Songs like Never Let You Go by Keenan Te
Based on a tempo of (+/- 10%) and a similar genre
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One Direction
Strong
115 bpm • C Maj • 03:04 • -7.31db
74% Popularity • 74% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
74% Popularity • 74% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Caleb Hearn
Where Do We Go from Here?
115 bpm • B Maj • 03:33 • -11.31db
52% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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sad alex
room for you
115 bpm • C# min • 02:12 • -10.15db
47% Popularity • 73% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 73% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Kylie Muse
Someone New
115 bpm • C Maj • 03:09 • -9.01db
46% Popularity • 63% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 63% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Carter Ryan
Wishes
115 bpm • B Maj • 02:50 • -9.02db
57% Popularity • 70% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
57% Popularity • 70% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Keenan Te
Never Let You Go
115 bpm • C# Maj • 03:22 • -9.06db
61% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jamie Miller
Here’s Your Perfect
115 bpm • F# Maj • 02:38 • -5.44db
62% Popularity • 61% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 61% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Anthony de la Torre
Rather Be Wrong
114 bpm • A# Maj • 02:37 • -9.12db
29% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Arash Buana
see u tomorrow - stripped
116 bpm • D Maj • 03:17 • -10db
45% Popularity • 86% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 86% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Andrian Yang
Until Death Do Us Part :)
116 bpm • G Maj • 05:14 • -10.69db
37% Popularity • 82% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 82% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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GANGGA
Blue Jeans
114 bpm • G Maj • 03:31 • -11.18db
68% Popularity • 64% Danceability • 30% Energy • 18% Liveness
8% Instrumentalness • 29% Positiveness
68% Popularity • 64% Danceability • 30% Energy • 18% Liveness
8% Instrumentalness • 29% Positiveness
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Keenan Te
Fingerprints - sped up
115 bpm • B Maj • 02:53 • -7.42db
33% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Jamie Miller
Here's Your Perfect - Acoustic
114 bpm • E Maj • 02:44 • -11.65db
53% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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REYNE
Brown Eyes
116 bpm • A# Maj • 04:31 • -8.46db
42% Popularity • 59% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 59% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Shakira Jasmine
Meant 2 Be
116 bpm • F# Maj • 04:37 • -8db
54% Popularity • 41% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 41% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Andrian Yang
Until Death Do Us Part :) - Band Version
116 bpm • G Maj • 05:20 • -8.28db
42% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Rachel Grae
Hope You're Proud
116 bpm • D Maj • 03:08 • -10.84db
54% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Keenan Te
All In My Head - sped up
114 bpm • D Maj • 03:03 • -7.26db
24% Popularity • 79% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 79% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Jenzen Guino
Here's Your Perfect
113 bpm • C# Maj • 02:38 • -10.64db
40% Popularity • 50% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 50% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Hanniou
heartbeats
113 bpm • A min • 02:31 • -11db
57% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jamie Miller
Here's Your Perfect
113 bpm • F# Maj • 02:38 • -5.34db
76% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
76% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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yaeow
The Way I Love You
113 bpm • F# Maj • 02:42 • -18.04db
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
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Ethan Dufault
So Bad
113 bpm • A Maj • 02:31 • -6.83db
44% Popularity • 81% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 81% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Aziz Hedra
Somebody's Pleasure
117 bpm • A# Maj • 03:43 • -7db
78% Popularity • 63% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
78% Popularity • 63% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Calum Scott
Heaven
118 bpm • D Maj • 03:14 • -6.85db
54% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ben&Ben
The Ones We Once Loved
117 bpm • C min • 04:33 • -7.85db
62% Popularity • 43% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
62% Popularity • 43% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Conor Matthews
Forever Right Now - Acoustic
118 bpm • C# Maj • 02:27 • -10.17db
33% Popularity • 73% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 73% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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NIKI
lowkey
118 bpm • C Maj • 02:51 • -8.18db
76% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
76% Popularity • 75% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Dylan Brady
Still Into You
118 bpm • A Maj • 04:20 • -6.52db
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sezairi
Fool
118 bpm • B Maj • 03:16 • -8db
33% Popularity • 64% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 64% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Keenan Te
Halfway There
118 bpm • E Maj • 03:02 • -10db
46% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Ng
One Last Dance
112 bpm • F# min • 02:53 • -10.48db
50% Popularity • 71% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 71% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Conor Matthews
Forever Right Now
118 bpm • F Maj • 02:21 • -5db
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Mokita
Lonely City
112 bpm • F min • 02:37 • -12.58db
57% Popularity • 74% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 74% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Dylan Brady
Nobody's You
112 bpm • A# Maj • 02:36 • -8.74db
51% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Munn
belongs with you
111 bpm • A# Maj • 02:32 • -6.88db
47% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Faime
I've Missed You
119 bpm • E Maj • 02:42 • -14.33db
30% Popularity • 53% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 53% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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James Arthur
A Year Ago - Acoustic
112 bpm • G# Maj • 03:01 • -9.16db
55% Popularity • 42% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 42% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Aziz Hedra
no more you and i
111 bpm • B Maj • 03:20 • -9.79db
49% Popularity • 45% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 45% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Rosie Darling
Witness - Rajiv Dhall
120 bpm • D Maj • 03:33 • -10.46db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Gatton
When Scars Become Art
120 bpm • B Maj • 04:47 • -17.03db
57% Popularity • 52% Danceability • 11% Energy • 92% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 52% Danceability • 11% Energy • 92% Liveness
0% Instrumentalness • 31% Positiveness
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TheOvertunes
I Still Love You
120 bpm • C# Maj • 04:46 • -12.13db
60% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
60% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Emily Vaughn
here
120 bpm • F# Maj • 01:59 • -10.38db
51% Popularity • 76% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 76% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Rangga Jones
Favourite Things
120 bpm • A Maj • 02:53 • -8.29db
54% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Someone Else's Rain
Ten Times Worse
120 bpm • G Maj • 02:32 • -7.92db
31% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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siopaolo
better for you
120 bpm • F Maj • 04:49 • -12.48db
61% Popularity • 54% Danceability • 30% Energy • 49% Liveness
0% Instrumentalness • 23% Positiveness
61% Popularity • 54% Danceability • 30% Energy • 49% Liveness
0% Instrumentalness • 23% Positiveness
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NIKI
High School in Jakarta
120 bpm • G min • 03:39 • -8.29db
67% Popularity • 87% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
67% Popularity • 87% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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One Direction
Right Now
120 bpm • G# Maj • 03:20 • -5.17db
78% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
78% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Fly By Midnight
Different Lives
120 bpm • C min • 03:21 • -5.5db
56% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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James Arthur
A Year Ago
120 bpm • G# Maj • 02:50 • -8.81db
63% Popularity • 51% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 51% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Leroy Sanchez
Afterglow
110 bpm • B Maj • 03:06 • -6.35db
51% Popularity • 66% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 66% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jake Clark
your person
110 bpm • D# Maj • 03:21 • -5.79db
46% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ryan Mack
Forever and Ever and Always
110 bpm • C Maj • 02:20 • -10.56db
69% Popularity • 72% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 72% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Emily Vaughn
madly
110 bpm • G# min • 01:40 • -9.36db
61% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Arash Buana
anything 4 u
110 bpm • A Maj • 03:23 • -10db
41% Popularity • 72% Danceability • 60% Energy • 35% Liveness
5% Instrumentalness • 80% Positiveness
41% Popularity • 72% Danceability • 60% Energy • 35% Liveness
5% Instrumentalness • 80% Positiveness
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yaeow
favorite lesson
110 bpm • G# Maj • 03:25 • -12.61db
50% Popularity • 53% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 53% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Henry Moodie
closure
110 bpm • G Maj • 03:03 • -5.68db
59% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Mason Murphy
On And Off
121 bpm • C Maj • 03:41 • -8.6db
37% Popularity • 73% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 73% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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yuji
tired
121 bpm • C Maj • 02:24 • -4.82db
45% Popularity • 65% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 65% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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mrld
An Art Gallery Could Never Be As Unique ...
122 bpm • G Maj • 02:38 • -12.08db
72% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
72% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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yaeow
favorite lesson
110 bpm • G# Maj • 03:25 • -13.7db
62% Popularity • 66% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 66% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Gatton
Waves
121 bpm • C Maj • 02:25 • -13.04db
41% Popularity • 57% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 57% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Anson Seabra
Unloving You
122 bpm • F# Maj • 02:33 • -9.62db
59% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Jamie Miller
Only Place
122 bpm • E Maj • 03:25 • -5.86db
48% Popularity • 67% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 67% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Ysabelle Cuevas
I Like You So Much, You'll Know It
108 bpm • D# Maj • 03:18 • -6.35db
49% Popularity • 64% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 64% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Arash Buana
we'll be okay, for today
108 bpm • C# Maj • 03:48 • -14db
60% Popularity • 38% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 38% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Mark Ambor
Sky is the Limit
123 bpm • E Maj • 02:39 • -14.18db
57% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Joseph Tilley
let's talk about it
123 bpm • G Maj • 02:54 • -14.81db
32% Popularity • 68% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 68% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Gatton
Ghosts
108 bpm • A# Maj • 02:42 • -8.89db
48% Popularity • 41% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 41% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Keenan Te
Faults - slowed & reverbed
123 bpm • D Maj • 03:00 • -9.46db
34% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Haley Joelle
Things You Don't Know
123 bpm • F Maj • 02:08 • -11db
47% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Ollie
Better With You
107 bpm • D Maj • 03:17 • -9.37db
49% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Fly By Midnight
Infinitely Falling
107 bpm • A Maj • 02:43 • -6.88db
61% Popularity • 60% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 60% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Katherine Li
Isn't It Obvious
107 bpm • E Maj • 02:38 • -7.21db
42% Popularity • 63% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 63% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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MFMF.
not sorry
124 bpm • D# min • 02:46 • -6.31db
34% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Gatton
When Scars Become Art II
124 bpm • B Maj • 04:12 • -10.48db
43% Popularity • 76% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 76% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Yahya
not meant to be
124 bpm • F# min • 04:01 • -8.66db
32% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Sezairi
It's You
124 bpm • G Maj • 04:29 • -7.89db
44% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Fly By Midnight
No Choice
124 bpm • D# Maj • 03:51 • -4.8db
56% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Sophia Fredskild
In Another Lifetime
124 bpm • C# Maj • 03:34 • -7.38db
38% Popularity • 52% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
38% Popularity • 52% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Suriel Hess
Don't Wanna Know
106 bpm • G Maj • 02:58 • -8db
44% Popularity • 67% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 67% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Francis Karel
Like All My Friends
106 bpm • G Maj • 03:07 • -8db
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Keenan Te
All In My Head - sped up 2.0
125 bpm • D# Maj • 02:48 • -6.79db
22% Popularity • 79% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 79% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Ethan Dufault
Through My Hands
106 bpm • C# Maj • 03:00 • -8.76db
37% Popularity • 76% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 76% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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elijah woods
ilu
106 bpm • G Maj • 02:49 • -5.86db
59% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Chiang
Shouldn't Be
125 bpm • F# min • 03:30 • -10.34db
73% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
73% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Cash Cash
Take Me Home - Acoustic
125 bpm • G Maj • 03:04 • -4db
59% Popularity • 45% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 45% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Leroy Sanchez
Til Death Do Us Part
105 bpm • C Maj • 03:10 • -9.73db
46% Popularity • 50% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 50% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Lightboys
Why
125 bpm • C Maj • 04:04 • -7.38db
28% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Keenan Te
Nothing
126 bpm • A Maj • 02:50 • -8.84db
53% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Rachel Grae
Bad Timing
105 bpm • D Maj • 02:45 • -9.57db
55% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ha Hyun Sang
By My Side
105 bpm • D Maj • 03:42 • -6db
33% Popularity • 70% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 70% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Joseph Tilley
Nothing to Prove
105 bpm • G Maj • 01:56 • -9db
44% Popularity • 78% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 78% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
