Songs like New Old Trucks (feat. Dierks Bentley) by James Barker Band
Based on a tempo of (+/- 10%) and a similar genre
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Larry Fleet
Stack of Records
148 bpm • C Maj • 03:38 • -6db
44% Popularity • 59% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 59% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Jade Eagleson
Honky Talkin'
148 bpm • E Maj • 02:53 • -2.81db
31% Popularity • 55% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 55% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Trea Landon
Lost Right Now
148 bpm • F Maj • 02:52 • -4.97db
37% Popularity • 53% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 53% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Noah Hicks
No More of 'Em
148 bpm • F# Maj • 03:08 • -5db
35% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Hailey Whitters
Fillin' My Cup
148 bpm • B Maj • 03:11 • -6.44db
48% Popularity • 56% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 56% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Larry Fleet
Different Shade of Red
148 bpm • C# Maj • 03:07 • -5db
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
47% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Dillon Carmichael
Hot Beer
148 bpm • B Maj • 03:10 • -5db
45% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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James Barker Band
New Old Trucks
148 bpm • G Maj • 03:11 • -3.74db
38% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Dustin Lynch
Not Every Cowboy
148 bpm • A Maj • 03:47 • -4.19db
35% Popularity • 43% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 43% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Logan Mize
Who Didn't
148 bpm • A# Maj • 02:57 • -4db
36% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Mike Ryan
Ghost Town
148 bpm • F# min • 03:26 • -6.74db
42% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Thomas Rhett
Country Again
148 bpm • D Maj • 03:41 • -7db
56% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Luke Combs
My Kinda Folk
148 bpm • G Maj • 04:27 • -4.59db
51% Popularity • 52% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 52% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Dean Brody
You Got The Wrong Guy
148 bpm • E Maj • 03:00 • -3.77db
38% Popularity • 54% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 54% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmie Allen
Big In A Small Town
148 bpm • G Maj • 04:14 • -4.86db
31% Popularity • 60% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 60% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Brantley Gilbert
The Worst Country Song Of All Time
147 bpm • G Maj • 03:19 • -5db
49% Popularity • 51% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 51% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Clay Walker
You Look Good
146 bpm • F# Maj • 02:55 • -6.15db
39% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Ray Fulcher
Love Ya Son, Go Dawgs
150 bpm • C# Maj • 04:02 • -6db
27% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Combs
Don't Tempt Me
147 bpm • G Maj • 03:31 • -4.62db
50% Popularity • 56% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 56% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Darius Rucker
Same Beer Different Problem
150 bpm • E Maj • 03:01 • -4.23db
38% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Chris Lane
Fill Them Boots
146 bpm • C# Maj • 02:42 • -5.12db
41% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Chase Bryant
Never Got Around To That
150 bpm • C Maj • 03:30 • -5.41db
29% Popularity • 47% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 47% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Drew Parker
Hell Yeah Say When I'm In
146 bpm • D Maj • 02:48 • -3.68db
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Brian Kelley
Made By The Water
146 bpm • F# Maj • 02:56 • -4.9db
40% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Corey Kent
There's Always Next Year
150 bpm • C Maj • 02:49 • -6db
42% Popularity • 53% Danceability • 91% Energy • 45% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 53% Danceability • 91% Energy • 45% Liveness
0% Instrumentalness • 68% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
54% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Mike Ryan
Die Runnin'
146 bpm • F# Maj • 03:11 • -3.99db
47% Popularity • 48% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 48% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
70% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
70% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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HIXTAPE
Boy From The South (HARDY Cole Swindell,...
146 bpm • D Maj • 03:05 • -4.7db
54% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Roman Alexander
Cocktail Conversations
146 bpm • G Maj • 03:24 • -6db
32% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Dallas Smith
Singing In A Beer
150 bpm • C# min • 02:52 • -3.87db
44% Popularity • 47% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 47% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Morgan Wallen
Somethin’ Country
146 bpm • D Maj • 02:52 • -4.44db
59% Popularity • 60% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 60% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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LOCASH
Beach Boys
150 bpm • G# Maj • 03:03 • -3.66db
37% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Stell
Boyfriend Season
150 bpm • A Maj • 03:09 • -3.35db
33% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Todd Cameron
Ruin My Truck
146 bpm • G# Maj • 03:13 • -3.31db
43% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Ryan Waters Band
Creek Don't Rise
150 bpm • C Maj • 02:57 • -7.89db
44% Popularity • 51% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 51% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ryan Hurd
What Are You Drinking
146 bpm • C Maj • 03:24 • -6.22db
36% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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LOCASH
Beach Boys
150 bpm • G# Maj • 03:00 • -3.58db
33% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Kolby Cooper
Boy From Anderson County
145 bpm • A Maj • 04:04 • -5.63db
41% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Morgan Wallen
Whatcha Think Of Country Now
145 bpm • A Maj • 03:02 • -4.36db
55% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Sean Stemaly
Georgia
145 bpm • G# Maj • 03:06 • -4.38db
44% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Elvie Shane
Sundress
144 bpm • G Maj • 03:30 • -5.38db
40% Popularity • 62% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 62% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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LOCASH
Cloud of Dust
150 bpm • F Maj • 02:49 • -4.66db
43% Popularity • 53% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 53% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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James Barker Band
Step On His Boots
152 bpm • B Maj • 03:04 • -2.9db
27% Popularity • 53% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 53% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Luke Combs
Ain't Far From It
152 bpm • G# Maj • 03:37 • -4.17db
51% Popularity • 51% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 51% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Chayce Beckham
Doin' It Right
152 bpm • A# Maj • 03:00 • -3.38db
45% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Dustin Lynch
Wood On The Fire
144 bpm • E Maj • 03:27 • -4.15db
39% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jon Pardi
Ain't Always The Cowboy - Western Versio...
152 bpm • A Maj • 04:14 • -7db
37% Popularity • 52% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 52% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Jade Eagleson
More Drinkin' Than Fishin'
152 bpm • C# Maj • 02:59 • -4db
43% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Tim Hicks
Whiskey Does
144 bpm • F# min • 03:36 • -4.64db
25% Popularity • 50% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 50% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Morgan Wallen
Had Me By Halftime
144 bpm • F# Maj • 02:52 • -3db
60% Popularity • 49% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 49% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Drew Baldridge
That's You
144 bpm • G# Maj • 03:24 • -4db
36% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Sean Stemaly
Hello, You Up
144 bpm • A Maj • 03:26 • -5db
39% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Reklaws
Good Ol' Days
144 bpm • G# Maj • 02:46 • -4.5db
46% Popularity • 56% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 56% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
58% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
44% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Josh Ross
Tall Boys
144 bpm • G Maj • 02:24 • -3.7db
53% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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Canaan Smith
Cabin In The Woods
144 bpm • D# Maj • 02:56 • -5.82db
29% Popularity • 59% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 59% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
52% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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HIXTAPE
One Of Y’all
144 bpm • A Maj • 03:05 • -2.68db
48% Popularity • 55% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 55% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Luke Combs
On the Other Line
144 bpm • E Maj • 02:55 • -4.86db
53% Popularity • 57% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
53% Popularity • 57% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Ashland Craft
Your Momma Still Does
144 bpm • G# Maj • 02:37 • -5.37db
43% Popularity • 54% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 54% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Mason Horne
Cheap Shots
144 bpm • G Maj • 03:31 • -4.99db
47% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Dallas Smith
Hide From A Broken Heart
144 bpm • D Maj • 03:28 • -4.25db
32% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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HIXTAPE
Something A Lil' Stronger (HARDY Mitchel...
144 bpm • E Maj • 03:17 • -4.73db
52% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
52% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Luke Combs
Better Back When
144 bpm • G# Maj • 03:23 • -4db
52% Popularity • 53% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 53% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Chayce Beckham
Tell Me Twice
154 bpm • A Maj • 04:26 • -4.73db
41% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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James Barker Band
Rain All Summer
154 bpm • C Maj • 02:58 • -3.44db
28% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Ashland Craft
Make It Past Georgia
142 bpm • A# Maj • 03:21 • -5.05db
37% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Steven Lee Olsen
Raised by a Good Time
142 bpm • D Maj • 03:12 • -4.5db
43% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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HIXTAPE
WD-40 4WD
144 bpm • D Maj • 03:16 • -4.34db
50% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Combs
Blue Collar Boys
154 bpm • F Maj • 03:39 • -5.52db
60% Popularity • 53% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 53% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Kolby Cooper
2 Words
142 bpm • G Maj • 03:41 • -4.5db
50% Popularity • 50% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 50% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Farr
Only Truck In Town
142 bpm • E min • 03:14 • -3.84db
35% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jameson Rodgers
I'm on a Dirt Road
142 bpm • C# Maj • 03:25 • -4.68db
40% Popularity • 50% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 50% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Dylan Marlowe
I'll Keep the Country
142 bpm • C# Maj • 03:31 • -5db
49% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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HIXTAPE
What They Make Backroads For (HARDY Trac...
154 bpm • E Maj • 03:18 • -6.56db
47% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Luke Combs
Used To Wish I Was
142 bpm • D Maj • 02:58 • -4.89db
53% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Dean Brody
Boys
156 bpm • D Maj • 03:15 • -4.72db
35% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
42% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Langston
Beers Got Drank
156 bpm • G Maj • 02:54 • -5.34db
35% Popularity • 55% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 55% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Tim McGraw
7500 OBO
156 bpm • G Maj • 03:41 • -6.95db
60% Popularity • 53% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 53% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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HIXTAPE
To Hank
142 bpm • A Maj • 03:17 • -3.83db
47% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Combs
The Other Guy
142 bpm • F# Maj • 03:10 • -4.71db
59% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Bryan
Country On
156 bpm • F Maj • 03:56 • -5db
47% Popularity • 52% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 52% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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The Reklaws
Not Gonna Not
156 bpm • F Maj • 03:26 • -2.94db
34% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Jake Owen
Best Thing Since Backroads
156 bpm • G Maj • 03:07 • -3.8db
58% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Chayce Beckham
Where The River Goes
156 bpm • D Maj • 02:51 • -4.19db
45% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
