Songs like No Brakes by The Bravery
Based on a tempo of (+/- 10%) and a similar genre
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Portugal. The Man
Got It All (This Can't Be Living Now)
151 bpm • A Maj • 03:45 • -4.12db
40% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 43% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Phoenix
Lasso
151 bpm • B Maj • 02:47 • -7.27db
61% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
61% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Wolfmother
Woman
151 bpm • A min • 02:55 • -3.5db
58% Popularity • 19% Danceability • 95% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
58% Popularity • 19% Danceability • 95% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
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Hot Hot Heat
Bandages
150 bpm • E min • 03:32 • -4db
50% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The White Stripes
Blue Orchid
151 bpm • A# min • 02:37 • -8.54db
67% Popularity • 48% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
67% Popularity • 48% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Incubus
Anna Molly
152 bpm • G# Maj • 03:45 • -2.61db
62% Popularity • 45% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 45% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Editors
Blood
150 bpm • F# min • 03:27 • -5db
15% Popularity • 38% Danceability • 93% Energy • 20% Liveness
7% Instrumentalness • 61% Positiveness
15% Popularity • 38% Danceability • 93% Energy • 20% Liveness
7% Instrumentalness • 61% Positiveness
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Interpol
Rest My Chemistry
150 bpm • B min • 05:01 • -6db
60% Popularity • 47% Danceability • 88% Energy • 28% Liveness
8% Instrumentalness • 42% Positiveness
60% Popularity • 47% Danceability • 88% Energy • 28% Liveness
8% Instrumentalness • 42% Positiveness
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The Hives
Won't Be Long
150 bpm • C# min • 03:46 • -3.09db
41% Popularity • 60% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 60% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Weezer
Memories
152 bpm • C# min • 03:14 • -6db
48% Popularity • 35% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 35% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Does It Offend You, Yeah?
Doomed Now
150 bpm • C# Maj • 03:41 • -3.71db
15% Popularity • 51% Danceability • 92% Energy • 11% Liveness
84% Instrumentalness • 72% Positiveness
15% Popularity • 51% Danceability • 92% Energy • 11% Liveness
84% Instrumentalness • 72% Positiveness
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Klaxons
It's Not Over Yet
152 bpm • A Maj • 03:35 • -4db
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Mutemath
Spotlight
152 bpm • A# Maj • 03:20 • -4.5db
45% Popularity • 41% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 41% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Phoenix
Armistice
150 bpm • A min • 03:05 • -7.06db
52% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Julian Plenti
Only If You Run
150 bpm • F Maj • 03:48 • -8db
35% Popularity • 48% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
35% Popularity • 48% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
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White Lies
First Time Caller
152 bpm • F Maj • 03:34 • -4.88db
38% Popularity • 48% Danceability • 95% Energy • 25% Liveness
14% Instrumentalness • 54% Positiveness
38% Popularity • 48% Danceability • 95% Energy • 25% Liveness
14% Instrumentalness • 54% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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Klaxons
Magick
152 bpm • F min • 03:30 • -3db
31% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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The Airborne Toxic Event
Wishing Well
153 bpm • E Maj • 03:57 • -5db
37% Popularity • 39% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 39% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Black Rebel Motorcycle Club
Weapon Of Choice
149 bpm • F min • 02:49 • -1.93db
41% Popularity • 44% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 44% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Metric
Sick Muse
149 bpm • A Maj • 04:17 • -4db
44% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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The Cinematics
Maybe Someday
153 bpm • G min • 03:23 • -2db
21% Popularity • 48% Danceability • 94% Energy • 33% Liveness
3% Instrumentalness • 56% Positiveness
21% Popularity • 48% Danceability • 94% Energy • 33% Liveness
3% Instrumentalness • 56% Positiveness
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The Von Bondies
Pale Bride
148 bpm • A# Maj • 02:55 • -4.59db
30% Popularity • 39% Danceability • 87% Energy • 25% Liveness
6% Instrumentalness • 46% Positiveness
30% Popularity • 39% Danceability • 87% Energy • 25% Liveness
6% Instrumentalness • 46% Positiveness
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Bloc Party
Truth
148 bpm • G Maj • 04:00 • -6db
40% Popularity • 46% Danceability • 90% Energy • 50% Liveness
27% Instrumentalness • 69% Positiveness
40% Popularity • 46% Danceability • 90% Energy • 50% Liveness
27% Instrumentalness • 69% Positiveness
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The Bravery
I Have Seen The Future
148 bpm • G# Maj • 03:15 • -5.54db
21% Popularity • 46% Danceability • 90% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
21% Popularity • 46% Danceability • 90% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Death Cab for Cutie
The Ghosts of Beverly Drive
155 bpm • D Maj • 04:03 • -6.56db
52% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Strokes
Juicebox
155 bpm • D min • 03:14 • -2.37db
59% Popularity • 46% Danceability • 98% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
59% Popularity • 46% Danceability • 98% Energy • 9% Liveness
1% Instrumentalness • 55% Positiveness
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Cold War Kids
Louder Than Ever
147 bpm • E Maj • 02:44 • -5.52db
34% Popularity • 33% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 33% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Von Bondies
C'mon C'mon
148 bpm • F Maj • 02:13 • -4db
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Crash Kings
Mountain Man
155 bpm • D min • 03:17 • -5.22db
42% Popularity • 52% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 67% Positiveness
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The Bravery
Time Won't Let Me Go
155 bpm • C Maj • 04:11 • -4.78db
46% Popularity • 39% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 39% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Foals
What Went Down
147 bpm • D min • 05:00 • -6db
53% Popularity • 23% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 23% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Louis XIV
Finding out True Love Is Blind - Album/E...
156 bpm • G Maj • 04:14 • -5.03db
36% Popularity • 63% Danceability • 76% Energy • 55% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 63% Danceability • 76% Energy • 55% Liveness
0% Instrumentalness • 78% Positiveness
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The Hives
Walk Idiot Walk
146 bpm • A Maj • 03:31 • -3.93db
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
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Hot Hot Heat
Island of the Honest Man
146 bpm • E Maj • 03:02 • -2.11db
23% Popularity • 35% Danceability • 91% Energy • 20% Liveness
34% Instrumentalness • 45% Positiveness
23% Popularity • 35% Danceability • 91% Energy • 20% Liveness
34% Instrumentalness • 45% Positiveness
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Moving Units
Between Us & Them
146 bpm • F Maj • 03:06 • -2.53db
34% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
34% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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The Bravery
Song For Jacob
155 bpm • C Maj • 03:23 • -3.28db
34% Popularity • 31% Danceability • 91% Energy • 34% Liveness
4% Instrumentalness • 42% Positiveness
34% Popularity • 31% Danceability • 91% Energy • 34% Liveness
4% Instrumentalness • 42% Positiveness
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Broken Bells
Perfect World
156 bpm • C# min • 06:24 • -7.33db
42% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Kaiser Chiefs
Never Miss A Beat
156 bpm • C Maj • 03:06 • -4db
57% Popularity • 50% Danceability • 90% Energy • 65% Liveness
17% Instrumentalness • 45% Positiveness
57% Popularity • 50% Danceability • 90% Energy • 65% Liveness
17% Instrumentalness • 45% Positiveness
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Does It Offend You, Yeah?
Being Bad Feels Pretty Good
146 bpm • F# Maj • 04:05 • -3.65db
28% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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OK Go
Here It Goes Again
146 bpm • C Maj • 02:59 • -2.31db
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The Bravery
This Is Not The End
146 bpm • G min • 03:59 • -4.3db
35% Popularity • 45% Danceability • 96% Energy • 49% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 45% Danceability • 96% Energy • 49% Liveness
0% Instrumentalness • 46% Positiveness
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The Von Bondies
Earthquake
146 bpm • B Maj • 03:04 • -3.19db
18% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Metric
Satellite Mind
157 bpm • F# min • 03:42 • -5.65db
45% Popularity • 50% Danceability • 94% Energy • 28% Liveness
4% Instrumentalness • 82% Positiveness
45% Popularity • 50% Danceability • 94% Energy • 28% Liveness
4% Instrumentalness • 82% Positiveness
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Spoon
The Underdog
145 bpm • G Maj • 03:42 • -6.48db
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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Does It Offend You, Yeah?
Epic Last Song
145 bpm • C# Maj • 04:33 • -3db
25% Popularity • 44% Danceability • 97% Energy • 9% Liveness
25% Instrumentalness • 46% Positiveness
25% Popularity • 44% Danceability • 97% Energy • 9% Liveness
25% Instrumentalness • 46% Positiveness
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Klaxons
Atlantis To Interzone
145 bpm • A min • 03:16 • -3.27db
43% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Good Shoes
Under Control
145 bpm • A min • 02:28 • -5.59db
44% Popularity • 66% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 66% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Hot Hot Heat
Let Me In
145 bpm • D Maj • 04:15 • -2.93db
28% Popularity • 47% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 47% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Middle Class Rut
Are You on Your Way
145 bpm • A Maj • 06:22 • -4.25db
23% Popularity • 24% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 24% Danceability • 84% Energy • 44% Liveness
0% Instrumentalness • 10% Positiveness
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The Joy Formidable
This Ladder Is Ours
145 bpm • A Maj • 05:11 • -6.61db
12% Popularity • 31% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 31% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Cinematics
Keep Forgetting
145 bpm • D min • 03:58 • -3.11db
24% Popularity • 54% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 54% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Bravery
Adored
145 bpm • F# Maj • 03:41 • -2.45db
22% Popularity • 33% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 33% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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The Strokes
Reptilia
158 bpm • A Maj • 03:39 • -5.11db
77% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
77% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
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Phoenix
1901
144 bpm • C Maj • 03:13 • -5.65db
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Broken Bells
October
144 bpm • F# min • 03:38 • -5.09db
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Hot Hot Heat
Pickin' It Up
158 bpm • A# Maj • 02:34 • -3db
30% Popularity • 36% Danceability • 93% Energy • 16% Liveness
4% Instrumentalness • 73% Positiveness
30% Popularity • 36% Danceability • 93% Energy • 16% Liveness
4% Instrumentalness • 73% Positiveness
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Spoon
Got Nuffin
144 bpm • C Maj • 03:58 • -7db
16% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
16% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
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Klaxons
Gravity's Rainbow
143 bpm • E min • 02:36 • -3db
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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Metric
Synthetica
159 bpm • C Maj • 03:54 • -4db
48% Popularity • 38% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 38% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Digitalism
2 Hearts
143 bpm • B min • 03:54 • -4.48db
37% Popularity • 48% Danceability • 87% Energy • 10% Liveness
66% Instrumentalness • 39% Positiveness
37% Popularity • 48% Danceability • 87% Energy • 10% Liveness
66% Instrumentalness • 39% Positiveness
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The Bravery
Tragedy Bound
143 bpm • F# min • 02:22 • -10.6db
22% Popularity • 51% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 51% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Hot Hot Heat
Naked In The City Again
144 bpm • F# Maj • 03:11 • -5.82db
27% Popularity • 50% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 50% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Cold War Kids
Miracle Mile
143 bpm • D Maj • 03:00 • -3.14db
61% Popularity • 36% Danceability • 87% Energy • 32% Liveness
55% Instrumentalness • 30% Positiveness
61% Popularity • 36% Danceability • 87% Energy • 32% Liveness
55% Instrumentalness • 30% Positiveness
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White Lies
Bigger Than Us
143 bpm • A Maj • 04:42 • -5.36db
49% Popularity • 31% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 31% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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TV On The Radio
Careful You
160 bpm • G# Maj • 05:12 • -5.74db
47% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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OK Go
This Too Shall Pass
160 bpm • F Maj • 03:08 • -3.4db
41% Popularity • 43% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
41% Popularity • 43% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Kaiser Chiefs
Everyday I Love You Less And Less
160 bpm • C# min • 03:37 • -4.56db
58% Popularity • 49% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 49% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy Eat World
Bleed American
160 bpm • F# min • 03:01 • -5.61db
65% Popularity • 44% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 58% Positiveness
65% Popularity • 44% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 58% Positiveness
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The Airborne Toxic Event
All At Once
142 bpm • G Maj • 05:16 • -7.02db
33% Popularity • 44% Danceability • 79% Energy • 12% Liveness
6% Instrumentalness • 17% Positiveness
33% Popularity • 44% Danceability • 79% Energy • 12% Liveness
6% Instrumentalness • 17% Positiveness
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Shiny Toy Guns
You Are The One
142 bpm • A min • 04:30 • -3db
42% Popularity • 41% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 41% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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The Von Bondies
This Is Our Perfect Crime
142 bpm • C# min • 02:57 • -4db
25% Popularity • 51% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 51% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Klaxons
Golden Skans
142 bpm • D min • 02:45 • -2.78db
65% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
65% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Interpol
Slow Hands
142 bpm • B min • 03:04 • -2.52db
58% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
58% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
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Moving Units
Between Us & Them
142 bpm • G min • 03:28 • -5db
20% Popularity • 40% Danceability • 80% Energy • 6% Liveness
6% Instrumentalness • 91% Positiveness
20% Popularity • 40% Danceability • 80% Energy • 6% Liveness
6% Instrumentalness • 91% Positiveness
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The Subways
Rock & Roll Queen
141 bpm • A# min • 02:49 • -6.26db
60% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Queens of the Stone Age
Little Sister
161 bpm • C# Maj • 02:54 • -2.93db
62% Popularity • 36% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 36% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Metric
Breathing Underwater
141 bpm • B min • 03:56 • -4.74db
50% Popularity • 42% Danceability • 93% Energy • 36% Liveness
6% Instrumentalness • 17% Positiveness
50% Popularity • 42% Danceability • 93% Energy • 36% Liveness
6% Instrumentalness • 17% Positiveness
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White Lies
There Goes Our Love Again
162 bpm • C# min • 03:36 • -4.13db
46% Popularity • 36% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
46% Popularity • 36% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
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Rooney
Blueside
140 bpm • B Maj • 03:16 • -2.58db
35% Popularity • 40% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 40% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Moving Units
Going For Adds
142 bpm • F# Maj • 03:02 • -2.45db
18% Popularity • 57% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 57% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 90% Positiveness
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Julian Plenti
Games for Days
140 bpm • G# Maj • 03:57 • -6db
35% Popularity • 59% Danceability • 81% Energy • 12% Liveness
8% Instrumentalness • 54% Positiveness
35% Popularity • 59% Danceability • 81% Energy • 12% Liveness
8% Instrumentalness • 54% Positiveness
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CSS
Rat Is Dead (Rage)
140 bpm • B min • 03:18 • -3db
30% Popularity • 53% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 53% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Metric
Monster Hospital
162 bpm • D Maj • 03:30 • -3.61db
38% Popularity • 43% Danceability • 98% Energy • 38% Liveness
20% Instrumentalness • 73% Positiveness
38% Popularity • 43% Danceability • 98% Energy • 38% Liveness
20% Instrumentalness • 73% Positiveness
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The Strokes
Heart In a Cage
140 bpm • G# Maj • 03:26 • -5.13db
64% Popularity • 42% Danceability • 86% Energy • 37% Liveness
80% Instrumentalness • 12% Positiveness
64% Popularity • 42% Danceability • 86% Energy • 37% Liveness
80% Instrumentalness • 12% Positiveness
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TV On The Radio
Happy Idiot
140 bpm • B min • 03:03 • -4.24db
63% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
63% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Bravery
Jack-O'-Lantern Man
163 bpm • F min • 02:50 • -3.68db
25% Popularity • 31% Danceability • 98% Energy • 53% Liveness
2% Instrumentalness • 16% Positiveness
25% Popularity • 31% Danceability • 98% Energy • 53% Liveness
2% Instrumentalness • 16% Positiveness
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Atlas Genius
Trojans
140 bpm • G Maj • 03:37 • -4.84db
58% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Yeah Yeah Yeahs
Date With The Night
140 bpm • E Maj • 02:35 • -4.37db
49% Popularity • 47% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 47% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
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Bombay Bicycle Club
Evening / Morning
139 bpm • A# Maj • 02:54 • -7.86db
49% Popularity • 42% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
49% Popularity • 42% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Hot Hot Heat
Middle of Nowhere
139 bpm • G Maj • 04:01 • -3db
45% Popularity • 57% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 57% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Metric
Combat Baby
139 bpm • A Maj • 03:29 • -6db
52% Popularity • 65% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 65% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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White Lies
A Place To Hide
139 bpm • D Maj • 05:01 • -4.95db
33% Popularity • 50% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 50% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Manchester Orchestra
I've Got Friends
165 bpm • F# Maj • 04:57 • -5.43db
44% Popularity • 40% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 40% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Rooney
I'm Shakin'
138 bpm • G# Maj • 03:34 • -2.83db
43% Popularity • 51% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 51% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Interpol
PDA
138 bpm • F# min • 04:59 • -5.83db
54% Popularity • 24% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
54% Popularity • 24% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 25% Positiveness
