrumentalness • 84% Positiveness
25% Popularity • 55% Danceability • 31% Energy • 47% Liveness
1% Instrumentalness • 84% Positiveness
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Salah Ragab
Cleopatra
119 bpm • B min • 09:55 • -17.05db
2% Popularity • 64% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
2% Popularity • 64% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
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Marcos Resende
My Heart
104 bpm • G min • 05:39 • -13.42db
25% Popularity • 37% Danceability • 56% Energy • 23% Liveness
13% Instrumentalness • 43% Positiveness
25% Popularity • 37% Danceability • 56% Energy • 23% Liveness
13% Instrumentalness • 43% Positiveness
