Songs like Never Gonna Be the Same by Ben Forsythe
Based on a tempo of (+/- 10%) and a similar genre
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Ben Forsythe
Never Gonna Be the Same
139 bpm • G Maj • 03:49 • -6db
17% Popularity • 63% Danceability • 80% Energy • 39% Liveness
3% Instrumentalness • 26% Positiveness
17% Popularity • 63% Danceability • 80% Energy • 39% Liveness
3% Instrumentalness • 26% Positiveness
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MSB
AnÃmate
139 bpm • C Maj • 04:09 • -7.98db
20% Popularity • 55% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 55% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Matthew Hinson
What If
140 bpm • G Maj • 03:54 • -6.91db
11% Popularity • 55% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 55% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Drew Gammill
Mighty Hands (Acoustic)
140 bpm • A Maj • 03:58 • -10.14db
7% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Gary Burk III
How I'm Gettin' over You
140 bpm • C# Maj • 03:22 • -6.22db
10% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Howerton
Wish You Were Here
140 bpm • A Maj • 03:48 • -4.48db
14% Popularity • 51% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 51% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Tom Will Morris
Breathe
140 bpm • G# min • 03:14 • -2.97db
11% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Walter Howard
Cocaine Cowboy
138 bpm • B min • 03:07 • -11.42db
8% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Picnick
Demons
140 bpm • A min • 03:48 • -5.77db
8% Popularity • 52% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 52% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Jay Denton
Fireworks
140 bpm • F Maj • 04:05 • -8.11db
10% Popularity • 53% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 53% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Jenny Grace
Ghost
140 bpm • A# min • 03:51 • -5.46db
30% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Sabrina Ponte
Goodbye
140 bpm • B Maj • 03:04 • -7.86db
26% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Darion Ahonen
She’s the One
140 bpm • D# Maj • 04:12 • -4.96db
9% Popularity • 46% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 46% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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AJ Gatio
on her hand
140 bpm • C Maj • 03:30 • -8.78db
27% Popularity • 66% Danceability • 59% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 66% Danceability • 59% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew Mitch
all in my head - reimagined
138 bpm • B Maj • 06:24 • -8.59db
15% Popularity • 53% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 53% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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DubVibes
This I Swear
140 bpm • F# Maj • 02:44 • -7.48db
33% Popularity • 39% Danceability • 65% Energy • 13% Liveness
5% Instrumentalness • 14% Positiveness
33% Popularity • 39% Danceability • 65% Energy • 13% Liveness
5% Instrumentalness • 14% Positiveness
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Levon
Till the Wheels Fall Off
141 bpm • G# Maj • 03:49 • -4.28db
11% Popularity • 52% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 52% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Cody Beebe
My Way Out
138 bpm • F min • 03:04 • -6.97db
11% Popularity • 63% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 63% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Timmy Brown
Hardest Half of a Heartbreak
137 bpm • A# Maj • 03:00 • -5.55db
15% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sean Wyer
Fresh Start
137 bpm • B Maj • 03:13 • -4db
14% Popularity • 59% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 59% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Gelf
Illumination
137 bpm • E Maj • 03:28 • -6.34db
14% Popularity • 46% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 46% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Niall O'Callaghan
Weave Your Love
142 bpm • G Maj • 03:42 • -3.32db
17% Popularity • 38% Danceability • 90% Energy • 60% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 38% Danceability • 90% Energy • 60% Liveness
0% Instrumentalness • 48% Positiveness
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Oscar Corney
Wonder
142 bpm • D Maj • 03:48 • -4.33db
12% Popularity • 61% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 61% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Watershed
Fisherman's Blues
142 bpm • G Maj • 03:52 • -6.23db
10% Popularity • 48% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 48% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Sean Rivers
Only Way
136 bpm • D Maj • 04:01 • -9.98db
19% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 62% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Chandlar & Karen J
Drunk B$#ch
136 bpm • C# min • 03:31 • -8db
25% Popularity • 64% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 64% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Braydin Good
She Ain't You
136 bpm • G Maj • 03:17 • -8.7db
15% Popularity • 66% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 66% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Brant Pethick
A Million Stars
136 bpm • F# min • 04:01 • -4.77db
8% Popularity • 63% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 63% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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KAMA
Wild in the Dark
136 bpm • C# Maj • 03:12 • -8.36db
16% Popularity • 66% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 66% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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Tyler Dale
Colorado Kiss
136 bpm • A Maj • 03:03 • -5.94db
7% Popularity • 69% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 69% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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AJ Gatio
Man In Romance
143 bpm • D Maj • 03:08 • -7.8db
8% Popularity • 63% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 63% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Tribe & King
Slow Dancing in a Burning Room
143 bpm • C# min • 05:28 • -10.17db
12% Popularity • 58% Danceability • 33% Energy • 22% Liveness
5% Instrumentalness • 8% Positiveness
12% Popularity • 58% Danceability • 33% Energy • 22% Liveness
5% Instrumentalness • 8% Positiveness
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Sean Zaferopolos
Wait In Vain
135 bpm • F Maj • 05:29 • -9.87db
16% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Arbo
Love is not a gun
135 bpm • A Maj • 03:34 • -8.21db
20% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jared Henry
I'm Alright
135 bpm • A# Maj • 03:26 • -9.59db
17% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Nathan Post
All That I Can Do
135 bpm • G Maj • 03:37 • -8.7db
14% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Emmeo Ogwuche
God Save Me
135 bpm • E Maj • 04:12 • -7.08db
9% Popularity • 52% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 52% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Chris Hawks
Cool Anymore
144 bpm • G Maj • 02:45 • -8.1db
35% Popularity • 63% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 63% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Tiffany Woys
Took Back
144 bpm • G Maj • 03:16 • -6.93db
32% Popularity • 49% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 49% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Dustin Hensley
This Part
144 bpm • B min • 02:52 • -6.9db
15% Popularity • 49% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 49% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Reed Kirkwood
Let Me Leave You
144 bpm • D Maj • 03:34 • -6.63db
17% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Forsythe
The Modern Age
144 bpm • G Maj • 04:13 • -5.42db
15% Popularity • 50% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 50% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Matt Freedman
Freefall
144 bpm • C# Maj • 03:48 • -7.84db
12% Popularity • 54% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 54% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Emmeo Ogwuche
Wake Up
144 bpm • B min • 04:21 • -6.51db
9% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jay Allen
Bulletproof
144 bpm • C# Maj • 03:41 • -6.01db
10% Popularity • 49% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Bruno
Chance to Lose It All
134 bpm • G Maj • 03:58 • -7.65db
22% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Taylor Holland Armstrong
While I Wait
145 bpm • G Maj • 03:53 • -5.45db
20% Popularity • 38% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 38% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Kris James
Forever Forever
145 bpm • F# min • 03:09 • -7.21db
29% Popularity • 54% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 54% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Love & Rescue
Addiction
145 bpm • G min • 03:08 • -7.08db
5% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Emmeo Ogwuche
Ogbeni Taiwo
145 bpm • A# min • 03:07 • -5.86db
8% Popularity • 44% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 44% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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SPEAK FOR YOURSELF
Shooting Star
145 bpm • C Maj • 03:36 • -6.13db
18% Popularity • 52% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Willie Shaw
Blessins'
145 bpm • D Maj • 02:52 • -4.72db
8% Popularity • 62% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 62% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Corey Jarell
Nevermind
133 bpm • C Maj • 02:55 • -5.07db
34% Popularity • 64% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 64% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Adam Dolan
One More Time
133 bpm • G Maj • 03:53 • -6.5db
15% Popularity • 54% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 54% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Wes Taylor
Our Love
146 bpm • D Maj • 03:51 • -4.37db
13% Popularity • 50% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 50% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Jacob Adam Davis
Fall Into Your Truth
145 bpm • E min • 04:17 • -10.38db
23% Popularity • 30% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 30% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Cameron Joseph
Run to the Cross
146 bpm • A# Maj • 04:27 • -6.11db
8% Popularity • 46% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 46% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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ATRON
Yeah Yeah Wow Wow (You Are So)
146 bpm • C Maj • 03:45 • -4.74db
15% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Picnick
White Wine
146 bpm • F# Maj • 03:29 • -7.97db
8% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Nolan Neal
I'll Be Fine
146 bpm • B Maj • 03:28 • -8.21db
12% Popularity • 58% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 58% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Rockharbor Worship
In Your Presence
132 bpm • C# Maj • 05:20 • -7.54db
13% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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LONG LIVE THE KING
This Love
146 bpm • G# min • 03:12 • -4.72db
7% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Jeremy Barnett
Just Like You
132 bpm • G Maj • 04:00 • -5.17db
26% Popularity • 52% Danceability • 65% Energy • 60% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 52% Danceability • 65% Energy • 60% Liveness
0% Instrumentalness • 13% Positiveness
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TAKEHEART
Rubber Meets The Road
132 bpm • F# Maj • 03:21 • -6.02db
7% Popularity • 60% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 60% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Sean Zaferopolos
Now They Are Growing
147 bpm • D Maj • 03:58 • -6.62db
16% Popularity • 58% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 58% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Danny Stevens
Get to Know Me
147 bpm • G# Maj • 03:17 • -4.87db
16% Popularity • 57% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 40% Positiveness
16% Popularity • 57% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 40% Positiveness
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Jacob Stelly
Far Too Late
147 bpm • D Maj • 03:26 • -5.48db
28% Popularity • 52% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 52% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Lyric Me
Rise to the top
147 bpm • A Maj • 03:44 • -10.22db
12% Popularity • 63% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 63% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
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Nathan Morris
My Side of the Fence
148 bpm • A# Maj • 03:53 • -8.34db
24% Popularity • 41% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 41% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jay El Dee
What Were You Thinking?
131 bpm • G Maj • 03:49 • -8.38db
22% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Sean Zaferopolos
Elderly
148 bpm • C# Maj • 04:15 • -8.96db
16% Popularity • 54% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 54% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Jackie Lee
Land of the Living
148 bpm • A# Maj • 03:26 • -5.41db
37% Popularity • 53% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 53% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Dustin Hensley
What A Heartbreak Do
148 bpm • C Maj • 03:17 • -6.39db
15% Popularity • 50% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 50% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Ian Munsick
Introduce You to God
148 bpm • D Maj • 03:34 • -5.37db
45% Popularity • 49% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 49% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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My Silent Bravery
Can't Quit
148 bpm • E Maj • 04:19 • -3.63db
10% Popularity • 41% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 41% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Todd Smith
Keep On Fighting
148 bpm • D Maj • 02:57 • -7.14db
10% Popularity • 61% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 61% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Denny Strickland
Robbed the Bank
148 bpm • F Maj • 02:43 • -4.84db
24% Popularity • 63% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 63% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
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Project:Kanzu
Shining Sweet
148 bpm • C Maj • 03:08 • -8.43db
26% Popularity • 52% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 52% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Dustin Hensley
Don't Wanna Party
148 bpm • C Maj • 03:01 • -5.37db
15% Popularity • 62% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 62% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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John Home
Let There Be Love - Single Edit
148 bpm • F# min • 03:42 • -6.32db
12% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Luke Joseph Buishas
Greater Is He
148 bpm • E Maj • 03:46 • -5.44db
11% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Heartstrings
Whiskey River
148 bpm • F Maj • 04:01 • -5.31db
10% Popularity • 35% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 47% Positiveness
10% Popularity • 35% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 47% Positiveness
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Mike Gossin
Marry You
148 bpm • C Maj • 03:47 • -6.18db
21% Popularity • 47% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 47% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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November Blue
My Eyes Are Set on Denver
130 bpm • A Maj • 03:49 • -8.05db
10% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Henry Clarke
You Showed Me
130 bpm • A Maj • 04:19 • -11.13db
13% Popularity • 59% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 59% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Camden West
Misused
130 bpm • A Maj • 02:46 • -9.1db
12% Popularity • 71% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 71% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Jimmy Charles
Never Had A Bad Day
130 bpm • B min • 03:18 • -6.4db
11% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Gareth Dunlop
Go Down Swinging - Radio Edit
130 bpm • E Maj • 03:27 • -5.28db
21% Popularity • 80% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 80% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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MARC OLIVER
SOLDIERS
130 bpm • D Maj • 03:44 • -4.77db
7% Popularity • 68% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 68% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Robby Earle
What We Started For
130 bpm • A Maj • 04:45 • -7.42db
11% Popularity • 40% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 40% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Adam Dolan
Summers of Gold
130 bpm • F Maj • 04:36 • -4.05db
14% Popularity • 57% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 57% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Mossoula Love
Moon
150 bpm • B min • 01:40 • -11.48db
36% Popularity • 60% Danceability • 34% Energy • 78% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 60% Danceability • 34% Energy • 78% Liveness
0% Instrumentalness • 23% Positiveness
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Jonathan Dash
My Old Church - Stripped Down
150 bpm • A# Maj • 03:20 • -9.41db
18% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Heart
Just Be
150 bpm • E Maj • 04:08 • -6.19db
9% Popularity • 42% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 42% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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brad jameston
Jekyll & Hyde
150 bpm • F# Maj • 03:22 • -8.09db
9% Popularity • 62% Danceability • 65% Energy • 10% Liveness
23% Instrumentalness • 64% Positiveness
9% Popularity • 62% Danceability • 65% Energy • 10% Liveness
23% Instrumentalness • 64% Positiveness
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Tim Prottey-Jones
Until I Do
150 bpm • G Maj • 03:57 • -4.44db
8% Popularity • 34% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 34% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Gunning for Allie
Alive
150 bpm • C# Maj • 03:46 • -2.69db
13% Popularity • 47% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 47% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Derek Cate
Don't Try To Save Me
150 bpm • G Maj • 02:55 • -6.73db
17% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
