Songs like Nine Million Bicycles by Katie Melua
Based on a tempo of (+/- 10%) and a similar genre
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Awa Ly
You Will Be Mine
82 bpm • G Maj • 03:29 • -13db
31% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
31% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
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Katie Melua
Maybe I Dreamt It
82 bpm • C# Maj • 03:19 • -17.63db
31% Popularity • 48% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
31% Popularity • 48% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Kristina Train
Francis Albert
81 bpm • A Maj • 02:40 • -14.47db
38% Popularity • 55% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
38% Popularity • 55% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Lisa Bassenge
Three Cigarettes in an Ashtray
83 bpm • F Maj • 03:07 • -11db
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Eric Clapton
Autumn Leaves
83 bpm • E min • 05:40 • -17.39db
53% Popularity • 33% Danceability • 19% Energy • 11% Liveness
68% Instrumentalness • 18% Positiveness
53% Popularity • 33% Danceability • 19% Energy • 11% Liveness
68% Instrumentalness • 18% Positiveness
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Shelby Lynne
Anyone Who Had A Heart
83 bpm • D# Maj • 03:33 • -12.49db
42% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Peter Maffay
Ich wollte nie erwachsen sein (Nessajas ...
83 bpm • F Maj • 04:42 • -12db
43% Popularity • 53% Danceability • 53% Energy • 76% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 53% Danceability • 53% Energy • 76% Liveness
0% Instrumentalness • 36% Positiveness
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Yori
Blinding Lights
81 bpm • F Maj • 02:32 • -15.05db
41% Popularity • 46% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 46% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Katie Melua
A Love Like That
83 bpm • E min • 03:07 • -16.4db
39% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Dido
Life for Rent
83 bpm • D# Maj • 03:41 • -7.26db
62% Popularity • 49% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
62% Popularity • 49% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Villagers
The Wonder Of You
81 bpm • B Maj • 02:48 • -11.36db
52% Popularity • 36% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 38% Positiveness
52% Popularity • 36% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 38% Positiveness
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Peter Gabriel
Don't Give Up
81 bpm • D# Maj • 06:34 • -14.2db
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sophie Hunger
Beauty Above All
84 bpm • D min • 02:41 • -15db
28% Popularity • 48% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 48% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Janne Schra
Hold On To
84 bpm • G Maj • 02:49 • -9.82db
32% Popularity • 53% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
32% Popularity • 53% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Katie Melua
Bridge Over Troubled Water
83 bpm • F# Maj • 03:13 • -13db
39% Popularity • 40% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 40% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dido
Here With Me
83 bpm • B min • 04:15 • -7.94db
68% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 56% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Emilíana Torrini
Sunny Road
84 bpm • D min • 03:04 • -15.9db
54% Popularity • 60% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 60% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Moby
Heroes - Reprise Version
80 bpm • G Maj • 05:17 • -14.09db
43% Popularity • 34% Danceability • 10% Energy • 13% Liveness
5% Instrumentalness • 6% Positiveness
43% Popularity • 34% Danceability • 10% Energy • 13% Liveness
5% Instrumentalness • 6% Positiveness
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Anwar
How Can I Do
84 bpm • C min • 04:55 • -9.1db
51% Popularity • 67% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 67% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Dinah Eastwood
The Passenger
80 bpm • D min • 03:57 • -10.49db
33% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Kovacs
Shirley (Sound of the Underground)
80 bpm • E min • 04:16 • -9.49db
40% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kristina Train
I Wanna Live In LA
80 bpm • C# min • 03:54 • -7.96db
26% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jehro
All I want
80 bpm • C# min • 03:09 • -7.43db
58% Popularity • 70% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 70% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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Lisa Bassenge
Blue Skies
79 bpm • C Maj • 02:49 • -11db
46% Popularity • 54% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 54% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Wyke van Weelden
I Do Love
79 bpm • A min • 03:03 • -19.59db
34% Popularity • 60% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 60% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Angela McCluskey
It's Been Done
85 bpm • D Maj • 03:56 • -7.5db
41% Popularity • 63% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 63% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Katie Melua
A Time to Buy
79 bpm • G Maj • 03:31 • -14.31db
34% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Morcheeba
Enjoy the Ride
85 bpm • F Maj • 04:05 • -10.48db
56% Popularity • 55% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
56% Popularity • 55% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Molly Johnson
Boogie Street
85 bpm • F# min • 05:44 • -11.56db
33% Popularity • 72% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 72% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Geike
Off Shore
85 bpm • F# min • 03:49 • -10db
32% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Kat Edmonson
What a Wonderful World
79 bpm • G# Maj • 02:44 • -15db
45% Popularity • 56% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
45% Popularity • 56% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Beth Hart
Without Words In The Way
85 bpm • C Maj • 04:36 • -9.58db
36% Popularity • 39% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 39% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jon Allen
Lady of the Water
79 bpm • D# min • 03:14 • -14.31db
14% Popularity • 42% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 42% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Katie Melua
Plane Song
85 bpm • G min • 04:07 • -20.03db
36% Popularity • 37% Danceability • 11% Energy • 11% Liveness
39% Instrumentalness • 26% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 11% Liveness
39% Instrumentalness • 26% Positiveness
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Claire Denamur
Dreamers
79 bpm • D min • 03:01 • -13db
42% Popularity • 57% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 57% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lisa Bassenge
For What It's Worth
86 bpm • E Maj • 03:49 • -11.82db
27% Popularity • 68% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 37% Positiveness
27% Popularity • 68% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 37% Positiveness
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Katja Maria Werker
No More Prisoner
78 bpm • C Maj • 04:41 • -10.95db
11% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Agnes Obel
Just So
86 bpm • C Maj • 03:35 • -14db
40% Popularity • 64% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
40% Popularity • 64% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
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Joni Mitchell
Both Sides Now
78 bpm • D Maj • 05:45 • -13.52db
55% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
55% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Beth Hart
Mechanical Heart
78 bpm • A Maj • 04:16 • -8db
39% Popularity • 38% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 38% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Randy Crawford
One Day I'll Fly Away
78 bpm • D Maj • 05:02 • -10.41db
59% Popularity • 49% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
59% Popularity • 49% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Roxy Music
Jealous Guy
78 bpm • E min • 04:57 • -7.65db
62% Popularity • 51% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
62% Popularity • 51% Danceability • 62% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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Michael Kiwanuka
Rest
78 bpm • G min • 03:50 • -12db
56% Popularity • 63% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
56% Popularity • 63% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
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Mark Knopfler
When You Leave
78 bpm • F min • 04:12 • -20.04db
42% Popularity • 59% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
42% Popularity • 59% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Bruce Springsteen
Secret Garden
87 bpm • C Maj • 04:26 • -14.22db
65% Popularity • 52% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
65% Popularity • 52% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 12% Positiveness
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Kimberose
Smile
87 bpm • D min • 01:56 • -9db
49% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Dire Straits
You And Your Friend
87 bpm • C min • 05:57 • -12.99db
57% Popularity • 56% Danceability • 29% Energy • 21% Liveness
80% Instrumentalness • 22% Positiveness
57% Popularity • 56% Danceability • 29% Energy • 21% Liveness
80% Instrumentalness • 22% Positiveness
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Krezip
Everybody's Gotta Learn Sometime
77 bpm • E min • 04:27 • -9.46db
37% Popularity • 58% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 58% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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Gregory Porter
Hey Laura
77 bpm • D Maj • 03:19 • -11.32db
60% Popularity • 69% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 69% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Shelby Lynne
The Look Of Love
87 bpm • C Maj • 03:21 • -16db
48% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
48% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Sade
Still in Love with You
77 bpm • A min • 04:24 • -9db
59% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Erato
The Boxer
77 bpm • F Maj • 02:31 • -11.46db
43% Popularity • 62% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 62% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Allen
Falling Back
77 bpm • F# min • 03:14 • -7.29db
17% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Imelda May
Can't Say
77 bpm • G Maj • 03:47 • -9.11db
21% Popularity • 34% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 34% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Boz Scaggs
Sierra
77 bpm • B min • 05:21 • -11.03db
53% Popularity • 60% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 53% Positiveness
53% Popularity • 60% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 53% Positiveness
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Hugo Barriol
On the Road - Radio Edit
88 bpm • F# min • 03:12 • -9.95db
48% Popularity • 50% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 50% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Randy Crawford
When I Get over You
77 bpm • A min • 05:44 • -7.85db
39% Popularity • 54% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 54% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Jonathan Jeremiah
Smiling
88 bpm • F# Maj • 03:19 • -9.98db
27% Popularity • 54% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 54% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Norah Jones
Come Away With Me
77 bpm • C Maj • 03:18 • -13.27db
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Laura Fygi
Dream A Little Dream
88 bpm • C Maj • 03:37 • -15.22db
52% Popularity • 65% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 65% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Dire Straits
Brothers In Arms
76 bpm • G# min • 06:59 • -9.45db
68% Popularity • 21% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
68% Popularity • 21% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Room Eleven
What Will It Be?
88 bpm • A min • 03:59 • -12db
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Tom Odell
True Colours
76 bpm • A# Maj • 02:23 • -12.1db
63% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
63% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Nina June
We Watched It All Come Down
76 bpm • G Maj • 03:54 • -13.43db
48% Popularity • 63% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
48% Popularity • 63% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Jonathan Jeremiah
Happiness
89 bpm • B Maj • 03:01 • -10db
49% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Crowded House
Four Seasons In One Day
89 bpm • G Maj • 02:50 • -17.2db
57% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Katie Melua
Joy
89 bpm • D Maj • 03:35 • -15.39db
40% Popularity • 64% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
40% Popularity • 64% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Kaz Hawkins
One more fight (Lipstick and cocaine) - ...
75 bpm • B Maj • 04:42 • -12.43db
30% Popularity • 55% Danceability • 12% Energy • 96% Liveness
1% Instrumentalness • 28% Positiveness
30% Popularity • 55% Danceability • 12% Energy • 96% Liveness
1% Instrumentalness • 28% Positiveness
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Louis Armstrong
We Have All The Time In The World
89 bpm • A Maj • 03:15 • -13.03db
57% Popularity • 50% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 50% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Shelby Lynne
Dreamsome
90 bpm • C Maj • 04:13 • -15.28db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
39% Instrumentalness • 64% Positiveness
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
39% Instrumentalness • 64% Positiveness
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Kimberose
A Change Is Gonna Come
75 bpm • A# Maj • 03:37 • -10db
36% Popularity • 70% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 70% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jacob Gurevitsch
Lovers in Paris
90 bpm • G min • 04:56 • -10.28db
51% Popularity • 62% Danceability • 33% Energy • 22% Liveness
86% Instrumentalness • 14% Positiveness
51% Popularity • 62% Danceability • 33% Energy • 22% Liveness
86% Instrumentalness • 14% Positiveness
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Kristin Asbjørnsen
We Haven't Found Our Way Back Home
90 bpm • A min • 03:15 • -11.6db
15% Popularity • 60% Danceability • 30% Energy • 18% Liveness
2% Instrumentalness • 43% Positiveness
15% Popularity • 60% Danceability • 30% Energy • 18% Liveness
2% Instrumentalness • 43% Positiveness
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Duffy
I'm Scared
90 bpm • A Maj • 03:09 • -7.77db
50% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Tracy Chapman
Baby Can I Hold You
74 bpm • D Maj • 03:13 • -10.53db
77% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
77% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Pink Martini
Splendor in the Grass
74 bpm • A Maj • 03:40 • -7.57db
37% Popularity • 42% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 42% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Sophie Hunger
Le vent nous portera
91 bpm • E min • 03:46 • -18db
59% Popularity • 55% Danceability • 15% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
59% Popularity • 55% Danceability • 15% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
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Hailey Tuck
Junk
91 bpm • A# Maj • 02:59 • -13.39db
35% Popularity • 56% Danceability • 17% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
35% Popularity • 56% Danceability • 17% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
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Lotte Walda
Let It Flow
74 bpm • G# min • 03:31 • -12.22db
46% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Gordon Matthew Thomas Sumner
Sting: Fragile (Arr. for String Quartet ...
91 bpm • A min • 04:02 • -11db
33% Popularity • 26% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
33% Popularity • 26% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
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Charlie Cunningham
You Sigh
91 bpm • F# Maj • 02:58 • -9.97db
59% Popularity • 63% Danceability • 45% Energy • 14% Liveness
6% Instrumentalness • 68% Positiveness
59% Popularity • 63% Danceability • 45% Energy • 14% Liveness
6% Instrumentalness • 68% Positiveness
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Shelby Lynne
Into My Arms
91 bpm • C Maj • 04:47 • -13.61db
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Angelina Jordan
Bohemian Rhapsody
92 bpm • C min • 02:28 • -10.19db
57% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Beady Belle
Diamond in the Rough
92 bpm • F min • 04:52 • -10db
20% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Emilíana Torrini
Sounds of silence
92 bpm • C Maj • 03:31 • -8.08db
33% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Jon Allen
Night & Day
93 bpm • B min • 04:14 • -7.94db
25% Popularity • 66% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 66% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jamie Cullum
High And Dry - Remastered
93 bpm • G# Maj • 04:54 • -13.48db
49% Popularity • 52% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
49% Popularity • 52% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Paul Carrack
Satisfy My Soul - 2014 Remaster
93 bpm • G Maj • 03:29 • -11db
50% Popularity • 74% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 74% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Natalia Mateo
Take a Walk On the Wild Side
93 bpm • B Maj • 04:03 • -18db
34% Popularity • 66% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 66% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dire Straits
Why Worry?
94 bpm • E Maj • 08:23 • -16.5db
54% Popularity • 61% Danceability • 21% Energy • 11% Liveness
24% Instrumentalness • 11% Positiveness
54% Popularity • 61% Danceability • 21% Energy • 11% Liveness
24% Instrumentalness • 11% Positiveness
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Shelby Lynne
Just A Little Lovin'
94 bpm • A# min • 05:19 • -15db
46% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
46% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
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Bruce Springsteen
Streets of Philadelphia - Single Edit
94 bpm • F Maj • 03:15 • -13.25db
73% Popularity • 74% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 44% Positiveness
73% Popularity • 74% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 44% Positiveness
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Amy Macdonald
Let's Start A Band
94 bpm • C# min • 04:04 • -6.29db
47% Popularity • 32% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 32% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Molly Johnson
Streets Of Philadelphia
94 bpm • C Maj • 03:15 • -11.02db
45% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Lisa Bassenge
Still Crazy After All These Years
94 bpm • G Maj • 03:37 • -11.47db
46% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Nick Cave & The Bad Seeds
Into My Arms
94 bpm • C Maj • 04:16 • -17.8db
65% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
65% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
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Tok Tok Tok
Alone Again*
71 bpm • C# min • 05:02 • -20.04db
37% Popularity • 62% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 62% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
