Songs like New Hometown by Mike Ryan
Based on a tempo of (+/- 10%) and a similar genre
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HIXTAPE
Boy From The South (HARDY Cole Swindell,...
146 bpm • D Maj • 03:05 • -4.7db
53% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Carter Winter
Bad Boy
146 bpm • C# Maj • 03:38 • -5.65db
37% Popularity • 55% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 55% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Ronnie Dunn
That's Why They Make Jack Daniels
146 bpm • D# Maj • 03:23 • -5db
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Mike Ryan
Die Runnin'
146 bpm • F# Maj • 03:11 • -3.99db
45% Popularity • 48% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 48% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Riley Green
Break Up More Often
146 bpm • F Maj • 03:23 • -5.85db
45% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Drew Parker
Hell Yeah Say When I'm In
146 bpm • D Maj • 02:48 • -3.68db
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Flatland Cavalry
Gettin' By
146 bpm • G Maj • 03:06 • -4.95db
58% Popularity • 49% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 49% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Randy Rogers Band
You, Me and a Bottle
146 bpm • A Maj • 03:13 • -6.66db
35% Popularity • 46% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 46% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Bart Crow
Didn't Mean To Break Your Heart
146 bpm • G Maj • 03:54 • -4.25db
24% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Mike Ryan
New Hometown
146 bpm • C Maj • 03:17 • -4.49db
44% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Wolfe
Some Ol' Bar in the 90's
145 bpm • G# Maj • 03:24 • -3.94db
43% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
43% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
43% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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Luke Combs
Out There
147 bpm • F# Maj • 03:23 • -4.48db
46% Popularity • 44% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 44% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Kolby Cooper
Boy From Anderson County
145 bpm • A Maj • 04:04 • -5.63db
40% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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David Adam Byrnes
She Only Wanted Flowers
147 bpm • G# Maj • 03:34 • -7.37db
32% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Randy Rogers Band
Steal You Away
145 bpm • E Maj • 03:49 • -10.87db
43% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Wade Bowen
West Texas Rain
147 bpm • C Maj • 04:15 • -7.33db
40% Popularity • 40% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 40% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Adam Sanders
Burnin' Roses
148 bpm • G# Maj • 04:03 • -4.99db
33% Popularity • 60% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 60% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Combs
Lonely One
145 bpm • G# Maj • 03:26 • -5db
47% Popularity • 50% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 50% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sean Stemaly
Georgia
145 bpm • G# Maj • 03:06 • -4.38db
43% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Mike Ryan
Get Away with Anything
148 bpm • G min • 02:48 • -4db
24% Popularity • 55% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 55% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Randy Rogers Band
One Woman
145 bpm • G Maj • 04:05 • -6.43db
39% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Stoney LaRue
Us Time
144 bpm • A Maj • 03:53 • -6.67db
33% Popularity • 58% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 58% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Jon Pardi
Rainy Night Song
148 bpm • D Maj • 03:18 • -6.95db
44% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Luke Combs
Don't Tempt Me
147 bpm • G Maj • 03:31 • -4.62db
49% Popularity • 56% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 56% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Dillon Carmichael
Hot Beer
148 bpm • B Maj • 03:10 • -5db
43% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Morgan Wallen
Had Me By Halftime
144 bpm • F# Maj • 02:52 • -3db
59% Popularity • 49% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 49% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Mike Ryan
One Way
144 bpm • C Maj • 03:21 • -5db
28% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
46% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Stoney LaRue
Velvet
144 bpm • G# min • 06:23 • -8db
34% Popularity • 51% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 37% Positiveness
34% Popularity • 51% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 37% Positiveness
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Micky & The Motorcars
One in a Lifetime Girl
144 bpm • D Maj • 03:33 • -4.95db
34% Popularity • 53% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 53% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Tyler Farr
A Guy Walks Into a Bar
148 bpm • C Maj • 03:16 • -3db
53% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Koe Wetzel
Ragweed
148 bpm • G# Maj • 04:12 • -7.31db
59% Popularity • 44% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 44% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Abbott Band
Little More You
144 bpm • G Maj • 03:23 • -3db
39% Popularity • 48% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 48% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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HIXTAPE
Something A Lil' Stronger (HARDY Mitchel...
144 bpm • E Maj • 03:17 • -4.73db
51% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Walker Montgomery
Simple Town
144 bpm • G# Maj • 03:38 • -5db
30% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Randall King
Tuggin’ on My Heartstrings
148 bpm • G# Maj • 03:11 • -5.41db
43% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
50% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Larry Fleet
Different Shade of Red
148 bpm • C# Maj • 03:07 • -5db
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jon Langston
Now You Know
148 bpm • F# Maj • 02:55 • -4db
39% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Heath Sanders
Bloodline
148 bpm • F# Maj • 03:52 • -5.19db
44% Popularity • 52% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 52% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Walker McGuire
Mysteries of the World
144 bpm • C# Maj • 03:38 • -4.77db
45% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Wallen
Not Good At Not
144 bpm • B Maj • 03:05 • -3.24db
61% Popularity • 56% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 56% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Mike Ryan
Ghost Town
148 bpm • F# min • 03:26 • -6.74db
41% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Cody Hibbard
Just For The Record
148 bpm • F# Maj • 03:21 • -5.49db
41% Popularity • 47% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 47% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Giovannie and the Hired Guns
Another Time
144 bpm • G Maj • 03:54 • -6.08db
33% Popularity • 45% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 45% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Combs
This One's for You
149 bpm • B Maj • 03:50 • -7.81db
53% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Triston Marez
Darlin' - Acoustic
143 bpm • B Maj • 04:10 • -10db
37% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Randy Rogers Band
Speak Of The Devil
150 bpm • C Maj • 04:02 • -6db
34% Popularity • 43% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 43% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Mike Ryan
My Heartbreak
149 bpm • C Maj • 04:05 • -7.34db
13% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Jordan Rager
Southern Boy
150 bpm • D# Maj • 03:47 • -7.08db
34% Popularity • 51% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 51% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Cory Morrow
Lead Me On
150 bpm • G Maj • 03:30 • -3.89db
32% Popularity • 49% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 49% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Ronnie Dunn
Young Buck
150 bpm • A Maj • 03:12 • -6db
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Wolfe
Hang Your Hat on That
142 bpm • D Maj • 03:07 • -4.46db
31% Popularity • 55% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 55% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Dylan Wheeler
Shines Through
142 bpm • C# Maj • 03:39 • -4.44db
43% Popularity • 48% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 48% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Southall
Don't Tell Me
150 bpm • D min • 03:40 • -5.35db
48% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
49% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Kolby Cooper
It Ain't Me
150 bpm • F# Maj • 04:28 • -4.96db
52% Popularity • 40% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 40% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Abbott Band
Oh, Tonight
150 bpm • B Maj • 03:25 • -4.84db
54% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Mike Ryan
Dance with an Angel
142 bpm • D Maj • 03:28 • -7.66db
21% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Kody West
Million Miles
142 bpm • D# Maj • 04:03 • -5.56db
55% Popularity • 49% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 49% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Southall
Serenade
142 bpm • A Maj • 03:11 • -4.63db
39% Popularity • 53% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 53% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Riley Green
Behind The Bar
150 bpm • F Maj • 03:02 • -6.01db
48% Popularity • 49% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 49% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Kolby Cooper
2 Words
142 bpm • G Maj • 03:41 • -4.5db
49% Popularity • 50% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 50% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Abbott Band
Amnesia
150 bpm • C Maj • 03:33 • -5db
34% Popularity • 52% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 52% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Hunt
Country House
142 bpm • E Maj • 03:34 • -4.79db
51% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Larry Fleet
Mix 'Em With Whiskey
150 bpm • B Maj • 03:19 • -5db
50% Popularity • 67% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 67% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Koe Wetzel
Austin
142 bpm • D Maj • 04:34 • -6.1db
50% Popularity • 53% Danceability • 59% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 53% Danceability • 59% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Ryan
Damn Good Goodbye
142 bpm • E Maj • 03:32 • -6.38db
56% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
56% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
51% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Curtis Grimes
Our Side of the Fence
142 bpm • E Maj • 04:00 • -5.83db
27% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Riley Green
Hard To Leave
142 bpm • D Maj • 03:35 • -6db
58% Popularity • 55% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 55% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Marlowe
I'll Keep the Country
142 bpm • C# Maj • 03:31 • -5db
48% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Colston
First Dirt Road
142 bpm • F# Maj • 03:27 • -6.08db
23% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
59% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Carson Jeffrey
Take Away This Pain
141 bpm • E min • 03:20 • -5.44db
44% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mike Ryan
Holding On
141 bpm • E Maj • 03:37 • -9.75db
14% Popularity • 46% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 46% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Luke Combs
Moon Over Mexico
141 bpm • G Maj • 03:24 • -6db
57% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Triston Marez
Dizzy
141 bpm • F Maj • 03:35 • -5.32db
27% Popularity • 52% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 52% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Randy Rogers
In My Arms Instead
152 bpm • A Maj • 04:54 • -4.19db
31% Popularity • 25% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 25% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Bryan
Love You, Miss You, Mean It
152 bpm • A# Maj • 03:21 • -4.34db
54% Popularity • 45% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 45% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Shotgun Rider
Mess I'm In
152 bpm • E Maj • 04:04 • -3.94db
21% Popularity • 51% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 51% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 59% Positiveness
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Curtis Grimes
River Road Dream
152 bpm • D# Maj • 03:23 • -4db
31% Popularity • 60% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 60% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Riley Green
If It Wasn’t For Trucks
152 bpm • D Maj • 03:17 • -5.59db
57% Popularity • 44% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 44% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Randy Rogers
Lady Bug
152 bpm • G Maj • 03:35 • -5db
26% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Brett Kissel
Cool with That
152 bpm • A Maj • 03:49 • -4.74db
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Ronnie Dunn
Ain't No Trucks In Texas
152 bpm • G# Maj • 03:20 • -3.89db
35% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Morgan Wallen
Redneck Love Song
140 bpm • F Maj • 03:09 • -4.85db
57% Popularity • 75% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 75% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
45% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Southall
Beautiful Eyes
140 bpm • C Maj • 04:01 • -5.04db
41% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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HARDY
THIS OLE BOY
140 bpm • G# Maj • 03:16 • -4.37db
49% Popularity • 52% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 52% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Dillon Carmichael
I'd Call Grandpa
140 bpm • D# Maj • 03:20 • -7.05db
35% Popularity • 54% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 54% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Riley Green
Bettin' Man
140 bpm • G Maj • 03:08 • -4.61db
48% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
