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Nice To Meet Ya
Songs like
Nice To Meet Ya
by
Niall Horan
Based on a tempo of (+/- 10%) and a similar genre
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Noah Kahan
False Confidence
109 bpm • F# Maj • 03:43 • -7.77db
75% Popularity • 41% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Bruno Mars
Just the Way You Are
109 bpm • F Maj • 03:40 • -5.38db
85% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Niall Horan
Nice To Meet Ya
109 bpm • E min • 02:38 • -4.35db
65% Popularity • 59% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Mark Ambor
Hair Toss, Arms Crossed
109 bpm • F# Maj • 02:37 • -6.15db
57% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Stephen Sanchez
Evangeline
109 bpm • D# Maj • 02:57 • -7.13db
71% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
67% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Lauren Spencer Smith
Fingers Crossed
110 bpm • F Maj • 02:55 • -7.17db
75% Popularity • 61% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
84% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Lewis Capaldi
Someone You Loved
110 bpm • C# Maj • 03:02 • -5.68db
89% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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Conan Gray
Maniac
108 bpm • G# Maj • 03:05 • -5.46db
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Meghan Trainor
Like I'm Gonna Lose You
108 bpm • C Maj • 03:45 • -7.26db
78% Popularity • 63% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Alessia Cara
Wild Things
108 bpm • C# min • 03:08 • -4.83db
65% Popularity • 74% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Noah Kahan
Part of Me
110 bpm • G Maj • 03:59 • -7.83db
69% Popularity • 69% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Niall Horan
New Angel
108 bpm • A Maj • 03:09 • -3.95db
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Lewis Capaldi
Wish You The Best
108 bpm • D# Maj • 03:30 • -3.59db
80% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Benson Boone
Cry
108 bpm • A# Maj • 03:06 • -5.25db
77% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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One Direction
Little Things
110 bpm • G Maj • 03:39 • -11.86db
73% Popularity • 71% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Lady A
Need You Now
108 bpm • E Maj • 03:56 • -4.43db
74% Popularity • 58% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Walker
Better Half of Me
108 bpm • D# Maj • 03:15 • -4.7db
55% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Maddie Zahm
Fat Funny Friend
108 bpm • C Maj • 03:19 • -7.89db
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Alessia Cara
October
107 bpm • C Maj • 04:00 • -7.85db
51% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Lewis Capaldi
Hold Me While You Wait
107 bpm • B Maj • 03:25 • -5.51db
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Tom Grennan
Little Bit of Love
107 bpm • C# min • 03:46 • -4.48db
68% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Niall Horan
This Town The RTÉ Concert Orchestra - L...
112 bpm • A Maj • 03:52 • -8.42db
41% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Liam Payne
Strip That Down
106 bpm • F# Maj • 03:22 • -5.45db
69% Popularity • 87% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Hansen
something to remember
112 bpm • C# Maj • 02:42 • -6.9db
79% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Lewis Capaldi
Bruises
111 bpm • E Maj • 03:40 • -7.83db
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Conan Gray
Memories
113 bpm • B Maj • 04:08 • -6.31db
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Lauren Spencer Smith
Bigger Person
105 bpm • G Maj • 02:41 • -8.16db
70% Popularity • 50% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Lewis Capaldi
Before You Go
112 bpm • D# Maj • 03:35 • -4.86db
85% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Chelsea Cutler
Your Bones
105 bpm • E Maj • 02:39 • -7.7db
66% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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MKTO
How Can I Forget
105 bpm • G# Maj • 02:57 • -5.97db
56% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Tate McRae
that way
105 bpm • C Maj • 02:55 • -11.02db
77% Popularity • 45% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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kenzie
anatomy
105 bpm • C Maj • 03:02 • -13.05db
66% Popularity • 51% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Lauren Spencer Smith
Narcissist
113 bpm • D# Maj • 02:52 • -6.63db
63% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mark Ambor
The Long Way
105 bpm • E Maj • 02:15 • -3.86db
53% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Benson Boone
Let Me Go
105 bpm • G Maj • 02:39 • -6db
66% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Lewis Capaldi
Grace
104 bpm • E Maj • 03:05 • -5.85db
71% Popularity • 72% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Jonas Blue
Polaroid
114 bpm • G min • 03:13 • -4.48db
63% Popularity • 65% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Harry Styles
Sweet Creature
104 bpm • G Maj • 03:44 • -8.54db
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Conan Gray
Movies
104 bpm • B Maj • 03:34 • -6db
62% Popularity • 35% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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You Me At Six
Take on the World
104 bpm • D Maj • 04:31 • -6.46db
62% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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James TW
Hopeless Romantics
114 bpm • A min • 02:59 • -6.86db
57% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Snow Patrol
Chasing Cars
104 bpm • A Maj • 04:27 • -4.53db
82% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Gracie Abrams
Stay
114 bpm • A# Maj • 02:57 • -10.5db
69% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Harry Styles
Matilda
114 bpm • D Maj • 04:05 • -10db
79% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Liam Payne
Remember
104 bpm • F min • 03:09 • -5.1db
49% Popularity • 68% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Jake Scott
Favorite T-Shirt
115 bpm • A Maj • 03:04 • -8.14db
55% Popularity • 85% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Lewis Capaldi
The Pretender
115 bpm • A Maj • 03:40 • -4.65db
60% Popularity • 60% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Will Linley
Last Call
115 bpm • C# Maj • 02:54 • -3db
60% Popularity • 65% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Stephen Sanchez
Missing You
115 bpm • C min • 03:55 • -12.19db
57% Popularity • 64% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Harry Styles
Late Night Talking
115 bpm • A# Maj • 02:57 • -4.6db
83% Popularity • 71% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Sam Smith
Fire On Fire
115 bpm • C# min • 04:06 • -7.36db
77% Popularity • 58% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Sleeping At Last
Turning Page
115 bpm • D# Maj • 04:15 • -8.5db
70% Popularity • 31% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Dermot Kennedy
Rome
103 bpm • G# Maj • 03:22 • -5.6db
57% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Hailee Steinfeld
Most Girls
103 bpm • A Maj • 03:24 • -7.02db
66% Popularity • 76% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Mimi Webb
Little Bit Louder
116 bpm • D Maj • 02:35 • -5db
56% Popularity • 72% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Maisie Peters
Worst of You
102 bpm • E Maj • 03:17 • -7.26db
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Maggie Rogers
Light On
102 bpm • D Maj • 03:53 • -6.29db
68% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Lewis Capaldi
Forget Me
102 bpm • C# min • 03:23 • -3.77db
77% Popularity • 66% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Selena Gomez
Back To You
102 bpm • F# Maj • 03:27 • -4.86db
74% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Alexander Stewart
leave me in the dark
102 bpm • A Maj • 02:29 • -6.68db
61% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Labrinth
Jealous
117 bpm • C# Maj • 04:47 • -8.95db
73% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Birdy
Not About Angels
117 bpm • C Maj • 03:09 • -11.88db
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Lauren Spencer Smith
Back to Friends
117 bpm • D Maj • 03:35 • -9.95db
59% Popularity • 75% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ruth B.
Dandelions
117 bpm • C# Maj • 03:53 • -2.96db
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lewis Capaldi
when the party's over - Recorded at Spot...
117 bpm • A# Maj • 03:52 • -10.27db
64% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Alessia Cara
Out Of Love
118 bpm • G Maj • 03:47 • -9.25db
69% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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James Smith
My Oh My
101 bpm • A# min • 02:39 • -7db
54% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Sanchez
See The Light
118 bpm • E Maj • 03:00 • -5.33db
67% Popularity • 73% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Noah Kahan
Stick Season
118 bpm • A Maj • 03:02 • -6.89db
94% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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ZAYN
I Don’t Wanna Live Forever (Fifty Shad...
118 bpm • C Maj • 04:07 • -8.42db
83% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Lewis Capaldi
One
118 bpm • A Maj • 02:59 • -7.09db
65% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Phillip Phillips
Gone, Gone, Gone
118 bpm • F# Maj • 03:29 • -5.96db
73% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Alessia Cara
You Let Me Down
118 bpm • C# Maj • 03:13 • -7.67db
56% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Harry Styles
Love Of My Life
118 bpm • G Maj • 03:11 • -8.23db
73% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Forest Blakk
Fall Into Me
118 bpm • D Maj • 03:46 • -6.75db
64% Popularity • 45% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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AJ Mitchell
Used to Be
118 bpm • F Maj • 02:54 • -6.55db
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Hansen
LET EM GO
118 bpm • B min • 03:01 • -9.12db
74% Popularity • 36% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jess Glynne
I'll Be There
100 bpm • G Maj • 03:14 • -3.12db
70% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Louis Tomlinson
Always You
100 bpm • E Maj • 03:07 • -4.82db
60% Popularity • 63% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Niall Horan
No Judgement
100 bpm • C# min • 02:56 • -3.84db
58% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Natasha Bedingfield
Unwritten
100 bpm • F Maj • 04:19 • -6.33db
92% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Hailee Steinfeld
Starving
100 bpm • E Maj • 03:01 • -4.24db
74% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dermot Kennedy
Better Days
100 bpm • C Maj • 03:18 • -7.05db
67% Popularity • 68% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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One Direction
Perfect
100 bpm • D Maj • 03:50 • -5.23db
78% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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The Script
The Man Who Can't Be Moved
100 bpm • A# Maj • 04:01 • -5.05db
77% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Nice To Meet Ya