Songs like No Clip - Original Mix by Daniele Iannacone
Based on a tempo of (+/- 10%) and a similar genre
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Gene On Earth
To Bleep Or Not To Bleep
129 bpm • A# min • 08:47 • -10.78db
15% Popularity • 75% Danceability • 75% Energy • 23% Liveness
73% Instrumentalness • 63% Positiveness
15% Popularity • 75% Danceability • 75% Energy • 23% Liveness
73% Instrumentalness • 63% Positiveness
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Etapp Kyle
Opto
129 bpm • A# min • 05:35 • -15db
27% Popularity • 67% Danceability • 71% Energy • 11% Liveness
94% Instrumentalness • 70% Positiveness
27% Popularity • 67% Danceability • 71% Energy • 11% Liveness
94% Instrumentalness • 70% Positiveness
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Daniele Iannacone
No Thanks
129 bpm • C# Maj • 06:41 • -9.47db
0% Popularity • 79% Danceability • 88% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
0% Popularity • 79% Danceability • 88% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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Logic1000
Her
129 bpm • D Maj • 05:37 • -11.44db
15% Popularity • 79% Danceability • 88% Energy • 7% Liveness
94% Instrumentalness • 56% Positiveness
15% Popularity • 79% Danceability • 88% Energy • 7% Liveness
94% Instrumentalness • 56% Positiveness
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Ashee
Sisqo
129 bpm • B min • 03:14 • -8.11db
30% Popularity • 79% Danceability • 97% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
30% Popularity • 79% Danceability • 97% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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Fabio Vanore
Space Cowboys - Deetron Remix
129 bpm • F# min • 09:03 • -9.6db
16% Popularity • 62% Danceability • 74% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
16% Popularity • 62% Danceability • 74% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Marcel Fengler
Frantic
129 bpm • G# min • 05:58 • -15.44db
21% Popularity • 73% Danceability • 61% Energy • 11% Liveness
79% Instrumentalness • 24% Positiveness
21% Popularity • 73% Danceability • 61% Energy • 11% Liveness
79% Instrumentalness • 24% Positiveness
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Etapp Kyle
Alpha
129 bpm • F min • 07:00 • -11.13db
23% Popularity • 71% Danceability • 54% Energy • 6% Liveness
87% Instrumentalness • 7% Positiveness
23% Popularity • 71% Danceability • 54% Energy • 6% Liveness
87% Instrumentalness • 7% Positiveness
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Aversa
Ravertoion
129 bpm • D Maj • 01:14 • -13.21db
15% Popularity • 76% Danceability • 70% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
15% Popularity • 76% Danceability • 70% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Polygonia
Undergrowth
129 bpm • B min • 06:59 • -14.62db
12% Popularity • 72% Danceability • 69% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
12% Popularity • 72% Danceability • 69% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Mathame
Stalker
129 bpm • E min • 05:55 • -11.57db
17% Popularity • 83% Danceability • 68% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
17% Popularity • 83% Danceability • 68% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Elkka
Body
129 bpm • E Maj • 05:42 • -9.73db
15% Popularity • 65% Danceability • 81% Energy • 17% Liveness
79% Instrumentalness • 20% Positiveness
15% Popularity • 65% Danceability • 81% Energy • 17% Liveness
79% Instrumentalness • 20% Positiveness
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Cybor-Punx
Quasar
129 bpm • C# Maj • 01:01 • -11.32db
21% Popularity • 80% Danceability • 94% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
21% Popularity • 80% Danceability • 94% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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Lees Quirel
Roave Sooave
129 bpm • G# Maj • 01:05 • -9.32db
16% Popularity • 75% Danceability • 81% Energy • 10% Liveness
92% Instrumentalness • 89% Positiveness
16% Popularity • 75% Danceability • 81% Energy • 10% Liveness
92% Instrumentalness • 89% Positiveness
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Sing All
Ancona Zet
129 bpm • E min • 01:10 • -17.21db
12% Popularity • 66% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 87% Positiveness
12% Popularity • 66% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 87% Positiveness
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Guava
F641
129 bpm • G Maj • 06:45 • -9.29db
8% Popularity • 79% Danceability • 88% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
8% Popularity • 79% Danceability • 88% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
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Caged Element
Inversion
129 bpm • D# Maj • 05:28 • -15.19db
15% Popularity • 72% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
15% Popularity • 72% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Sterac
Track 2
129 bpm • A# min • 06:33 • -17.51db
11% Popularity • 92% Danceability • 44% Energy • 11% Liveness
97% Instrumentalness • 34% Positiveness
11% Popularity • 92% Danceability • 44% Energy • 11% Liveness
97% Instrumentalness • 34% Positiveness
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Viggo Dyst
Distans
129 bpm • G# min • 05:45 • -13.28db
8% Popularity • 80% Danceability • 64% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
8% Popularity • 80% Danceability • 64% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Nui Grobbis
Ruttoh Sensation
129 bpm • B min • 01:05 • -9.9db
16% Popularity • 83% Danceability • 48% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
16% Popularity • 83% Danceability • 48% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
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Mike Huckaby
The Tresor Track
129 bpm • G Maj • 06:24 • -9.88db
20% Popularity • 73% Danceability • 94% Energy • 9% Liveness
84% Instrumentalness • 40% Positiveness
20% Popularity • 73% Danceability • 94% Energy • 9% Liveness
84% Instrumentalness • 40% Positiveness
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deadmau5
TL7 - Original Mix
129 bpm • E min • 04:27 • -10.64db
15% Popularity • 80% Danceability • 72% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
15% Popularity • 80% Danceability • 72% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Błażej Malinowski
Yesterday is Gone
129 bpm • G# Maj • 08:02 • -13.96db
8% Popularity • 63% Danceability • 57% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 63% Danceability • 57% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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The Field
The Little Heart Beats So Fast
129 bpm • B min • 05:25 • -11.23db
24% Popularity • 72% Danceability • 92% Energy • 42% Liveness
76% Instrumentalness • 53% Positiveness
24% Popularity • 72% Danceability • 92% Energy • 42% Liveness
76% Instrumentalness • 53% Positiveness
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Daniele Iannacone
No Clip - Original Mix
129 bpm • G Maj • 05:12 • -9.12db
0% Popularity • 67% Danceability • 91% Energy • 10% Liveness
77% Instrumentalness • 45% Positiveness
0% Popularity • 67% Danceability • 91% Energy • 10% Liveness
77% Instrumentalness • 45% Positiveness
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Etapp Kyle
Ritual
129 bpm • B min • 07:16 • -16.71db
19% Popularity • 78% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
19% Popularity • 78% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Sing All
Orsett Melody
129 bpm • B Maj • 01:06 • -9.96db
12% Popularity • 70% Danceability • 98% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 70% Danceability • 98% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Nui Grobbis
Ecerte Aqi
129 bpm • B Maj • 00:59 • -9.58db
14% Popularity • 66% Danceability • 83% Energy • 12% Liveness
83% Instrumentalness • 68% Positiveness
14% Popularity • 66% Danceability • 83% Energy • 12% Liveness
83% Instrumentalness • 68% Positiveness
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Ninos Du Brasil
Sombra da Lua
129 bpm • E Maj • 06:17 • -10.9db
15% Popularity • 68% Danceability • 80% Energy • 12% Liveness
86% Instrumentalness • 49% Positiveness
15% Popularity • 68% Danceability • 80% Energy • 12% Liveness
86% Instrumentalness • 49% Positiveness
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Primoris
Ghost Grid
129 bpm • C# Maj • 01:16 • -15.43db
13% Popularity • 79% Danceability • 56% Energy • 8% Liveness
83% Instrumentalness • 24% Positiveness
13% Popularity • 79% Danceability • 56% Energy • 8% Liveness
83% Instrumentalness • 24% Positiveness
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After Cooking
Water Waves
129 bpm • A min • 03:04 • -11.02db
38% Popularity • 71% Danceability • 61% Energy • 9% Liveness
92% Instrumentalness • 61% Positiveness
38% Popularity • 71% Danceability • 61% Energy • 9% Liveness
92% Instrumentalness • 61% Positiveness
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Carter Rock
Lynx - Radio Edit
129 bpm • C# Maj • 02:13 • -10.74db
15% Popularity • 56% Danceability • 81% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
15% Popularity • 56% Danceability • 81% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Nina Kraviz
Let's Do It
129 bpm • F# Maj • 06:39 • -11.33db
22% Popularity • 80% Danceability • 71% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
22% Popularity • 80% Danceability • 71% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
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Cybor-Punx
Synthetic Shadows
129 bpm • C# Maj • 00:59 • -13.03db
22% Popularity • 68% Danceability • 90% Energy • 17% Liveness
92% Instrumentalness • 80% Positiveness
22% Popularity • 68% Danceability • 90% Energy • 17% Liveness
92% Instrumentalness • 80% Positiveness
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Sander Kleinenberg
Makes You Wanna Dance
129 bpm • C# Maj • 03:17 • -8.46db
16% Popularity • 65% Danceability • 78% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
16% Popularity • 65% Danceability • 78% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
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apaull
Blue Tape
129 bpm • G Maj • 04:12 • -11.68db
8% Popularity • 34% Danceability • 83% Energy • 19% Liveness
26% Instrumentalness • 47% Positiveness
8% Popularity • 34% Danceability • 83% Energy • 19% Liveness
26% Instrumentalness • 47% Positiveness
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Buttechno
Dubber Funk
129 bpm • G Maj • 04:52 • -11.87db
18% Popularity • 91% Danceability • 43% Energy • 9% Liveness
66% Instrumentalness • 57% Positiveness
18% Popularity • 91% Danceability • 43% Energy • 9% Liveness
66% Instrumentalness • 57% Positiveness
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Kevlar Tek
Tracers - Original Mix
129 bpm • B min • 02:30 • -5.92db
12% Popularity • 80% Danceability • 91% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
12% Popularity • 80% Danceability • 91% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
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Nui Grobbis
Zytulse
129 bpm • G# Maj • 00:59 • -10.13db
15% Popularity • 74% Danceability • 60% Energy • 18% Liveness
86% Instrumentalness • 38% Positiveness
15% Popularity • 74% Danceability • 60% Energy • 18% Liveness
86% Instrumentalness • 38% Positiveness
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uplotnenie
Carbon
130 bpm • A min • 05:55 • -10.66db
14% Popularity • 64% Danceability • 58% Energy • 8% Liveness
98% Instrumentalness • 20% Positiveness
14% Popularity • 64% Danceability • 58% Energy • 8% Liveness
98% Instrumentalness • 20% Positiveness
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Ethan Edwards
Call Me Baby
128 bpm • C# min • 04:23 • -9.39db
13% Popularity • 74% Danceability • 71% Energy • 9% Liveness
36% Instrumentalness • 26% Positiveness
13% Popularity • 74% Danceability • 71% Energy • 9% Liveness
36% Instrumentalness • 26% Positiveness
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Alxel Del Santi
Nirvana Guyz
128 bpm • C# Maj • 01:11 • -10.26db
12% Popularity • 81% Danceability • 69% Energy • 10% Liveness
71% Instrumentalness • 38% Positiveness
12% Popularity • 81% Danceability • 69% Energy • 10% Liveness
71% Instrumentalness • 38% Positiveness
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Sultus
Don't Stop Me - Radio Edit
128 bpm • F# min • 03:00 • -10.28db
29% Popularity • 61% Danceability • 99% Energy • 13% Liveness
78% Instrumentalness • 12% Positiveness
29% Popularity • 61% Danceability • 99% Energy • 13% Liveness
78% Instrumentalness • 12% Positiveness
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Dasha Rush
Side Ways
128 bpm • G Maj • 07:10 • -12.7db
15% Popularity • 78% Danceability • 81% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
15% Popularity • 78% Danceability • 81% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Nahuel Leonid
Sector - Radio Edit
130 bpm • B min • 02:28 • -14.64db
11% Popularity • 64% Danceability • 28% Energy • 11% Liveness
29% Instrumentalness • 19% Positiveness
11% Popularity • 64% Danceability • 28% Energy • 11% Liveness
29% Instrumentalness • 19% Positiveness
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Earworm
Time Skip
130 bpm • E min • 02:05 • -12.22db
21% Popularity • 70% Danceability • 74% Energy • 32% Liveness
84% Instrumentalness • 96% Positiveness
21% Popularity • 70% Danceability • 74% Energy • 32% Liveness
84% Instrumentalness • 96% Positiveness
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Girlp
Scorpion
128 bpm • A# min • 02:45 • -13.13db
7% Popularity • 53% Danceability • 96% Energy • 14% Liveness
80% Instrumentalness • 75% Positiveness
7% Popularity • 53% Danceability • 96% Energy • 14% Liveness
80% Instrumentalness • 75% Positiveness
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Andy Stott
Massacre
130 bpm • C# Maj • 06:56 • -19.21db
8% Popularity • 74% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
8% Popularity • 74% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Carl Mitizi
Storm Goloz
128 bpm • A# min • 01:01 • -9.86db
12% Popularity • 80% Danceability • 76% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
12% Popularity • 80% Danceability • 76% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
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Rhythmik
Paradis - Radio Edit
128 bpm • F min • 02:03 • -20.29db
23% Popularity • 85% Danceability • 34% Energy • 12% Liveness
50% Instrumentalness • 22% Positiveness
23% Popularity • 85% Danceability • 34% Energy • 12% Liveness
50% Instrumentalness • 22% Positiveness
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Alphalife
Lumiere Xx
128 bpm • C# min • 01:00 • -13.39db
14% Popularity • 84% Danceability • 66% Energy • 11% Liveness
87% Instrumentalness • 95% Positiveness
14% Popularity • 84% Danceability • 66% Energy • 11% Liveness
87% Instrumentalness • 95% Positiveness
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Jurango
Feverish
130 bpm • G Maj • 04:34 • -11.67db
9% Popularity • 82% Danceability • 66% Energy • 12% Liveness
77% Instrumentalness • 26% Positiveness
9% Popularity • 82% Danceability • 66% Energy • 12% Liveness
77% Instrumentalness • 26% Positiveness
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Johnnie Jackson
Poisoning Myself - Radio Edit
130 bpm • G# Maj • 01:45 • -16.61db
13% Popularity • 74% Danceability • 74% Energy • 13% Liveness
78% Instrumentalness • 62% Positiveness
13% Popularity • 74% Danceability • 74% Energy • 13% Liveness
78% Instrumentalness • 62% Positiveness
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nthng
Unity
128 bpm • F# Maj • 07:06 • -14.63db
9% Popularity • 70% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
9% Popularity • 70% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Cobblestone Jazz
DMT
130 bpm • G Maj • 02:03 • -13.26db
32% Popularity • 73% Danceability • 85% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
32% Popularity • 73% Danceability • 85% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
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Rising Sun
Eternal 5
128 bpm • D# Maj • 06:00 • -15.38db
8% Popularity • 79% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
8% Popularity • 79% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Alphalife
Lluvia Myrag
130 bpm • D# Maj • 01:13 • -13.41db
14% Popularity • 67% Danceability • 76% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 67% Danceability • 76% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Extrawelt
Unter Wasser
130 bpm • B min • 06:20 • -12.51db
26% Popularity • 68% Danceability • 57% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
26% Popularity • 68% Danceability • 57% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
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Yan Cook
Drifted Island
128 bpm • C min • 05:13 • -11.88db
22% Popularity • 73% Danceability • 72% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
22% Popularity • 73% Danceability • 72% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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Cuan Vovan
Mechanic Staremm
130 bpm • G Maj • 01:04 • -11.48db
12% Popularity • 69% Danceability • 89% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
12% Popularity • 69% Danceability • 89% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Yotam Avni
High Tech Soul
130 bpm • F# min • 06:02 • -13.66db
8% Popularity • 76% Danceability • 79% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
8% Popularity • 76% Danceability • 79% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Digital Alias
Journey to the Center
130 bpm • G# Maj • 01:22 • -15.41db
12% Popularity • 79% Danceability • 66% Energy • 11% Liveness
94% Instrumentalness • 67% Positiveness
12% Popularity • 79% Danceability • 66% Energy • 11% Liveness
94% Instrumentalness • 67% Positiveness
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Sigulet
Our Strange Love - Radio Edit
128 bpm • G Maj • 03:07 • -9.83db
28% Popularity • 79% Danceability • 65% Energy • 11% Liveness
82% Instrumentalness • 35% Positiveness
28% Popularity • 79% Danceability • 65% Energy • 11% Liveness
82% Instrumentalness • 35% Positiveness
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Victoria Engel
2012
128 bpm • F# Maj • 04:16 • -9.87db
17% Popularity • 77% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
17% Popularity • 77% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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tomorin
the Bible
130 bpm • C# min • 01:11 • -10.97db
12% Popularity • 67% Danceability • 84% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
12% Popularity • 67% Danceability • 84% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
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zek
One Kiss - Radio Edit
128 bpm • A# min • 01:45 • -8.96db
33% Popularity • 79% Danceability • 84% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
33% Popularity • 79% Danceability • 84% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Aversa
Brikk Demise
128 bpm • D Maj • 01:09 • -14.56db
12% Popularity • 76% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 76% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Will Jan George
Green Picture - Radio Edit
130 bpm • G Maj • 01:59 • -10.67db
15% Popularity • 76% Danceability • 93% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
15% Popularity • 76% Danceability • 93% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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Cuan Vovan
Rapture Nexus
128 bpm • A# Maj • 01:01 • -11.63db
12% Popularity • 76% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
12% Popularity • 76% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
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Cybor-Punx
Circuit Cataclysm
128 bpm • D Maj • 01:09 • -11.26db
22% Popularity • 80% Danceability • 87% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
22% Popularity • 80% Danceability • 87% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Disea Wilson
Pump Party Letter
130 bpm • C# Maj • 02:20 • -10.37db
21% Popularity • 72% Danceability • 67% Energy • 13% Liveness
87% Instrumentalness • 57% Positiveness
21% Popularity • 72% Danceability • 67% Energy • 13% Liveness
87% Instrumentalness • 57% Positiveness
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3 Lights
Elevation
128 bpm • F min • 02:15 • -15db
15% Popularity • 68% Danceability • 76% Energy • 20% Liveness
88% Instrumentalness • 17% Positiveness
15% Popularity • 68% Danceability • 76% Energy • 20% Liveness
88% Instrumentalness • 17% Positiveness
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Cousin
2 - Icy Dub
130 bpm • A# min • 06:40 • -11.95db
16% Popularity • 79% Danceability • 75% Energy • 56% Liveness
90% Instrumentalness • 41% Positiveness
16% Popularity • 79% Danceability • 75% Energy • 56% Liveness
90% Instrumentalness • 41% Positiveness
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bbetter off
no fuss
130 bpm • F# min • 02:36 • -6.36db
14% Popularity • 80% Danceability • 64% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
14% Popularity • 80% Danceability • 64% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
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Shigeto
The Approach
128 bpm • A# min • 07:15 • -12.15db
7% Popularity • 80% Danceability • 86% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
7% Popularity • 80% Danceability • 86% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
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Alxel Del Santi
Andy Keys
128 bpm • C# Maj • 01:01 • -10.26db
12% Popularity • 80% Danceability • 90% Energy • 5% Liveness
88% Instrumentalness • 50% Positiveness
12% Popularity • 80% Danceability • 90% Energy • 5% Liveness
88% Instrumentalness • 50% Positiveness
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Foreign Material
From the Lights
128 bpm • C# Maj • 06:52 • -12.2db
11% Popularity • 57% Danceability • 88% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 57% Danceability • 88% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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mimetic64
Bass Rave (House Edition)
128 bpm • C# Maj • 04:46 • -14.28db
10% Popularity • 79% Danceability • 50% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
10% Popularity • 79% Danceability • 50% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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DJ Atelon
Subterranean Pulse
130 bpm • A min • 02:04 • -15.26db
19% Popularity • 80% Danceability • 70% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 80% Danceability • 70% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Paul Kalkbrenner
Peet
130 bpm • A min • 03:27 • -13.7db
40% Popularity • 80% Danceability • 68% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
40% Popularity • 80% Danceability • 68% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Commix
Satellite Type 2
130 bpm • G min • 03:48 • -9.1db
10% Popularity • 66% Danceability • 72% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
10% Popularity • 66% Danceability • 72% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
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Blawan
Careless
128 bpm • F# min • 06:02 • -9db
19% Popularity • 81% Danceability • 68% Energy • 13% Liveness
82% Instrumentalness • 52% Positiveness
19% Popularity • 81% Danceability • 68% Energy • 13% Liveness
82% Instrumentalness • 52% Positiveness
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Renil Edis
Marocco
128 bpm • C Maj • 05:32 • -9.83db
13% Popularity • 72% Danceability • 81% Energy • 28% Liveness
74% Instrumentalness • 13% Positiveness
13% Popularity • 72% Danceability • 81% Energy • 28% Liveness
74% Instrumentalness • 13% Positiveness
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Void Of Vision
Adrenaline
128 bpm • G Maj • 01:31 • -11.25db
14% Popularity • 63% Danceability • 50% Energy • 55% Liveness
92% Instrumentalness • 32% Positiveness
14% Popularity • 63% Danceability • 50% Energy • 55% Liveness
92% Instrumentalness • 32% Positiveness
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Alexander Church
Pacific Rush
130 bpm • F# Maj • 06:24 • -8.93db
24% Popularity • 69% Danceability • 70% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
24% Popularity • 69% Danceability • 70% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
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Luke Hess
Hidden Dimension - Original Mix
128 bpm • G# Maj • 05:28 • -12.49db
20% Popularity • 71% Danceability • 72% Energy • 16% Liveness
84% Instrumentalness • 49% Positiveness
20% Popularity • 71% Danceability • 72% Energy • 16% Liveness
84% Instrumentalness • 49% Positiveness
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Tranceumo
Escape real enemy
130 bpm • G# min • 01:14 • -18.53db
23% Popularity • 62% Danceability • 62% Energy • 13% Liveness
87% Instrumentalness • 24% Positiveness
23% Popularity • 62% Danceability • 62% Energy • 13% Liveness
87% Instrumentalness • 24% Positiveness
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Eteomarix
Wood Madness (Radio)
130 bpm • B min • 03:36 • -10.75db
22% Popularity • 61% Danceability • 86% Energy • 16% Liveness
97% Instrumentalness • 55% Positiveness
22% Popularity • 61% Danceability • 86% Energy • 16% Liveness
97% Instrumentalness • 55% Positiveness
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Elyzze
Circus - Radio Edit
130 bpm • E Maj • 02:14 • -17.15db
23% Popularity • 79% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
23% Popularity • 79% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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James Ruskin
Post-Traumatic Son - DVS1 Pessimist Mix
128 bpm • G Maj • 07:03 • -11.56db
14% Popularity • 87% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 87% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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moktar
North Africa
130 bpm • G Maj • 06:02 • -9.63db
32% Popularity • 63% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
32% Popularity • 63% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Tom Dicicco
So Called Vision
128 bpm • B min • 06:48 • -10.35db
19% Popularity • 79% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 39% Positiveness
19% Popularity • 79% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 39% Positiveness
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Daniele Iannacone
Old Building - Original Mix
128 bpm • E min • 05:45 • -9.23db
0% Popularity • 69% Danceability • 95% Energy • 9% Liveness
83% Instrumentalness • 33% Positiveness
0% Popularity • 69% Danceability • 95% Energy • 9% Liveness
83% Instrumentalness • 33% Positiveness
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Adiel
Cavallina
130 bpm • G Maj • 07:37 • -12.8db
21% Popularity • 80% Danceability • 56% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
21% Popularity • 80% Danceability • 56% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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RouEst
Warcry
130 bpm • B min • 05:04 • -12.1db
13% Popularity • 62% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
13% Popularity • 62% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
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Sleep D
Hydralite
128 bpm • C Maj • 07:30 • -10.84db
16% Popularity • 73% Danceability • 69% Energy • 11% Liveness
83% Instrumentalness • 17% Positiveness
16% Popularity • 73% Danceability • 69% Energy • 11% Liveness
83% Instrumentalness • 17% Positiveness
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Voiski
Reaffirming Eternity
130 bpm • F min • 06:29 • -9.59db
10% Popularity • 59% Danceability • 95% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
10% Popularity • 59% Danceability • 95% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Aversa
Sab Otti
130 bpm • B Maj • 00:59 • -13.92db
12% Popularity • 79% Danceability • 68% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
12% Popularity • 79% Danceability • 68% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
