Songs like No. 6 - Coro (Erzsébet, Chorus) by Ferenc Erkel
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Théodore Dubois
Seven Last Words - Second Word - Theodor...
88 bpm • A# Maj • 05:33 • -25db
10% Popularity • 19% Danceability • 9% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 9% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Te Deum, Op. 103, B. 176: 1. Te Deum lau...
88 bpm • G Maj • 06:19 • -16.45db
8% Popularity • 18% Danceability • 20% Energy • 62% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 20% Energy • 62% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Ferenc Erkel
No. 6 - Coro (Erzsébet, Chorus)
88 bpm • G min • 10:15 • -16.86db
0% Popularity • 18% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 8% Positiveness
0% Popularity • 18% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 8% Positiveness
► Preview
Jacques Offenbach
Les contes d'Hoffmann / Epilogue: Des ce...
88 bpm • A Maj • 02:20 • -20.03db
8% Popularity • 15% Danceability • 14% Energy • 11% Liveness
27% Instrumentalness • 5% Positiveness
8% Popularity • 15% Danceability • 14% Energy • 11% Liveness
27% Instrumentalness • 5% Positiveness
► Preview
Arthur Sullivan
H.M.S. Pinafore / Act 1: Hail! Men o'war...
87 bpm • C Maj • 04:16 • -22.62db
11% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Francis Poulenc
Stabat Mater, FP 148: X. Fac ut portem
89 bpm • A Maj • 03:29 • -20.59db
10% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
10% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
89 bpm • E Maj • 07:28 • -21.27db
26% Popularity • 41% Danceability • 11% Energy • 32% Liveness
62% Instrumentalness • 29% Positiveness
26% Popularity • 41% Danceability • 11% Energy • 32% Liveness
62% Instrumentalness • 29% Positiveness
► Preview
Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "Là ci dar...
89 bpm • A Maj • 03:12 • -21.6db
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Ferenc Erkel
Hunyadi László, Act I Scene 4: VIII. S...
88 bpm • C Maj • 08:40 • -20.18db
1% Popularity • 36% Danceability • 14% Energy • 60% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 36% Danceability • 14% Energy • 60% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Jacques Offenbach
La vie parisienne: Overture
89 bpm • F Maj • 05:18 • -17db
21% Popularity • 35% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
21% Popularity • 35% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
► Preview
Paul Wranitzky
Jolantha, Königin von Jerusalem, Act II...
86 bpm • D# Maj • 02:55 • -24.71db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Francis Poulenc
Stabat Mater, FP 148: IX. Sancta mater
87 bpm • A# min • 02:55 • -16.37db
9% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Gioachino Rossini
Rossini: Zelmira, Act 1: "Perche mi guar...
90 bpm • F Maj • 05:58 • -30.9db
8% Popularity • 21% Danceability • 3% Energy • 72% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 3% Energy • 72% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
E l'uccellino, SC 71 (Arr. for Voice & O...
86 bpm • D Maj • 01:15 • -20.59db
17% Popularity • 41% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 41% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Ferenc Erkel
Hunyadi László, Act III Scene 2: Recit...
88 bpm • G Maj • 05:02 • -18.27db
1% Popularity • 32% Danceability • 18% Energy • 30% Liveness
79% Instrumentalness • 7% Positiveness
1% Popularity • 32% Danceability • 18% Energy • 30% Liveness
79% Instrumentalness • 7% Positiveness
► Preview
Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • C Maj • 01:57 • -17.09db
24% Popularity • 23% Danceability • 20% Energy • 46% Liveness
39% Instrumentalness • 34% Positiveness
24% Popularity • 23% Danceability • 20% Energy • 46% Liveness
39% Instrumentalness • 34% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Overture
90 bpm • A Maj • 08:37 • -20.3db
32% Popularity • 29% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
32% Popularity • 29% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Arthur Sullivan
The Gondoliers / Act 1: 1. List and Lear...
86 bpm • D Maj • 03:00 • -16.61db
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
Leonard Bernstein
Mass - A Theatre Piece for Singers, Play...
86 bpm • C Maj • 09:52 • -22.04db
2% Popularity • 18% Danceability • 3% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 3% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
André-Ernest-Modeste Grétry
La Caravane du Caire, Acte I: XIII. "La ...
90 bpm • C min • 01:19 • -15.35db
11% Popularity • 46% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 46% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Ferenc Erkel
Hunyadi László, Act II Scene 2: Cabale...
89 bpm • A Maj • 05:37 • -15.88db
1% Popularity • 33% Danceability • 18% Energy • 28% Liveness
11% Instrumentalness • 32% Positiveness
1% Popularity • 33% Danceability • 18% Energy • 28% Liveness
11% Instrumentalness • 32% Positiveness
► Preview
Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • G Maj • 04:35 • -22db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part IV. Finale ...
86 bpm • G# Maj • 08:54 • -15.91db
8% Popularity • 12% Danceability • 37% Energy • 68% Liveness
37% Instrumentalness • 22% Positiveness
8% Popularity • 12% Danceability • 37% Energy • 68% Liveness
37% Instrumentalness • 22% Positiveness
► Preview
Louise Bertin
Fausto, Act II: Cavatina. Palpita nel se...
86 bpm • F Maj • 02:35 • -21.63db
10% Popularity • 34% Danceability • 6% Energy • 57% Liveness
5% Instrumentalness • 4% Positiveness
10% Popularity • 34% Danceability • 6% Energy • 57% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Kerry Muzzey
The Auditions
86 bpm • C Maj • 02:00 • -16.11db
10% Popularity • 48% Danceability • 9% Energy • 17% Liveness
81% Instrumentalness • 38% Positiveness
10% Popularity • 48% Danceability • 9% Energy • 17% Liveness
81% Instrumentalness • 38% Positiveness
► Preview
Pedro Miguel Marqués
El Anillo de Hierro: Pasión Del Alma M�...
85 bpm • C min • 05:30 • -21.57db
11% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ferenc Erkel
Himnusz in E-Flat Major - Zenekar-vegyes...
89 bpm • D# Maj • 02:25 • -21.01db
0% Popularity • 11% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
0% Popularity • 11% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
► Preview
Johann Simon Mayr
Te Deum: Sanctus
85 bpm • D Maj • 01:32 • -26.26db
21% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Alberto Ginastera
Estancia, Op. 8: Scene 3, La Tarde - Tri...
85 bpm • A min • 03:05 • -25.41db
8% Popularity • 17% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
91 bpm • C Maj • 01:14 • -12.16db
11% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Franz von Suppé
Dichter und Bauer: Overture
85 bpm • D Maj • 09:56 • -19.92db
8% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
► Preview
Johann Strauss II
Unter Donner und Blitz, Polka, Op. 324
85 bpm • G Maj • 03:02 • -12.72db
18% Popularity • 40% Danceability • 56% Energy • 16% Liveness
89% Instrumentalness • 60% Positiveness
18% Popularity • 40% Danceability • 56% Energy • 16% Liveness
89% Instrumentalness • 60% Positiveness
► Preview
Ferenc Erkel
Hunyadi Laszlo, Act III: Ah, szememben m...
89 bpm • G Maj • 04:16 • -18.45db
0% Popularity • 28% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
0% Popularity • 28% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Richard Wagner
Magic Fire Music (Orchestra)
85 bpm • B Maj • 03:26 • -15.3db
8% Popularity • 13% Danceability • 21% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 21% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Franz Von Suppe
Pique Dame Overture
85 bpm • D Maj • 07:24 • -17.25db
9% Popularity • 31% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
9% Popularity • 31% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
► Preview
Hamburg Symphony Orchestra
Symphony No.1 in C Minor, Op.68: Un poco...
91 bpm • C Maj • 01:24 • -22.19db
15% Popularity • 21% Danceability • 17% Energy • 17% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 21% Danceability • 17% Energy • 17% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
33% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
33% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
Bizet: Carmen - Habanera - slowed + reve...
85 bpm • A# Maj • 02:26 • -30.51db
10% Popularity • 23% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 16% Positiveness
10% Popularity • 23% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 16% Positiveness
► Preview
Ferenc Erkel
Hunyadi Laszlo: Act I Scene 2: Aria: Van...
87 bpm • A Maj • 04:45 • -16.77db
3% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Bedřich Smetana
The Bartered Bride, JB 1:100, Act I, Sce...
84 bpm • G Maj • 08:07 • -19.09db
9% Popularity • 26% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 11% Positiveness
9% Popularity • 26% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 11% Positiveness
► Preview
Arthur Sullivan
The Gondoliers / Act 1: 5. Buon' giorno,...
84 bpm • G min • 01:56 • -16.86db
8% Popularity • 33% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 33% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Luigi Arditi
Recitative & Chorus
84 bpm • D Maj • 01:18 • -13db
7% Popularity • 33% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
7% Popularity • 33% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Antonín Dvořák
Rusalka: Měsíčku na nebi hlubokém
84 bpm • F# Maj • 06:37 • -26.72db
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
Bartók: Concerto for Orchestra, Sz. 116...
84 bpm • C# Maj • 07:52 • -17.84db
1% Popularity • 11% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
1% Popularity • 11% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Ferenc Erkel
Bank ban: Act I Scene 1: Duet: Hivtal, P...
89 bpm • F Maj • 07:13 • -16.17db
3% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Ernest Guiraud
L'Arlésienne Suite No. 2: IV. Farandole...
92 bpm • D Maj • 03:04 • -17.62db
12% Popularity • 64% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
12% Popularity • 64% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: VIII. Cr...
92 bpm • C min • 01:11 • -15.91db
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
► Preview
DePaul Osaze
Imagination Is Everything
93 bpm • D# min • 02:14 • -14.54db
16% Popularity • 19% Danceability • 26% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
16% Popularity • 19% Danceability • 26% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
► Preview
Paavo Berglund
Peer Gynt Opp.46 & 55, Excerpts, Suite N...
84 bpm • G min • 04:32 • -20.37db
1% Popularity • 9% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Ferenc Erkel
Bánk bán, Act II: XV. Scéne dramatiqu...
89 bpm • D min • 03:58 • -18.8db
0% Popularity • 32% Danceability • 17% Energy • 42% Liveness
2% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 17% Energy • 42% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Elisabetta, regina d'inghilterra: Sinfon...
93 bpm • E Maj • 06:51 • -18.07db
9% Popularity • 37% Danceability • 25% Energy • 86% Liveness
84% Instrumentalness • 29% Positiveness
9% Popularity • 37% Danceability • 25% Energy • 86% Liveness
84% Instrumentalness • 29% Positiveness
► Preview
Gaetano Donizetti
Lucia of Lammermoor, Part II. Act I Scen...
83 bpm • C Maj • 01:11 • -32.3db
17% Popularity • 30% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 30% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 1...
93 bpm • F Maj • 04:32 • -26.66db
10% Popularity • 18% Danceability • 7% Energy • 12% Liveness
52% Instrumentalness • 8% Positiveness
10% Popularity • 18% Danceability • 7% Energy • 12% Liveness
52% Instrumentalness • 8% Positiveness
► Preview
Ria Mbanefo
My Own Lover
83 bpm • A# Maj • 02:54 • -20.19db
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75, Act II Scene 4: Geseg...
94 bpm • D# Maj • 05:32 • -21.54db
8% Popularity • 15% Danceability • 8% Energy • 42% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 42% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ferenc Erkel
Istvan kiraly (King Istvan): Act II: Dra...
90 bpm • G# Maj • 03:25 • -11.98db
0% Popularity • 28% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 28% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Théodore Dubois
Les 7 paroles du Christ: 6e Parole - "Pa...
83 bpm • G# Maj • 04:49 • -29.2db
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
Donizetti: L'esule di Roma, Act 1, N. 1 ...
94 bpm • F Maj • 05:24 • -27.41db
8% Popularity • 16% Danceability • 3% Energy • 13% Liveness
42% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 13% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
The Vienna Symphony Orchestra
Flight of the Bumble Bee
82 bpm • A min • 01:25 • -23.66db
8% Popularity • 46% Danceability • 18% Energy • 31% Liveness
82% Instrumentalness • 60% Positiveness
8% Popularity • 46% Danceability • 18% Energy • 31% Liveness
82% Instrumentalness • 60% Positiveness
► Preview
Jacinto Guerrero
La Rosa del Azafrán: Nocturno: "Ronda. ...
82 bpm • F# min • 01:43 • -20.33db
10% Popularity • 21% Danceability • 12% Energy • 31% Liveness
25% Instrumentalness • 7% Positiveness
10% Popularity • 21% Danceability • 12% Energy • 31% Liveness
25% Instrumentalness • 7% Positiveness
► Preview
Alexander Dargomyzhsky
Yunosha i deva (The Youth and the Maiden...
94 bpm • G min • 01:12 • -20db
12% Popularity • 29% Danceability • 14% Energy • 20% Liveness
16% Instrumentalness • 14% Positiveness
12% Popularity • 29% Danceability • 14% Energy • 20% Liveness
16% Instrumentalness • 14% Positiveness
► Preview
Ferenc Erkel
Introduction and Verbunkos
86 bpm • C# min • 06:46 • -20.95db
0% Popularity • 29% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
0% Popularity • 29% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: III. Glo...
82 bpm • C min • 01:17 • -14.04db
12% Popularity • 29% Danceability • 27% Energy • 15% Liveness
13% Instrumentalness • 43% Positiveness
12% Popularity • 29% Danceability • 27% Energy • 15% Liveness
13% Instrumentalness • 43% Positiveness
► Preview
Johann Strauss II
Pizzicato-Polka
94 bpm • C Maj • 02:48 • -36.59db
12% Popularity • 40% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 48% Positiveness
12% Popularity • 40% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 48% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Der Fliegende Holländer: Steuermann, la...
82 bpm • G Maj • 02:43 • -13db
12% Popularity • 47% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
12% Popularity • 47% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
► Preview
Adolphe Adam
Giselle, Act.1: VI. Pas De Deux
95 bpm • C# Maj • 02:16 • -22.54db
9% Popularity • 32% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 9...
81 bpm • C Maj • 04:42 • -15.33db
11% Popularity • 35% Danceability • 20% Energy • 4% Liveness
88% Instrumentalness • 16% Positiveness
11% Popularity • 35% Danceability • 20% Energy • 4% Liveness
88% Instrumentalness • 16% Positiveness
► Preview
Ferenc Erkel
Bank ban: Act I Scene 2: Scena, Aria and...
86 bpm • F Maj • 06:48 • -16.88db
2% Popularity • 34% Danceability • 19% Energy • 36% Liveness
3% Instrumentalness • 14% Positiveness
2% Popularity • 34% Danceability • 19% Energy • 36% Liveness
3% Instrumentalness • 14% Positiveness
► Preview
Vincenzo Bellini
Il Pirata, Act I: Sì vincemmo
95 bpm • C Maj • 02:31 • -15.75db
13% Popularity • 33% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 33% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Sadko, Scene 4: Song of the Hindu Mercha...
81 bpm • C Maj • 04:10 • -23db
8% Popularity • 18% Danceability • 4% Energy • 8% Liveness
12% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 8% Liveness
12% Instrumentalness • 5% Positiveness
► Preview
Berliner Philharmoniker
Coppélia, Tableau 1 : No. 3, Mazurka.
81 bpm • D Maj • 01:37 • -13.79db
17% Popularity • 49% Danceability • 38% Energy • 87% Liveness
1% Instrumentalness • 60% Positiveness
17% Popularity • 49% Danceability • 38% Energy • 87% Liveness
1% Instrumentalness • 60% Positiveness
► Preview
Giacomo Puccini
Canto d'anime, SC 75 (Arr. for Voice & O...
81 bpm • A# Maj • 01:29 • -13.62db
16% Popularity • 27% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 27% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
11% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Ferenc Erkel
Magyar kiraly-himnusz (Second Royal Anth...
90 bpm • G Maj • 03:38 • -21.6db
0% Popularity • 28% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 28% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: X. Credo...
81 bpm • C min • 03:42 • -14.7db
9% Popularity • 23% Danceability • 27% Energy • 13% Liveness
18% Instrumentalness • 9% Positiveness
9% Popularity • 23% Danceability • 27% Energy • 13% Liveness
18% Instrumentalness • 9% Positiveness
► Preview
Jacques Offenbach
Offenbach: La Vie parisienne: Overture
81 bpm • G Maj • 04:53 • -16.41db
7% Popularity • 34% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 26% Positiveness
7% Popularity • 34% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 26% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 3: "Diecimile anni al nos...
81 bpm • D Maj • 02:24 • -10.01db
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Antonín Dvořák
Requiem in B-Flat Minor, Op. 89, B. 165:...
80 bpm • F min • 02:19 • -14.28db
7% Popularity • 23% Danceability • 29% Energy • 9% Liveness
53% Instrumentalness • 7% Positiveness
7% Popularity • 23% Danceability • 29% Energy • 9% Liveness
53% Instrumentalness • 7% Positiveness
► Preview
Ferenc Erkel
Dózsa György, Act II: VI ab. A költő...
90 bpm • A Maj • 07:27 • -19.76db
0% Popularity • 34% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 34% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Johann Strauss II
Persischer Marsch, Op. 289
96 bpm • G min • 02:14 • -16.11db
14% Popularity • 56% Danceability • 31% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
14% Popularity • 56% Danceability • 31% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
► Preview
Gioachino Rossini
Il Barbiere Di Siviglia: Overture
97 bpm • E Maj • 06:50 • -17.78db
16% Popularity • 24% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
16% Popularity • 24% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Der Fliegende Holländer: Summ und Brumm...
80 bpm • A Maj • 03:52 • -16db
9% Popularity • 35% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
9% Popularity • 35% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
► Preview
上海音协室内乐队
节日序曲
80 bpm • A Maj • 06:19 • -21.32db
8% Popularity • 24% Danceability • 16% Energy • 8% Liveness
78% Instrumentalness • 10% Positiveness
8% Popularity • 24% Danceability • 16% Energy • 8% Liveness
78% Instrumentalness • 10% Positiveness
► Preview
Jacques Offenbach
Orpheus in the Underworld: Galop inferna...
79 bpm • D Maj • 02:15 • -12.67db
21% Popularity • 57% Danceability • 48% Energy • 30% Liveness
12% Instrumentalness • 74% Positiveness
21% Popularity • 57% Danceability • 48% Energy • 30% Liveness
12% Instrumentalness • 74% Positiveness
► Preview
Ferenc Erkel
Hunyadi László, Act I Scene 4: VII. Ar...
90 bpm • A Maj • 04:34 • -17.52db
1% Popularity • 28% Danceability • 16% Energy • 9% Liveness
7% Instrumentalness • 14% Positiveness
1% Popularity • 28% Danceability • 16% Energy • 9% Liveness
7% Instrumentalness • 14% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Overture
97 bpm • B min • 08:42 • -24db
32% Popularity • 28% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
► Preview
Gioachino Rossini
Rossini: Guillaume Tell, Act 1 Scene 1: ...
98 bpm • G Maj • 03:58 • -28.16db
9% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: II. Chri...
98 bpm • C min • 05:09 • -15.5db
10% Popularity • 31% Danceability • 21% Energy • 16% Liveness
66% Instrumentalness • 9% Positiveness
10% Popularity • 31% Danceability • 21% Energy • 16% Liveness
66% Instrumentalness • 9% Positiveness
► Preview
Richard Wagner
Lohengrin: Prelude to Act I
79 bpm • A Maj • 10:42 • -33.74db
0% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Peter Deunov
How pleased we are
79 bpm • G Maj • 01:22 • -14.58db
15% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
15% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
► Preview
Ferenc Erkel
Hunyadi László, Act II Scene 2: XIV. D...
85 bpm • A Maj • 01:50 • -21.42db
1% Popularity • 39% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 39% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Jacques Offenbach
Offenbach: Orphée aux enfers, Act 2: Me...
98 bpm • D Maj • 01:55 • -16.27db
12% Popularity • 57% Danceability • 54% Energy • 7% Liveness
33% Instrumentalness • 58% Positiveness
12% Popularity • 57% Danceability • 54% Energy • 7% Liveness
33% Instrumentalness • 58% Positiveness
► Preview
Karl Jenkins
Truth
79 bpm • C Maj • 04:15 • -14.51db
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Charles Villiers Stanford
Requiem, Op. 63: Ib. Te decet hymnus –
79 bpm • E Maj • 01:48 • -22.63db
12% Popularity • 21% Danceability • 18% Energy • 24% Liveness
35% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 18% Energy • 24% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Tre giorni son che Nina
99 bpm • G min • 01:43 • -19db
27% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
The Gerst Ensemble
Piano Music for Big and Small, Op. 53: N...
79 bpm • G Maj • 01:43 • -29.78db
15% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
15% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
