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No Time for Tears
Songs like
No Time for Tears
by
The Enemy
Based on a tempo of (+/- 10%) and a similar genre
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The Enemy
No Time for Tears
177 bpm • B min • 05:13 • -6.4db
24% Popularity • 43% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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The Paddingtons
Some Old Girl
177 bpm • B min • 03:04 • -1db
14% Popularity • 24% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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The Rakes
That's the Reason
178 bpm • D Maj • 02:47 • -2db
11% Popularity • 45% Danceability • 98% Energy • 4% Liveness
11% Instrumentalness • 80% Positiveness
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The Libertines
Don't Look Back into the Sun
176 bpm • C min • 03:00 • -3.99db
62% Popularity • 21% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Young Knives
Counters
178 bpm • B min • 04:10 • -2.73db
9% Popularity • 53% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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The Fratellis
Cuntry Boys & City Girls
179 bpm • F# Maj • 03:31 • -3.7db
34% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Enemy
Magic
176 bpm • F Maj • 03:41 • -4.84db
13% Popularity • 39% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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The K's
Aurora
179 bpm • A Maj • 04:00 • -5.99db
39% Popularity • 25% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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The Rakes
The Loneliness of the Outdoor Smoker
175 bpm • A# Maj • 02:07 • -2.69db
16% Popularity • 41% Danceability • 88% Energy • 21% Liveness
40% Instrumentalness • 55% Positiveness
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Morning Runner
Gone up in Flames
175 bpm • G Maj • 02:54 • -3.58db
38% Popularity • 29% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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The Holloways
F**k Ups
179 bpm • A Maj • 03:09 • -2db
9% Popularity • 26% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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We Are Scientists
Ambition
180 bpm • C min • 03:13 • -2.94db
3% Popularity • 39% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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The Futureheads
Stupid and Shallow
180 bpm • E Maj • 01:35 • -3db
20% Popularity • 40% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 81% Positiveness
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Primal Scream
Suicide Bomb
180 bpm • A Maj • 05:51 • -4.75db
16% Popularity • 41% Danceability • 74% Energy • 20% Liveness
33% Instrumentalness • 70% Positiveness
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The K's
Got a Feeling
180 bpm • A Maj • 03:08 • -1.92db
34% Popularity • 37% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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The Rakes
We Are All Animals
180 bpm • A min • 04:08 • -6db
18% Popularity • 62% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 88% Positiveness
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The Vaccines
Wreckin' Bar (Ra Ra Ra)
180 bpm • G# Maj • 01:21 • -3db
54% Popularity • 28% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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The Bluetones
Cut Some Rug
181 bpm • A Maj • 04:32 • -6.25db
28% Popularity • 22% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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The Maccabees
About Your Dress
173 bpm • F Maj • 02:14 • -3.49db
35% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Jamie T
Operation
173 bpm • F# min • 05:48 • -4.52db
30% Popularity • 58% Danceability • 82% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
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The Paddingtons
Worse For Wear
173 bpm • A Maj • 02:32 • -1.25db
10% Popularity • 23% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Underground Heroes
Skinny Twins
172 bpm • D min • 03:37 • -7db
14% Popularity • 45% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Ordinary Boys
Life Will Be the Death of Me
172 bpm • D Maj • 02:21 • -5.21db
16% Popularity • 46% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Glasvegas
S.A.D. Light
172 bpm • G Maj • 03:59 • -6.89db
21% Popularity • 37% Danceability • 87% Energy • 19% Liveness
1% Instrumentalness • 31% Positiveness
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Air Traffic
Get in Line
172 bpm • G Maj • 02:06 • -2.8db
12% Popularity • 29% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 49% Positiveness
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The Futureheads
Decent Days and Nights
172 bpm • E Maj • 02:32 • -2.96db
35% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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The Seahorses
Blinded By The Sun
172 bpm • D Maj • 04:37 • -7.58db
46% Popularity • 35% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Doves
Black And White Town
172 bpm • C# Maj • 04:15 • -6.23db
42% Popularity • 31% Danceability • 85% Energy • 11% Liveness
36% Instrumentalness • 23% Positiveness
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Ocean Colour Scene
Get Blown Away
171 bpm • C# Maj • 04:41 • -6.79db
36% Popularity • 22% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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The Maccabees
X-Ray
182 bpm • F# min • 03:15 • -4db
33% Popularity • 26% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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We Are Scientists
Callbacks
171 bpm • C Maj • 02:02 • -5.25db
25% Popularity • 40% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Biffy Clyro
Saturday Superhouse
171 bpm • F# min • 03:19 • -4db
35% Popularity • 43% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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The Paddingtons
Panic Attack
170 bpm • A Maj • 03:29 • -1.74db
22% Popularity • 13% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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The K's
Glass Towns
184 bpm • D Maj • 02:54 • -2.93db
36% Popularity • 35% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Snow Patrol
Ways & Means
170 bpm • D Maj • 04:47 • -5.68db
31% Popularity • 44% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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The Maccabees
Pelican
184 bpm • D Maj • 03:44 • -4.41db
38% Popularity • 39% Danceability • 92% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
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The Reytons
Broke Boys Cartel
170 bpm • B min • 02:49 • -4db
47% Popularity • 51% Danceability • 92% Energy • 82% Liveness
0% Instrumentalness • 77% Positiveness
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The Enemy
Bigger Cages (Longer Chains)
170 bpm • F# min • 02:57 • -2.1db
12% Popularity • 36% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Little Man Tate
This Girl Isn't My Girlfriend
170 bpm • C Maj • 03:03 • -4.53db
16% Popularity • 39% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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The Enemy
Silver Spoon
170 bpm • C Maj • 11:17 • -7.17db
8% Popularity • 26% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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One Night Only
You and Me
185 bpm • C Maj • 03:24 • -5.53db
20% Popularity • 47% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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The Futureheads
A to B
170 bpm • E Maj • 02:27 • -4.48db
20% Popularity • 53% Danceability • 95% Energy • 16% Liveness
1% Instrumentalness • 89% Positiveness
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Cajun Dance Party
The Next Untouchable
169 bpm • G Maj • 05:04 • -3db
19% Popularity • 31% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Morning Runner
Have a Good Time
169 bpm • B Maj • 03:44 • -3.94db
11% Popularity • 36% Danceability • 87% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
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Little Man Tate
What Your Boyfriend Said
170 bpm • A Maj • 03:55 • -5.55db
12% Popularity • 40% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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The Paddingtons
First Comes First
168 bpm • C# min • 02:55 • -0.64db
13% Popularity • 21% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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The Maccabees
Latchmere
168 bpm • C Maj • 03:01 • -3.99db
36% Popularity • 19% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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The Futureheads
Hounds of Love
168 bpm • A Maj • 03:02 • -3.8db
50% Popularity • 36% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Klaxons
Totem On The Timeline
168 bpm • E Maj • 02:41 • -3.31db
35% Popularity • 35% Danceability • 91% Energy • 48% Liveness
78% Instrumentalness • 73% Positiveness
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The Libertines
What Became of the Likely Lads
168 bpm • A Maj • 03:23 • -3.97db
25% Popularity • 31% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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The Holloways
Dancefloor
168 bpm • E Maj • 03:57 • -2.65db
18% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Twisted Wheel
What's Your Name
168 bpm • E Maj • 03:57 • -2.81db
8% Popularity • 15% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Spector
Friday Night, Don't Ever Let It End
167 bpm • F Maj • 03:49 • -3.05db
27% Popularity • 37% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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The Enemy
Make a Man
167 bpm • F# Maj • 02:47 • -1.63db
8% Popularity • 19% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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The Sherlocks
Magic Man
166 bpm • D# Maj • 03:46 • -3.34db
27% Popularity • 33% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Futureheads
Le Garage
190 bpm • A Maj • 01:45 • -3db
23% Popularity • 30% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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The Enemy
Let Me Know
165 bpm • G# min • 02:58 • -3.49db
17% Popularity • 47% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Twisted Wheel
Oh What Have You Done
188 bpm • D Maj • 02:59 • -1.69db
18% Popularity • 18% Danceability • 99% Energy • 62% Liveness
0% Instrumentalness • 37% Positiveness
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Biffy Clyro
Cloud of Stink
190 bpm • C# Maj • 02:55 • -6.62db
13% Popularity • 44% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Little Man Tate
Sexy In Latin
190 bpm • C Maj • 03:22 • -4db
36% Popularity • 24% Danceability • 89% Energy • 65% Liveness
0% Instrumentalness • 54% Positiveness
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The Rakes
The Guilt
165 bpm • C Maj • 03:47 • -5.26db
13% Popularity • 38% Danceability • 87% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
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The Libertines
Can't Stand Me Now
164 bpm • E Maj • 03:23 • -3.21db
60% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Young Knives
She's Attracted To
164 bpm • D Maj • 03:06 • -5db
18% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Enemy
1-2-3-4
164 bpm • F# Maj • 02:59 • -2.15db
13% Popularity • 41% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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Biffy Clyro
A Whole Child Ago
164 bpm • D Maj • 04:21 • -6.04db
20% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Cribs
You're Gonna Lose Us
163 bpm • E Maj • 02:38 • -1.97db
28% Popularity • 40% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Rakes
22 Grand Job
163 bpm • B min • 01:46 • -3.03db
34% Popularity • 49% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
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The Holloways
Happiness And Penniless
164 bpm • B Maj • 02:50 • -2.93db
11% Popularity • 41% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Larrikin Love
Downing Street Kindling - New Version
162 bpm • G Maj • 02:38 • -4db
9% Popularity • 37% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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The Enemy
Gimme the Sign
162 bpm • C# Maj • 03:09 • -3.01db
17% Popularity • 29% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Little Man Tate
Little Big Man
162 bpm • A Maj • 03:10 • -3.47db
13% Popularity • 32% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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The Rifles
Peace & Quiet
161 bpm • F# min • 02:44 • -4.19db
32% Popularity • 21% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Ordinary Boys
Brassbound
161 bpm • B Maj • 03:02 • -6.59db
13% Popularity • 50% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Cajun Dance Party
Amylase
161 bpm • F Maj • 03:41 • -2db
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Kooks
See The World
161 bpm • G Maj • 02:38 • -4.02db
44% Popularity • 30% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Athlete
Beautiful
160 bpm • D Maj • 03:47 • -5.72db
26% Popularity • 40% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Little Man Tate
Audrey Hepburn
160 bpm • C Maj • 03:54 • -5.93db
17% Popularity • 44% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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The Enemy
Away from Here - BBC Radio 1 Live Versio...
160 bpm • C Maj • 02:59 • -8.27db
27% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Ordinary Boys
Weekend Revolution
161 bpm • B min • 03:05 • -4.05db
12% Popularity • 40% Danceability • 98% Energy • 4% Liveness
1% Instrumentalness • 51% Positiveness
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Jamie T
Rabbit Hole
160 bpm • G min • 03:39 • -3.43db
42% Popularity • 49% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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We Are Scientists
Nice Guys
160 bpm • A Maj • 02:54 • -4db
6% Popularity • 43% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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The Enemy
Turn It On
160 bpm • C# Maj • 03:33 • -2.8db
10% Popularity • 39% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Biffy Clyro
Who's Got a Match?
159 bpm • D Maj • 02:23 • -5.2db
38% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Babyshambles
Babyshambles
197 bpm • E min • 02:22 • -4.36db
16% Popularity • 19% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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The Ordinary Boys
Maybe Someday
196 bpm • D Maj • 02:19 • -3.18db
14% Popularity • 25% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Graham Coxon
Freakin' Out
158 bpm • B min • 03:41 • -5.64db
34% Popularity • 42% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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We Are Scientists
It's A Hit
160 bpm • C# min • 03:26 • -4db
31% Popularity • 38% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Cast
Fine Time
198 bpm • B Maj • 03:06 • -7.86db
45% Popularity • 25% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Enemy
Everybody Needs Someone
158 bpm • E Maj • 03:45 • -4.67db
25% Popularity • 34% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Biffy Clyro
Mountains
158 bpm • C# Maj • 03:23 • -2db
29% Popularity • 49% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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The Ordinary Boys
Talk Talk Talk
158 bpm • C Maj • 03:12 • -4.31db
23% Popularity • 55% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Charlatans
How High
199 bpm • C Maj • 03:05 • -2.42db
19% Popularity • 14% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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We Are Scientists
Cash Cow
160 bpm • C Maj • 02:35 • -4db
34% Popularity • 41% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Holloways
So This Is Great Britain?
158 bpm • B Maj • 03:01 • -2.61db
12% Popularity • 38% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Enemy
Away from Here - US Version
158 bpm • C# Maj • 03:00 • -5db
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Little Man Tate
Who Invented These Lists?
157 bpm • A min • 02:54 • -3.86db
13% Popularity • 46% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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The Automatic
Accessories
158 bpm • F# min • 03:59 • -3.27db
12% Popularity • 27% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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The Rifles
Minute Mile
157 bpm • G Maj • 03:37 • -3.28db
21% Popularity • 50% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Twisted Wheel
You Stole the Sun
156 bpm • F Maj • 03:51 • -3.12db
27% Popularity • 34% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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We Are Scientists
What's The Word
156 bpm • B min • 03:17 • -3.89db
21% Popularity • 43% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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No Time for Tears